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King Lfred's Version Off the Consolations of Boethius
King _lfred's Version off the Consolations of Boethius HENRY FROWDE, M A. PUBLISHER TO THE UNIVERSITY OF OF_0RD LONDON, EDINBURGH_ AND NEW YORK Kring e__lfred's Version o_/"the Consolations of Boethius _ _ Z)one into c_gfodern English, with an Introduction _ _ _ _ u_aa Litt.D._ Editor _o_.,I_ing .... i .dlfred_ OM Englis.h..ffgerAon2.' !ilo of the ' De Con.d.¢_onz,o,e 2 Oxford : _4t the Claro_don:,.....: PrestO0000 M D CCCC _eee_ Ioee_ J_el eeoee le e_ZNeFED AT THE_.e_EN_N PI_.._S _ee • • oeoo eee • oeee eo6_o eoee • ooeo e_ooo ..:.. ..'.: oe°_ ° leeeo eeoe ee •QQ . :.:.. oOeeo QOO_e 6eeQ aee...._ e • eee TO THE REV. PROFESSOR W. W. SKEAT LITT.D._ D.C.L._ LL.D.:_ PH.D. THIS _800K IS GRATEFULLY DEDICATED PREFACE THE preparationsfor adequately commemoratingthe forthcoming millenary of King Alfred's death have set going a fresh wave of popularinterest in that hero. Lectares have been given, committees formed, sub- scriptions paid and promised, and an excellent book of essays by eminent specialists has been written about Alfred considered under quite a number of aspects. That great King has himself told us that he was not indifferent to the opinion of those that should come after him, and he earnestly desired that that opinion should be a high one. We have by no means for- gotten him, it is true, but yet to verymany intelligent people he is, to use a paradox, a distinctly nebulous character of history. His most undying attributes in the memory of the people are not unconnected with singed cakes and romantic visits in disguise to the Danish viii Preface Danish camp. -
C:\Users\Randy\Documents\Wesley
Moral and Sacred Poems (1744)1 Volume 1 [Baker List, #78] Editorial Introduction: Poetry played a prominent role in genteel culture in eighteenth-century Britain. In addition to well- selling collections by poets like John Dryden, Alexander Pope, and Edward Young, there were regular sections of poetry in most of the leading periodicals. The genre was embraced for political critique, moral instruction, philosophical argument, religious devotion, light diversion, and a range of other public purposes. John Wesley was typical of many in his day in keeping a manuscript notebook during his Oxford years where he copied poems that he found instructive or worthy of reading repeatedly (see the MS Poetry Miscellany in this collection). While Wesley’s manuscript collection includes several selections that he would have viewed as entertaining, it is clear that he particularly valued poems with strong moral and religious themes. Thus, he was sympathetic to a suggestion made by Selina Hastings, Countess of Huntingdon, in 1742 that public culture would greatly benefit from a collection of “chaste” moral and sacred poems. Wesley soon began work on such a collection. It was issued as a series of unbound leaflets, beginning in 1743. The last installment appeared in 1744 and the full compliment were bound as a three-volume set. While the target audience of Wesley’s Collection of Psalms and Hymns series was Anglican worshipers, and the Hymns and Sacred Poems series was particularly aimed at those involved in the renewal movement, the hoped- for audience of this series was the larger public, particularly those of genteel society. -
Uri Caine's Mahler Project As Intertraditional Musical Translation
FOREIGNIZING MAHLER: URI CAINE’S MAHLER PROJECT AS INTERTRADITIONAL MUSICAL TRANSLATION J. Cole Ritchie Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: Margaret Notley, Major Professor John Murphy, Committee Member Bernardo Illari, Committee Member Benjamin Brand, Committee Member Frank Heidlberger, Chair of the Department of Music History, Theory, and Ethnomusicology James C. Scott, Dean of College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Ritchie, J. Cole. Foreignizing Mahler: Uri Caine’s Mahler Project as Intertraditional Musical Translation. Doctor of Philosophy (Musicology), August 2015, 233 pp., 12 tables, 2 figures, 22 musical examples, references, 155 titles. The customary way to create jazz arrangements of the Western classical canon— informally called swingin’-the-classics—adapts the original composition to jazz conventions. Uri Caine (b.1956) has devised an alternative approach, most notably in his work with compositions by Gustav Mahler. He refracts Mahler’s compositions through an eclectic array of musical performance styles while also eschewing the use of traditional jazz structures in favor of stricter adherence to formal ideas in the original score than is usual in a jazz arrangement. These elements and the manner in which Caine incorporates them in his Mahler arrangements closely parallel the practices of a translator who chooses to create a “foreignizing” literary translation. The 19th-century philosopher and translation theorist Friedrich Schleiermacher explained that in a foreignizing translation “the translator leaves the writer alone as much as possible and moves the reader toward the writer.” Foreignizing translations accentuate the otherness of the original work, approximating the foreign text’s form and syntax in the receiving language and using an uncommon, heterogeneous vocabulary. -
Charles Baudelaire - Poems
Classic Poetry Series Charles Baudelaire - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Charles Baudelaire(9 April 1821 – 31 August 1867) Charles Pierre Baudelaire was a French poet who produced notable work as an essayist, art critic, and pioneering translator of <a href=" <b>Baudelaire the poet</b> “<i> Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.</i> ” Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connect it more closely to the work of the contemporary 'Parnassians'. As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetical pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of 'symbols', (images which take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarmé, who acknowledge Baudelaire as a pioneer in this regard. -
September 2014
SEPTEMBER 2 014 Dave Douglas and Uri Caine at An die Musik –Present Joys . 1 The BJA Big Band . 2 BALTIMORE JAZZ ALLIANCE René Marie Comes to Baltimore . 3 Member Profile: Christian Patterson . 5 Eartha Lamkin Honored . 8 Jazz Jam Sessions . 8 BJA Products and Member Notes . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XI ISSUE VIII THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Dave Douglas and Uri Caine at An die Musik Present Joys PHOTO COURTESY OF DAVE DOUGLAS By Dan Hanrahan It was capacity seating in the Charles St. listening room with simplified form of musical notation that has its roots in Eu - the high-back chairs, but that did not deter trumpeter, com - rope, but flourished first among the New England colonists poser, band leader, and record label founder Dave Douglas and later, in the nineteenth and twentieth centuries, through - from squeezing in a couple of extra audience members. He out the rural South. The tradition encompasses songs both simply toted a few folding chairs from the back of the room religious and secular and is practiced in both African Amer - and placed them onstage with him. After all, this was to be a ican and European American communities and in the places concert of piano and trumpet duets, so there was some extra where these communities meet. Alternately stark and bright room up there. Amused and in good spirits, Douglas in both lyrics and melodies, the songs portray the meeting of mounted the stage, called up his musical partner, pianist Uri the spiritual and the material realms. -
Jazzpress 0915
WRZESIEŃ 2015 Gazeta internetowa poświęcona muzyce improwizowanej ISSN 2084-3143 ISSN Rozmowy: Adam Bałdych Rotem Sivan Marcel Kranendonk Vincent Houdijk Rogier Telderman TOP NOTE Jerzy Milian Semiramida Switchback Raphael Rogiński Opowiedzieć się po stronie dobra Majerczyk Kuba fot. Rogiński Raphael < Od Redakcji redaktor naczelny Piotr Wickowski [email protected] Początek września – początek nowego roku szkolnego, początek sezonu w pla- cówkach kulturalnych, tradycyjnie też nowe otwarcie w mediach. Pojawiają się nowe tytuły prasowe, ogłaszane są fuzje i podziały, odświeżane są dotych- czasowe layouty, stacje radiowe i telewizyjne ruszają z nowymi ramówkami, w których same atrakcje… Tylko fani jazzu albo innych niemasowych gatunków muzycznych nie powinni sobie robić za wielkich nadziei. Nawet jeśli czasem gdzieś pojawi się jakiś interesujący dla nich program, film, koncert lub audycja, to okaże się, że w okołopółnocnej, „misyjnej” porze. Tego września jest jednak trochę inaczej. Ten sezon jest inny, bo znowu zaczęło nadawanie jedyne polskie radio jazzowe – internetowe RadioJAZZ.FM. A wraz z tym radiem JazzPRESS, nierozerwalnie związany z rozgłośnią, wchodzi w nowy, dźwiękowy wymiar. Zapraszamy do codziennych audycji pod nazwą JazzPRESSjonizm, w których będzie można bliżej poznać jazzpressowych autorów oraz wysłuchać rozmów z artystami już przepytywanymi na potrzeby naszego magazynu. Będziemy kontynuować i dopowiadać wątki poruszane już w tych rozmowach oraz oma- wiać zupełnie nowe. Przede wszystkim jednak będzie dużo muzyki, -
The Experience of Nature and the Formative Process in the Prelude
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS LITERATURAS ESTRANGEIRAS MODERNAS LITERATURAS DE LÍNGUA INGLESA TESE DE DOUTORAMENTO Márcio José Coutinho THE EXPERIENCE OF NATURE AND THE GROWTH OF THE POET’S MIND IN THE AUTOBIOGRAPHICAL POEM THE PRELUDE, BY WILLIAM WORDSWORTH Orientador: Profa. Dra. Kathrin Rosenfield PORTO ALEGRE, 2012. 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS LITERATURAS ESTRANGEIRAS MODERNAS LITERATURAS DE LÍNGUA INGLESA THE EXPERIENCE OF NATURE AND THE GROWTH OF THE POET’S MIND IN THE AUTOBIOGRAPHICAL POEM THE PRELUDE, BY WILLIAM WORDSWORTH Doutorando: Márcio José Coutinho Orientador: Profa. Dra. Kathrin Rosenfield Tese de Doutoramento apresentada ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul para a obtenção do grau de Doutor em Letras na ênfase de Literaturas de Língua Inglesa. PORTO ALEGRE, 2012. 3 4 To my parents and siblings. For the inconditional and unrestricted love! 5 ACKNOWLEDGMENTS: I must spare a word to say to those whose presence and advice have been indispensable for the realization of this doctoral dissertation. First of all, I want to thank UFRGS and PPGLetras for the opportunity and the institutionalized space for the realization of this investigation; CNPq and CAPES for the financial support that allowed me to dedicate fully to the research during half of my stay in this Post-Graduation course. I would like to express my thankfulness to Professor Kathrin Rosenfield for accepting to advise the execution of this project; for guiding me through the winding ways I insisted all the time to chose, for her right instructions and wise admonishments during the times I felt lost. -
Downbeat.Com September 2014 U.K. £3.50
SEPTEMBER 2014 U.K. £3.50 DOWNBEAT.COM September 2014 VOLUME 81 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef,