DOCSLIB.ORG

Memorable Sticks Press Release Final

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Memorable Sticks Press Release Final Contact: Sheena Hong +1 (617) 816-6522 [email protected] Spring 2016 For-tune Album release: Sean Noonan “Memorable Sticks" “…it’s safe to say that you’ve never heard music like this before…will have you wondering why Sean Noonan isn’t a household name.” – Mark Saleski, Blogcritics.org The Spring 2016 release of “Memorable Sticks" is a reflection of how Drummer/composer Sean Noonan sees himself, a modern-day sonic griot. In the spirit of those traveling African storytellers, Noonan wanders the world gathering stories, legends, and folklore like a punk-jazz Alan Lomax. The treasures that he finds along the way are filtered through his distinctive vision to become the unpredictable and far-ranging sounds of Noonan’s wide-spectrum music, which combines the eloquence of an Irish bard, the narrative rhythms of Samuel Beckett, and the raw physicality of a street-smart boxer. "Memorable Sticks” is available on For-tune Records, is an electric epic experience taking hold of funk punked-up jazz new music utilizing Noonan's "wandering folk music theory”. With “Memorable Sticks", Noonan adopts a magical scepter (The Immortal Rod (Wiekopomna Laska) to dig the depths of the Wieliczka underworld revealing "Hidden Treasures" protected by its treasurer, Skarbnik and apparition "White Lady Bieliczka”. Bieliczka appears with her Krasnolodki (dwarfs) in tears courting Noonan to carry her from the salt mine. The Immortal Rod (Wiekopomna Laska) is a symbol of power and authority in the salt mine, and is always in the Foreman's possession. When the miners chip away at a wall of salt, the clatter of their pickaxes resounds from wall to wall, from floor to ceiling and, finding no outlet, soaks into the saline bedrock. The mine's walls remember everything – the voices of people, as well as horses. The memories residing in the walls can be awakened, upon being struck by the Rod. Sean Noonan penetrates the depths of Wieliczka's underworld, using a pair of magical drumsticks, and reveals the Hidden Treasures guarded by Skarbnik, the treasurer of that mine. Noonan encounters an apparition – the White Lady, Wieliczka, along with her dwarfs – who beseeches him, in tears, to take her from the salt mine. Through the power of the Immortal Rod, they are transported to South Africa where, in a culminating moment, we hear songs of praise and greeting (Nangadef) for the great Zulu king, Shaka. Does the journey end here? Or, perhaps, is this the beginning, or is it the end? About Noonan: An Irish-American drummer with a theatrical bent and a passion for African rhythms, Sean Noonan’s nomadic muse has led Noonan in a wealth of unexpected directions, resulting in an explosion of unclassifiable releases and projects spanning more than 19 albums and hundreds of performances in more than a dozen countries, including such international festivals as Timezone Festival, EFG London Jazz, Bergen Natt Jazz, Incubate and Jazz Liege. He’s worked with an incredible array of artists from across the literal and musical map, including Abdoulaye Diabaté, Marc Ribot, Jamaaladeen Tacuma, Mat Maneri, Susan McKeown, and Can’s Malcolm Mooney. The results take on many forms, each as surprising and inventive as the last: currently they include the Pavees Electric Trio, with U.K.-based keyboardist Johnny Richards and bassist Michael Bardon, is the latest chapter in Noonan’s Pavees Dance series combining funk, punk and jazz with the spirit of Irish wayfarers; Zappanation, a 10-piece ensemble project ionizing the music of Frank Zappa and Edgard Varèse; Bartalk, a spasmodic solo drum performance art piece; the Brooklyn Lager Trio, a Bavarian punk-jazz sax/guitar/drums triad (some believe Noonan is the reincarnation of King Ludwig II, the last Bavarian monarch); or his ongoing series of drum set concertos for orchestra. About Marcelo: Alexis Marcelo is a pianist who instinctively creates sounds from a wide range of influences. His training began at the Harlem School of the Arts learning from JD Parran (AACM) and continued at the University of Massachusetts at Amherst where he studied composition with Yusef Lateef. Alexis Marcelo benefitted greatly from growing up in New York City as a black Latino. He was exposed to Hip Hop, Rock, Salsa, Merengue, and Gospel music. His studies led him to the greats in African American music where he fell in love with Thelonious Monk, John Coltrane, Miles Davis, and Wayne Shorter. The unique sound of Alexis Marcelo comes from all of these influences and aims to capture the soulful expression of man. He’s performed overseas and domestically at various festivals and prestigious venues. They include the North Sea Jazz Festival (Holland-Yusef Lateef), the Detroit Jazz Festival (Yusef Lateef), Etnafest (Italy-Yusef Lateef), Mediawave Festival (Hungary-The Hub), Alice Tully Hall in New York City as well as multiple tours to Germany, Poland, United Kingdom, and Denmark. He has also recorded multiple albums with former professor and mentor Yusef Lateef. He has just recorded his first album (coming out summer of 2013) and can be heard on current recordings with Mike Pride’s from Bacteria to Boys, Adam Rudolph’s Go Orchestra, Sean Noonan’s Set the Hammer Free, and a new recording with Malcolm Mooney (Can). Alexis Marcelo is a very unique pianist who looks to provide a soulful experience. About Bitenc: Bassist Peter Bitenc grew up in Milwaukee, Wisconsin where he was gigging in local clubs not long after taking up the bass at age 15. Peter attended the New England Conservatory of Music where he studied with Steve Lacy, Cecil McBee, and Jerry Bergonzi and graduated with a degree in Jazz Studies in 2004. Peter moved to New York City in 2005 where he is active in the Jazz, Rock and Bluegrass scenes. He has toured extensively with the Sweetback Sisters and has recorded 3 records with them including 2010s "Looking for a Fight" released on Signature Sounds. Peter's solo project, Hunter Gatherer, features his songwriting, singing and guitar playing. He is also a member of Mike Pride's From Bacteria 2 Boys, where he has recorded two records and Daniel Levin's Quartet where he has recorded four records. Some other musicians Peter has performed with include Nate Wooley, Matt Moran, Joe Morris, Jon Irabagon, Darius Jones and Rob Brown. For more information visit http://seannoonanmusic.com For-tune homepage visit http://store.for-tune.pl/sean-noonan-memorable-sticks.
Load more

Recommended publications
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • James Blood Ulmer (Left) and David Murray in New York City, March 7
    James Blood Ulmer (left) and David Murray in New York City, March 7 By Howard Mandel | Photography by Jack Vartoogian/FrontRowPhotos big, bearish man sat before a microphone at the lip of the stage, growling out simple, declarative rhymes while plucking raw discords and jagged melody fragments from a Gibson electric guitar in his lap. To his left, 15 cramped musicians xed their eyes on the hand gestures and body language of their conductor, a somewhat smaller man in a blue Asuit and ope n-collar white shirt, who sometimes turned to face the audience and blow his tenor sax. When he did so, he thrust his head forth and sound check on that day early last spring. “He is as much a part of harmolodics as Ornette. To jaw out, puffed his cheeks, hunched his shoul- was the rst horn player to read my music off me, harmolodics grew out of the way Blood plays ders and, rocking in rhythm, projected a stream the score. When he’d just come to New York”— naturally.” of burry notes that cut a broad path through which was in 1978, as a graduate of Pomona Ulmer’s natural way of playing is earthy, rich the thicket of sound he’d just waved up from College in California—“he played on six of with overtones, insistent yet also unpredictable. the musicians, demonstrating the myriad ways my records, starting with Are You Glad To He grew up poor in St. Matthews, S.C., and rst a song might turn or take off. His musicians Be In America? and in the Music Revelation played a contraption his father made him.
    [Show full text]
  • Booking Folder 2014
    Open for gigs Europe Period: February 2014 Soundscapes Groove Improvisation Artist Line up: G.Calvin Weston Drums and Vocals Harry Triendl Touch guitar, Keyboards, Vocals Krzysztof Majchrzak Bass and electric Guitar Travelparty : 3 Open dates in February 2014 : 1st, 5th, 7th e and the 9th Contact: Basic information Monica Scheepers Paul Keijzer E; [email protected] E: [email protected] M: +31625 100 300 T: +3170 - 30 40 489 S: Monicaways M:+31683.974 085 MO-Music Talent Soundscapes - Groove - Improvisation A trio that blends in then cruise around sound frequencies and improv movements, funk- jazz- fusion its all spontaneous and all in real time. Nothing is planned out nothing is written. It’s all from the heart and the soul and full of imagination! Just use your mine and ears and go with the spirits !! G. Calvin Weston - Drums and Vocals Weston has blazed a harmolodic, funkadelic trail through modern jazz. This record is a culmination of recordings made on the West Coast and his hometown of Philadelphia. Weston puts his Midas touch on electronics and acoustic instruments that blow the socks off any jazz-rock poser out there. Listen to the man who funked-up Ornette Coleman in the 1970s. “Weston lays down a ferocious groove with ecstatic shouts … tugging rhythmic displacements that tease like thunder and lightning throughout.” - All About Jazz Krzysztof Majchrzak - Bass and electric Guitar After a period of active participation in the creation of a new wave of Polish jazz, he has settled in France. His musical universe is at the crossroads of different musical cultures and different ABOUT sources of inspiration from contemporary music through harmolodic to rock, jazz and ethnic music).
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
    October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Une Danse Empreinte De Violence
    COMPAORÉ, RIBOT & TACUMA Alternative / FRANCE-USA PRESS PACK LA BOÎTE À MUSIQUE Friche la Belle de Mai - 41 rue Jobin - 13003 Marseille - FRANCE Mob : +33 (0)6 25 47 01 55 - Mail : [email protected] www.musiquerebelle.com - www.facebook.com/ahmadcompaoremusic COMPAORÉ, RIBOT & TACUMA Alternative / FRANCE-USA © BAM Productions © Chico de Luigi © pxls Ahmad Compaoré met Marc Ribot and Jamaaladeen Tacuma in the early 1990s during a European tour with Fred Frith. Their paths have crossed regularly since then: concerts in Spain with the band Oriental Fusion in 2003 or as a trio at the Musique Action festival in Nancy in 2008. Their collaboration continued in 2011 at the Festival Jazz des Cinq Continents in Marseilles, marked by the release of the album "Trio Compaoré". The three musicians' artistic approach has followed a similar evolution, freeing itself from the constraints set by musical traditions in order to create an inventive style: an experimental approach born of their work in improvisation. « To know how to go beyond the limits of one style to play pure music », according to Ornette Coleman. Their wish to play together again shows a same musical dazzling spirit, reflecting perfectly their state of mind and diversity of expression. That way, they continue to explore new territories, creating a hybrid music mixing jazz, rock and funk. LA BOÎTE À MUSIQUE Friche la Belle de Mai - 41 rue Jobin - 13003 Marseille - FRANCE Mob : +33 (0)6 25 47 01 55 - Mail : [email protected] www.musiquerebelle.com - www.facebook.com/ahmadcompaoremusic AHMAD COMPAORÉ - Drums, percussion Drummer, percussionist, composer and improviser, Ahmad Compaoré is an unmissable musician.
    [Show full text]
  • October 4 — November 6, 2019 PROGRAM
    October 4 — November 6, 2019 PROGRAM Since 1984, Earshot Jazz has been Seattle’s major ambassador of jazz – presenting jazz masters and important new artists, supporting the local scene, and educating young and old about the joys of jazz – all thanks to contributions from folks like you. Make a donation TODAY www.earshot.org/donate 206-547-6763 All photos by Daniel Sheehan taken at the 2018 Earshot Jazz Festival. Top: Brian Blade, Kate Olson, Jovino Santos Neto, Logan Richardson, Jazzmeia Horn, Bill Frisell, Ryan J. Lee, Maria Schneider. Middle: Regina Carter, Jasnam Daya Singh, Tia Fuller, Wayne Horvitz, Burniss Travis, Roosevelt High School Jazz Band, Myra Melford, Joel Ross. Bottom Row: Dawn Clement, Johnaye Kendrick, Jay Thomas, Jen Shyu, Keyon Harrold, Caroline Davis, Donovan Kranzler-Lewis, Mark Turner. 2 • EARSHOT JAZZ • October 2019 2019 EARSHOT JAZZ FESTIVAL Welcome to Earshot Jazz Feast-ival! The table is set, the flavors are var- of some of the most impor- ied and rich, and the music is hot. tant jazz artists of our time. From the tantalizing appetizer of Yes, there are artists from Brian Blade and Life Cycles, to the 15 different countries, and satisfyingly sinful desert of Chick many of the top names on Corea with the entire Seattle Sym- the New York scene, but it phony Orchestra, this is a feast for is the connections to Se- every appetite. And you don’t have attle’s own, acclaimed jazz to be a sophisticated jazz gourmet to history that resonate most enjoy this banquet; you can pull up deeply here.
    [Show full text]
  • 1984-06 and 07
    A S.rvlc• of Continuing Education & Extanslon University of Minnesota Dululh VolurM S Nurnt».r 3 JuM-July 1984 kumd 103.3 Acting Manager • Paul Schmitz Program Director • John Ziegler Public Affairs Director • Paul Schmitz Producer/ Outreach • Jean Johnson Report to the Listener Engineer • Kirk Kersten Volunteer Staff by Paul Schmitz, Acting Station Manager Bill Agnew, Craig Aderson, Kath I wish I had more time to list here the . Anderson, Mark Anderson, Bob It seems appropriate to begin this column University decides how to go about _names of all those who are leaving the Andreson, Leo Babeu, Chris Baker, Kent with a final "farewell" and "thanks for selecting the new permanent manager. station, and in some cases, this area. Many Barnard, Todd Borstad, Dave Brygger, everything" to the man who used to write This decision has not yet been made, and is students and others have contributed a lot Jan Cohen, Melanie Creger, Christopher it, Tom Livingston. Tom is now at his new being held up somewhat because the of energy and enthusiasm to KUMD this Devaney, Bruce Ecklund, Dann Edholm, job in Shreveport, Louisiana, and reports people m Minneapolis who will make it past year. To all of them our sincere Pat Eller, Phil Enke, Doug Fifield, that things are "different but also the are still working on next year's budgets for thanks, and best wishes. Tamar Fox, Susanna Frenkel, Bev same.'' I guess the problems of managing a the various departments they administer. Garberg, Brian Gitar, Stan Goltz, Doug public radio station do not vary that much We will let you know about further It is too early for me to say with certainty Greenwood, Jim Gruba, Bill Hansen, from one location to another.
    [Show full text]
  • Ornette Coleman and Harmolodics by Matt Lavelle
    Ornette Coleman and Harmolodics by Matt Lavelle A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written and approved under the direction of Dr. Henry Martin ________________________ Newark, New Jersey May 2019 © 2019 Matt Lavelle ALL RIGHTS RESERVED ABSTRACT Ornette Coleman stands as one of the most significant innovators in jazz history. The purpose of my thesis is to show where his innovations came from, how his music functions, and how it impacted other innovators around him. I also delved into the more controversial aspects of his music. At the core of his process was a very personal philosophical and musical theory he invented which he called Harmolodics. Harmolodics was derived from the music of Charlie Parker and Coleman’s need to challenge conventional Western music theory in pursuit of providing direct links between music, nature, and humanity. To build a foundation I research Coleman’s development prior to his famous debut at the Five Spot, focusing on evidence of a direct connection to Charlie Parker. I examine his use of instruments he played other than his primary use of the alto saxophone. His relationships with the piano, guitar, and the musicians that played them are then examined. I then research his use of the bass and drums, and the musicians that played them, so vital to his music. I follow with documentation of the string quartets, woodwind ensembles, and symphonic work, much of which was never recorded.
    [Show full text]
  • An Evening of Jazz Featuring Bobby Shew PROGRAM
    Department of Music College of Fine Arts presents An Evening of Jazz featuring Bobby Shew PROGRAM UNL V Jazz Faculty with George Garzone Selections to be announced from the stage. INTERMISSION UNLV Jazz Ensemble I Directed by Dave Loeb and Nathan Tanouye Selections chosen from the following: Joe Lano, arr. Julian Tanaka Fair Weather Friend Wayne Shorter, arr. Nick Tulli Witch Hunt (b. 1933) John Clayton The Jazz Calling (b. 1952) Bert Joris Magic Box (b. 1957) Isham Jones, arr. Matt Harris There Is No Greater Love (1894-1956) Nathan Kimball Namaste (b. 1984) Wayne Shorter, arr. Matt Koerner Yes Or No (b. 1933) Thursday, November 18, 2010 7:30p.m. Judy Bayley Theatre Performing Arts Center University of Nevada, Las Vegas BIOGRAPHIES Bobby Shew Born In Albuquerque, New Mexico, Bobby Shew began playing the guitar at the age of eight and switched to the trumpet at ten. By the time be was thirteen he was playing at local dances with a number of bands and by fifteen had put together his own group to play at dances, occasional concerts and in jazz coffee houses. He spent most of his high school days playing as many as six nights a week in a dinner club, giving him an early start to his professional career. He then spent three years as the jazz trumpet soloist in the famed NORAD multi-service band. Shortly after leaving he joined the Tommy Dorsey Orchestra under the direction of Sam Donahue, which, among other things, gave him the chance to perform quite a bit with trumpet legend Charlie Shavers.
    [Show full text]
  • Legendary Guitarist Marc Ribot to Headline 9Th Annual Les Paul Festival at Ramapo College
    RAMAPO COLLEGE OF NEW JERSEY Office of Marketing and Communications Press Release February 5, 2020 Contact: Angela Daidone 201-684-7477 [email protected] Legendary Guitarist Marc Ribot to Headline 9th Annual Les Paul Festival at Ramapo College MAHWAH, N.J. -- With a career spanning more than 40 years, legendary guitarist Marc Ribot will headline the 9th Annual Les Paul Festival at Ramapo College of New Jersey on Friday, February 21 at 8 p.m. Ribot will take the stage with The Young Philadelphians, including bassist Jamaaladeen Tacuma, drummer Calvin Weston, a guest guitarist and a three-piece string section. The Young Philadelphians perform a mind-blowing mixture of harmolodic punk-funk of Ornette Coleman’s first Prime Time band, and the sweet, optimistic pulse of 1970’s Philly Soul. Marc Ribot was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk Realtones, and from 1984-1989, of John Lurie's Lounge Lizards. Between 1979 and 1985, Ribot, whose work has been featured on 25 albums, also was a side musician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry and many others. Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985’s Rain Dogs, and since then he’s become the go-to guitar guy for all kinds of roots- music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” In addition to the concert, Ribot will sit down to discuss his work at noon on Friday, February 21 in the Sharp Theater of the Angelica and Russ Berrie Center.
    [Show full text]
  • Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
    AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]