Une Danse Empreinte De Violence
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Berliner Jazztage the Philharmonie, Berlin, Germany November 7, 1981
Berliner Jazztage The Philharmonie, Berlin, Germany November 7, 1981 The Lounge Lizards was an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in- cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie’s sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group. The group’s name was borrowed from American slang. A lounge lizard is typically depicted as a well-dressed man who frequents the establishments in which the rich gather with the intention of seducing a wealthy woman with his flattery and deceptive charm. - wikipedia + + + + + Thanks to unclewolfi for sharing the show at Dime. Lineage: dvb-s > techno trend tt-premium s2-6400 twin hd > hdd > nero wave editor > flac (mpeg1 layer 2/320 kbps) [radio station - rbb kulturradio] MP3 Version 01. Announcement Gudrun Endress 0:25 02. Incident On South Street 2:17 03. Stompimg At Corona 2:16 04. Announcement John Lurie 0:12 Lounge Lizards Berlin 1981 The 05. The Dancing Gangster 2:58 06. Announcement John Lurie 0:09 07. Sumerian High Life 2:41 08. Announcement John Lurie 0:09 09. Epistrophy 4:40 10. Announcement John Lurie 0:15 11. Ballad 3:12 12. Announcement John Lurie 0:11 13. Conquest Of Rar 2:42 14. Announcement John Lurie 0:21 15. Wangling 2:39 The Lounge Lizards Berlin 1981 The 16. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Jazz Picks GREG DRYGALA PICKS SOME RECENTLY RELEASED JAZZ FAVOURITES
■ JAZZ RECORD REVIEWS Jazz Picks GREG DRYGALA PICKS SOME RECENTLY RELEASED JAZZ FAVOURITES MARIO ROM’S INTERZONE THE SIRKIS/BIALAS INTERNATIONAL ASAF SIRKIS TRIO Everything is Permitted QUARTET The Monk Traumton 705304462225 Come to Me SAM Productions 8015948090152 Stonebird Productions B00PF81D12 Austrian trio This is an earlier Interzone is run This impressive recording from the by trumpeter project, co-led by trio, dating back Mario Rom, who an Israeli drummer to 2008, but I was composed six of and a Polish singer, tempted to revisit the ten pieces on brings together a it due to its electric this disc; three warm romantic instrumental line- more come from band-mate and bass player tradition with a up. I rate Sirkis highly for his versatility and Lukas Kranzelbinder. (The final track is the nostalgic journey through jazz landscapes. his bravery to jump into different territories: Bernie Wayne classic Blue Velvet.) The sound The International Quartet here is completed exploring, learning and adding even more throughout is fresh and vivid, showing great by British keyboard player Frank Harrison variety into his artillery of expression. The artistic imagination. From the first note, and American bassist Patrick Bettison, both Monk is altogether more minimal than other the opening trumpet solo’s straightforward of which make an important contribution. music I know from him, and is not even bright tone takes no prisoners, and the But the core co-operation here is the particularly rooted only in jazz. Careful section working hard behind shows the same mesmerising connection between Sylwia listening, however, helped me discover many unstoppable vitality. -
Parker Curtis
MARC RIBOT “CERAMIC DOG” Marc Ribot, guitarra, voz; Shahzad Ismaily, bajo, electrónica; Ches Smith, batería, electrónica. www.marcribot.com https://www.youtube.com/watch?v=EyhGNklqArU (Full performance) https://www.youtube.com/watch?v=SP7bdigwRgU (Never again, muslim jewish resistance) https://vimeo.com/114354148 (Take Five at Cully Festival) Un colectivo free/punk/funk/experimental, con Marc Ribot (John Zorn, Tom Waits, etc.), más dos de los mejores músicos jóvenes de la escena rock underground improv/experimental de Nueva York y California Shahzad Ismaily: bajo/electrónica (Ben Frost, Carla Kihlstedt, Sam Amidon) y Ches Smith: batería (Xiu Xiu, Secret Chiefs 3, Trevor Dunn, Carla Bozulich). El último álbum de Ceramic Dog, Your Turn, ha estado en varias listas como “mejor álbum de 2013”, como en las de las revistas PopMatters, Alarm Magazine y Something Else. ARCO Y FLECHA www.arcoyflecha.es Telf. 93 238.76.62. Fax 93 23872 98 [email protected] P.O.BOX.9093 - 08080 - BARCELONA Ceramic Dog es “una banda de verdad”. “Un colectivo - tal y como lo definen sus componentes– de free, punk, funk, música experimental, psicodelia y post electrónica”. En éste, uno de sus proyectos más recientes, Marc Ribot vuelve a dirigir uno de sus característicos collages sonoros en los que la improvisación colectiva, el espíritu rock underground y la experimentación electrónica se dan la mano. Lo acompañan Shahzad Ismaily (Two Foot Yard, Secret Chiefs 3) al bajo y efectos, y Ches Smith (Good for Cows, Convulsant, Ben Goldberg) a la batería y efectos, dos jóvenes músicos en los que ha encontrado la complicidad y la energía para volver a salir de gira y tragar kilómetros de carretera como una (auténtica) banda de rock que pretende ir siempre más allá. -
The Interstitial, Musical Authenticity, and Social Identity
Hector N. Qirko* The Interstitial, Musical Authenticity, and Social Identity Resumen: Se exploran los procesos de autentificación musical examinando las reacciones de expertos de música y auditorios frente a la música de un grupo neoyorquino ‘intersticial’, es decir, entre diferentes géneros, “Los Cubanos Postizos”. Parece que cuestiones de autenticidad musical son de importancia para los críticos y el auditorio del grupo, al contrario de las expectativas basa- das en características del arte posmoderno, de la globalización social y de la constitución compleja del grupo mismo. De 54 comentarios examinados (im- presos, distribuidos por el Internet, o en entrevistas), 40 definen autenticidad por uno o más de los cuatro criterios siguientes: intención artística, característi- cas musicales técnicas, emoción musical y las credenciales de los artistas. Esto sugiere la continuidad de la relevancia de la autentificación para la formación y el mantenimiento de identidades de grupos en la sociedad contemporánea. Summary: This paper explores the process of musical authentication by examining the reactions of music experts and audiences to the music of an interstitial (inter-genre) New York group, “Los Cubanos Postizos”. Contrary to expectations based on characteristics of postmodern art, social globalization, and the complicated nature of the group itself, issues of musical authenticity appear to be important to the band’s reviewers and audience. Of 54 print, web, and interview commentaries examined, 40 address authenticity by means of one or more of the following four criteria: artistic intent, technical musical characteristics, musical emotion, and the credentials of the artists. This suggests the continuing relevance of authentication to the formation and maintenance of group identities in contemporary society. -
James Blood Ulmer (Left) and David Murray in New York City, March 7
James Blood Ulmer (left) and David Murray in New York City, March 7 By Howard Mandel | Photography by Jack Vartoogian/FrontRowPhotos big, bearish man sat before a microphone at the lip of the stage, growling out simple, declarative rhymes while plucking raw discords and jagged melody fragments from a Gibson electric guitar in his lap. To his left, 15 cramped musicians xed their eyes on the hand gestures and body language of their conductor, a somewhat smaller man in a blue Asuit and ope n-collar white shirt, who sometimes turned to face the audience and blow his tenor sax. When he did so, he thrust his head forth and sound check on that day early last spring. “He is as much a part of harmolodics as Ornette. To jaw out, puffed his cheeks, hunched his shoul- was the rst horn player to read my music off me, harmolodics grew out of the way Blood plays ders and, rocking in rhythm, projected a stream the score. When he’d just come to New York”— naturally.” of burry notes that cut a broad path through which was in 1978, as a graduate of Pomona Ulmer’s natural way of playing is earthy, rich the thicket of sound he’d just waved up from College in California—“he played on six of with overtones, insistent yet also unpredictable. the musicians, demonstrating the myriad ways my records, starting with Are You Glad To He grew up poor in St. Matthews, S.C., and rst a song might turn or take off. His musicians Be In America? and in the Music Revelation played a contraption his father made him. -
Lounge Lizards Voice of Chunk Mp3, Flac, Wma
Lounge Lizards Voice Of Chunk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Voice Of Chunk Country: France Released: 1989 Style: Contemporary Jazz MP3 version RAR size: 1867 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1563 mb Rating: 4.9 Votes: 744 Other Formats: MP2 ADX DTS DMF AIFF VOX MP4 Tracklist A1 Bob The Bob 2:07 A2 Voice Of Chunk 5:25 A3 One Big Yes 6:23 A4 The Hanging 4:43 B1 Uncle Jerry 4:19 B2 A Paper Bag And The Sun 7:42 B3 Tarantella 4:06 B4 Bob The Bob (Home) 3:29 Companies, etc. Duplicated By – Disco / France Credits Bass – Erik Sanko Drums – Douglas Browne* Guitar, Trumpet – Marc Ribot Percussion – E.J. Rodriguez Piano – Evan Lurie Producer – John Lurie Saxophone [Alto, Soprano] – John Lurie Saxophone [Tenor, Alto, Soprano] – Roy Nathanson Trombone – Curtis Fowlkes Notes French cassette version (Milan). Same tracklisting than the LP "The Lounge Lizards - Voice of Chunk" Barcode and Other Identifiers Barcode: 3299031 050246 Rights Society: SACEM SACD SDRM SGDL Other versions Category Artist Title (Format) Label Category Country Year The Lounge Voice Of Chunk Lagarto LAGCD003 LAGCD003 US 1989 Lizards* (CD, Album) Productions The Lounge Voice Of Chunk vBr 25 veraBra Records vBr 25 Germany 1989 Lizards* (LP, Album) Lounge Voice of Chunk (LP, GLLP 91029 Gala Records GLLP 91029 Italy 1989 Lizards Album) The Lounge Voice Of Chunk vBr CD No. 25 veraBra Records vBr CD No. 25 Germany 1989 Lizards* (CD, Album) The Lounge Voice Of Chunk PCCY-00013 Agharta PCCY-00013 Japan 1989 Lizards* (CD, Album) Related Music albums to Voice Of Chunk by Lounge Lizards Guigou Chenevier / Denis Bernet-Rollande - Le Diapason Du Père Ubu Evan Lurie - Il Piccolo Diavolo - Ein Himmlischer Teufel (Original Soundtrack) Ed 'Chunk' Rodriguez - More Love (Remixes) Suzi Chunk And Groovy Uncle - Barefoot In The Car Park Chunk!, Chunk - Something For Nothing Lounge Lizards - Big Heart Lounge Lizards - No Pain For Cakes The Lounge Lizards - Live In Tokyo - Big Heart. -
Booking Folder 2014
Open for gigs Europe Period: February 2014 Soundscapes Groove Improvisation Artist Line up: G.Calvin Weston Drums and Vocals Harry Triendl Touch guitar, Keyboards, Vocals Krzysztof Majchrzak Bass and electric Guitar Travelparty : 3 Open dates in February 2014 : 1st, 5th, 7th e and the 9th Contact: Basic information Monica Scheepers Paul Keijzer E; [email protected] E: [email protected] M: +31625 100 300 T: +3170 - 30 40 489 S: Monicaways M:+31683.974 085 MO-Music Talent Soundscapes - Groove - Improvisation A trio that blends in then cruise around sound frequencies and improv movements, funk- jazz- fusion its all spontaneous and all in real time. Nothing is planned out nothing is written. It’s all from the heart and the soul and full of imagination! Just use your mine and ears and go with the spirits !! G. Calvin Weston - Drums and Vocals Weston has blazed a harmolodic, funkadelic trail through modern jazz. This record is a culmination of recordings made on the West Coast and his hometown of Philadelphia. Weston puts his Midas touch on electronics and acoustic instruments that blow the socks off any jazz-rock poser out there. Listen to the man who funked-up Ornette Coleman in the 1970s. “Weston lays down a ferocious groove with ecstatic shouts … tugging rhythmic displacements that tease like thunder and lightning throughout.” - All About Jazz Krzysztof Majchrzak - Bass and electric Guitar After a period of active participation in the creation of a new wave of Polish jazz, he has settled in France. His musical universe is at the crossroads of different musical cultures and different ABOUT sources of inspiration from contemporary music through harmolodic to rock, jazz and ethnic music). -
Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.