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lift - THE GLEN COLLECTION OF SCOTTISH MUSIC
Presented by Lady DOROTHEA Ruggles-Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray,
Black Watch, killed in action in France in 1914.
28th January 1927.
THE
DANCE MUSIC OF SCOTLAND
A COLLECTION OF ALL THE BEST
REELS AND STRATHSPEYS
BOTH OF THE HIGHLANDS AND LOWLANDS
FOR THE PIANOFORTE
ARRANGED AND EDITED
J. T. SURENNE.
SIXTH EDITION.
* OF SCOTLAND j
EDINBURGH:
WOOD AND CO., 49 GEORGE STREET.
INTRODUCTION.
This Collection contains two hundred and forty-five of the hest Eeels and Strathspeys of the Highlands and the Lowlands of Scotland, arranged expressly for the Pianoforte. The correct nota-
tion of the tunes has been carefully attended to, and their harmonic arrangement is new. The tunes
are distributed into sets of three, as they are generally danced ; that is to say, Eeel, Strathspey,
Reel. The proper tempo of each tune is indicated according to Maelzel's Metronome. In some rare
instances the key is changed in order to facilitate Pianoforte performance ; and in many of the tunes
- the proper fingering of certain passages is marked. Several Dance-tunes are not included in this
Collection, because they have become intimately associated with Songs by Burns and other Scottish
Poets. These tunes, however, will be found in " Wood's Songs of Scotland," and also in " Wood's Melodies of Scotland without Words." To increase the usefulness and popularity of this Volume, the writer of the Introduction has given, from a scarce work, a complete description of all the true Highland Steps of the Eeel and the Strathspey, with their original Gaelic names. By means of that
description, and of the numerous tunes given in this Collection, the dancing of Eeels and Strathspeys may be learned and practised by the families of Scottish settlers in the remotest parts of the globe.
As this volume is devoted to the National Dance Music of Scotland, viz., Reels and Strathspeys, we think it unne- cessary to say much about other Dance Music which was brought hither from France or England. In the oldest 2 Scottish Collections of manuscript music' we find Allemandes, Branles, Courantes, Gaillardes, Gavottes, Voltes — dances derived by us from France, although not all of them of French origin— and along with these some Scottish dance- tunes and a few English ones. These MSS. show the preponderance of foreign dances and dance-tunes in Scotland at that time, and long before then at the Scottish Court, when Reels and Strathspeys were as yet only among future
possibilities of fashion. 8
Fifty years ago, the fashionable Dances taught in Edinburgh and other large towns in Scotland, were Minuets,
Cotillons, Reels and Strathspeys, and Country-Dances. Now, with the exception of the Reels and Strathspeys, al] yield their these Dances have disappeared and made way for the Waltz, the Polka, &c, &c. ; which last will, in turn,
places to some other saltatory novelties. But the Reels and Strathspeys have held their ground, manfully and
womanfully, in both Scotland and England to this day ; and we are not sure that they have not, of late years, found
their way even to France, that soil of all soils the most bedanced by merry lads and lasses. The high popularity of
the Reel and the Strathspey, all over Great Britain, induces us to dwell more particularly and minutely upon these
Dances, which are really the only National Dances of Scotland ; all our other Dances of ancient or modern times having been derived by us from France or from England. In the Collection of Highland Airs, published in 1781 by the Rev. Patrick M'Donald, 4 he mentions (in the Preface) some particulars regarding the manner in which these airs are sung or played by the natives. " The slow plaintive
1 The Straloch, and Skene, and Rowallan, and Leyden MSS. See List appended to this volume. 2 The Volte was anciently a common dance in Provence, and was originally the Italian Volta. It somewhat resembled the Modern Waltz. For a description of " La Volta," and of various other dances of the sixteenth century, see Sir John Davies' poem on Dancing, written about 1590. Byron's bitter attack upon the Waltz is well known. 3 It will be seen afterwards that these Scottish Dances were much in vogue fifty years ago, and were taught at the Court of England Hei Majesty Queen Victoria, on first visiting the Highlands, was much struck with these dances, and has since patronized them. 4 See No. 24 of List given in this volume. —
IV INTRODUCTION,,.
tunes are sung by the natives in a wild, artless, and irregular manner. Chiefly occupied with the sentiment and expression of the music, they dwell upon the long and pathetic notes, while they hurry over the inferior and con-
necting notes in such a manner as to render it exceedingly difficult for a hearer to trace the measure of them.
They themselves, while singing them, seem to have little or no impression of measure." (P. 2.) As his work is now rare, we subjoin what he says regarding the Harp Music of the Highlands. " The Airs above-mentioned, and others of similar structure, are valuable, as probably being the most genuine remains of the ancient Harp
Music of the Highlands. This was once the favourite music in the Highlands of Scotland, as it has long con- tinued to be in Ireland. The fate, however, which it has experienced in the two countries, has been very different.
In Ireland the harpers, the original composers and the chief depositaries of that music, have, till lately, been uniformly cherished and supported by the nobility and gentry. They endeavoured to outdo one another in playing the airs that were most esteemed, with correctness, and with their proper expression. Such of them as were men of abilities, attempted to adorn them with graces and variations, or to produce what were called good sets of them. These were communicated to their successors, and by them transmitted with additions. 1 By this means the pieces were pi-eserved, and so long as they continued in the hands of the native harpers, we may suppose that they were gradually improved, as whatever graces and variations they added to them, were consistent with, and tending to heighten and display the genuine spirit and expression of the music. The taste for that style of performance seems now, however, to be declining. The native harpers are not much encouraged. A number of their airs have come into the hands of foreign musicians, who have attempted to fashion them according to the model of the modern music ; and these new sets are considered in the country as capital improvements. The Lady in the Desart, as played by an old harper, and as played according to the sets now in fashion, can hardly be known to be the same tune. It is now abundantly
regular in its structure ; but its native character and expression, its wildness and melancholy, are gone- The varia- tions are such as might have been composed at this day in Italy or Germany. In the Highlands of Scotland, again,
the harp has long ceased to be the favourite instrument ; and, for upwards of a century, has been seldom heard.
The encouragement of the people has been transferred to the bagpipe, an instrument more congenial to the martial spirit of the country. In consequence of this, many of the pieces that had been originally composed, and had been chiefly performed or accompanied by the harpers, are irrecoverably lost ; and those which have been preserved by tradition, may naturally be supposed to have been gradually degenerating. "—P. 3.
" A considerable number ofthe airs contained in this first division2 are what the country people call Luinigs, and are sung when a number of persons are assembled, either at work or for recreation. They are generally short ; their measure is regular, and the cadences are distinctly marked. Many of them are chorus songs. Particular parts of
the tune are allotted to the principal singer, who expresses the significant words ; the other parts are sung in chorus by the whole company present. 3 These pieces being simple and airy, are easily remembered, and have probably been accurately preserved."
In the Dissertation4 prefixed to the same Collection, Mr. Young tells us that the people of St: Kilda, at the close of the fishing season, when they have laid up their winter store, meet together rejoicingly in the store-house, and there sing and dance to one of their best reel tunes, (p. 9.) He mentions also the luinigs and the iorrums, or boat-songs of the men, to which they keep time with their oars when rowing, (p. 10.) " The St. Kildians too are very fond of music. Being great lovers of dancing, they have a number of reels, which are either sung or played on the Jew's harp, or trump, their only musical instrument. One or two of these sound uncommonly wild, even to one that can relish a rough Highland Reel. Some of the notes appear to be borrowed from the cries of the sea-fowl which visit them at certain seasons of the year, and are considered as their benefactors. Their elegiac music is in a better strain, pathetic and melancholy, but exceedingly simple. Like the other peculiarities of the Highlanders, the custom of sing- ing these songs regularly at work is declining apace, especially in the eastern countries and the districts which have much intercourse with the Lowlanders. Yet, less than a century ago, it was practised by their forefathers. However wild and artless some of the luinigs may be, and however ill others of them are sung by the common people, yet a number of beautiful original ones may still be collected in the Highlands. The greater part of them appear to be adapted to the 5 harp, an instrument which was once in high estimation there." (Ibid., p. 11.) Giraldus Cambrensis, who visited
1 This is quite opposed to Bunting's strange assertion, that the oldest Irish airs were preserved by tradition unchanged, through a series of generations of harpers. 2 Chiefly from Ross-shire and Sutherlandshire. s These songs appear to have some analogy to those of the Faroe Isles mentioned at p. 8 of Introduction to " Wood's Vocal Melodies of Scotland without Words." Mr. Robert Jamieson, the editor of the " Northern Antiquities," intended to procure from Orkney the popular melody " " or chant to which the Norse Song of The Weird Sisters," which the Orcadians call The Enchantresses," was commonly sung ; all traces of it having long since been lost in Scandinavia. We know not whether he did procure that melody. 4 Written by the Rev. Walter Young, afterwards D.D. He became Minister of Erskine in Renfrewshire in 1772, and died at an advanced
'ice on 6th August 1814.
* Gir. Cambr. Topog. ITib., lib. ii. c. ii. INTRODUCTION. V
Ireland about the year 1185, gives a curious account of the skill of Irish harpers, and mentions that the Scots and
1 Welsh learned their art from the Irish, and that, in the opinion of many, the Scots far excelled the Irish. John Major tells that in the fifteenth century the Irish and the Scottish Highlanders were the most eminent harpers then known.
Mr. Young says,—" But beyond all memory or tradition, the bagpipe has been the favourite instrument of that people, (the Highlanders.) The large bagpipe is their instrument for war, for marriage or funeral processions, and for other great occasions. They have also a smaller kind upon which dancing-tunes are played. In their hours of merriment and relaxation, young people of both sexes danced with great alacrity to a species of wild airy tunes, the " nature of which is universally known."—Ibid., p. 12. Mr. Young states, that that peculiar species of martial music, the pibroch or cruineachadh, was sometimes sung, accompanied with words, but more frequently performed on the bagpipe." " The contrast between the pipe and the harp tunes is so striking, that one could hardly imagine them to be
5 the music of the same people. Indeed, none of the luinigs is adapted to the bagpipe." —Ibid., p. 13. Besides the modern Irish Bagpipe, which has the softest sound of all Bagpipes, the Irish claim for themselves an ancient Bagpipe, large and loud, of the same kind as our Scottish Highland one. Bunting states that the large Bag- pipe was the proper military musical instrument of the Irish in the fifteenth century, and Mr. Petrie, the Irish anti- quary, informs us that the bagpipe is often mentioned in Irish poems, varying in date between the tenth and sixth centuries. For many years the Violin has taken place of the Bagpipe in most parts of Scotland, for playing of Reels, Strath- speys, and other Highland dance-tunes. Captain Simon Fraser, in his Collection of Highland Airs, mentions that Grant of Sheugly, who was a poet and a player on the violin, bagpipe, and harp, gave the preference to the violin for Dance Music.3 Neil Gow and his sons greatly promoted the use of the violin for the Dance Music of Scotland. Francis Peacock, who published the Collection of Scottish Airs cited in No. 20 of the List given in this volume, was an eminent Dancing-Master in Aberdeen, and died there in June 1807, aged 84, leaving a considerable bequest 4 of money to the charitable institutions of that town. In 1805, he published " Sketches relative to the History and
Theory, but more especiaUy to the Practice of Dancing," &c, &c, 1 vol. 8vo, pp. 224. Aberdeen, Angus and Son : curious information London, Longman and Co. : Edinburgh, Archibald Constable. As that volume contains some regarding the Dance Music and Dances of Scotland at that time, and is now very rare, we quote the following par- passages from it, leaving our readers to make due allowances for the author's professional enthusiasm in some 5 ticulars. It is worth while to record what these National Scottish Dances really were half a century ago.
" Sketch V. Observations on the Scotch Reel, with a description of the fundamental steps made use of in that Dance, and their appropriate Gaelic names.—The fondness the Highlanders have for this Quartett, or Trio, (for it is propensity, one either one or the other,) is unbounded ; and so is their ambition to excel in it. This pleasing would think, was born with them, from the early indications we sometimes see their children shew for this exercise. I have seen children of theirs, at five or six years of age, attempt, nay, even execute some of their steps so well as almost to surpass belief. I once had the pleasure of seeing, in a remote part of the country, a Reel danced by a herd boy and two young girls, who surprised me much, especially the boy, who appeared to be about twelve years of age. He had a variety of well-chosen steps, and executed them with so much justness and ease, as if he meant to set criticism at defiance. Circumstances like these plainly evince that those qualities must either Our Colleges be inherent in the Highlanders, or that they must have an uncommon aptitude . for imitation. draw hither,s every year, a number of students from the Western Isles, as well as from the Highlands, and degree, that I myself have the greater part of them excel in this dance ; some of them indeed in so superior a thought them worthy of imitation. I mention these circumstances with no other view but as an introduction to what I am about to offer in relation to the steps most used in the Scotch Reels. To those who already know opportunities of seeing this dance them, all I mean to say will be useless ; but to others who have been wanting in well performed, a description of the steps best adapted to those lively tunes, which have obtained the name of the thing at dance to which they gave birth, may not, upon the whole, be unacceptable ; especially as it is no uncommon Edinburgh to see men of our profession, who come there with no other view but to acquire a knowledge of the proper steps made use of in that dance. It is not long since two of them (father7 and son) came from London to Edinburgh of some for no other purpose ; and, as they had their own carriage, it may be presumed they must have been men reputation in their profession. They made application to the most fashionable teacher of dancing in that place, but
1 De Gest. Scot., lib. vi. " 2 In the note on the Bagpipe which we furnished to Mr. Dauney for his Dissertation, p. 125, we show that, in old writers, the word chorus" often meant a " bagpipe." 5 See note on No. 3 of Captain Fraser's Collection, and also note at page 51 of the third volume of " Wood's Songs of Scotland." i Any one who wishes to involve himself in the inextricable mazes of discussion regarding the dances of the Ancients, may find ample materials for his confusion in the writings of learned commentators upon the classics. 6 We are indebted to Mr. James Davie, the well-known Teacher of Music in Aberdeen, for a perusal of this rare volume. 6 To Aberdeen. " We are informed that these two Dancing-Masters were, most probably, Mr. Jenkins and his son. Jenkins was a native of Inver, near Dunkeld—went to London to teach dancing—became Court Dancing-Master, and made a large fortune. 8 This must have been either Strange, or Rkhard Barnard, the owner of " Barnard's Rooms. " Thistle Street, or his successor Andrew Laurie VI INTRODUCTION.
as he was then tuu busy preparing for a ball to be of much use to them himself, he recommended them to my partner, who happened to be then at Edinburgh. On his return, he told me that (their time as well as his own being limited) he attended them two or three times a day during their stay there. I mention this circumstance as a proof of what importance they thought a right knowledge of the dance might be to them on their return to London. Before I attempt to describe the principal steps made use of in Scotch Reels, it may be proper first to premise that I have used my best endeavours to ascertain their Gaelic names, and have reason to think I have been successful in my inquiries. And here I am prompted by gratitude to acknowledge my obligations to a literary friend (well versed in the
Gaelic language) who has obligingly favoured me with the etymology of the terms, or adopted names of the steps I am about to describe. These terms may be of use to the master, as they serve to distinguish the different steps from one another, and may induce a degree of speculation in the philologist. Those who have acquired a little knowledge of music, and are acquainted with Reel and Strathspey tunes, cannot but know that they are divided into two parts, each consisting of four bars, which severally contain four crotchets, or eight quavers ; and that in the generality of Strathspeys, the notes are alternately a dotted quaver and a semi-quaver, the bar frequently terminating in a crotchet'
This peculiar species of music is, in many parts of the Highlands, preferred to the common Reel ; on the contrary, the latter, by reason of its being the most lively tune of the two, is more generally made choice of in the dance. I have further to remark that, for the purpose of distinguishing steps, many of which do not materially differ but in their number of motions, I make use of the previous terms, Minor, Single, and Double. The first (Minor) is when it requires two steps to one bar of the tune ; the second (Single) is when one step is equal to a bar ; and the third (Double) is when it requires two bars to one step. Of the Steps 1. Kemshoole? or Forward Step. This is the common step for the promenade, or figure of the Reel. It is done by advancing the right foot forward, the left following it behind ; in advancing the same foot a second time, you hop upon it, and one step is finished. You do the same motions after advancing the left foot, and so on alternately during the first measure of the tune played with each foot twice over ; but if you wish to vary the step, in repeating the measure, you may introduce a very lively one by making a smart rise, or gentle spring forward upon the right foot, placing the left foot behind it; this you do four times, with this difference, that instead of going a fourth time behind with the left foot, you disengage it from the ground, adding a hop to the last spring. You finish the promenade by doing the same step, beginning with the left foot. To give the step its full effect, you should turn the body a little to the left when you go forward with the right foot, and the contrary way when you advance the left. 2. Minor Eemkossy? Setting or Footing Step. This is an easy familiar step, much used by the English in their country -dances. You have only to place the right foot behind the left, sink and hop upon it, then do the same with the left foot behind the right. 3. Single Kemk6ssy, Setting or Footing Step. You pass the right foot behind the left to the fifth position, making a gentle bound, or spring, with the left foot, to the second posi- tion ; Sfter passing the right foot again behind the left, you make a hop upon it, extending the left toe. You do the same step by passing the left foot twice behind the right, concluding, as before, with a hop. This step is generally done with each foot alternately, during the whole of the second measure of the tune. 4. Double Kemk6ssy, Setting or Footing Step. This step differs from the single Kemkossy only in its additional number of motions. You pass the foot four times behind the other before you hop, which must always be upon the hindmost foot. 5. Lematrast, 4 Cross Springs. These are a series of Sissonnes. You spring forward with the right. foot- to the third or fifth posi- tion, making a hop upon the left foot, then spring backward with the right, and hop upon it. You do the same with the left foot, and so on, for two, four, or as many bars as the second part of the tune contains. This is a single step ; to double it, you do the springs forward and backward four times before you change the foot. 6. Seby-trastf Chas- ing Steps, or Cross Slips. This step is like the Bahtte. You slip the right foot before the left ; the left foot behind the right ; the right again before the left, and hop upon it. You do the same beginning with the left foot. This is a single step. 7. Aisig-thrasdf Cross Passes. This is a favourite step in many parts of the Highlands. You springs little to one side with the right foot, immediately passing the left foot across it ; hop and cross it again, and one step is finished ; you then spring a little to one side with the left foot, making the like passes with the right. This is a minor step ; but it is often varied by passing the foot four times alternately behind and before, observing to make a hop previous to each pass, the first excepted, which must always be a spring or bound ; by these additional motions it becomes a single step. 8. Kem-Badenoch, a Minor Step. You make a gentle spring to one side with the right loot, immediately placing the left behind it ; then do a single Entrechat, that is, a cross caper, or leap, changing the situation of the feet, by which the right foot will be behind the left. You do the same, beginning with the left foot. By adding two cross leaps to three of these steps, it becomes a double step. 9. Fosgladh,1 Open Step. Slip the feet
to the second position, then, with straight knees, make a smart spring upon the toes to the fifth position ; slip the feet again to the second position, and do a like spring, observing to let the foot which was before in the first spring, be behind in the second. This is a minor step, and is generally repeated during the half or the whole measure of the tune. 10. Cuartag* Turning Step. You go to the second position with the right foot, hop upon it, and pass the left behind it ; then hop, and pass the same foot before. You repeat these alternate passes after each hop you make in going about to the right. Some go twice round, concluding the last circumvolution with two single cross capers. These circumvolutions are equal to four bars, or one measure of the tune. Others go round to the right, and then
1 Here Mr. Peacock gives a note upon the resemblance of this rhythm with that of the Ossianic poetry, which we need not quote. - "Or, according to its established orthography, CCumsiiibhail, from Ceum, a step, and siubhal, to glide, to move, to go on with rapidity." 3 " CSum-coisiche, from Ceum, a step, and Coiseachadh, to foot it, or ply the feet." * " From Ltum, a leap, a spring, and Trasd, across." 6 "From Siabadh, to slip, and Trasd, across." 6 "From Aiseaff, a pass, and Trasd, across." 7 " An opening." " From Cuairt, a round, a circumvolution." INTRODUCTION. VII
to the left. These, also, occupy the same number of bars.—Combined or Mixed Steps. These are an association ol
different steps, and which are necessary to add variety to the dance. For example ; you may add two of the sixth step (Seby-trast) to two of the third, (Single Kemk6ssy.) This you may vary by doing the first of these steps before
instead of behind ; or you may add two of the second step (Minor Kemkossy ) to one Single Kemk6ssy. These steps
may be transposed, so that the last shall take the place of the first. Again : two of the sixth step (Seby-trast) may be added to the fourth step (Double Kemk6ssy) in going to either side. Another variety much practised is to spring
backward with the right foot, instead of forward, as in the fifth step, and hop upon the left ; then spring forward, and again hop upon the same foot, and add to these two springs one Single Kemk6ssy, passing the right foot behind the left. You do the same step, beginning it with the left foot. In short, without particularizing any other combinations, I shall only add that you have it in your power to change, divide, add to, or invert the different steps described, in whatever way you think best adapted to the tune, or most pleasing to yourself."— Sketch V. pages 85-98.
We have added to this Introduction some curious foreign dance-tunes, which cannot fail to be interesting to
Musicians. Among these tunes are some remarkable ones of Auvergne that were promised in the Introduction to "Wood's Melodies of Scotland without Words," just published.
Peasants' Dance in the District of Bergen in Norway.
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Another.
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V11I INTRODUCTION.
Norwegian Dance-Tune.
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Song for Dancing ; of Sarlat, in the ancient province of Perigord, now in the Department of Dordogne, in the south-west of France.
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Dance-Tune of Lower Brittany. g^gip^PE v * ^ i ^T£g^ ^M
Air of Auvergne, now in the Department of Puy-de-D6me, Central France,
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INTRODUCTION. IX
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ITT_, I Zg iil«g=B Z? M. ^m a
The following Dance Airs of the mountains of Auvergne were given by the Honourable George Onslow in his
Violin Quartetts, op. 10.
Allegro. P'80 =£| £ ££ * IEA-ZJzzzEz: ^^E^piz^E^^ -«
— : |S 1» £9r-»-^~d 0- £ ^--- ~i i P^f^zzzzJ 3i3zz*EE2 $ » » p - # # 84 r fe£z=?E ^#J^^izEE^gai^^^gy^pM
76 ^—-zzzpzzrza P' lfcXZTh: PTT6 S ^g i> sr—t; eS Ipg
jffXjzz- £* —F—F- i =5F £=S P£ X INTRODUCTION.
Italian Peasants' Dance. Given by the celebrated Violinist F. M. Veracini. He visited London in 1714, and again in 1736. iS^plplSj^^f^iSpEj smi
st^^Si
In Alsace, on the Lower Rhine, there is a district named Kochersberg, the inhabitants of which differ entirely from their neighbours in manners and customs, and in their dances. The tunes of these dances have a well-marked measure of five times, and the tradition of the country assigns to them a very remote antiquity. The following is one cf them, as given by A. Reicha. See his " Trente-Six Fugues."
G. F. GRAHAM.
MANUSCRIPT COLLECTIONS CONTAINING SCOTTISH MELODIES.
SKENE MS.—Belongs to the Library of the Faculty of Advocates. Supposed by the eminent antiquary, David Laing,
Esq. of Edinburgh, to have been written about thirty or forty years after the commencement of the seventeenth
century. It is written in Tablature for the Mandora, and was translated into modern musical notation by Mr. G. F.
Graham, and the translation published, with a Key by Mr. Graham to the Tablature, and with a Dissertation, &c,
by the late William Dauney, Esq., Advocate, in one vol. 4to, at Edinburgh, November 1838. It contains a number
of Scottish airs, besides foreign dance-tunes. Mr. Laing says that the Collection was formed by John Skene of Hallyards, in Mid-Lothian, the second son of the eminent lawyer, Sir John Skene of Curriehill.
STRALOCH MS.—Robert Gordon of Straloch's MS. Lute-book, dated 1627-29. The oldest known MS. containing
Scottish airs. The original MS. is a small oblong 8vo, at one time in the library of Charles Burney, Mus. Doc. ; then
in that of the late James Chalmers, Esq. of London, after whose death it was sold with his other books and MSS.
In January 1839, it was sent by Mr. Chalmers to Mr. David Laing of Edinburgh, for his inspection, and by Mr.
Laing to Mr. G. F. Graham of Edinburgh, who had permission to copy it, and to translate and publish it. Mr.
Graham made extracts from it of all the Scottish airs which it contained, and presented these extracts for preserva- tion to the Library of the Faculty of Advocates, Edinburgh, on 26th November 1847. Some account of Robert
Gordon of Straloch, who was a distinguished person in his day, will be found in the Introduction to " Wood's Songs
of Scotland," vol. i. p. iv. COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES. XI
3 ROWALLAN MS.—A MS. Lute-book, written by Sir William Mure of Rowallan, who died in 1657, aged 63. It was probably written about the same time as the Stralocb MS., and was a few years ago in the possession of Mr.
Lyle, Surgeon at Airth. Its contents are chiefly foreign dance-tunes, with a very few Scottish airs. Sir William
Mure was distinguished as a scholar and a poet. See " Historie and descent of the house of Rowallane," from th« " Ancient Ballads original MS. by Sir William, edited by the Kev. Mr. Muir, Glasgow, 1825 ; and and Songs," by Thomas Lyle, 1827.
4. LEYDEN MS.—Belonged to the celebrated Doctor John Leyden. It is now in the possession of Mr. John Telfer, Schoolmaster, Saughtrees, Liddesdale. It is written in Tablature for the Lyra-viol, and was sent, in 1844, to Mr.
6. F. Graham of Edinburgh, with permission to transcribe and translate from it. The transcript which Mr.
Graham made from it, of all the tunes in Tablature, was presented by him, for preservation, to the Library of the
Faculty of Advocates, Edinburgh, on 26th November 1847. Its date is uncertain, but cannot be earlier than
towards the close of the seventeenth century, since we find in it, " King James' March to Ireland," and " Boyne
Water," both relating to events in 1690. It contains a number of Scottish tunes, some of which have been referred
to in the Notes to " Wood's Songs of Scotland," in 3 vols., published in 1848-49.
Esq., in 5. GUTHRIE (?) MS.—A number of Scottish and other tunes, in Tablature, discovered by David Laing, a volume of Notes of Sermons preached by James Guthrie, the Covenanting minister, who was executed in 1661, for declining the jurisdiction of the King and Council. See Mr. Dauney's Dissertation, pp. 139-143. It is very doubtful when these tunes were written, and whether they were written by the same person who penned the rest of the volume.
written in 6. BLAIKIE MSS.—The late Mr. Andrew Blaikie, Engraver, Paisley, was in possession of two volumes and the other 1692 Tablature, each containing a number of Scottish airs. One of these volumes was dated 1683, ;
the latter in Tablature for the Viola da Oamba. The former was lost, but contained, with few exceptions, only the
same tunes as the later volume. Both MSS. were written in the same hand. See Mr. Dauney's Dissertation,
pp. 143-146.
7. CROCKAT MS.—This MS. Music-book is frequently referred to by Mr. Stenhouse in his Notes on Johnson's
Museum. It is dated 1709, and belonged to a Mrs. Crockat, of whom we have not been able to learn anything
The volume was in the possession of the late Charles Kirkpatrick Sharpe, Esq. — 8. MACFARLANE'S MSS. " A Collection of Scotch Airs, with the latest Variations, written for the use of Walter
M'Farlane of that Ilk. By David Young, W. M. [Writing Master?] in Edinburgh. 1740." 3 vols, folio.
Belongs to the Society of the Antiquaries of Scotland. The first volume was lent many years ago, and was never returned.
Besides these MSS. there are a few others, which are mentioned by Mr. Dauney, pp. 146, 147, of his Dissertation.
One, dating about the middle of the eighteenth century ; and another, 1706, in the possession of David Laing, Esq. of
belonging to the Advocates' Library and a fourth, 1715, the property of the late Mr. Edinburgh ; a third, dated 1704, ;
Waterston, Stationer in Edinburgh. It is probable that several old muBic-books in Tablature may still be hidden in the repositories of old Scottish families of rank ; and we would entreat the possessors of such books to rescue them from oblivion and destruction, by sending them to some public library for preservation. We are convinced that many such books in Tablature have been lost or destroyed within the last two centuries, through carelessness, and from ignorance of their value.
PRINTED COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES.
1. PLAYFORD'S DANCING-MASTER.— 1657. Mr. Stenhouse, in his Notes on Johnson's Musical Museum, " refers to this work, and gives several Scottish airs from it. Mr. Laing says, It passed through several editions,
but the first, of 1657, is very rare, and is interesting, as perhaps the earliest printed work that exhibits several genuine Scottish airs." Introduction to Messrs. Blackwood's edition of Johnson's Museum, p. xxxiv.
" 2. D'URFEY'S COLLECTION.— 1720. Sir John Hawkins, in his History of Music, vol. iv. p. 6, says, There
ire many fine Scots airs in the Collection of Songs by the well-known Tom D'Urfey, intitled, ' Pills to purge .
XII COLLECTIONS OP ANCIENT AND MODERN SCOTTISH MELODIES.
Melancholy,' published in the year 1720, which seem to have suffered very little by their passing through the
hands of these English Masters who were concerned in the correction of that book ; but in the multiplicity of tunes
in the Scots style that have been published in subsequent collections, it is very difficult to distinguish between the ancient and modern." A sixth volume appeared in 1720.
3. THOMSON'S ORPHEUS CALEDONIUS.—1725-1733. This is the earliest Collection of Scottish tunes. It
contains fifty songs with the music, and also the tunes separately arranged for the flute. William Thomson was
a professional Scottish musician, who went to London from Edinburgh, and attracted attention at Court by his
pleasing voice and manner of singing Scottish songs, which be accompanied with the harpsichord. It would
appear that W. Thomson thus brought Scottish airs into vogue in England. In 1733, a new edition of the Orpheus
Caledonius appeared in two vols. 8vo, each containing fifty songs.
" 4. TEA-TABLE MISCELLANY.—About 1726. Musick for Allan Ramsay's Collection of Scots Songs : Set by
Alexander Stuart, and engraved by R. Cooper ; Vol. First. Edinburgh, printed and sold by Allan Ramsay." This
very scarce volume, in five parts, is a small oblong, containing the music of seventy-one songs.
5. WATT'S MUSICAD MISCELLANY.—1729-1731 This Collection, in six vols, small 8vo, contains a number of Scottish airs and songs.
6. CRAIG'S COLLECTION.— 1730. "A Collection of the choicest Scots Tunes, adapted for the Harpsichord or
Spinnet," &c, by Adam Craig. Oblong folio. Craig was a violin-player and teacher of music in Edinburgh, and died in October 1741.
7. MUNRO'S COLLECTION.—1732. Alexander Munro, a Scotsman, published in Paris a Collection of twelve Scottish tunes with variations, adapted to the German Flute. The French Royal Privilege bears date 1732.
8. JAMES OSWALD'S 1740-1742. COLLECTIONS.— There are three of these Collections ; the first published in Edinburgh, and the two others in London. He published also several other volumes, under the name of " The
Caledonian Pocket Companion," in twelve parts. Oswald was originally a dancing-master in Dunfermline, and
afterwards came to Edinburgh, where he taught dancing and music. He finally settled in London. His hoaxing
of the public by ascribing certain Scottish tunes to David Rizzio, Queen Mary's Secretary, has been fully discussed in the Notes to " Wood's Songs of Scotland," passim.
B. WALSH'S COLLECTION.—About 1740. " A Collection of Original Scotch Songs, with a thorough-bass to each Song," &c, by J. Walsh, London. This consists of songs published on single leaves, and among them English imitations of Scottish songs.
10. WALSH'S COUNTRY-DANCES.—A Collection, in eight vols., of Scottish dance-tunes then in vogue, but con- taining many that are not Scottish.
" 1 1 BARSANTI'S COLLECTION.— 1 742. A Collection of Old Scots Tunes, with the Bass for Violoncello or Harp-
sichord," &c, by Francis Barsanti. Edinburgh. Folio, pp. 15. Barsanti %vas a native of Lucca, and born about 1690. He came to London in 1714, and afterwards to Edinburgh, but returned to London about 1750, where he was
obliged to seek for subsistence by playing the viola in the Opera and Vauxhall Orchestras, and where he died in extreme poverty.
12. MACGIBBON'S COLLECTIONS.—1742-1755. William M'Gibbon was a Scottish violin-player of some celebrity in his day, and for many years led the Gentlemen's Concert at Edinburgh. He was a pupil of William Corbett, an Englishman, then leader of the Opera Orchestra in the Haymarket. M'Gibbon died at Edinburgh, 3d October 1756.
13. BREMNER'S COLLECTIONS.—1749-1764. Thirty Scots Songs for a Voice and Harpsichord. Edinburgh, about 1749. A second Set of Do. Edinburgh. Twelve Scots Songs for a Voice or Guitar, with a Thorongh-Bass
adapted for that instrument. Edinburgh, 1760. Two Collections of Scots Reels or Country-Dances, witha Bass for
the Violoncello or Harpsichord. London, 1764 ? A curious Collection of Scots Tunes, with variations, for the Violin
and a Bass for the Violoncello or Harpsichord. 1759. The Songs in the Gentle Shepherd, adapted to the Guitar. 1759. Thirty Scots Songs, by Robert Bremner. The words by Allan Ramsay. London. The Freemason's Songs,
&c. 1759. Robert Bremner died at Kensington, 1 2th May 1789.
14. BURKE THUMOTH'S AIRS.—About 1760. Twelve Scotch and twelve Irish Airs, with variations, set for the German Flute, Violin, or Harpsichord, by Mr. Burke Tliumoth. Vol.1. London. Royal 8vo. A second volume
was published, containing the same number of airs. COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES. xiii
15. GENERAL REID'S MINUETS, &c.,— 1770. A Sett of Minuets and Marches, inscribed to the Right Hon. Lady Catharine Murray, by J[ohn] R[eid,] Esq., London printed and sold by R. Bremner, in the Strand. Oblong ; 4to. General Reid published also " Six Solos for the German Flute or Violin, with a Thorough-Bass for the Harpsichord,
by J[ohn] R[eid,] Esq., a Member of the Temple of Apollo. London printed for J. Oswald." Oblong folio. ; " A Second Sett of Six Solos," &c. " Captain Reid's Solos." Sold also by Bremner.
16. CLARK'S FLORES MUSICS.— 1773. " Flores Musics, or the Scots Musician, being a general Collection of the
most celebrated Scots Tunes, Reels, Minuets, and Marches, adapted for the Violin, Hautboy, or German Flute, with
a Bass for the Violoncello or Harpsichord. Published the 1st June 1773, by J. Clark, plate and seal engraver, prin-
ter, &o." Folio, pp. viii. 8vo. This contained twenty-two tunes. The work was advertised to be published in
20 numbers, but all that is now known of it consists of 82 pages containing 126 tunes, most of them with variations.
17. LORD KELLY'S MINUETS, &o.—1774. " The favourite Minuets performed at the Fete Champetre, given by
Lord Stanley at the Oaks, and Composed by the Right Honourable the Earl of Kelly. London : William Napier,
Strand." The Earl of Kelly distinguished himself as a violinist and composer. He was the first Scotsman who
composed overtures for an orchestra. He studied music in Germany under the elder Stamitz, and died at Brussels,
9th October 1791, in the fifty-first year of his age. Dr. Burney, in his History of Music, (vol. iv. p. 677,) says of
Lord Kelly : —" He had a strength of hand on the violin, and a genius for composition, with which few professors
are gifted."
18. NELL STEWART'S COLLECTIONS.—" Thirty Scots Songs adapted for a Voice and Harpsichord. The words of Allan Ramsay. Edinburgh, Book 1st. N. Stewart and Co."—The same, Book 2d—The Bame, Book 3d. " A New Collection of Scots and English Tunes, adapted to the Guitar," &c.—About 1760. "A Collection of the " newest and best Minuets," &c.—About 1770. Contains some of Lord Kelly's Minuets. A second Collection ol Airs and Marches, for two Violins," &c. " A Collection of Scots Songs, adapted for a Voice and Harpsichord," &c
Folio. About 1790.
19 DOW'S MINUETS.—About 1775. " Twenty Minuets and sixteen Reels or Country-Dances, for the Violin,
Harpsichord, or German Flute. Composed by Daniel Dow. Edinburgh," &c. Oblong 4to, pp. 36. " Collection
of Ancient Scots Music, (Highland Airs,) by Daniel Dow." " Thirty-seven new Reels and Strathspeys for the
Violin," &c. Edinburgh. About 1770. Oblong folio, pp. 44. Dow was a teacher of music in Edinburgh.
20. PEACOCK'S AIRS.—About 1776. " Fifty favourite Scotch Airs, for a Violin, German Flute, and Violoncello,
with a Thorough-Bass for the Harpsichord," &c, &c, by Francis Peacock. London.
21. MACLEAN'S COLLECTION.—About 1773. " A Collection of favourite Scots Tunes, with variations for the
Violin, and a Bass for the Violoncello or Harpsichord. By the late Mr. Charles M'Lean, and other eminent
masters." Edinburgh : N. Stewart. Oblong folio, pp. 37.
22 M'GLASHAN'S COLLECTIONS.—About 1778. " A Collection of Strathspey Reels, with a Bass for the Violon-
cello or Harpsichord. By Alexander M'Glashan, Edinburgh. Printed for A. M'Glashan, and sold by Neil Stewart."
Oblong folio, pp. 34. " A Collection of Scots Measures, Hornpipes, Jigs, Allemands, Cotillons, and the fashion-
able Country-Dances, with a Bass for the Violoncello or Harpsichord. By Alexander M'Glashan. Edinburgh :
Neil Stewart." Oblong folio, pp. 36.
23. CUMMINGS COLLECTION.—1780. " A Collection of Strathspey or Old Highland Reels. By Angus Cum- ming, at Grantown, in Strathspey. Edinburgh, 1780." Oblong folio, pp. 20.
24. MACDONALD'S HIGHLAND AIRS.—1781. " A Collection of Highland Vocal Airs, never hitherto published
To which are added a few of the most lively Country-Dances, or Reels, of the North Highlands and Western Isle9 : and some specimens of Bagpipe music. By Patrick M'Donald, Minister of Kilmore in Argyleshire." Edinburgh.
Folio, pp. 22 and 43.
25. NEIL GOW'S REELS.—" A Collection of Strathspey Reels, with a Bass for the Violoncello or Harpsichord. By Neil Gow, at Dunkeld. N. Stewart, Edinburgh."
26. NATHANIEL GOW'S COLLECTIONS.—1799-1824. Six different Collections of Strathspeys and Reels. Edin-
burgh. Folio. Three volumes of Selections from the three first Collections, with additions. Edinburgh. Folio. Four volumes of a Repository of Scots Slow Airs, Strathspeys, and Dances. Edinburgh. Folio. Two volumes of Scots Vocal Melodies. Edinburgh. Folio. A Collection of ancient curious Scots Melodies. Edinburgh. Folio See Mr. R. Chambers's Biographical Dictionary, Neil and Nathaniel Gow. XIV COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES.
27. JOHN AND ANDREW GOW'S COLLECTION of Slow Airs, Strathspeys, and Reels. Folio, pp. 36.
28. AIRD'S COLLECTION.—About 1784. A Selection of Scotch, &c, Airs, adapted to the Fife, &c. 3 vols, small oblong; each containing 200 Airs. Glasgow.
29. JOHN RIDDELL'S COLLECTION.—A Collection of Scots Reels, Minuets, &c, &c. Composed by John Riddell,
in Ayr. 2d Edition. Glasgow : James Aird. Oblong 4to, pp. 60.
30. MACDONALD'S REELS.—About 1786. A Collection of Strathspey Reels, &c. Composed by Malcolm Mac-
donald. Glasgow : J. Aird. Oblong 4to, pp. 24. In the third volume of Aird's Collection, Malcolm Macdonald is
called " Violoncello-player to Neil Gow."
" 31. CORRI'S COLLECTION.—About 1788. A new and complete Collection of the most favourite Scots Songs," &c. Edinburgh: Corri and Sutherland. 2 thin vols, folio. Contains a portrait of Neil Gow.
" 32. NAPIER'S COLLECTIONS.—1790. A Selection of the most favourite Scots Songs," &c. By William
Napier. London. One vol. folio. " A Selection of Original Scots Songs," &c. Harmonized by Haydn. London
One vol. folio, 1792. A third volume was entered at Stationers' Hall in 1794.
33. CAMPBELL'S COUNTRY-DANCES.—About 1790. " Campbell's First Book of new and favourite Country- Dances and Strathspey Reels," &c. Printed and sold by William Campbell. London. Oblong 4to. Twelve Books.
34. BRYSON'S COLLECTION.—1791. " A curious Collection of favourite Tunes," &c. J. Bryson, High Street, Edinburgh.
" 35. THE MUSICAL MISCELLANY.—1792. The Edinburgh Musical Miscellany," &o. Selected by D. Sime.
Edinburgh : W. Gordon. One vol. 12mo. A second volume, printed for John Elder, Edinburgh, 1793.
36. GEORGE THOMSON'S COLLECTIONS.—1793, &c. A particular list of these, furnished by Mr. Thomson him-
self, will be found in the Introduction to the first volume of" Wood's Songs of Scotland," 1848. Mr. G. Thom-
son's Collections are now, by purchase, the property of Messrs. Wood and Co., Edinburgh.
37. MACKINTOSH'S REELS, &c—1793. " Sixty-eight new Reels, Strathspeys, and Quick Steps," &c. Composed by Robert Mackintosh. Printed for the Author.
38. DALE'S COLLECTION.—1794. A Collection of Scottish Songs, in 3 Books.
39. RIDDELL'S COLLECTION.— 1794. " A Collection of Scotch, Galwegian, and Border Tunes," &c. Selected by " Robert Riddell of Glenriddell, Esq. Edinburgh : Johnson and Co. Folio, pp. 37. New Music for the Piano-
forte or Harpsichord," &c, consisting of Reels, Minuets, &c. [By Robert Riddell, Esq.] Edinburgh : James John-
son. Folio.
40. RITSON'S COLLECTION.— 1794. Scottish Songs, in two vols. 12mo. London.
41. URBANI'S COLLECTION.—About 1794. " A Selection of Scots Songs," &c. By Peter Urbani. Edinburgh and
London. Three vols, folio, 1794-97-99-
42. THE VOCAL MAGAZINE.— 1797-98-99- Royal 8vo. Edinburgh : C. Stewart & Co.
43. ROSS'S COLLECTION.— " A Select Collection of ancient and modern Scottish Airs," for the voice, with accom-
paniments, &c. By John Ross, Organist, St. Paul's, Aberdeen. Edinburgh : John Hamilton. Folio, pp. 62.
44. WHYTE'S COLLECTION.—" A Collection of Scottish Airs," &c. Harmonized, &c, by Joseph Haydn, Mus
Doc. Published at Edinburgh by William Whyte. Two vols, folio. 1806.
45. JOHN ELOUIS' SELECTION of Scots Songs. Two vols, folio. 1806-7.
46. ARCHIBALD DUFF'S (ABERDEEN) SELECTION of Airs, &c, with Reels, Strathspey, and Country
Dances. Folio, pp. 50. 1812.
47. CAPTAIN SIMON FRASER'S COLLECTION of Highland Airs. Folio. Edinburgh, 1816.
18. ALEXANDER CAMPBELL'S ALBYN'S ANTHOLOGY.—Two vols, folio. Edinburgh, 1816 and 1818.
49. WALKER AND ANDERSON'S MINIATURE MUSEUM of Scots Songs and Music. 1818. 2 vols. 12mo. Edinburgh. COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES. XV
50. MARSHALL'S COLLECTION.—One vol. folio. Edinburgh : Alexander Robertson. 1822.
51. R. A. SMITH'S SCOTTISH MINSTREL. Six vols. 8vo. R. Purdie, Edinburgh. The 6th vol. dated 1824.
52. POPULAR NATIONAL MELODIES.—Adapted for the Pianoforte. By James Dewar. Six Numbers, folio. Alexander Robertson, Edinburgh. About 1826.
53. DAVIE'S CALEDONIAN REPOSITORY of the most favourite Scottish Slow Airs, Marches, Strathspeys, Reels,
Jigs, Hornpipes, &c, &c. Expressly adapted for the Violin. In four Books, oblong 8vo. Wood and Co., Edinburgh. 1829.
54. D. M'EERCHER'S (DUNKELD) COLLECTIONS (3) of Strathspeys and Reels. Edinburgh, 1830, et seq. Folio.
55. THE VOCAL GEMS OF SCOTLAND.—Arranged with new and appropriate Symphonies and Accompaniments
for the Pianoforte. By J. M. Muller. In two vols, folio. Wood and Co., Edinburgh. 1837-1839.
56. DUN AND THOMSON'S COLLECTION.—New edition of the Vocal Melodies of Scotland, arranged with Symphonies and Accompaniments for the Pianoforte. By Finlay Dun and John Thomson. Published by Pater-
son and Roy, Edinburgh. This Collection consists of four vols, folio, each containing thirty-six songs. First vol. published in 1837.
57. JOHNSON'S SCOTS MUSICAL MUSEUM.—New Edition, with notes. Six vols. 8vo. Blackwoods, Edinburgh, 1839.
58. JAMES DANIEL'S COLLECTION of Airs, Strathspey Reels, &c. Aberdeen, 1840. Folio, pp. 39.
59. THE DANCE MUSIC OF SCOTLAND.—A Collection of all the best Reels and Strathspeys, both of the High-
lands and Lowlands, arranged for the Pianoforte. By J. T. Surenne. In one volume, folio. AVood and Co., Edinburgh, 1841.
60. THE GARLAND OF SCOTIA, &c—The Airs are for Voice, Flute, or Violin. One vol. 8vo. Glasgow : William Mitcbison. 1841.
61. WILSON'S SONGS OF SCOTLAND.—Eight Books, folio. 1842.
62. VOCAL MELODIES OF SCOTLAND.—Arranged for the Pianoforte, with an Accompaniment for the Flute
and Violoncello, (ad libitum) By Alfred Devaux. Six Books, folio. London : Cramer and Co. Edinburgh . Paterson and Roy. 1842.
63. GEMS OF SCOTTISH MELODY.—With new and appropriate Symphonies and Accompaniments for the Piano-
forte. Edited by W. Montignani. One vol. 4to. T. and W. MDowall, Edinburgh. 1844.
C4. LOWE'S COLLECTION of Reels, Strathspeys, and Jigs, being a new and complete Selection of the best Dancing
Tunes in their proper keys, carefully arranged with appropriate basses for the Pianoforte and Violoncello. In six
Books, folio. Paterson and Roy, and Wood and Co., Edinburgh. 1844-45.
65. WOOD'S SONGS OF SCOTLAND.—Edited by G. F. Graham. Three vols, royal 8vo. Edinburgh : Wood and Co 1848-49.
66. ORAIN NA'H ALBAIN.—A Collection of Gaelic Songs with English and Gaelic words, and an Appendix containing traditionary notes to many of the Songs. The Pianoforte accompaniment arranged and revised by
Finlay Dun. One vol. folio. Wood and Co., Edinburgh, &c, &c. 1848.
67. HAMILTON'S SELECT SONGS OF SCOTLAND.—Folio. Glasgow, 1848.
68. LAYS FROM STRATHEARN.—By Caroline, Baroness Nairne, &c, arranged, &c, for the Pianoforte by Finlay
Dun. One vol. folio. London : Addison and Co. Edinburgh : Paterson and Roy, and J. Purdie. 1850.
69. NAPIER'S SELECTION of Dances and Strathspeys. London. Folio, pp. 36.
70. JOHN HAMILTON'S COLLECTION of Strathspeys and Reels. Edinburgh. Oblong 4to. Caledonian Museum. Three books. Edinburgh.
71. JOHN MTNTYRE'S COLLECTION.—Edinburgh. Folio, pp. 40.
72. DONALD GRANT'S COLLECTION.—Edinburgh. Folio, pp. 38. XVI COLLECTIONS OF ANCIENT AND MODERN SCOTTISH MELODIES.
73. ISAAC COOPEE OP BANFF'S COLLECTION.
74. T. H. BUTLER'S SELECT COLLECTION of Scottish Airs with Accompaniments. Edinburgh: Muir, Wood, and Co.
75. GEORGE JENKINS' COLLECTION of Scottish Slow Airs and Dance Music. Folio, pp. 70.
76. JOHN CLARK'S (OF PERTH) COLLECTION of Strathspey Reels and Country-Dances. Folio, pp. 21.
77. JAMES WALKER'S (OF DYSART) COLLECTIONS (2) of Reels, Strathspeys, Jigs, &c. Folio.
78. JOHN GUNN'S THIRTY FAVOURITE SCOTCH AIRS, for Violin, Flute, or Violoncello. Folio. London.
79. DOMENICO AND NATALE CORRI'S SELECT COLLECTION of forty Scots Songs, with Accompaniments,
&c. ; 4th Edition. Edinburgh.
80. JOSHUA CAMPBELL'S COLLECTION of New Reels and Strathspeys. Glasgow. Folio, pp. 48. Collection of Favourite Tunes with Variations, for Violin, &c. Glasgow. Royal 8vo, pp. 81.
81. JOHN ALEXANDER MAY'S SELECTION of Songs, &c, for German Flutes. Glasgow. Oblong royal 8vo.
pp. 120.
82. J. M'FADYEN'S REPOSITORY of Scots and Irish Airs, Strathspeys, &c, for two Violins and Bass. Oblong
royal 8vo, pp. 128.
83. CHARLES DUFF'S (DUNDEE) COLLECTION of Strathspey Reels, &c. Folio, pp. 36.
84. ABRAM MACINTOSH'S Thirty new Strathspey Reels, &c. Edinburgh. Folio, pp. 11.
85. ALEXANDER LEBURN'S (AUCHTERMUCHTY) COLLECTION of Strathspey Reels, &c. Edinburgh.
Folio, pp. 12.
86. WILLIAM CHRISTIE'S (CUMENSTOWN) COLLECTION of Strathspey Reels, &c. Edinburgh. Folio,
pp. 40.
87. DANIEL ROBERTSON'S COLLECTION of Reels, Strathspeys, &c. Edinburgh. Folio, pp. 26.
88. ALEXANDER MACKAY'S (ISLAY) COLLECTION of Reels, Strathspeys, &c. Glasgow. Folio, pp. 36.
89. WILLIAM MORRISON'S COLLECTION of Strathspeys, Reels, &c. Inverness. Folio, pp. 36.
90. ROBERT PETREE'S (AT KIRKMICHAEL) COLLECTIONS (4) of Strathspey Reels, &c. Edinburgh and
London. Folio.
91. MALCOLM M'DONALD'S (DUNKELD) COLLECTIONS (4) of Strathspey Reels, &c. Folio. Edinburgh.
92. JOHN BOWIE'S (PERTH) COLLECTION of Strathspey Reels, &c. Edinburgh. Folio, pp. 35.
93. WILLIAM SHEPHERD'S COLLECTION of Strathspey Reels, &c. Edinburgh. Folio, pp. 26.
94. ROBERTMACKINTOSH'S COLLECTIONS (4) of Airs, Reels, Strathspeys, &c. Edinburgh and London. Folio.
95. JOHN MORRISON'S (OF PETERHEAD) COLLECTION of Strathspeys and Reels. Folio, pp. 23.
96. JAMES PORTEOUS' COLLECTION of Reels and Strathspeys. Edinburgh. Folio, pp. 40.
97. THE CALEDONIAN MUSEUM, &c, for the Flageolet, Flute, or Violin. Three Books, oblong 4to. Edinburgh : Alexander Robertson.
Vc te.—To Mi'. A.J. Wighton of Dundee, who possesses an extensive collection of printed Scottish Music, we are indebted for
the titles of some of the works contained in the above List. G. F. G INDEX
THE DANCE MUSIC OF SCOTLAND.
PAGE PAOB Amulree, Reel 38 Fair fa' the Minstrel, Reel 38 An fhir'ghrunig, Reel 121 Fight about the Fireside, Reel 31
133 Fill the Stoup, . As a thoiseacli, . Reel Reel 50 69 Floors Castle, Athole House, . Reel Reel 118
Ben Lomond, Strathspey 72 General Wemyss, Strathspey 94
Ben Nevis, Strathspey 86 Gillie Callum, . Reel 139 Black but comely, Reel 159 Giornovichi, Reel 66 Bonnie Annie, Reel 114 Glen Lyon, Reel 161
Borlum's Ra.pt, . Reel 141
Harvest . Brechin Castle, . Strathspey 4 Home, Strathspey 144 Brodie House, Reel 127 Highland Whisky, Strathspey 148 Brown's Reel. Reel 36 Hilton Lodge, Strathspey 96
Cairngorm, Reel 163 I'll gang nae mair to yon Toun, Reel 57 Callam Shiarghlas, Strathspey 124 Cameron's Wife, Strathspey 122 Jenny dang the Weaver, Reel 27
Captain Byng, . Reel 98 Jockey Latin, Reel 95
Captain Keeler, . Reel 42 John Cheap the Chapman, Reel 35 Captain Kennedy, Reel 16 Johnnie's friends are ne'er pleased, Reel 20 Captain Macduff, Reel 61 Johnnie made a wedding o't, Reel 136 Captain Pringle of Yair, Strathspey 92 John Roy Stewart, Strathspey 130 Cawdor Fair, Reel 81 John Stewart, Reel 66
Charlie Stuart, . Reel 9 Cheap Meal, Reel 163 Keep it up, Reel 133 Clydeside Lasses, Reel 3 Kincaldrum, Reel 82 Coilantogle, Strathspey 98 Colonel M'Bain, Reel 6 Lady Ann Stewart, Strathspey 74 Corimonie's Rant, Strathspey 136 Lady Baird, Strathspey 142 Coutie's Wedding, Strathspey 90 Lady Betty Boyle, Reel 68
Cuttymun an' Treeladle, Reel 153 Lady Binning, . Strathspey 42 Lady Charlotte Campbell, Strathspey 30 Daintie Davie, Strathspey 102 Lady Charlotte Campbell, Strathspey 84 Dalkeith House, Reel 83 Lady Charlotte Campbell, Reel 85 Dairy House, Strathspey 76 Lady Doune, Strathspey 52 Delvin House, Reel 97 Lady Dumfries, . Reel 45 Delvin Side, Strathspey 106 Lady Elizabeth Lindsay, Strathspey 58 Donald Dow, Strathspey 44 Lady Grace Douglas, Reel 104
Don Side, Strathspey 132 Lady Gwydyr, . Strathspey 160 Duchess' Slipper. Strathspey 68 Lady Harriet Hope, Reel 32 Duillater House, Reel 36 Lady Lucy Ramsay, Strathspey 64 Dunrobin Castle, Reel 109 Lady Mackenzie of Coul, Strathspey 154
Dunse dings a', . Reel 99 Lady Madelina Sinclair, Strathspey 40 Lady Madelina Sinclair's Birth-day, Reel 34 Earl Marischal, Reel 67 Lady Margaret Stewart, Reel 106 XV111 INDEX TO THE DANCE MUSIC OF SCOTLAND.
PAGE PAGB
Lady Mary Dundas, Reel 103 Mrs. Garden of Troup, . Strathspey 18 Lady Mary Ramsay, Strathspey 26 Mrs. M'Donald of Clanranald, Reel 154 Lady Mary Stopford, Reel 39 Mrs. Macleod of Rasay, Reel 11 Lady Montgomery, Reel 5 Mrs. Moray of Abercairney, S trathspey 134 Lady Shaftesbury, Strathspey 14 Mrs. Rachel Gibson, Reel 92 Lady Susan Harriet Ker, Reel 124 Mrs. Robertson of Alexandria, Strathspey 128 Lamberton Races, Reel 101 Mrs. Scott Moncrieff, Reel 123 Lennoxlove to Blantyre, Reel 2 Mrs. Wilson, Reel 140
Lieutenant Colonel Baillie of Le;7S, Strathspey 162 Loch Earn, Reel 24 New Christmas, Reel 26 Lord Alexander Gordon, Strathspey 116 Niel Gow, Strathspey 20
Lord Dalhousie, . Reel 12 Niel Gow's Recovery, Strathspey 110 Lord Doune, Strathspey 104 Niel Gow's Wife, Strathspey 34 Lord Kelly, Reel 146 Lord Macdonald, Reel 84 O but ye be merry, Reel 77 Lord Macdonald, (Old Set,) Reel 116 O mither, ony bodie but the duddy
Lord Moira, Strathspey 164 Blacksmith, . Reel 116
Lord Ramsay, . Strathspey 56 O she's comical, Reel 77
Lord Seaforth, . Strathspey 80 Ossian's Hall, Reel 134
Marry Eetty, Strathspey 118 Panmure House, Strathspey 138 Mart do chro 'a Mheinanich, Reel 33 Pease Strae, Reel 117 Mary Gray, Reel 122 Pretty Pegg, Reel 87
Master Francis Sitwell, . Strathspey 16 Merry Lads of Ayr, Reel 7 Rachel Rae, Reel 145 Miss Ann Stewart, Reel 110 Ratha Fair, Reel 4
Miss Baird of Saughton Hall, Reel 102 Rory Macnab, . Reel 143 Miss Charlotte Ross, Reel 93 Miss Charlotte Stewart, Reel 78 Sally Kelly, Reel 21
Miss Drummond of Perth, Strathspey 28 Sanders Brane, . Strathspey 78
Miss Douglas, . Reel 119 Sandy o'er the lea, Reel 88 Miss Dumbreck, Reel 49 Sir Alexander Don, Strathspey 100
Miss Flora M'Donald, . Reel 29 Sir David Hunter Blair, Reel 8 Miss Forbes, Reel 100 Sir George Mackenzie of Coul, Reel 137 Miss Georgina Scott, Reel 151 Sir Ronald M'Donald, Reel 130
Miss Gibson, Reel 15 Sleepy Maggie, . Reel 03 Miss Grieve of Howdan, Strathspey 114 Struan Robertson's Rant, Strathspey 62 Miss Hamilton of Bangowr, Strathspey 108 Stumpie, Strathspey 88 Miss Hope, Strathspey 82
Miss Hopkins, . Reel 53 Taymouth Castle, Reel 91 Miss Jane Stewart, Reel 147 The Argyle Bowling-Green, Reel 71 Miss Jessie Stewart, Reel 54 The Auld Stewarts back again. Reel 74
Miss Johnston, . Reel 65 The Ayrshire Lasses, Strathspey 24 Miss Lyal, Strathspey 138 The Back of the Change House, Reel 23 Miss Mary Anne Robertson, Reel 129 The Banks of Spey, Reel 142 Miss Maule of Panmure, Reel 96 The Boatman of Pitnacree, Reel 48
Miss Nisbet of Dirleton, Reel 94 The Bobers o' Brechin, . Reel 160 Miss Ramsay, Reel 120 The Braes of Mar, Reel 157
. Miss Rose of Tarlogie, . Reel 158 The Braes o' Tullymet, Strathspey 12 Miss Ritchie, Reel 125 The Bridge of Bracklin, Reel 70
Miss Stewart of Garth, . Reel 149 The Bridge of Perth, Reel 51 Miss Wedderburn, Reel 76 The Bridge of Turk, Reel 73
Miss Whiteford, . Reel 55 The Cameronian Rant, . Reel 79
Monro's Rant, . Strathspey 158 The Circus, Reel 128 Monymusk, Strathspey 8 The Countess of Elgin, Reel 135 Mr. Menzies of Culdares, Reel 148 The Countess of Haddington, Reel 108 Mr. Moray of Abercairney, Strathspey 146 The Countess of Loudon, Strathspey 2
Mr. Robertson of Lude, . Strathspey 152 The Countess of Sutherland. Reel 19 Mrs. Adye, Strathspey 54 The Deil amang the Tailors, Reel 28 Mrs. Alexander Brodie, Reel 162 The Diamond, Reel 46
Mrs. Baird of Newbyth, Strathspey 150 The Drummer, . Reel 17
Mrs. Compton of Carham-Hall, Reel 86 The Duchess of Athole, . Strathspey 68
Mrs. Drummond of Logiealmonci , Reel 155 The Duchess of Gordon, Strathspey 22 INDEX TO THE DANCE MUSIC OP SCOTLAND. XIX
PAGK PAGE The Duchess of Gordon, Strathspey CO The Marquis of Huntly's Farewell, Strathspey 48 The Duchess of Hamilton, Strathspey 120 The Marquis of Huntly, (Highland The Duchess of Manchester, Strathspey 156 Fling,) Strathspey 10
The Duchess of Roxburghe, Reel 1 The Marquis of Tullybardine, . Reel 115 The Duke of Gordon's Birth-day, Strathspey 38 The Mason's Apron, Reel 22 The Duke of Perth, Reel 25 The Merry Lads of Foss, Reel 152
The Duke of Eoxburghe, Reel 40 The M'Farlane Rant, . Reel 43 The Earl of Breadalbane's Hermitage, Reel 107 The Miller of Drone, Strathspey 50
The Earl of Dalkeith, . Reel 150 The Mullin Dhu, Reel 138
TheEarlofEglinton, Reel 131 The Nine Pint Coggie, . Reel 132 The Earl of Loudon, Strathspey 140 The North Bridge of Edinburgh, Strathspey 70
The Fife Hunt, . Reel 18 The Old Man, . Reel 72
The Fisher's Wedding, . Reel 112 The Parks of Fochabers, Reel 44
The Fox Chase, . Reel 89 The Perthshire Hunt, . Reel 62 The Fyket, Reel 75 The Pirriwig, Reel 121
The Gathering, . Reel 13 The Reel of Bogie, Reel 47
The Glasgow Lasses, Reel 113 The Reel of Thulicban, . Reel 90 The Haughs of Cromdale, Strathspey 112 The Reel of Tulloch, Reel 90 The Highlandman, Reel 37 The Reticule, Reel 59 The Highland Skip, Reel 111 The Royal Recovery, Strathspey 32 The High Road to Linton, Reel 10 The Stewarts' Rant, Reel 60 The Houourable Captain Maitland, Strathspey 46 The Whigs of Fife, Reel 126 The Honourable Colonel Wemyss, Reel 156 The Wind that shakes the Barley, Reel 41
The Honourable Miss Charteris, Reel 105 The Yetts of Muckart, . Strathspey 126 ThelsleofSkye, Reel 14 Thro' the Wood of Favie, Reel 64
The Keel Row, . Reel 144 Thro' the Wood she ran, Reel 58 The'Kirn, Strathspey 144 Tilt-Side, Reel 24 The Lass of Ballantrae, Reel 52 Torry Burn, Reel 30
The Marquis of Beaumont, Reel 80 Tullochgorum, . Strathspey 6 The Marquis of Hastings, Strathspey 164
The Marquis of Huntly, Strathspey 36 Willie Winkie, . Strathspey 66
THE DANCE MUSIC OF SCOTLAND.
NOTE.
It will be observed that the tunes are in general arranged in sets of three, a Keel, Strathspey, and Reel, this being the succession in which they are usually performed. A chord has been added at the end
of those sets where the last tune does not finish in the key ; this is of course to be played once only, at the close of the dance.
As there are but two distinct movements throughout the work, the Editor has deemed it unneces- sary to aflix the Metronome mark to each tune.
I The movement of the Reel is d = 126 Maelzel.
that of the Strathspey is e) = 94 Maelzel.
i
i The only exception to this is the Reel of Thulican, or Tulloch, the time of which is d = 120.
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4— f— 14-— £25 ; B-25 p— r— n— FF *=£ F^t=^- -p ft -• a ^r=^ ppiipplli ^^m n^ i p THE AYRSHIEE LASSES. STRATHSPEY. »- -0- #- -»- eE es i Hl^gii^ :p3r --*a%sEgg gS^l at — THE DANCE MUSIC OF SCOTLAND. 25 #j^fcff^^ilg#iiMfej||§ ^l^^^il^Mi^NEN THE DUKE OF PEKTH. •X 1 2 3 1 PI t=M ^fesppfeg *+=)- 0^0 ^m^mMmm§^UmM X a 3 1 ^t=«IS: ffiSEt ps a« . 4 e g L_f f -0 0- s -»-*--»- ] n iL •.*-•>: #-•-» -I*- • .-#-« -0-t~-0- » 4 2 l x g^^^^^^^^^^^^ l 1 X ^EgjfeE^ =^fE^g 4 2 ^^ | IS {==1=1=1 fct HiPlMlPl^i I 26 THE DANCE MUSIC OP SCOTLAND. NEW CHEISTMAS. si^p^^^p^^^sm 0-0- m^^^^^m -0— ^E^P^I=^# 3 9 1 3 fe=?F¥*Pi®S i =p=p=p= 5* "+= M 1 -• 0- 3 3 P=i: ^fe -0-W-»-^f-*- mmgf^gS -0-4—0 Sf m jjj=E##MF^ff^^^i LADY MARY RAMSAY. STRATHSPEY. p§i lii^B^^ *=#- ^8BsN=fal^mmmm ? E^eeE am—^ ^g^^i^^s^n 51.1"SE# :{=-S :J=S: -*" "*" m "»" |=^=^P•v m r THE DANCE MUSIC OP SCOTLAND. 27 tm t^r-rr-r-0i-mi i 0—0- gUlii ?e=*!L m I w ^^^^g 4 - mt *4 0- fcl wm SEEJE=£ JENNY DANG- THE WEAVER feii^BiJ^E^ es£ liS "•ff (^-p:=g—S=S=5=g=t5=5=53g—g ft "F :E^EgrgElE£B£ S=4=f =^^5=1=11=5^^^^-F »— ^ggj^^lgi^^p^ig^^^l 733 r !==£ mm£3EE± PPPE # iiggF^fgg^^iggr^i^i EB _« #- nrttn S==jL — Ef=E=p=tf=l=3i^===M==^li=£=i==£tM=t: t 28 THE DANCE MUSIC OF SCOTLAND. THE DEIL AMANG THE TAILOES. 0-^-0 » ttt-p- gfejii ^§s? iS g t= g—f-— g —i — =e* r i a^ffffff f X 1 ife #=? £ }SM Sg£ M g=r~rf 1 1 ess m i ^i- tf=F e- jja^^fegggpegg£#i a# r iP^iigiipf^^ £ I MISS DRUMMOND OF PERTH. STHAIHSPET. (*••a . . p. » . ^— 2 ». e=£g2£g »- i»— *== £=s=eq3«=|i ^^m -i -»- I I ^r=f^- t^- E™gEg ii irabtzg: tttx rp—trt— — THE DANCE MUSIC OP SCOTLAND. 29 2 1 ji 3 jj^^^^^^^^^^ #£ -» #- a: -*- ii -#- I am £ -p-l e i P- # w # p BE U=rr r r -h-T# m -• ff^ MISS FLORA MTNDNALD. lifc^i^^a^^^l^ sliiiil^girtiii^ififi r 1 .x i x 2 1 -*--»- -^ ^st—J-lMi a=fc p=C^ *. m -$: m^^m^^^m m^£ ^^^^^^i^i^ §=l=I=|;|4E^iM^£ g—t=t=rffee^ 1 2 X -#- _ FT"""!.* # &=p=p|^^S^E^» p#r£feP^3 BtyEfE^^ rf^r g=f=M 1 i^piP F — • 30 THE DANCE MUSIC OF SCOTLAND. TORRY BURN. x -•—0- S3|; •-J i=Smmm ^£3E££&=1w —4—4 F x—0——0—-0 *0 — * j — — m F— — ^ 1 * -0—0- *. -" =& w=* me ^ggis^ig^ps ^i^l^pp^jiN^rti ^a^^^Bi^^tei^^^ a* dd=d i ^^ppp^^^ip&^g :te»-~ 1 P^^PPPPPWa• •_ LADY CHARLOTTE CAMPBELL. STRATHSPEY. ^#^fe^^^^fg^P Higinisi j#£#FN^W=ff en =p=jK S=fc=* -0—im0- i 1 1 r- — — — — THE DANCE MUSIC OF SCOTLAND. 31 *=J '-0-CT-^- f ..* \=& ®^ mzmggm ^# ;tl t=fc L^ * • # L-« p -* * p I s=s — I — \ — — — =F p^gi^^ffifc^p^iiFirst time. ;#; Last time. ^tti^P^^p^ii^ii FIGHT ABOUT THE FIBESIDE. *^m »^- ^mmmmmwnw ^E-fMr w^mmtm ^eeU & BE i -P-4- 4-1—^_L_ ^E^feg-j^^^bb -#- -# *- #- -0- -0- be 4=?= m^=gm=£ »- -XI #: -0-T*a i i I g-P— FWft ^^^feSii^ »-F-r—^ »- -»• eg £**el=t=-- i§^EEF||E^EE| :F= # * — n 32 T1IE DANCE MUSIC OP SCOTLAND. LADY HAKEIET HOPE. ^Ig^irtifeli^^^& W^ a? id iSi 5E±=:-*— f- *- ^ ¥3 *— t ^=^ s— —i m — E ^ ^ ,-j J F»=3 J^ J j i -*— M * d—-4~ PP§ m m- -#- -»- BE r—1» g=l=S=rf=S=S ^i=§ I — fr- *=fc m-—billifa --sua =f- f-c-<=£ ^mw^^^Mm 1 THE EOYAL EECOVEEY. STRATHSPEY. ta s f 3=^=*-*^m ek p *- *=% ts : 1 i 1 \— F i » * » THE DANCE MUSIC OF SCOTLAND. 33 i=t^afei^a^agggM^^^^is^ e- s»—B- 3fe^=p^ ^—^—— F f- #-»-^^g^^l&^^l c c « 3Ei£ ft feE^Efefefe±=E3E4 f=F=f=tFn i^P FAIK FA' THE MINSTKEL. HART DO CHRO 'A MHEINANICH. j^t^^yg^gPg^^g SEES^ t=t=tm^ffi^^-#— j=e=t tt^ pi^I|ilSgIlE^ill^lit3==S^33 =g »— —» 9 *=£ eirfzi #- #- ^ r > — *— -v- r * =FF w^^mt^^BM^m^mmqg=t=m ^^e^eSee^ _p e a c ^mmmft €—«- * e --.- i fi—"P-»— i-t^i-l jet -s>— ~S7" s=t -&- N^^PH^S^M -&- P — — H » # 34 THE DANCE MUSIC OP SCOTLAND. LADY MADELINA SINCLAIB'S BLKTH-DAY REEL. £33 w mm ^^^ * s^ai^i »— •—»—b^ f Fi=TP=* £eSE *—\-+ J— E ^5^2 fH^:^-SEg^as /*- p » • * *- f*— ,-P— it P P—P- Sirfc *— ^ r^ FFw % fc# 0-0- ggggli^fe^nfEgg * *—* a * BIS — — &BE$ »— ^ Jt.3 Xi=jpcaccx pgjM^FJ^gjgEEB ®=p « ,-e g * s f 8 p=t — — — £— f- s » = — p=>=p= p NEIL GOW'S WIFE. STRATHSPEY. fgll^SSSSS*S j=^ jate^M s^iiij^ii -• —& -W- ffa|ga^i^^i-^i^i^^B s± Ett "3 sm\ m N^-# 0— — 0- -*-%$ fsp — 3 # THE DANCE MUSIC OP SCOTLAND. 35 0, -*-.— -*-*i ^^^^^^m^^m-r-p- tt 3?Sfefefe^=S3 e a a ^ : f=F -0 &=& ^E^f 5^=E= ,= ESS -#— if*r =F=r= f f JOHN CHEAP THE CHAPMAN. # fes rES -» =fe 0-^^^Spi^^SS = ili:^.li3=;3S Ff^ ^=y ^^—^H#—#—-* si -D di »-=-* :^W ^ ±=^^S^^gpgg 3ta! ae^ 0-* I—*— S '—3 - • •— • d—d -3— — — *—a #s^ipsipEsi=s^ ^jgE # j^=j=fcttid_^^^ * o -b *#.- M i=PfiK -» i . Tti±3t ?W I I I 3^=8 9 *- mm^m*m -* 0- f — — ' 36 THE DANCE MUSIC OF SCOTLAND. DUILLATER HOUSE. JftOWK'S SEEL. BBEL. 3 1X1 52 PeSS ^ij- p^np^^gi^ t*=t= ^ tt=t= i— \ -pr F—Hr— i— N^jpjp^jgi^^pg^ l eE £ #- -•- :#z=#z:*=£: T§HP#^lii £±3t=tat=t3t ^=p laHMHHS ^e tri H 0: £=5==edd^=^S=E^^!^H^=R= =i^EE«E THE MAEQUIS OF HUNTLY. STRATHSPEY. ^B^^pj^^^i^P^r#^^ bm £B3E • « —-« =3 » a s si — —si a r tt bJdzRittf^+H-M — p «— - # THE DANCE MUSIC OF SCOTLAND. 37 13 s^s£t m--&£'^p- M&m j=pl=j=4=j BhhzM SE =M ^-wm *— -•— *.-•£-'••-. gmt i s^s^p se: #— fe # 0- « a ia THE HIGHLANDMAN. 1- ;;5s — ' +-\— — -»3 [~ ' m— l~H | | tiz^^tia^lz: f -f-\ J m. .m. £=&p^^mHS 0- w-0- k=i m ggi^p^^^g -# »- » # — a — SSE — E=—-Fy—tt=$=tL—F=*=l k=t i nl I ! i*=p: 3"=p»: ^ 0-0 *ci * m f ^D. C.< -&- ._« • 9 a g- -0 0- t—fr 221 m I — * — • 38 THJS DANCE MUSIC OF SCOTLAND. AMULKEE. pm^mmgms^gs^ ±=J=y=|=g=*= t= E f s « -0 i^i^ i tr*- gn — ^^^gmms^^^M j I > a=3=ffi=J -• a m «—#- t*— i 4 .I*-— 1 —# * ^J- ^^^P^^^pggp*b -»• -»- ft c. 35!! f=^==P=^ P Km—+m -0m m€ ' rT 1=T 321X321X. gPl^! THE DUKE OF GORDON'S BIRTH-DAY. STEATHSPET. X 3 sf^s; HBg^S^Hip "V-J- 9 3C=* ^EEfEE*^ r m^m —- - -- i v r j j i -=&r- «^-^-*tH-#pis£z*tsij£ M*^*S^&l ^^^^^^^H^^as? — * THE DANCE MUSIC OF SCOTLAND. 39 gil £ ^ ^^^ggi^^gi^^^^i ^M^^^ JN^&^F: -**££-*ft M* gfg3Efe axi* ssa i ==«==iitpEZ=i m sfc^ =1 —pp=P 4—P=|-U —-C- £=£ LADY MARY STOPFORD. ^l^^fflg^Sg iff S =F£ « Ji mmmmmmm^^mmI I « €- Ue£eS=£ l=l 3fe 3=zt: ^ S^^ipf F- P 8-* ^^S^^S f m^jE$EE^EEi=fi=M=t==^M=-JK^= £¥ £ V— » 40 THE DANCE MUSIC OP SCOTLAND. THE DUKE OF EOXBURGHE. : ^j^r iEEtg£ffi£:££B »-»' mmi^mm^ 3ii^fe^^liNliyMfr 6 8 X 3 s§ =£ H%-ffrtfg£H ££EP=£? il «- !__._. b^ =^NN^NNiNNH i=g^ # #- -»- ^ Ji_J-__«_*_^^^^M =dfczz:=fc=I=te LADY MADELINA SINCLAIE. STRATHSrEY. 4 3 1 faE^ -#— SPg P i=s= ;P ^=F *=£ THE DANCE MUSIC OF SCOTLAND. 41 ^^^^^i^^^Sa ±. *L £fcE0 t=£ S=£ f % — t=ft g^iigipggiliiisii m3£E* v=v=* i=V- % THE WIND THAT SHAKES THE BARLEY. #i felliliiigl $=$ -*• -f- wc^ m m—»- m&m0=mmmi&mf&mm ii^^^li^i^^tti fc** ^i^iUggiiiiill fc #- -^ *- ^^#£^^^^^j^ -f«- # -+£-*-=*- £S=* mmmm^m^ :fc2f -©— i r 42 THE DANCE MUSIC OF SCOTLAND. CAPTAIN KEELEE. REEL. l^i^iilgii^M^is g— ^¥^h -i-<—s— \-i~i r=3= =8=g—f—i — -0- • 4 ^^^^^^, ± < i ^E^^b^^i^p *- •- ilipisi^S a «——«—« «-#d 4— LADY BINNING. STRATHSPEY. »jJ-i 3 XI to±±** iplplp^i a £—C—«--» bH*yfH ffWW ^~ 3 iJ+tt .. ^X1_ 3^X^~ as* 1 :B=rrc: i^^li^^i^ — THE DANCE MUSIC OF SCOTLAND. 43 J X 1 X ^^^^^mX ! — # # -0 -I**=£ : 0- pr- t E Eitta # #- p i*f*»*» THE M'FARLANE RANT. ^=r fc- T i ij=fcEErrw U= T,r,bjr-& ^i^m 1C—I- -m—m-\ 1__ _i_ H* ^ c J=I^M^Se % 3J IP^Wi 2 .,. P JL • 1 m-# ' «-a S^^^^^^^^^^ .0 If*1 —0- jFSk: 0^=0 i- #* r i i r—t—Fi= 0—zrP- «t feggllSglg £l SEEf l^^^^^P^^^^I - — 3 r r 44 THE DANCE MUSIC OP SCOTLAND ^iTHE PAEKS^OF FOCHABEKSg^^ J «U jzqj^ =jizj=j=|j=j=j=; m S • 1^-i^J_|j ^Bz3: ^ *=*: ^J_J_J-^j=Ftez4=^d^=j=d=^j: *__ 8 ¥—'-i— 3=#f I r^p ^^a^#^i^ fc*^-*-U- ai ~~ £=t 3— = =1 r~s « j_;_3= j—* r-i ;*=»=*J— — =M— -4— ~d—ai r ^^^^^^^4^m^m^^tmtzmrnm DONALD DOW. STRATHSPEY. 4 3 -m-r- rt. ^^fegfeSg I iSE^ ^ **6 -P' i tffflri=*3fefiL-i—P. a J^z^^rJzzt^^rJzJ^iN^I^^Mda~ 5B3E a — ^? —-C5-— ^ H-i-J- »-; =^ =a z*^EFt=iEt2EEE fSfcg ^SS S— i -J j-4- -J—J—l^d— as fifi^i # — a t d« THE DANCE MUSIC OF SCOTLAND. 45 2 IX -0 -0— SErx^E 0^0 ) l/ IL M j r- ei3 »— • * Wiizzw: ?EE^2±*g^l^TT^^^feg IS tz£2 1111t+Ett ^M mSE^3±=J=± i**ta#irta* LADY DUMFEIES. KEJ fe^E=E^5=lr=i^ «* X -0- m _ X-f-»-J-# *E • -**-f-w to « • '_. gpsg^is ^ 9 * x X2 ^0-._.x$±^>0. g f-f .-, __ ^-, -gs ._ E ¥=^* a=^=3=SEEE5: a/— — pppii »V0 J ^ f m 0- ?£&ggiliipgggp g s —J—g—l-ap^al — pi 3 ^— —Pa — J « 1 d * tf « j * fc3: — — _i— a— d— — — I -* «- E « i^^=3i3=^^^ — 46 THE DANCE MUSIC OF SCOTLAND. THE DIAMOND. 2 4 3 X ^i^ps^g^i^i^p^3 1 X 2 2 4 3 1 X B3J •- 1 i =t #—-• 2 4 3 X IX 2 3 2 4 3 1 X rfa=fe mmmmmm & * »•» * #-X 2 « 1 X32X 1 K uE=E f f « 6 THE HONOUKABLE CAPTAIN MAITLAND. STRATHSPEY. " ~ a w~d-i — ^=-*-lmm±m±ml d. J. 2 — 1-1—,—=<= 3fcB3 J=J:^P^ g— ^^IS^^^^S en :fc=ii J=J: -* n -» €- ^ mm e THE DANCE MUSIC OF SCOTLAND. 47 "*"• . *i 0' r-», ** *• fc 0±_ • • — j-j -'-d J-v=r£ ! i — I I I I I m ' I I I i ... I — Wt*^-J — J. tf —J ^ip^lSiiPgp^ # 0- pmm^Mmm^mm^^ ~ n$rr a: :i==tz£p Fmmip T~* ¥^F a THE EEEL OF BOGIE. f^gjg^illglllpg SB* Si FF¥^PW^i^ -»- 3 i 4 I ._. X # X 3 1 E^QP^P^^lUlipPi^^ii^pi -»- -#- -•— -•- ilpPPPPPP r^s= S :£= :t^t £ ipprs^^ •- -»- -#- BE l=E=ps1= -»- :i •-' I n * . . •>—m A # fc^S 22_ #- #- •- -0- -0- -«—« £=£=£=? P 48 THE DANCE MUSIC OF SCOTLAND. THE BOATMAN OF PITNACEEE. pg^m0m^^ms§k%ft ?=e=F^ P -P-r-* FT^ j^-JF sfa ^ eEee£ -»-»- ]=Sgg^pSpi r%=Z—*-i£ ri ki— -m—#- i=£Em I 1 a^^^2 12 3 g^^-j j^MS^^^ mE^Ei^i^s^s^^t g^=f=f^ X X 1 2 3 -• P h—\ 1 I— *£*==£ !=§ ~P^- THE MAEQUIS OF HUNTLY'S FAKEWELL. STRATHSPEY. 2 4 1# 2 11 3-P-P-plfef|§Eg - -+.-•- •-^ -*" L3 i. i a -p-d" dv*--p- -p-J- -»- -p- qc=t S^fe a~ :t:E ~*— 3j=^=g: -p- -p- eM s=t V=* i — THE DANCE MUSIC OP SCOTLAND. 40 Itfi^liii^ifei^^i^^i »- -0- -0- »- -0- -0- —0—1-0- ^^^=j=jzz^: :# im^tmms^m^^^^m=$c £ mum i J: ft *y|^E=i H MISS DUMBREOK. * x -,-#-'- x P=F'-p: a *fc*lIEfelSl 1 igpl ^igiii^igi^g Q3 ** ^s=ii 0-—0- ^ ±=E£ n X 1_ _*** : *iH=tfltt±, P^-F-j E3 Se sg —— Q"r/~ —#- ^&£ mmm t=~ : -t-l M»f^? i _ m~0-P- * * |-» f» * eH £=:*_ « ft i -*—V- u-t?= — 50 THE DANCE MUSIC OF SCOTLAND. FILL THE STOUP. 2 JL I—fci #—- . ^ *fc£fe ^E^Fiamgse -»—» —,-» ^iliiiiiliilgm=f is ?H£ I tt£ ^*= ¥ | -»-»- ^=I=£See^ iiifli^^p^if^i=^igi llll^i^lisfeilsiEisIsS^ -» # ^EEEEE » » f—0 » !=.: i=3* m r PP # -»—»—» p * 3=1= -#— Bi&im^m H :E= pl^I THE MILLEE OF DRONE. STRATHSPEY. 0vgm$ ^0E^M^^^ 0-0- > ^^^M44^^^^^ fcp: 3 1 2 X 3 p-W±e-=3L. 4=5 :fc*i—Ji*-^_ »-*—#-- PL--1- ' f I b 1 — FS h—p ppi t ^ • • THE DANCE MUSIC OF SCOTLAND. 51 ife 3 1 X 1 iliiil if ^ i^s^^^ii^^^i^p m^^mm^^^d=M^i THE BKIDGE OF PEETH. 'wrrr gupsi »m^ ?1§ t3tSte r=*^ I *=:*= £=-> N=pe ^^=S— feiP^^^^^^^^^^l -•— #- -• • — — : BIS S=|E^B i* i ^ r i 4 1 #- -a- -0- -m- -*~x tfe W- p^g^§pipi '_!*_ $ SUf^^iiflfl^pi^ -a* mfe&fe£ m D. V. • •- -# * 0—i- &=*-- -e — a—=PPS * # 52 THE DANCE MUSIC OF SCOTLAND. THE LASS OF BALLANTBAE. ^i^gili^! i^-»ff-r^ isg^£ ,): iS5 -« «- "* 3 * « tf 9 -ai— — — ^ X 1 8 ^.=^i[^^SittilSi^@ s^=y=^y=^d=r=^=i ^#^P^gBgg^iiiifeg EE - - ^a i i— llil m 3*g^j=fcp ^:gii LADY DOUNE. STRATHSPEY. ^- ft —0-0-0^,-^^-^0 —P—,-0-6^0 — — -»t#t : T 0-0-fi-p- &-0~*-*+^t— fi- > 8=4W J 1_K ^ g ^ ^ j *"* — 5 ^-'» ~. »'—*' 0— —-v *£ff£f-W— "-I—tf-t- i— ?- : hfH HH=4=HH-H=hM-+4 a=3=3=J t — — THE DANCE MUSIC OP SCOTLAND. 53 :K R #- -»- -#- -»- ^- » -»- -•- « -i— S=± ppliiLpiptljSSili^pl « «-,^—,- r f si -«— • p a; -r »—«- mm m ^ES:E3E MISS HOPKINS. ^ife^^H^^-isi BEESSS± Ffc=f=£—N= ^^EIE^^feg 3 2 1 1 4V ^j^gj ^ # (* P- dirt £=£ ::-}: ^l FT f=f £kSqzfiS&to^ v=d —|- ^^ -f—r P p P H*—# £ * r-^ 1 1—8 * * <* f— — — f- f f asii» ^ t £ ggE^Mjfe^M^PP _(8 <>__#- • .IB SE -#-f— »- P- ^ fc=tfEEE=t=t p^ f=f " # . 54 THE DANCE MUSIC OF SCOTLAND. MISS JESSIE STEWAET. ^^ES33^^^M+T^^4- -J- d=J=i r XIX -fe-- ji —±±££•3^=3=^- m^0^ *=*==*: -I -*-"-f £ s^i^Nl^iiirii *— ^^ -#-•«T I 3— =*=* r *- — J=3— '-j=j—j=i S— '-f R-S -•- i,# * i 5 4 ^^M^ii^U*==^t ' MRS. ADYE. STRATHSrEY. (8. -f— ^r=j£=* arzko:mmmmp^m f^ m^mmm^^^m^^ — * THE DANCE MUSIC OP SCOTLAND. 55 fcpvs-Mz^tit ^^Eii=M-\^s*z±fzii g=F=i=F=g^,g=F^F£=s=g f=F=F=[ E^^ piiifcilbpii^ s= 8 f *- I — OEE — -» to- ^^=^f=^f=N=|-:pJ=^ MISS WHITEFORD. X 1 X xix i=ra= £ ttwljvJ p r — £ ,-P *- e #» * P • P t * — — fi- ^ » i- 3E5 — —to »- ^e^ 1=1 -to— F=f mm xix xix ^=i=fa= *feS3 -»-•-»- 3=F£ i i g-y ?££ ^S^ p ,—n—•—*— ffl^ feEEEEEgEEfeEg — m ill 1—tr Ut *- *± sSsp^g^r^g^gi^^ f- =*= f— f=t 2 1— zm£=3: :t=d to 1 — z b p^F^f » to- i' xA 1i A. p" x ao _mr^_J jfe£JSg =)=f ^-J -to-h- =sfc=!^£3^ l i ^3E rf=p-»-hE-f=£^^^H I p=r- i=f=f f=f t — — — 56 THE DANCE MUSIC OF SCOTLAND. GIORNOVICHI. fe^^^^L^il^lS^feg^l m iE3 ^- 3 d—*-\-0— eE^ee? -s Fi== — j J -# # #- =P=P= =p=p=s: W£ d=t=±d pgi^i y~JT 3 m—6 ±EE± :# 1: otz=Mz ^=y *—#-° : x 1 f—0- m _ X « £ 5 2 -»- X 2 -»- -t-m-p- a a m- .0. -m a: ~ - *-?-ft -P- -0- 1 . X s w^m^m^^^ s- BE e—-#—#—«- LOED RAMSAY. SIBATH9rEY. ei^B3 fe£ ii^i^fiii^^gr »? ~ »^-»^ -fi|> F*-fif--f->-rf ±.—^ :=t i^^^iSl Tn-—C—* P P-- ,—ft- e •-.-•—P- p—p —n- -»— — * =3= Hii -i— f=»=P =f=-f-f I v I j — = L 0^mm^^^&mTHE DANCE MUSIC OF SCOTLAND. 57 F=tr=F=t=F £ ^^ip^^i^^riSpi k WK f I'LL GANG NAE MAIR TO YON TOUN. ^^^4^^^g^fe^ - SB3E izEEBz^ ^_0=jfc= =£=t=M= ^r=^=q=4 t>:. J J =a=i =fJ J J—J-g=jF==j==iS =i =3=-,—J=iF 1- R 1 —— "-fc— 1 —I— ^F^S— — - i I=J=- c i—« «— '- PS ^H^^S^M^^I^3 j—j-j-j-j-j--,-- 4— ai*=a :#=£: 3==1E ^ipi r -*—*" i^^^^^Sl^M^i^lO^- J BT==i -J J-== =j=|: =^=j=pj=j~ j= ==[--^======j=j=H ^=»=E j » — —# — r 58 THE DANCE MUSIC OF SCOTLAND. THRO' THE WOOD SHE RAN. r'x'^ g S-fgiPig^pplHfi^^y •^ #^£ tc=E=E 1 ft E££ —ih^- t zr'-*-* * *z -p-Ff *—p- -#—* ,— ei — -m—# < i^ £35 1 |§^|^l!g^Sfe^l Il3iafc »*"- 1—*# -S m—h#-»— 1— vm—f£-—-*[——*F-*?- 1—m » »- o ,-^S- :g_g: 0: 3=s=r -»—#- S=± XIXA 1 A » X 1 J— ^r.^. ^n=* —H- £— g?^^^3SSS I ffid *?-*£ -» # Bi: — — tttt i i=g=§ : |—— LADY ELIZABETH LINDSAY. STHATHSPEr. _£ S |B_ -/»—P- i—•- gtefe =t=*=* «t=t fefe£ F=g=sq U »--« J -.-#—.« ft—p- -P—P- ^—p- ,j: tt 3= :| f=T *=f — c * — THE DANCE MUSIC OF SCOTLAND. 59 i^sg=gggfcb=a^x^i^P o «-t£ priiiip=p: 1 *£___£_«._*g ** er-5^a H^lil^gl -#-=- i-h-#-f-»-# E^^-r^mS^ -=C £E?E -*T-l-«i -li iB |t ,_£ e— c. BEE — — 8=S EE£ £= =l=p=p = =i=1 t=F F=pI =F F THE RETICULE. fepiB£5 ^^^^l^^^j «*** . *" =fc=fc B l^I=g= ^M^« ^=dEdE^jd=dd^d^ *— —* g »—4 lil^iPPa j&ig=^S^ggwlgg^Saiii^ ( « # 1» » — i — l r^ r ^ | 60 THE DANCE MUSIC OP SCOTLAND. THE STEWARTS' RANT. •#- -•- U I), > ^* T 3 2 i »-»=! 3 2 . 1 ^fiilfesSiiS^ ^-F fe=39 *flspippiift^piffi vy I ==l—^azsiii-—2 3 —- I =2r2-a-jT —r: — £? -»—•—#- -* 9 O O 0- BiifcEE EE£ =t=t £=±r *=^ 1 -0- X -P--0—4- 1 x ^-p-^£g-fe £ J^g^i^s [ tt" -»—s=S#- THE DUCHESS OF GORDON. STUATIISPET. x-»- =tff^ |fe^g^Pgl^pSipE|| bM -• 1 PEE± gpS=g=^_^=3 1- -*- -#- *=^P fe -0^-0T~— ^ Z4za g^ms^ Efl ft-j j_j -»—»- ^^^^^^^ *- -#- » » — « t THE DANCE MUSIC OF SCOTLAND. 61 ^te^=^^i^ :*=*= j?=&3 3=a i=£ •»- -* _~^ X 1 3 , X -#"•--. --P-* ^. ^fe *=R tEfe -•- -•- tt^*^nil CAPTAIN MACDUFF. -0- n» t £ X 3 1, X X 3 1, X m _ -0- -•- nU tt X 3 1, X X 3 1 X #— » » # » 1 rviHl — 1— e a i— 0— — * • 1 r III I I M I V # i \—yJ-^ — - - -k^— — i ^^ L^L^J LuLld I—k^.Lj~ u-i—— *-—»—»- -0—»—#- : ^tf^ - f—^l-B—la b H^g #- -#- it WE?=P^ g^^^^^^^^j atf^ -*=.*- =S=- B=Ei^E mmm . — — ^ j 62 THE DANCE MUSIC OF SCOTLAND. THE PERTHSHIKE HUNT. 3 i ix u fl 4 r^ssLi ^^^iigii^g^^i^ *M=; ^^5* $ PPf3P#P^^^#^^ jbl4_ sazz^ i r~j i -3 * - * . — i..'i. — 1 l i — — —^ — —""J— — j i| '-a?* — Tj_ - zm, .-0 , »' |^^^#^i^^^ -f>i- ^^m^^^immm-0—0- : STEUAN ROBERTSON'S RANT. STRATHSPEY. ;5aaggSGSE££fS3 ^B — — ^H THE DANCE MUSIC OF SCOTLAND. 63 Ap 3=3=SI3- ^-^=^5"|=S:: 3-^= ^^e^b i - — B-.^3 za —i i s—2 - j -a i —a —a f— a a | 1 1 1 I— =1 — —1 — j — — —1 —1 1 1 H L r H — -•'- — -»- -•'- -4- -+ -ji- -gl- -j)- -4- -4- 4- -d- -#L -4- jjjjjgj^jjfei^iippi SLEEPY MAGGIE. Sii^IiiSl^iilSigSte£t ^^f#Fp^=FF^FF*^f -#-*- ^==ip: fc|=rfF%jT p BEE ».; «L »- _# «L -I* C *— £_ a3p£ I B^^ EE£ ?=F=F=F m _«! IP «L 3=&: » • » 4 f> —% ^ d= = 1 F=F=F= F ^=^ =^=F=F=F=F ^^^sss^Jiigite WF-•! # » rwf P 1 f- » — —X i 64 THE DANCE MUSIC OF SCOTLAND. THRO' THE WOOD OF FAVIE. fc£ ^tt^T* ES ^gE£i^^EEE£BE£|m n ±H^EEE^I aifeEEEM^ S=?=?=S: ^^^ t=P W=t=T- -¥=i t3?=T4 £ Esmtsb*-* s —#— • «__•_ St p=p=*=£ fe^=^J=fc=fcdi |=p= _ ».X 1 2 =•*_•• £ • —- • •* l — ». t^EE —'-#—#—F-—F • —*—*—* *—»— |—p—•-# —0—9— i x plig^gPiiiESiai^S^». X 1 I I I > _n J J II J II * '— 1 1 0- 1 — 1 P LADY LUCY RAMSAY. 9TRA.THSPEY. E£&&gg^^^m ^ttfctt^je-jr 0- -0- •#- 0- -0- 0- -m- -m - a „ I:R^ mm :N=i=E=t=krr ^m^^^^sm^mi^^m -0- -0- -0- -0- -0- -0- m m f THE DANCE MUSIC OF SCOTLAND. 65 jsfa^gjr^p^pteiii^lg -0- -0- -#- SE^S *=?=£ -#- -#- -^- _8 *_ 4= PPP MISS JOHNSTON. REEL. 4 1 X X 1 fEggfegggg^Eg^^gp^HlS 35i! gpEB^F3ll!L 3^^£ f—j=p:|— 1=t=g pg ^=F=F x x__ 1 X -0-0 X 2 f- m £ B?E !j=^=_g^^=g EE ^zt e$ ?^^£ ^^E pp — p i p — 66 THE DANCE MUSIC OF SCOTLAND. JOHN STEWART. 2 X v / n X 3 4 3 1 X I X 1 m—]™1 , 3 4 3 1 XI X 1 :M==z \ mmmmu.*='T=f 3431 X1X1 2 X 3431 X1X1 3= qtzis: ±±* teJipiSggpIgg4 S: # • »- »_ 03ee3=?=£ _« £=£ *^£ l*^«: f RF^ iii^i^i^^iggppti^i * * es3==*=* 14X3 BE WILLIE WINKIE. STRATHSPEY. '— »-. 1 —» —\-*i~p v--=n h*i — p-\—^-n- ""i"' if *^-, , . — — ,™f-n — —b -» # 7): -w — -p — n -w p »— gES — p — 1 X -F5- 0jr ladiq^ :tcb x -W- +j THE DANCE MUSIC OP SCOTLAND. 67 2 m-kr feEHl£=S£?: -»•#- fftt £^E _ giiigii,v^- m «=S=8=8 S=£ _^ tee-*-* e g^^gll^iggg^g^ -"EST EAEL MAEISCHAL. 3--=* ggfagjll s^feS^ 5ssa J—#—J—J—F« « * «— ^S— S=td -* * 4~ "* * # e fc= Sii^ssife^^i=^ ffiE3^ az~a; ^_^: * -j* i-j j j -j »-l 1—j j* j *-j _j J u W— — — -* *— *— *— 0— -0 »—»- i-P-F m-0 ;— £ I I j l ^j UJ-l ei -J j—U ——— — -« s=± -* '-* © * * SEE?= — — — — — mt =t gSlliiSSiiita J_4_J_l J. -j-J -,-L -J— £3 p^E^gSEEtg z==^=3=g: _Z1 rf ^ W J aa « j — a — I' 68 THE DANCE MUSIC OP SCOTLAND. LADY BETTY BOYLE. x 1 _ x - Sipig=gg ~* - in-- ( , *l3 tT rfe =i=»=itft s ft s ^^ ^ -*- ^ —rj -a • v ^ 4 2 1X13* '-fr-a—r— v . a- 3==E ^i&SEgi^ig 2 1 X 13 —j9— a—*—a- SE==S=t3i B-^grTfgSi fe5 -*-# egE 33: =fc ^^E^^$ gi- 5=3^ -ai— a- -a -a/- •# THE DUCHESS OF ATHOLE. Duchess' Slipper. STRATHSPEY. t ** — » —1-4-j-g--|-l 1 i - , PS ,i - r |—i i — P*!**— 1 — —»— ^ _ -4 4 u,_J I I J * ft—. _. I — ——— * a—# a a a- — tM—7-j— a— — — o a J— a a, a L— — a— -^ s= 1 ^3 '-^ ' c- — — —al- — 9—aF=al h #=^s|_^^ J— a «T -J. -a a a JEEjzJzd^! *=E^E 1 ^ « 1 - * a a/ — i -a — — — — — i — * THE DANCE MUSIC OF SCOTLAND. 69 •»- '-p'- • -•-=-# ?±» p-p-^f f ,—^0-p— -—0-P+ 7 *-=-* m ^T mT - ^ ^=E=SiE=Ei3 =t H -»—»- 0-,-^» .—i-P-^*——•—•-- —£ I-*-?— k j' :p-t=i=t: i *^=j — 3=1=1= $^P i ii 3t*J3t i ^ =3 j ^— ___p ^ , c. ^ j g— — — — y ATHOLE HOUSE. ^^^^^I^^^E^^^ «— I? »- * » 9 » HLy \-=iz » ^ a J A al- ^mi—aJ—i——al M a/ — — —ai- * * 1 *r J i -,-t»_ —-—«-| 1 4*4 i J-*-*-^-# aH-J-t" =ffi== -I- —« «II« 11d J J • aj — * * i— =S S==£—S=fl ^=*= -1 1= 1 -4— 4- — — ——^-H 4 a id' tat 4 ?-•-*-•- -A- -» T"? *>-»- w t •—I r ±= ^gd3t^p=p±±*£ps P— S==l==^t=S «=£=S -*—*- ===t » # * 0- ^=£=3: S =P==P= ,-*- =/!-.-=?=, # P=P= fe=t=?= j^gE F^gB^p ? 4zzzzi=zz:t=$z «=£' *=Sz=?=£ e»-—m— diB^E ^ 70 THE DANCE MUSIC OF SCOTLAND. THE BRIDGE OF BRACKLIN. m.0 —* -M&—P-t+rt-B-u—i* P-T-M" PP ^mmm^m \ j l=h SEF B3 £E WNMiifi J"^ > > > 1^^ =3=3=4 I « # i- -•—#- 5_ .0. -0- 7j. -0. -0- =fe fk± II ! 1 1 ik THE NORTH BRIDGE OF EDINBURGH. STRATHSrEY ^--^gSE^S g^gpi -^ > :> ^p^gg^nn^i^^i-*- -«- — r THE DANCE MUSIC OP SCOTLAND. 71 «e=9=W=^W^=fQtF=i=^p ^EfEESffi? ^m. =fcq '---^ pippl^^pppl^ttil ii E=gj^#|fff^Sifg^^p £_s J=4=pS=2=J: ee S=See3=Ie^e^^ e£ a f THE ARGYLE BOWLING-GREEN '• &'• 2 1 J 4 2 3 X . P>-»^ ^^ 3=1= OfB3 N#=^=##NPP=f=^PN=3 2 1 X 3 SrfSEIE^fe E *-r*- wm r pn=«^pn= *r T , — j e -# 1 .0 #_- 1 — Z0-*-J 0—g i=i=e =3===* 1 f^ i— = i -F t--Ff—r— Ft — — — -72 THE DANCE MUSIC OP SCOTLAND. THE OLD MAN. 1 : Y'*- X 1 ^fcrtafcj -f- £fe s -m*it=± » -»- »- -t «_ *=£ *=fc ggEppiirJ=^=g x 1 -»—#- §^fe »-i 0- feEg=, *=fc=s=r iiliilil Ml #- -#- -#£*,^L*" - !*=t£^ »-»!*-» EEaEgtffc* -f-F—, T> p ^ gJEp££|g J i- BSE'^M^* -«=§S=?=g: ^=p=?=& =»==ii= f=f=a £ i= ^^ #- -»- 1=1= iy-i 1 e r i^dMl^B= e? ?=N i^ddi BEN LOMOND. STRATHSPEY. li _ 3 ±±±tt3Kl .it ± ±. .*. .p. ^ -# —0- -m— — »- ^§E!E^ =t=t=t ±=E^fe -3-+#- -#-j-#- t^: g^gg^ig, ^=- -#-*--*- -#- -#- t-* p- « E NNi —i —# THE DANCE MUSIC OF SCOTLAND. 73 #-•#--» HggjgES^^g»^Eg ft -p. en. H^faj=t fe5E£# J^q^#fe#=NEE£ ^ tpteSs ft ^t JfL -ft. ^ 3p|i SE^E£=?==£ :0mmmm THE BKIDGE OF TUEK. g ^?3 =PjE*^ ^iiazj jgjfe^gigg *** OHS!! EEEII Hi #—«—-*— S -#—•- ^E^ig^pj^agjiipi gN^^li=te^lj^ p^i^^^^^i^^N^r^ 39= a=F=p: -«-s-«- f -»—* 0- ip^ i=^=^=F # £=.- P^=PC ^ ^ -©- P^Si'gS^ S3:ftt* ^pppiii^i^p^ipii^ip • — " — 74 THE DANCE MUSIC OF SCOTLAND. THE AULD STEWARTS BACK AGAIN. ^^^^HSlH^i^PP g%BS 3=3= iHiPPPil^l --=&&&= =^fcg£g= ^£^4^1=: 8=0 -»—•- H gggg^g o m F w- : h sfe -# — -p ,» > &E — —Ff p— — t r g r ^F=P=f ^=M==F • *- -» a* -8 — —a* atipl^5=£^S ig *F PL^F=F=F= t =F=f : wmmm=^m LADY ANN STEWART STRATHSPEY. 3 X 1 2 X -#. pg^p^^SjjjteS^I *t X 1 2 X gg*=jr* :|l THE DANCE MUSIC OP SCOTLAND. 75 ips^^^sp^^^^^s 9— — 0—# — —-»- f— f~ m -f— »-(c 3^ i tf ^i^^S^^i^p g^ff^^^ffi^ THE FYKET. *fc4f - h-h r—i F-t- =fc aap -» —# —•- m— m 1- ^lH^^Si^ 0~f-^=K ** : s lH^^i^^i r— l :i— n m =t I V* T=r f f— y>-cfe-«t-—^rffeHf h-^-'rrr-'-fr-|-¥v fez r 2£F' e# .** -it* r# Oitf g — a * 76 THE DANCE MUSIC OF SCOTLAND. MISS WEDDEBBUEN. i—^ ^B^a=S^ Sr Jg^iifepSii A- 4* -0- BUj^^^^^^^^ 0- ) tl= ^ gpp^lS^^l^i^li^^^B .#- *- *- #-i^t- A -» -P-#- jj— m ii ^ £=rf JE£E fel jife^f^ig^^^g^33: .-8__j: 1-3: H^fE*^££i=ii^i l^^spisp^^^^^T^ 0—-0—0—-i -0 0- EEpstt W===£ VZZZ.0L P=E iiili I ! I DALEY HOUSE. STRATHSrEV. ^iliiiii^pSiiiSl^lpIl l^^illpiEp^l^^^tE^EpS -# 1» » — i — JeeS "5— 13=1^ =S=?^= 3£ ^^=^EE^EEf=^E^ F * » THE DANCE MUSIC OF SCOTLAND. 77 &CZSD *-=*$- BgpHrt^iippillg »— ^y^p^gigp^^i^^i1 X 14 ei -0 9- 1—r— =F O BUT YE BE MEEBY. o she's comical. ?-TB^» :p=jep: (gy^a 39E £§=pf^i ,-0 :J=J= ai ff l^-ff£-£-=M= :k=p: p=fc -0 0- I f PHiSi I I I : t:* -* p-#- p=i — P=pe :ffiK ferfi g^ IS g B# is PP igUfM s«— tf #—P- :p=P ?i ¥s S? ^ac 3=^ ^ ^ ?^wl» 9 9 0- -0 —9 9 j=j=± ^ItfM1 =t= m $9—9 0- -•-=-»• E&BE^ ^EEEz==§E3ES=tf^P* 1-0—•»— —0- -0 ss&i tw= ; £=R —fc=fe=E: w=i i i Hf^hH*^ — » 78 THE DANCE MUSIC OF SCOTLAND. MISS CHAELOTTE STEWART. REEL. #1 2 m*B3 I ^^y^^fg^^^^ -» » i' — - i ^* • » — »— —l ti= V^tfEE$EEi=*g S~ *i ^=±= *- i- • . — -*-n-* # ^r -» — ^ ^ •- # a * -.^ ^-^i 1 > sEfeas=&^? *& rn^rnkd -<* *- — -0 •#• -* -*- ij & m SANDERS BRANE. STBATIISrEY. pp>. £eE£ r -»^ ^^^£1^3^^ #^- -*--*- V V "*- ^: i ^: :? -a- V r * -te&^fe -I L~i ==pl=r-n==^==i-^pq=3±i^==jz=|Z3==g==^ii—zfcn Rl= | "*" * ^- -Jj: ~* * V ?: j: ?: t | V * — —• — THE DANCE MUSIC OF SCOTLAND. 79 .» » ^__-it* gH • h-E-€- 3 -» # m—» *=3: lifel — Mr a -«—«- -4— 5=1= II ^Pifff^f -# * THE CAMERONIAN RANT. .# *B*E^ffi *=±fcft it«rii=*: as i^^s J=j=pM-44=pt 4=±*h fe *.=3=* SEE^=U=3=*=i=:fat3M ll * <* Idlt^^iife^illi^iii^l J=4=4==i=J=i=£ _l—J Js -J ^_J_ i 4 —4 * 1— ^— =S— d— —1 =F^3 4 3 4 3 -0-0 ^•-0-0- £== ! s U^ -J- B] « —«- £=3: &k : PI =3—5-=3-#5 -»—«—# —•— i— i—i— i X X —i-0 0- -i-rw+^r-»-£*^ i *H— ffiEES=*=i =l::s=5=^-t= =3="=E=E=d=a=?=£r=N^=i 80 THE DANCE MUSIC OP SCOTLAND. THE MARQUIS OF BEAUMONT. £ i^zm^mm mk p^w^i S :;:*mm^mm^mmmmmm i i r *fc EEfeg^Eg ip=fcT^pr ^Hlggli ^WW es jri=£=£^Ee=c=i=F # ^^^^^^^^&t^>-- pSJE^=P^^ig^=^^^ i^^^i^i^^i^ii^^s ^If^fHiglgl^^^p^ LOED SEAFORTH. STRATHSPEY. XIX S^^^p^^^^^Sfe^Sgg^E jl # j 2 X 1 »** * - tfcB:ss — — — — — r THE DANCE MUSIC OF SCOTLAND. 81 -0- -0 . -0-0- 2X1 -0- 0-. -0- -0- 4 -0- &£. m #- *- a- %*-£=£=* -P- ^— j3j|i ~*==^ X 1 X 1 S£--•••- 3 fe^* ts^^- -»- -0- Bmsk ^CAWDOK FAIR (^^& ^^gl^ =^=[t I g|^^^^^ ^^yp^ £p^ i^ii^^rt £=& s^= ?=:=»=? *=J=£ -» * * =^=F=F=t=l=t=l==f==F P=-F=f=? X 2 >&r-?m g^EEgg^^=g-»;p-|—^Pr*-#-P #-P- -»-»-» e ' « • F — —*-» »-^— » r I— 1 — \ — 3=3=*— m — —F^-a m — T?A— X 2 3 I—— * 0-m •-»— ^P-P-» P #-P— I h-*-»-»—*-» 1 #-»-P— # J • —— — 82 THE DANCE MUSIC OF SCOTLAND. KINOALDRUM. REEL. 3 J: i t t=l=l—%- — — m* *-» 1 I Se3 f=F=F m^tm^F^z^m1X2 ^^ m -0— — -» 0- mm 0-n- X 2 4 -1-0 i—>r-0—\- ZZ$. -*-*- P^= 0—*-0 •- 3 mm Bil '-=1- i 4=S=§= "I—>— fc=j mm T-— p -» X 2 4 fc !=SS= zrrt ztzr '— * 4 iHHl m m m .0 _ :*=«=*m m—*>—— —,=^=Jw— m MISS HOPE. STB ATHSPET. ilpSSI^^ip^PP fc=*=fcqdbrf= £=M= 94t=t *=|e=t :t=l=: ^ S£3^^3EES5EE3 2 1 X 2 :—Ji^.. ^^S^P -*- -» B^ :£=£ .« g_ |EdE=li==ft===|=t=f==f=l ^ £=fc tin :d= — r THE DANCE MUSIC OP SCOTLAND. 83 23 4 11-4. 2 ^.. m^^^m^^m^^^3 3 _» 3 ^Ng=i^llg^^^E^^: 23 4 2 P—^ *—.*- l0£ ili=NI^=M^iNNN^i^ £=*=£ DALKEITH HOUSE. feg^j^g^^lig^i -# »- f- «- t=t=t=t=flF$ — S=t£tz ft ft- h± {EEfEfESEi F^ BfcS=8E ) 3^F^ Ili^iiiEKiilpillisi -»- -*- 8 ^ £- "fi ff u* e f- f * * -I *-s^ T=F ?=F' gg --y-fff- BzSpfe=S^-F— # —• — 84 THE DANCE MUSIC OF SCOTLAND. LOKD MACDONALD. REEL. m^^^^m^£^M\£ 1 f K ' -3 « 3< J ' —i-—»—#- 4—4=F*=#— asiidd -#pu— — — 1 *=F X 1 g^j&VP— mm SEE «w-^i^-0m i i i i i r> I i i i i -#-Pf>-*-#--!«-. *- %_»L^ * f> , * tf-rf-* m SB m lH S^ n1—•- s^ 1- s=s £=£= •- »-^ l=F- :fc£t feS ;s ^ p^iii^PH^i T=S= LADY CHAKLOTTE CAMPBELL. STBATHSPET. -m ^-»; »-«- iiUl^ii^ii eiE3: r- -m ;^^^^^a SEE i^mmmm^^^^^ T , THE DANCE MUSIC OP SCOTLAND. 85 3 p-- -•. i=^F -ft. m ^^ TPte^=^ft2:«z -»- -#- »- -•• an *==t fc? £=£ I 33 afctt ^^^^^plp fd-jK-*- 5 ^^ . *jr.:^£ =t= ^EE :EEEE £^i LADY CHARLOTTE CAMPBELL. 1 +-, n * l m A m_ xA 1 3o ^x r-« a * _i - ^£==£=fc=i=2=?=$=£= -^"--C"—"S"—"S" |_jB_jB=£=g: e?^E *=*: 1— iiP x 1 ¥^ :t2=ppz P=P=^ *=^m ^=p: -«- »- ^=E 1=?=,=?=?=* 1 2 2 X 1 X-*- a IX 1 *- * 13 E=£p= S=E Sf £E£& -#- -»- -* p p e ,_* , » * — — SE *i- ±=fc=«=fc 3-^=1 f=t= r=^ -£•*- -0- m X 2 -*#- „ X 2 X 2 1 £#=*- ==t=E -0- -0- -* « * —« —g- •— p- BE i * — 86 THE DANCE MUSIC OF SCOTLAND. MRS. OOMPTON OF CARHAM-HALL. 2 3 4 L^m«iiiI§fg«giiiS! I « • * • # 1 P- im _ —m— — — I m *— — — — — £e£ 1 « 1 X '-« • P * • • 1 e l^S —i -0— p 1- P^r* £E 0-^f-Y-0- tete^ H* ^=3i=p= :-B£f£ iHHi % i——*— 0- *=1= BEN NEVIS. STIIATHSrET. ^g. Ito i^pqrfcsE: lB^= 1-*-Jt-^*t#- *-£&-- ,T* -4++ * ^» S^g s=S=e=*?=iz2=g=S=g §§EEEfi » 0- e^s; £=f= p^PPP^PP^i # # t — THE DANCE MUSIC OF SCOTLAND. 87 ^=s S^Eg^S S 3e§=**3 "*- "»' -# ' ' | J- V * * | V | I tillSlSsS^lliils « =J=± E «i — — ^ * V -& -4- -* w^m¥ PRETTY PEGG. KEEL. ^ yw r p . ^^^^H^^^W #-— is=^ —p* frf=g 3t±i: a^zfc Bt&EjEfEElEEi-^^FT^I=5=8— S=fc 'Sl ***— Npfj=^f^^M^^rf^^j X 1 pfi^i^ipSipi^ ^S^=i -e—•- € «- reffirl^ ff F=f^ 5 — 2 88 THE DANCE MUSIC OF SCOTLAND. SANDY O'ER THE LEA. x 1 •/ x 1 ^=X=\=S- fapg3|g rm -a—•- t-t±=-**- ? =l=t*«=t =F^ :*dl4 -*-g ^-^=: a -m-f-0 —•-* bjj-i -T 1=^*-:^^j_x_==H F g J?— — Oi :S^i=Pl=I=?=S=a^=S:» — 6 -»— F w — » PPf "* X 2 _# _ . # . X 3 ^4 p g g _f m g -» 0- -» »- # :g^-' -» 0- g=»t — e- 5=S -»—# »- B rs=p: ^=^ =F =f=f=F STUMPIE. STRATHSPEY. IhiiiiljHsilBrt^s £-"' fEEHSi i* & 1 :p=N S&l^^l i i r p—p- S=E s=a 3e : : r=r r=r f=n Mf THE DANCE MUSIC OF SCOTLAND. 89 fe ^BrrfrT^T^ffffiSrtfsgj -0 0- illpf^flflf:=6 ±=6=6: £ES=fE£ » 1 #- •— •t-H »— n ggg^^^g £EjEEgE? *=F • * Ff THE FOX CHASE. jb* f- 3 X 1 2 14 =]EEE |§fe *=* PH X 2 tt 4 *Efe^E t3= *« ^Q -#—»- #—»- eif* .=££ ?EEf ^=^ .*.-_>- p-^^lESE,^ I t 3-l-=^fza! =^Ig::Fa!-A£^^±- ==^zg=xgjj?-E^ j^S^g— ^iili^Dii^^^f SE3=JEE£ :f=.^i — — I —— 90 THE DANCE MUSIC OP SCOTLAND. THE KEEL OF THULIOHAN. REEL OF TULLOCH iyig^^a^p^iig » » 1 -#— ,— i=J=F«=f=f Ys~x- BitSei&4 n^^ FF -^R= #^ II II* I II* ifc^g^^^lggigi^pi^^ -»—•- -» » • #- m^m frJ__J_tM=B ?=*=£# * * COUTIE'S WEDDING. STRATHSPEY. =F=5 .£**=*= =pn=^=r« m*^ azfc ^^KS^i i:*^ ^P »gg§ -• #—-» —0- » 0- *=* *=f*-r w-» ^==t# I :Jr=*=*==*d »— -0—0- I i i i I I I jirjL, a?ES=^E^nEf=£=jEES£EE?EEfEE^SE|^=?^S=F»M=»W; — — — * — THE DANCE MUSIC OF SCOTLAND. 91 X 3 •- , ~ - • g-i* f-P'~f , ^^—p- ,-. — ^—m ? m — li i j -+-.——^ r i i r H~#—# ==* r—r— ——— F \ H—FH— — _ifcjti£_£_ ^-m^ >r« > £ r i igglEg^i -P--b-h- ^""xJ I at tm M^Mmmi -•—*- TAYMOUTH CASTLE. i -*- _ -# ^sgH£fegE^afej •—»- g#^^Fpp^^^^[ £ l^lislEi^^^F^^^ 3^^^*^^^i^^ia f^g^pp^is4 2 1 £g=:=r=!E£ ililii=i^*iiiigiif=F s » — — » i 92 THE DANCE MUSIC OF SCOTLAND. MRS. RACHEL GIBSON. =Pt nrf=tMite £EfS? P^ic ^mmms "-["-- -» —» —0- -# 0- 0- eifeS3 :t=t=: ptt PH^n r=r ^Hngii£g|iii^ig =tu=tt p—» • • — • • o f f- P f-0 a »— A I »-_ X 1 X 1 - -,*- X 1 X 1 f-f g _0 -f itfc •t^ & s -H —a- >9fc f=i^£ *..*-#- „e »- x- i *- *t JV-rf^ X 3 a -i XI 2 =^^B^P ?^* -&* mas '7*eS=i p »- t- i=i S3E 9 ^=f F=F=r=1=F P^i=N CAPTAIN PRINGLE OF YAIR. STRATHSPEY. 3 4 fe 3 ^^^^ X r-\ m, m PT**I«* ___„ X .cf.'^Tg.r(•.-"-"i.JTN^ X 3 » » 1-» — — W—*T -» —5 0- E m u [-» v—B- jjf^JEf=f f=E —\—H^F—F^F ©E^=^S=^^Ji|SS^ (i.:---l— • • B S=^S--«=|- E |=8• -Wfc— — » * * * THE DANCE MUSIC OF SCOTLAND. 93 $£mgm&gm^&&§& It- A ^ -ft- ft- -f>- -fL -*- -ft- -* :t=|c £ aa&i=i 1 ^=F l M fi;.^?^^...^^f* fe @iiiiiiiiig|li -#-*- -#- -*- I* ft- MISS OHAELOTTE ROSS. m^^2 1X1X1X3 S^^mwmk 1 S^^i^p^^i^p ^^S^^fe21X1 X1X3 5S =^£ ffi£^ips&£iteP=^H* =^r zjz3^zntrjrpg=rg_ -*— ^f=*t f=g=:8=| -»— »- ^%==IeI F=rrtf=PP^ ^=^=^=? fe*^SlppX _ X Bii=S: =F=h—^—I- W^^ I — Q 94 THE DANCE MUSIC OF SCOTLAND. MISS NISBET OF DIKLETON. ^s^sS^^ii^Sil t=fm^im^m^m^^^ i r* 33 ±^W JfcqiJzzpk, *- #—*-t!-*— ^W PH ii^^^ifei^^^iSj^i4 e3E^ 4=s^4=f^j^M=^j:E=il 4—U— : t=X -•—•-$*— g- *+ $*—*- m-»—#- ^b.p_.J__|. l J > en: F±=i —wg— '—•—• « s— B< GENEKAL WEMYSS. STKATHSPEY. 2 _ rk -&* BZe£ -I—»-l— -»•#" XT es5 *•-' *=£?= ^ =i£EtE?5=^-«*—k» Ths-#- SpS^ ^F*7 tr fl BEE £=£ i i^^^ "f- - — - g — «* — THE DANCE MUSIC OP SCOTLAND. 95 pplteipilliilpllpliii^ -I—f-m. -p. £E ^EEE liliipplppl p^Ep±233tjEbfc£3=3=3=a=l^rpxtst^z =E^ri33;|rfl 0- -0- bef^= £=£=«: p=p: fe^EE |E±=f ^ pi JOCKEY LATIN. I^teg^^^jlstefe -0 0- -m— ——»- gdE^^bte^W^W^ =F=F sggl^i5==fcfc=^t z=^T-f=* -0 0- *-*-#—m a—a—« 4—« «— « — -« « *— -0 0- —_* — —1_#— — —\-0 a— -- —a .- 1 —i c ,^^-u-j >iw,LZ __» lEEf* _ l r— ^-tf— . 0- ^ g g -0 0-1 0- — — — ' i-h — g—-g i--g j g g # — — — — — —1 - • r s - 96 THE DANCE MUSIC OP SCOTLAND. MISS MAULE OF PANMURE. —/- - --- —-S-m-z— -4-4—<=^-=*-=—•-• •-— •-•-^-j m -r— =P=qt Mill *=*: *=** P t=t= i3Z - ^-^^ 0-#- -^—4-0 =^— ~--, #-» —•-—•—*~4~4— 0- -#- #- -0- -0- -0- -0- -0- -0 -0- -0- -0- m f-m ^^s— 1 t~i \ r—E— g c -+- ^EfEEjEEfE gr^fe^i^^s^i'^^^g # --- #. .^- _ # . .0- .0. -0- .0. .0. 0-00 SEQ -#- -0- -0- BE| :8=t=t :t=5« e_ 4==N= £=K £*Ef £ HILTON LODGE. STRATHSPEY. •h— 1 0-'y- - 1 1 **--. P-l FH ^s*»"«" -*«_L> ! H 1 A-0-*-& OS -0- -0 -0- -0- -0- -0- B=3: m F ?—£i*r*--t—#-=-»-F H ^£E£^E -*^-*^ •—fc f— *=J= 5^ =E * =E==E HUSI — — — — ^ — P THE DANCE MUSIC OP SCOTLAND. 97 Ui Li i=t- > JZ ^—Lt .. _, 0.- - -=— •- m ~*^4^*~ rf _ ***— t— as i C ^ # , —I J-F C _ 1_ !_ 1 1 1 E&E§±ig S^ r* # « gNgg^fi g==g=g—1=^= =jM f=^c= =iz=|i=4=i=ME=t:^B^B F—J—•— — c 1 —r— '-p—r=i=^f= F ^F r— DELVIN HOUSE. 1 x x i x x^^-0-w-^w -M+z&z S^E |sgf=p§g^ IS£ azJdijzCrzfctf=t HBz=3=z|=p 1 x ;•: i x -*- -*- e^ ~g g: r r ^ i— — r iil^^fei£iii^i^L#pX#_il eE ^EEIEEIE^S S=f- a 5 ^ :i g g I 1 F^^E I 0^=3— 1 * 3 1 _ «^h-» ^P^T^^T~ _ F ,:fffq ~? F :E ? 3J ^FffiFFl 0^-m-»- 3^ flE S3= oj—6=5—* ?=r=g= i^l^ihppppppup — 98 THE DANCE MUSIC OF SCOTLAND. CAPTAIN BYNG. IS^isgiiilll^sSiiii^ m.B3T ^ilp|^lf -•-=-*Sg ^i .-Etre: ^#^iipppp^^diNi ^^MUBp^^^S^l J: I^=* -»— »- I* P ft- =J: ^=^: -» a —a- ; F=F= f^ !#ii COILANTOGLE. STUATHSPEY. B^s^^^g?gg ^t=C=F=.»-P I^^H^^E -9 9 >-»-•- —^-g- g-^- iS^pgHtip^H*^5 ^E* ±+ -e— 9 m— nm^ppfmmnmmm — •—4 I J : — THE DANCE MUSIC OF SCOTLAND. 99 g^^i^SiiSi^ig^iii \>—?^ $=£i a—-# m :-£ ^ ^ ,-» * » -I -J— P- £ $-!-• — :•=*: ^: ^ « —*-'— dunsb dings A'. A 1 x i , u x i „ p XIxi ._ » . t xi f t4^l I 1 -I i— 1 1 -8* E§^=i — ii— -t m ±=±« -^d -*—#- M— —*-t 42 ^-~» f^^= :£=— -nB»t—fa -«-+ nc&( *^^=i= £^S? t^£^£^EE 3* I -a « *- B* =P=£ q=zt *- — S- i > * i d^===p=ii^pip^gp^i^^E^^^i=p=-^L^|=±s==Mf-=^-n-_= ^E :p=T :p^p » — * 100 THE DANCE MUSIC OP SCOTLAND. MISS FOEBES. REEL 4 1 fe^^^lfefe^pl^E|giSa^l *- -0- m !=fc: 63: fe-^siSttiMii i _»_ i r^n :t_-t £=£=fczfc= •- -»- _• e_ -»- -#- eE *=!=£= M^n-t= -p x * -«--* — p _p_ ? =e=p^ =t ::#:. e :*=*- s =£* 6 esE =S^I^=ElEESEd^S *- ^Sii^^S I—t" F^=E -«—#- PPNPSpP * 0- —r-^ » — ^^se§sgis^is-^ps£ I 1 \—m 1- : y "I g=§- ei=i^i=i=E= EH=t-«—«- m © 0- t— SIR ALEXANDER DON. STRATHSPEY. _ _e e_ gl__0— —^ g—J 1. e_ s. ^ip^^^^iififlill i # « —— « , THE DANCE MUSIC OF SCOTLAND. 101 S3 ^^^Sfettl^^33= *—«-S- ei^: v p- ^3*s ii^ll^^^Si^:68= sieF Bg^i=NNiNI#^^^ptej-=fB LAMBERTON RACES. 2 X 2 X 2 '- X 2 X 2-0- - X 3 iS.-.— —• • ? m ^y^#^jja^sB^f^ * w- J 1 n—o— — -0 — —J ^B3 m kkML^=3=f -»- m J—-] -I ,_-! J_ I I n— -* y # — ~* *- +—* * mm X 2 X 2 ^^ll^Sl^^^^ -i~\ -J—I—LJ W -0 « « * tJ— — — ^^^iiitt^N^ X 2 X 2 X 3 ^tt?E jN^lli^gigilizp^ :^gEEfc*t=: m * "; r— — j * *— * i « —— 102 THE DANCE MUSIC OF SCOTLAND. MISS BAIRD OF SAUGHTON HALL. - ~f m - X 1 X- 1 <*1 -a Jrrze: tt *E tjt-f- ^=p=p=f=tp: * *—*- = — ~ * 1 * — —rr~*— —*l ~ — l~* — £=t ^ g— '-* * r r ^ - —g—g— i-j > 4 — — — — # 2 i— n^ x -•- » _ x i x i ^*»—* -» — a£a t ~»~F« ^f=£p-h EEEJ n_ZB"~i—r^FT^ ^Fp -#—*- I F 3=3= =3=J I — =1 I *—*- -*—*- -*—*- -#—#- : r f=F 1 X XtX 1 x zi^ SfiSSI -# BIl=*=t=±4 — &=L=4 4 *' — '-!(I j—* * * 9 9 * em=^ 1 X X 1 X • P f »-^- ip=*= 0 0- ^=t£=p: IP=?=^T* *sg rjpt± -0 0- -* -0 0- P- ^= * »- ^— -g— DAINTIE DAVIE. STKATHSPEY *—*- ::=g==g=: -g nF^^5B3 =s=M=r g^^-Fr~g~^^'i =J=6=8=*--F*=* *==*=* -*—*- iiEl======r — —J — — —h — — —J« — A THE DANCE MUSIC OF SCOTLAND. 103 3 X a: -#- -» -*- -»-B- -# » i S i I- -» » *—»- # » e «- ^ -m «- fe=3: mp^ f=^ r* 18-^^* -#-*-h-i»>-=*- ^•£* ii^He g^ — nJF • s i^j - _ =*_ s g=^=pg s ai=j=j — — | S g s—F — — — g=S=n l * * « I I u - r ' &-d »— — — h——— — — — -F=F 1— LADY MARY DUNDAS. $ X 1 _X_ r~+ _JL _ »-*» i «=. tto *=^S2J # II :tt* t=^ at* \—f-0-0~0-[f-0-0-0- I j I ; j i I I I „ „-J J — — — j J i j tr. j ^_ g i a g—4—4—4 4—4— — 4—4— 4— x 1 X 2 1 X =**•-•—#- |S_ __]_J_|_L J—1—j-J , J J J X—\— Rf— • —-0 —«— — • J» — • d— * m a— J * i - — * 1— B—1 g 1— — g—* j—# 3 MsmsIHIIsi^^<^= ,— I J— I J J—J — I — -J -0 J—« — — — — — — — — a_?^3: £3= SEE *—*—*- X :# -0—0—j—i—i—i- -.^^^- * iprt=|=r pm^M 3= «3t gsT: -0^0- * 9 - —— 1 ,' ^ — J # • — -, — # '-3— — — '-3—^r~ii- 1 — — J— 9— — . 104 THE DANCE MUSIC OF SCOTLAND. LADY GRACE DOUGLAS. REEL. 4 -1 — 4 i_u-i *-*—i^-i-H -— *- E=tE-E^ =t3 4 J— J— 4 ,— U-r-4- J , 1 1— -M, « d— * 3 4^ ^Eg^S f=P3^ m ^-•-i* jfcr=tiz ^ id: _£ C # # -(*—P—P- J_J— -i ^5 (9 * • 3- 1 -* ^3: l £=E: :t=t= — — — ^^ ty • • -9—4- —"^" x P—p- E 1 " 1 — i 1 £3i P f— f=5H LORD DOUNE 8TRATHSPEV. f^^^^^m^m^m S- »- #- -»- P- »- *——» • .-I eisSB3 UH | Ll ' ' I I 1-0 p L— • jj— — — — — H-— Ip= SffiS =£T=r^ff :{=*£«* ffi gg^=^=ij^^gN^=^f^ — »— THE DANCE MUSIC OF SCOTLAND. 105 2 :) i^s^flMfai^i^^ 3=SESi=y t- -0- ^m PPS fffffe^^^ l THE HONOURABLE MISS CHARTERIS. x i-#- P— tr*-^-i^ fc^=P= ES|^ =Be 0-0 _p—? r# d=j^J=J=^— p—,-» OiS£±5 t=!==R H3f# 0- -4 *—'-• •- -I -• •- — — f=f — jt-ttte-f—04—14> :££fe X 12 SS^ g§ig|^ -P *- - = Birfcdt E=>=j=f rJ-J=f=f=Ff4y £B :B F -0—•- f=f #=t Irt: Bi £=§=1=1- ^3: -sife^sd -» •- M-0 ppi^^ii^l l=gS 1 I bee I -#—-•- at i ^^^n^^i « I — - — ; 106 THE DANCE MUSIC OF SCOTLAND. LADY MARGARET STEWART. ZW+0Q&3 MmmBM^mmsm r=B==l P—P— *- -0 i-Fp—pF-—p—p- -p—p- i- -i— — »- ^BEE - t—#- T :p=4 iH^gife^i^=gi t=K -P—P P—P- -P P :p==t f=± w »—»- ^=t- V »- S=lF=f=PF: I fe=^4>•—p-^i^ !e =**=* ail T=EiEH — " - -# * — a|=j|:" P — —* — 1 —* & — a —L d—4—d '-4—P P P 3.—*——=:~3< 4 _) -HI— 4 _j. 4 4 4 4— DELVIN SIDE. STRATHSPEY. afefe &r>. f ite£ifrfc£ * '* ^^P^^P^p^: I— —J 4— J d=fc =±= eSS^:i#^§^»wg it k=da^Ffed^ft l^ppSt^ **=iaNP«*N-f^^ ' • — i — i THE DANCE MUSIC OF SCOTLAND. 107 Hi^iii*tepii^iiSriEfe^ ^^^^mmmm^# •- •- »- —4^—4—4 «_i 4 ^ «_i 4—^;p ' ± ~ ' — ~P 9 -. 1=t: Est »- * -#- F*f THE EARL OF BREADALBANE'S HERMITAGE REEL. 4 sm^ :t • # es:BEE *=2 /8= SEO=* — -r r M F *-.-« 1 21 -"*= ti± -££ 4-0^0- fctei^S 0-—0- :|=d i i i £=:?=?:==£ ) I f . 9-m-*—— •— m --»—. # • f . "f" » ~f~— i f' 9 m 9 0-a-p *tti — P— dim feEfegEEEjEEt 2=fE ^=g=g: 1 1- T=F= T-f-b t=t 5F*= ^l!l? ft 4T_ f H — F r 108 THE DANCE MUSIC OF SCOTLAND. THE COUNTESS OF HADDINGTON. 3 *1 4 m^^^m^B ^S ®rE^ \ 3 1 r—FF— f-i F-R 3 X 1 3 X -fi^b-F^ £ i r r I —F—— — —Pr t^F——tr '2SS ^rr» is^iigiigi A ismgp iippp m t—i— 0^J^|gg^^^J^fe^S BH|: t- 1 p _ p=|-— — —J=S=tp-| r | p -p=^ MISS HAMILTON OF BANGOWE. STBATHSPEV. ^^g^^T^f ^^^fe%^ i i -j —4- II 1 j —-I - * - F* • *! * J OFi-rr—a— * — — sah~»—H— I ¥$ ^J C45T B^^EE^=F =|E^^J=|d: ^d=^ *=3=* 3=g^i=pi — i — * J THE DANCE MUSIC OF SCOTLAND. 109 -»...»- ppiigl^iilpeS*tfttefaL ¥ Slggj5=M=3 8 -»- tt^fUg x ,- ? /W DUNROBIN CASTLE. i-g—j ^ ' ^ 9 ' 5- —,(— '-i — — 4— tj > -#-• > -0-0* ^"^ 4—J—+—4—,-J J -J—j- J—|—j—j^ '-^ a ' 3=° * 4 4- a — ,(-— -g^-t—'£-i -*??-? ht= ffe: m tttZP-F-S -# «- j-j-• * 1 !—,-J— « — — 4 4 * — «i Bi ^ — 1- H id S=3: 3=* e? -« 0- raz^ez * ^ftfTGfrgga^F^fFiB^sai ^|^^=|^=jd g^^ ^^ji —— 110 THE DANCE MUSIC OF SCOTLAND. MISS ANN STEWART. -0—0 0- -1 # •— 0- ps * 0- n^- 1 X fe=* ^^^^m^^m -# *—•- -»—#- 3& 9 » m mm=mmm NIEL GOW'S RECOVERY. STBATIISrEY. 4- fS 3^^^«- =T5:: 13!-£=P5= er^z srvg- SE£ id=J= ^B3 I -&-*- 3=*E*El x ^^^S^s-^ SSx* |eS^ -#—•—«- --i—=r 3f=£3=* * * —» — THE DANCE MUSIC OF SCOTLAND. in 3 S^isifeSmiss ft * * — p p-a-g ,-p— f— i-^-S-# Pg=3E — — — to — to- h ^EfeE^E ±=^ x ^± ^—*- £=* t=S=!=mm THE HIGHLAND SKIP. mim^^>m£^. itS3^=E HE=d^d=J==FM=LUU-J w±sa §ss * tt^ 3M— ISife U^t-p: cot ^g^= =PT=^ H ^feg a « i—« • t— m— —«i — — «i— «i— — — r- & o — — — p — » 112 THE DANCE MUSIC OP SCOTLAND. THE FISHER'S WEDDING. £&* *be£-:PPS -0-0- ppfe^t 4=U: -* P- 0 f 0- miiBEg:[ t=zX E^sM s -*—#—*—*- s f=F #=t P^EgK^p: j^ggEEjgP^^I^ •- ai^t Jd^i -* -0 P » ^ * — —0- -0 *- mmmm * * — X X 1 X 3_ "| ~ /" I f >. f — ^E ^:p^p: -# p-—•- — -«—«— -# — P- ai -P » *—£: :£=£ W 0- t=± &eee EE r-r^1 ^ S t=£p=P= —E-i— r-i t=£: -» —•- *—•-— jft—0. — —^ ai=8=s -# —»- »—» 0- fe=F=F=b=b= :E=E=EE i r THE HAUGHS OF CROMDALE. STRATHSPEY. XI X ==Sr& ,31^*, 3=t- - ~.0 » *S ~^T0 tt* J -* + 0.0 -0- -0- -0 —0- -0 0- -0 0- X 1 X 25^^^-^ ^P=8=^=E=IS=»*=f=2 £3: ig *— — « — —— « THE DANCE MUSIC OF SCOTLAND. 113 pg^gl^^^piii^l^lp^ -#- -#- *i £ *=*= rr^W ^? 4=*= 1 p^^i^^iE^^pSl ^i^^ppS^l^P^g^Ei =5=1= THE GLASGOW LASSES. *S ^enssg^isgi? J I J # I-J-J- i=j=j=j=j=j -a « •— \-m -# 0r =t d 5B3E3==t * 3^t * V~ *" ^—*—*— —^— g g 4 *— ii^i^^S^giSl^ii^l-#-p~^--»-#- Bfed&=M= -* «— -#—— ^*-* •» • - i-9—P*- if¥ —*^ t*-*-**- ~f ^TV Tl i —I rs ja—1£ J=J=J=t=J li—J m- 3 \-« J-^a— as^-^- ~S=M 3EEJE -B=±=j=j* £E£ 3=t -4—9— *- -*—f 3=3 XIX I£=tarn—£pqct ig^i§^ipp==iii gi=J=J^J-J—,44-1-4—A^±±=A==$=^=± J a1 d a '-* = 1 ^ a ' -*m **~ * 114 THE DANCE MUSIC OF SCOTLAND. BONNIE ANNIE. EEEL. ibfcl 4 ^pgg^gBggpigip^ PEE ^^ #- # •—p- !^M ^e3= ^ ^afej pjj§i^^gpp^ipt=[p f—M: *- -* Bl mm^t r-f- ^ M^^&- »- •- -#- -0 m- -0- mmm jJEE^ w r- ^^jE^jg^gglS^ £rtba=£g: -#- -#- -#- -»- -#- -f- g »—»- a± Nt *==* ^ ^-H=f MISS GKIEVE OF HOWDAN. BTRATIISPEY. mm^^^^^m ^ ttg^fc^fera^^F^-r e^s ^ g-fflm& Bm^E^E3i^f- :g— % p=f — THE DANCE MUSIC OF SCOTLAND. 115 pl^^g^Sl^ifci^i -* *- — - »- FEf=?^g^Eg ri 1 i i— PF^3 =F=f THE MAEQUIS OF TULLYBARDINE. i# XI X *=£ =f^i *lt£ :^T -j£jt£zM±*zm *=^p EESE =3= ^m 32 EgsB^m^ j»—p. M ft- t=t1 »- ff r r nrrr ftj *M K=E=P= ^=F^ 3SS s= :t« ^r~ — p+rjJ3^pt-|-|— Ifa^-I I f" EjSJ •—#- BiftlE E »=p= -#- X 1 3 2 ix -•- :#: o -*- -p- -P- -»- -#—•< ei •I 1 ^E :t=t —— ^ . F — 116 THE DANCE MUSIC OF SCOTLAND. LORD MACDONALD. O rflTUEE. ONI BODIE BCT THE DTJDDV BLACKSMITH. (OLD SET.) REEL. P ~ zr > ' > > sir j=.=j=d—|-H=J P 1-* ^ « 1- BtgEE 2=Z=k -I 3= 3=fEE -*-*-*-*+ -#• # -#• — — — J J J—J M f^="=^fl ^r^ fe^^^^^^^^^^^ EEJ£ -# « 3*=*=*: g — « 3=^=^^5=g=3 -IT-*--*--*q=l- £| m mi^sLM^ttf-n^nm^. . ?L-, i \ mf^# -#- m m f LOKD ALEXANDEE GORDON. STRATHSPEY. pf*-- Afe3EE* 21 —WT~ Sg^gggll te 1 -• *—0—1-0—0- • —0- -0 0- Hitter B M&g^gm^^g^^^ m$ B 1 THE DANCE MUSIC OF SCOTLAND. 117 ^ppggpll —o- aS§ p m &E*EE£E£=&=ai f^E 'f s-* T IPS ^m& gg^ppgggg —•- m .-* .— r PEASE STKAE. S^I^Ete^^l^i^i^pi? ai •—»- fe^^^^^^s^p n^^ir=MHi^^piip^r=p=p i — ii"f g - • r I.—#-i— a- i —* _ p Lr »-i» - * i m ^fffe^p i 3=3 ^ Tt Tt -*- twm •*" 9 ~V -»' "* it mmmm^mmmEgjg^g^rf=E3a=?s SIS —* — 118 THE DANCE MUSIC OF SCOTLAND. FLOOKS CASTLE. KEEL. X 3 fet^iSii^iiiiSiisi g^f^^^i^^i^^ fcgfaffcSE: «H dr-Mlz P*—< **-* ^tr-zr: ssee «-i « -#- -*- #- * p— r »— r M^NNN?=^NN^'NNI 1 2 23 • • -0—• p—p a=p=g mmm*m er e »- wmiww -# m- 2 1 X 3 2 1 ^^^^^^^l^iSii•-P-P- MAKRT KETTY. STRATU9PEV. fei^a^^^^^^^ :J=J=J= OS:?B3 ^ 3=3=1= Hi Pf -»—•—« »- ggfe^f 3=£33= SffeP=fc* i®=s &s -0-0-0 ^ 0-01 ^pSH^di ggj=j'dg' ?=E£ J=J=*=pp E I -*——#— T^ r »— # f THE DANCE MUSIC OF SCOTLAND. Ill) ^5 5- r^' 1 h n t— 3=p= -J— a^=9=i^ ^SE=t f ;j' - | ^ j ^^P £ P S& &£B ! I I q5 : mmt^m -#— FPipi MISS DOUGLAS. X 2 3 4 s ^ S£E is *-i ^i i f f f » -*- -it .*- .#. f- -*- » » O »_ gSHiiil F=t=Eii X 2 3 4 ^^PJ^E^^^gg^^g^g 8r *- *- f. .0. f- -ft ba=M^FN^ -#— 4=F 1 X 1 X „ a -#-*-»- £ ^f^ -• . _ » --P==ff i^^ies Si 33^5=^ ^-y 1 yii^^ =i X 2 3 4 35:iiEpp g=T3=P — — i 120 THE DANCE MUSIC OP SCOTLAND. MISS EAMSAY. 2 I . 2 4"»t.2Li ^gsssggj *^S^^^t » • p i *- —t* »— —'-^— — — -• — mgm$m35^gmm*m=& J =*=* -4 P—P- S ^ ^ -* * T=» 1 * P"#~, &^iU — -t *: n—p J 3* p=^ i=$ -•—*- I -• 0- ^e-0 0- *•*- X 3 ;>*-*- -*-M t*=#==£ *$e= 3=^^^^fi^^ m- :*:=n=^ *—4-—p=p= =P=P=p: J 3=3=3=£f=iEEEi=p=Ef=F=f -•—#- THE DUCHESS OF HAMILTON. STRATHSPEY. IE* i^^^tessm. B?!is J=^=4 •* Pttipfe -0 0- ss^ipgiisasii^ — m :fc=g: -« 0- -• —•- ^^^ — — i t — # THE DANCE MUSIC OK SCOTLAND. 121 »-. hv- E ^ffls^gjgfe^ggpi °-: e^ p— =j=± -# •- * f- — -^0*^-0 — mrtt W—a =P—-« :=p=p: THE PIRRIWIG. AN FHIK'aHKDAIQ. # ^--# *--m P-0-m*- 3CP5 -•—0- ra EBE^ -^jj-a-: sis ^Ut 5=M^t P^r 0-i-m—0- P£ l --)"- g^g^f^^^^-l^g^gEg^E ed -• 0- 2 > gJ^g -p— -#B^?=£—#- X 3 pSjg^^g^^^jigjJE^piEg^g*± £3Seeb£ f* =p~y *(—*- i ^^£Ef= -j h ^^ » #—•- —•— -0—0- — — — =F=F — » — — —« « g 122 THE DANCE MUSIC OF SCOTLAND. MAEY GRAY. 12 3 4 J=p>h ^!B3: 4=u=u=j -#—#- -*— -• * 0- -4- -# « •-&* i — 1 -ft*—* 12 3 4 i r=m J^^ »—— fe£ ^=*=4^ a « •- #t Sftafl -J— # #1-rJ—i— *t 31![ 3^=4=— *- I -ft* — §M ^P^fl X 1 3 fc=£*=^ ^ *^r -I I h, «=F* =J=J=4= -j i a -«— 1! « =- -# # *- -# «- £25 -«— — — 1 — *" ^. ^. -ft*— -#- -*- t*-* -+ ^ :#IF- g^^^i ^=i=i=S*- ^ : 35 ! !=J=pJ §j— :*=* c^"i:— « a- 35=l=t -0—•• a* -•—•- ft* * ^3=3—-* -#- v CAMERON'S WIFE. STBATUSrET. ffepiis&^i^iN^iP at|K »— m—m' » * » X 1X3 E^K£ ^H^f§N^ *T*- -# # »- -it 9 8- -» » »- 1=8 -p V » »- *=* =fc: -»—p *—»- -*—g— =?==F F^ — H — THE DANCE MUSIC OP SCOTLAND. 123 X 3 •-1 I ff 1 ^ ^- 1 H ^--p - tau F-- •»-P-— #.1 1-^ ft — ! — ^- —•^f— r^r: V*T±^~\ *i — =t«H=C -* *- -#—s- rSr=£ J^ 5= -»—#—»—#- i=g? i=P X 3 ».J PM- -0-0- sta S^: =g *— =g~g ::i 4— B§ t~g~'g h— I S~e Fg=S=*=g=l 4— -g MKS. SCOTT MONCRIEFF. REEL. 3 fc==rf533^]33 PI Sri* -»— -# e^ ps s=r J=t EEEEEE J=4 ^ rr fHiiii^ X 1 x *=p: =tit i ^^E^ ^£ -• 3BEEEEE£ (• » -• » Ef=P X I •2 X 2 2 P-0 — " ?~*~^~ ft-0- fcfcrf I *--0—r-t—w-0— ZWjf* P-0- !P^ ^E £z =F Jt Jt JL .^. ^_ A .«. .^- _£- .0. #- -|t -» »- -0 0- t=t ifegll -» •- P^p^^^PE^^P^=tc=c=t= )t #. fc*e ilil^llii^llilig -p- .p. * -• • s t- i :J- — — — i^=* m EpEE^fEEfE £ f :fc=fc: — i— 124 THE DANCE MUSIC OF SCOTLAND. LADY SUSAN HARRIET KER. X 1 2 X «-»3B=i= -S2_C jjj^jjjfepil^ ±3=£t BEE - —I »—i gggH=EeM ii X 1 2 X X X ft 4, £ifef£ ^i^ ^^3 ,-J- $=* -UJa Pip £_£_?^ \—Jfr.—is- .jF: 1c 1* :JL_*_£_* Bi5 —i »—i I ^f •—#- * ? t — i—m—g % ^S »—»- -f r ^ EE= pm X 1 2 X i=5^ S mmgmmmm=£0m^m*=£ -•»• £— ^^M—f-r—^=*=£e* kU f CALLAM SHIARGHLAS. STBATHSrKV. ^ m^^s^#*"^t»H ^L5 ^^-m A D: SS Efe=£ i ^^g^Jfe^liipi^^ JL OS ^iigi: mmm r- r r THE DANCE MUSIC OP SCOTLAND. 125 E^pjj^^gfea e^& $ m 1— MISS EITCHIE. 13 4 mmm^&z*ms&M SB, J=J=J=J=FJ=J 9 « • j=j=j=j= SES 3=£ i g 13 4 ijpgggpg -# « — *£ y=^= =J=EE^d^l*=: -*—9- -* ^3 af~ X 3 m -0 ft 9^ ^^33^ 0- -0- -0- -0- m&t 4=5=t r=rf=M=J EE #— —— — — 126 THE DANCE MUSIC OF SCOTLAND. THE WHIGS OF FIFE. ^S^SilSfe=§V -0 -0 +9 -0- -0- -0- -0- -0- -0 1 — — i v "F *F r-0—P — w—1-0 — *=?* 31^5 g^BPEEPER - !.--•--> - i i , rr>- nT> i i — •••p"r-! £to- -^—'—'-*- p-r-> -*-'&r*- .tt tf- 1- m =f: !^=t x 1 JL -# *:p^* -#-P- =TP -#-P I =p=p= ^Wir- EfcP p—P- r~—* p- tu 6=6=5= ^=S=8= 8=8 » »—0- £25—sj- £= Ff THE YETTS OF MUCKART. STRATHSPEY. mm0kmmm^mimms^E? - g*E±|-|=Fz=l==F=|-4==p— ff=^==|r-h-—F=N '= i ^f SlitaiilSiihiite^i *-.-± -f-- EI < E —— THE DANCE MUSIC OP SCOTLAND. 127 2 0^ A X 2 1 X £*= itiiiiiii EfegS^tfc£g^=*z ^E± —m- Ll J L — »: . 4^feg^5£g |-.»r»f^ r0-m-p-f Pp- ^pf'f P i r> ^-vt #- #- #- *_£-t #- »- b ^ i mm i™> BEODIE HOUSE. p^r^p^ 3 1 2 P^^-Pn ~N 3 1 2 4 m S=H if ^S^jg^J ^- -f- *—*- BtmE g Srq?;— pi ~> 1 2 rN 3 1 2 4 0-PTfp 3 ^f-t * l^P^ I i — sF^S BBS ^^ us #- #- -*- -*- -#- aS^ fe=NN^^I -» 0- pi^igNp^silp s < — fc=± « » ^m*-* T* ^^i^^fe^^gjg^n 3 j=j=j= -J- 4^-^-!- JH i ^H=H^E^Nr H=H=FJ-J-J —— — — 128 THE DANCE MUSIC OP SCOTLAND. THE CIRCUS. EEEL. X 1 \ fc=fe -0 . p . r ee£ -*-• £ee£ :* #•*_ e£eF ait*: I ensgm x 1 *3= :•: 4. *- *• * -»£ »- -# — » *- # 3# :J_ -» »- — — — —Mm^M 13 4 X 1 fct eas :^C^^^=pZpvp; p^tgi t^tfitt=Z*-tt* p^ I » * §r -0 0- i^^-^ifl s i s X 1 tf I I 3=T ffig -'-bj--Ff—0-m.+ # eifeM -• 0- :^3 i=fe ^E^=f3=p? r=r MRS. ROBERTSON OF ALEXANDRIA. STKATHSPET. X 3 * 1- zzj^2 i 1 1 r-i—]-S— —r rV —Hi———-*-g . k — ^m^N^M^N^ X 3 gag :j^p^g ^^ap^gp§g^p #- -•— 1=s=r j. Bi HWUPW -# 0- 3^EE^ #— #t THE DANCE MUSIC OP SCOTLAND. 129 X 1 2 - ~m =F5= \ r^ bfct y-5 JH-*^! :$=«: -#—•- r=*=* t=t 3ifcg=g=J^^5- £P^ -m »- XI 2 wi-E** fef .^^£^4 •0m *rg- -» » -f «- ^;grc-t_t__E :f=P: ! 1 " *ff —# # P- MISS MAKY ANNE KOBEETSON. 3 12 3 1 '» § »- -F?=i=*=*=—a t m »-— 3=t -P » a -»—m— _^.tz=3_ U , , -i p -I 1 H ^ _ 1—I v— ^-^"1- -#-* 4 * S ~ *=£ ^s=i—s ^ -#— -1 1 1" P 1 3 X .-*+ XI 2 X geJ* •^ ^r f=J=S=* :2=2=8: i»— -* # * —» H»; gup^t F=F H 4 1 X ^1 ter Eg£t3^ t=t at£ Si -*-*- 3i%E2z=B=g=B: --<=8=?=S^(Eg=^=J= -* fr PP ?5E3EES f — — ' ——— J g — s« n iao THE DANCE MUSIC OP SCOTLAND. SIR RONALD M'DONALD. X 2 X IX 1 fcfc BE^*sIPPEfegp^j^l^gl^ r* 5 -•— J=J: 1 'nTrrs |=H 1 M: -J •* „ — -0 — i~«— i=3^i— -4— — 2 X 2 X 1 X ... » . .. FP .i*ff rErln-— \ -j j- _* 3¥ =P=i rr p- i H- — —0—0 •- « — « = =-=*=3=_j— f- -* — — 3-fJ -H X 5 -^p- ^a » ^^=^ZTTT 1 -0 0- BES|£z± 3=Ht nr=t —#—*—« "* *^ f f=F -0 0- *--£ p-h1*-* fc=fi£ftt=rf££= ^fe£&^ ^SH^ -0 * FEF^ J: J=J=± ±=t0- i # 0- *- •—u -0 -*/ — •— — — f=r tI JOHN ROY STEWART STRATHSPEY. X 3 -=m*^=g -•-—*- :=s=s: g=<—S=8=pg— »—0- H 1 ^BEE pg — * X 3 i-1 X 3 LL4-3-5- - — 1 — '— -9- W-^-rH -fl PS #ri—hN —#H 1-* d. 0T . ^ ? t—-•- -» — » 0- — D -0 1 L 1 1 L— I — j j- a i— • ———r » THE DANCE MUSIC OP SCOTLAND. 131 pii^gii -*—» t t -0—0 m #— 9 0- =£=£ ^S EE ff nr-g s—£=£ =bfe * f -4— f= =f=M=twm THE EAKL OF EGLINTON. X 3 ^Pf^ s-^_gn_Ej^=jtt ^ -*—ttzr e^ ^p=tfl^gl ^tt=ttEEte^=ttEE\ «— ^ M^ «—»~ fT=Ff — ££ 3=&- I -M- m§^Skmm^^SI -*—*. e—* 8- -S 8 F» i » » »—»- eis t — — — — -i — £=3: -»——»—»— -»- it=t— » rrn f=F X X 4 # r—m—r—0——0- feii^ife Sfi Sg= g=J: -f* it 0- -0—o — ft 3i^=S=t= -0—m- H^ pi »— I — 4# 132 THE DANCE MUSIC OF SCOTLAND. fei^^teTHE NINE PINT COGGIE. J=U=i -#—a- ±^=^ -#—»- * *- -« -#- — » i "*- ?^^f 1 2 ^ 1 x *=«= -•-#i -*-*- HIS rri=3§ -« (- •—• '-* * ~* *" "*- — -«- jrri-0- -»- — —=J* ^ "*- -* r -• -rrf-wi *-+—-m-r-¥=\ ^=*= 1ST S d=J =4=* J=J=a=J -»3=t0- -•- -3- -»- - -»- -#- X 2 1 x 2 2X1 «. X 4 1 rf-fc- - =£& =Jfe fnc; ^ EE«£ -++&T*-*Si 4-j-i » *- J=^J :i=r:r =3=c=t * -•—j/- * -*- •# -i- r^=s DON SIDE. STRATnSPET. gigr==rat=:a =g=p=|ip=4r=4=4=|:^ * *—p_|_g g_4.u— I 1_. l« 1_| « 1_| 1 # —4 j — — p— 9— — j — U*i£Ximtptz i&s53b££i a =^=i_p =p=4=4=4 q=i=«T—*—»= -P==3=—4 —4= m 3=4= -•—•- # — — THE DANCE MUSIC OF SCOTLAND. 133 *•' en 1=7?: i==t 3=?=?= =t -#— ^ P«= wt~r~* i PP -•—•- AS A THOISEACH. KEEP II CP. 3%==ii=t=^=3=^=i=^=|=^=i="tg=8=5=8= E===B3=^==j==i===3=3=4=3=1= =tt=gj-f i- r= • -*- ^ Iliiii9^|^^piippg j s3e^=« ^N=FT -e—m m !=!=!= I • -* =F 0- -0- •# f -^u -»- -#- -r t:. r fe -»—#- eHEp *=*=tu §= ss^b -m—#- :^=8= F f :t= J0--41- -ft- - 3 12X1 „« FH—^-1—»-r- i i -i—i —3»^ 'dm u-*-© u aHE *=* afffflFf^wpi 134 THE DANCE MUSIC OF SCOTLAND. OSSIAN'S HALL. -X 1 4 2 1 >- 4 3 2 fcg^gP^gggpEg -Ff-f^a SS^e^ -•—•- 33b5t3|§feg T -'5* 1X1 1 4 2 4 3 2 «fc \, HP- f =irp ffi a^fB^ gp: «= J^JeI?ee|eSee^eef? mm; fEJSE3=3EE=£pf ? -»—•- *=t J asp ^ !=*: fn^r i i i p^ fh^^M^^^m Bzi=»^r=t==p£ Se iipffpiflg • « fc^ r- MRS. MORAY OF ABERCAIRNEY. 8TRATHSPET. f=t * J r * IJ-tJ 5«T *' fL, ^ *^JL« rhfr*'~3T« . 7 rpjr e m «- *=* 3=t 33 ^=3= ^r -*- ^ * ^ -F*T-]-»— fc=3: jt=M=±ZMZ -« « « «- d=d=±-« m ^ — — — 0=3:m- jrrgrrf V -*- *- -4- -*--*" -F •# » r— K « —r THE DANCE MUSIC OP SCOTLAND. 135 fegg^^^^s^aj^sp *. -#- •#. fi* •- ^ £=£=£=£ i f H=z»c * ¥ =F=t=1= #W ^m^fta^Hii^ =1= i Efr^fr-4 -|» — —I S^s- — #»— ^^^r=F^ i THE COUNTESS OF ELGIN, X 2 l x 3 X P4=t ii^^^lifgigs^s^ ^-*- -* »- «- -» #- — g—gr -s— g g — eii » m v- f=f=! g=g= 3=8=8=8= -l I e 1 ^ » X 2 1 X 3 X £*= Jfe^E^S^S :i=?=^a!: ^E^3 *=«=$=*• Bit3EE5EEEfEE5 *s=£=8=1= =s=£=1=£ PPHi r~t Ft 2.- XI te^^fe^jf m-^t-0-f1- :*=* — P X 1 3 X X £jt ^-rm-^-3TP= Tf ^3 JJP^ :azd;a: S£ — 8 8=8^ =s=8=£=f :g=g=*:f- -F -F—r— j r 136 THE DANCE MUSIC OF SCOTLAND. JOHNNIE MADE A WEDDING OT. immm^m^m^&m J=J=bJ=±=± ±± E*fcE5 z =z r-rr-t-4=l—q _4 — -4 •- m=s ^I^WS&iiH^^ m —m—! "1 F w- & n= j^j—J H 4—1=¥ IP=P=* 4 4 I pt—i—*- -• 4- 2-33" ' 3 " 3 „ 2 - *- fiP »P -#-*-.f ,M0f ^f^ ^ i— =* -i—#- x^-,-^-0- f^EE£ -fi*- CORIMONIE'S EANT. STBATHSPEr. m-\ *teF-* =l= ' FS-#I • 3 Sfe :g J£zz*z^^r*-±±t #=" ifcrt BHu^iEE5^5=5§[m *=£ 8=t i^^s^sSi^?^F » -»—•- s=:=b= reiim£^=F - THE DANCE MUSIC OF SCOTLAND. 137 *d=J=J=J=i £e£ P 1=t g Tf W" *- -*- -*- ^ i Hi ** r=r? X 1 X fcfe fe^^^isi=fe^i^fe^§ fc? =t -« a Pt J] B] - =tt4 3 1 ^ -: PI PSR-Jt %t ^ SIE GEORGE MACKENZIE OF COUL. -.4*- X 3 ifcsa f^T-f^ I r^ic^ tV X 3 =£ *== = ?-?-* m w i E^ ^ rtat S|g=£-F « m- pzp r=ff I ^ 3 HI X »-. 1 X X 3 •j* ^=e=R ;«#- -P- fe ^X^Ti- :prp: fct s _ ±£ Site ;£EESEEfEf=^=f=pT=t^ Sz£fe g=1? *-• y- P , yJT-l :pr^=p: ttf-r-.-4i f?Np^^ =pq=s^ pi l=£t ±£ ±£ E££ m 138 THE DANCE MUSIC OF SCOTLAND THE MULLIN DHU. 4X1 &. r I- ' &> -p f-j-*f rm -0 •—^-•~ ** — 3=E ^=5^ m& 1 tfc=! 9g n=^* WE wtrh- i -r esH3 ' i i i r i i ^ i 4 X 1 L^.n —m- !^&P=i=P W-V-Ht - 0- fete? 1 B»-»- *±ti •—* a£^ S3* ffPP^Hi p^-p 3 *_». t££FSB g^fcp r~- ^^qgrg^rr, -,^—^-- =p=r=^i=J=« g-g- ! ^^^=FP=f?=r— F^=M=P^=f= Hgl^llii^lgip*itegFTP PANMUKE HOUSE. MISS LYAL.^^^W^^^^S^^STKATUSrEY. a?B3 $=e X 3 3 X 2 t S3* Iess^ae* r*^ i^i^ g^#- J=J: -» #• gjj^p^^l^^ *=t ^ — THE DANCE MUSIC OF SCOTLAND. 139 #-••#*£ X 1 3 fejjgtegBfEgjjgiii ^^Ki^S s£=f p=* ±dfc$=S ar if at Us i^^^^^i^i^^^i1X2 «fc* 3E jfeh£ ffi I tes f=t aiLLIE CALLUM. rf^^j^^^gg =ig|= ( -•—»- aHulgs 4e 1 +=ff a*fe«^ -#—•- * HR G « • F •- -0 fl#— *- p=y Pin *febe 5e s » ^s?5 f-Jw=4 «—« »- aaj-f— *^ =£3=3= ^^1 X 2 4 X 1 -# 0—0 -^t g^y=g=r"»i~i ^Et?^f ^i— I n » r^p^N^^Pr r I —— r — , — —— — — E* 140 THE DANCE MUSIC OF SCOTLAND. MRS. WILSON. 1 X2 EB£ 3^33i 3 . :^Ssgfe if- F -•--#- -*-. # p- -*— -»—*—«—*- BH t=t *=S: t—t-t-t ^FT ES=3s|eeF1?=FT FP^P^Ff 1 X 2 A—(- fcb: ^±t ttF-»t v r f g (8 * ft *- f ft— rf— g— i f—t=P ?z^2 ^FT=FT TT=f *fe -p *— ft ft * ft- g i* *- — —n- — p— -P— — — : 1 0E6^Z_g_ b vi—»- |=fe«E i e= =t=t — — — -»— ,»- =F=R= rhrF k*=zrf=fcs£ : -•'S=i?=^i £5= ii»^^^^^S^w **3**—iv-!- #-*-# - -# |B- :8=l=i-f==S=« :1 aaEfr— 1 E FT=FT EEEEE E5EEB THE EARL OF LOUDON. STBATUSFEY. 2 W nat > s L3 I H ^v_ i 3 P « *= *—i—s—»- :J=J=J=J=*=£ :Sz=J: es3:ty^= •i-— — — III^JeI pft p X 3 fS *—+*==*= —0-0 j*=p*. -^ I i ! ! i "^r* j-j-j—j- -*—# 0—t PK=d==a=—-J a=i=e p—p==p= »— i — £ EET— 1 1 1 —b 0- 3T_^ 1 ^_ s p * — a THE DANCE MUSIC OF SCOTLAND. 141 ygfepgaagjggiggs 0- # ei %=* fc=3= km 'mmmm *U* HT-J J f f . 1 1 8-^-f^ =FS=f=*=* 1=1 fSH FF littil BOKLUM'S KANT. i^il^fPlpliiSlNlipE ^3l d [Tj g—' 4 4 —*-*-*— * *— I J^ P i. *=¥=^m^t P+=P= jpgfi^pEBg aH-M=d=FME#=£=44=H=t4=^=f XI 3 4 1 a— g*ff&fyj zi^-ti Mi^_rf"s—*-ta 4 m—9 Ql d^d^d^ ? *— ^ X 3 * fe==3=t^=F E3S aa: F? rg_fl I ^^1 wwm :-&- j=j=± r© 4— * *- # #» — 142 THE DANCE MUSIC OP SCOTLAND. THE BANKS OF SPEY. X 1 X 3 F*±±J4 fei - ~* s 4 w *-*-#^7S 9 wm^m -» « »- -#—»—*- S^NiFF^PFF^^ X _-- X 1 X3 J»w n 1 * *—**-*-*= i*- — — -•— •- £§£«: 8=S=«: ?EE«EElE^^p£— te^t^^^^ ^ *. -\ 1 1 1- fc 4=fc # »- i =F=F I ¥^f JL .-. X 2 -0-*-*-m-0- rr > 4- ifaa ££ SigM^g^ ( -*- * f=^=£ J=£ »—-*— 3e£oa S MM LADY BAIKD. STRATnSPET. ^^^§^^^m^g^g ^p^#^»-*^—^ a p—•- -#—»- ^^Ef siii j • gpp=fip 4=t= i^^gg^pp^^iai a*l W^tt^^ffi^R^ — THE DANCE MUSIC OP SCOTLAND. 143 t—t- »—#—#—•- an s* -t 1 F- i=spp : e g i ^^'''jLJjtL ^^^li^^if^ y— - ROKY MACNAB. ilSE! insiiiil^^illi fel -J—'—1=1- aS « •- =S=t-^ -•- -• -#- tT V ^PP=P'-*-# -*—H- -« « m—m- I I- i N^ii^ *'-&"-+* -*•• *-#-#—-# fe^^fegggjEg *—fc ^8 rf -«—«- *=± dd^E it *-#-*-#• 3=H S — — 144 THE DANCE MUSIC OF SCOTLAND. THE KEEL KOW. *=i?^'&- F-i 0^i —)— W-M-\— 1 * 0—*-=—y. :|=f=^«I E i i i , if - tf: -p— y-f (> #3=gE p-—p- aife »—B- £#^ r t ^¥=WZ H 1—F-( h pc*±±^S ±=J=t si§! ^ -0-0- -•—•- -0— —*—»- Effe? J3£ 3=*=E E ^ *=t THE KIRN. HARVEST nOMB. STRATHSPEY. 3 1 1 X 4-*-~-0 pusa i- BH£=fc=fc=l « m- -« *—#- 4 3EE* i—a: I: •# * * + PP — - THE DANCE MUSIC OF SCOTLAND. 14; 4 »« t~i mmmmmmmmm £=?== X 3 teb-^^S=j=j : RACHEL EAE. fe^rifey XI X 3 afeE^EEgE-J^Eg=SEET^FS=^E!EEF^^g^SE|e=t- I 1 x -^1 XJ X 3 --&, IE £^^3^ i—i *=M- 1=5 g^f=p=p=p : * =F=F £ . X *[£ *« f=S=2=f:=l=i=-SE^=?=Fl=g=gF:g=|E?EEg f=§: =F l I I _«. :#!* * f_. — 3^— ^-=3— *f ^- ^-i-p—* m * £j-=Fr^H < « | « -i <> > > l-^-" afci-g—1-5— ~~ ^i_* , i—* 1 £_£— J , J I I—- u =f-f F M « —— I • 146 THE DANCE MUSIC OF SCOTLAND. LORD KELLY. X23 ^^m^^mmw^mr*^. x ^ i* -m—* —! ^^^i^-g—,i—-* # 0- " — i »— ^— £ H"^ i-H^F*!— J J -4- ei^E^ ^i: 31i 3^0 aW=— a- 4 S^B "il— MUMJ- 4—4 4 fliiyliliisi :^t^^=i: #p§i BEE1 3EEE"rfr»; *£. 4=t =t e — e « ~i *——*— MR. MORAY OF ABERCAIRNEY. STRATHSPEV. 2 1 P-^-» ! j— ' -g-g- •" ^— -^—0H—tlzac*-a-^r '^ ! a P-i— #-h-(— -k&b—^f— f:|-^^ : g 1 * 0— '-« -0 - g g| 2 1 -0^-1- ' I ' "*" ——-J ^ ~ I I I I I I I I | > III, | | (Sigi^llijijiyilteil^^ipSi — • —1 — — I THE DANCE MUSIC OF SCOTLAND. 147 1 X m^m^m^Mmm^m"1 « — #- -0- *2- + B- :==|: —— 0- * * *—'-' ^-. m—e- « 0- — -a — — — i^^^iipip^iigiii^g,*-• #-• » BEBesd^*fe =jdjipipjllipiHipgEJ=J=b!y=F4^pb MISS JANE STEWART. x 1 P^l=^^l3^^|^^g|l^^l=J=5 _j__J J I I 1 I ! J^ I .—I 4 J-——I — — „ =r -J— — — *- *— * d c=EtEE£h-^ =rg——/- ^ff J—J J—,-J 1 J 4—1—1 -I .— ! ^ _—f-)f-U 4— J• « 4 — J^0- *" 8* b=i-p=]q£i: =F ^=fc -0-a(-r—t* 3=tta=: SL*1^^E — _p "f: ~t •- B?rV £=r=fc -he :^=^: Li fefc^ e r wiimm^^mi^g^^mm1 X — • ,— J_J_|_J> .(. —eCee? -0 0- m^=vm 3=5 r r —» *— 148 THE DANCE MUSIC OP SCOTLAND. MR. MENZIES OF CULDABES. REEL. i x 1 X fer-^M jt=nt leli - atEfcEbt ziiji^J—* '!r^dz^=* Igpllll > -* * 3» # y -g g £ g — r fr-— rfr fr -) -08=^=8=|8=1=§=1» » -0 : =p=l: F=F=F F=F=f IX 3 = f^TA- i x a^==a=d: ri: S0--0- • • • " 13-*- -0 * —fi- : g— — :g=|=g: 0- ei - » * 6 - s=? 0- t—r—1~ -F=f=F=F= =F=t=F=P **- :«§rfi -& A= ^ess -#—« 0- -» » » b » » » » MHt-=l- — — — tfm m— — — — s—t—r 1 2 j£ X 1 X -.-h^E ifcaltfcfip— -»-»—»-0 Illislg^^i^il -I—P-0-F- *. .0, e. ,*. -0- -0- i-0- -f 0- -•- -0- -•- p- S*: 1 9 1— —n ±=£=fc=t= :t=t=fp==P=t U-—— F —I 1 0— A -0 J 10- p 1 U# 0— ] :t=± ^ f- i i l — HIGHLAND WHISKY. STRATHSPEY. ,32 y^* (©- X _£. X IS j^^ 0-1—i 1 ,_' . i — 1 I i-aO-^-h P—F3^.«*>-i l-0-0i»TP -fef- : : -a-^ ^« ^j--h^ l ^^-g4 IS rtfiiitazpr*.: ^P F -» £ 0- P==FS=i=«=8=FP=P=qP=t -0 aiS t— _*. —S_ _».—g— ±—t__t=z^_ -u e=JEP flSES k=dl=t=tz=tzd:E=£zi&c:1 =p=l= f=dbj—— -r I i r-h-H:— —!-«a^- i ;=^T^: # -0- * 0—i-g—g=zg—g— -«—p »- — — =t= I HHg^ — 1 — +=£ — — THE DANCE MUSIC OP SCOTLAND. 149 #-. A s fcfc :jEL—Elz^z: m* -f* ^Ft=?=^F^F=l=i=^- pl^ffgpl^ * # Bllifcgi ^m^mmmm^m 5=|^|=|= -p t S ^$ w- S^B^=^ ^ MISS STEWART OF GAETH. 3 :#: te- fafe r'^Q^^fzzf^^F^z^ f §¥B3g §fe v ' i T f i i i i i -»- ^^, fe:feiilfel^i-:pfe# :fct IS « 0- -0— — — OH* =*=* ±=±=t=£ 3 e:=:i i -*—»- *=*= *==£. I I I I ! Cr4H=«: -M- 31 s*e &-*- iiig ^^^^:|%ggp^^g^|^g^p|| £^ea—g: *~-^= 3ffiC= — — * i s « r — * 150 THE DANCE MUSIC OF SCOTLAND. THE EARL OF DALKEITH. i x. i x XIX X ;=* ^BEi -• • «- « # ei — — -#— — —Pj- 3>±±=± I 1 8^8- j —\-i—g— •— 1 X 1 X XIX X '—* »— * « —3 ' '-— * ?=E: — —* — — ai — -» *- -# i -P— «--£ Bi — » — *- ( 1 F —»— » fc=^;=s=fe~EDzzi: 4 £1 La 0- -a~ m t=P= £=1=3= ^ |£=^^*£=g|P l-P=j-*—a~l- -A —J- - -»— —»— -• 0- ei=?=?=S=&=E=B: Efer=fe! f=F=f *— ai MRS. BAIRD OF NEWBYTH. STEATHSPET. X a . x ^' -- -•-i-i-^5 —i -•- -»- -#- -•- -»- ±=6—-#- -»- p6=fc-»- # » e L —"—1= e B3E {EEfEEfEEfE* f ^===P=N= £E*i i— ^n »— =^ ^^=r.rqr. I= e_ *- -»- -»- —» P- :.=Pe=:iE=rpz fcdb=r=e — — ~ £ r pr— E^mEj * t * J THE DANCE MUSIC OP SCOTLAND. 151 4 y 3 ^^^^| ?fe ij^gssg= #- -#- -#- -»- -#- #- _e •_ s=*=aR-: S^T fa X 3 2 tf=fa •i. ^s**?^**- j^spa ^5* m ^tb-L-^ ss S£S=J ^ef^mmm^mimim MISS GEOKGINA SCOTT. fja^iE^gai-^BIsgfSjBglJ (^rt^^M^S^^ ni^iPl^gii^^iiii^^g i ~. -2 2 2 be 1 * 1 2 1- — — — \ -fc£=t— — m m — — h :«^z«:— i=p *— 3t=fc 2=2 a. -^\-A , —JU_-« -—£\—f$ S-l-r*1- *-»-x-w m 4 iR-i -^^ e? 3=5=! P*=iS=Szq ife=±i :< #: l 3t=t J— — -4 r x n- -0. OX-<4 .- 3 j4—t^ I __! . ! I J_J i—i— —J-4 as — ,-j— :i=p=«3=2: # I t . 152 THE DANCE MUSIC OF SCOTLAND. THE MERRY LADS OF FOSS 2 1 tziza m^m^^i^m -» »- -0 0- -» — — -0-— S3#-B3= -0 B=F§=g^p=^V -0 f P — — 0- 5=.= ^i^^^Ei^i^piig^g^i^^ia -0 — — : -0— — *» a%rf=f:=:5=zg f=M=^=^EE=&5H?=£=i: ~ *- Bt * jg=gE|jg -0— 0- 31: pp=f m^^=^^mmmm£=P==P=f MR. ROBERTSON OF LUDE. STBATHSri'.T. ^zzz& f=$=pj=J=f^ f=N^ -y-u — — — «? THE DANCE MUSIC OF SCOTLAND. 153 -»8^5=5=5: ^3JJEpEJ=tjEg=f=pipf=^ » m— X 1 =t —•—#—•=* -» i &=£» -»— — » m— » CUTTYMUN AN' TREELADLE. KEEL. 1 X *fc -# —#- Jte_# E=dd-= = =te=ta ^ -ft'i— i i I - x B- .-fi ,Btf f^»— r ?> , ^..r i< > .f y; „ i»t se A> ^|iflii^L^^g^pfl^f#i fe^^^is^^siteii m ft'*' a :f—r-fla:fia=^ BfciN=F=F=£ --W- 3& :ii=^=!i- fi=rfczgi=3 p>—te~~pi=ig d.g; ^=*=tf= : fTH I I I r=rf — — — — > 154 THE DANCE MUSIC OF SCOTLAND. MRS. M'DONALD OF CLANRANALD. KEEL. X 1 f§li^gHp§giif»iiap f&JJ i f i-ffwrri^Hi $ =fe=q — # o a ^-^ «-^— • e ' —"-J— •-* BiEI=I=!^? ?ee?=£ -An l= J: 1 =£ L-J X 3 2 X 3 1- fes^i>*-,-#- PiS^ f», :* tr s- m !=5=?3=F|=5=8=5£Ea=l —it f=2=3 ^itaiiiiip^iiMfci fff=f-f=£=BEa=jE 8= =3t*i=^=fl=^=3=t=i=3tfe± LADY MACKENZIE OF COUL. STBATHSPEV. ** -•- gI»:—"-gr 1* 1 -*-*-* * -4—I p— SEEriai yr— I -rj g^ 1 r.m— ^ — * -e- »- e - -£- -*- -•- ft *- ST =6= :i^=k=t ^fefc S3=fEEte! :S: t: :!=**= • — *- »-*- - m - - s^-a •£•— « 0-r0 — I ~j— *-^rgr— | gsS^ ~LL.LiI~~* -0- -m- -#- -t- 0- -0- -0- -•- -.'• T*- "#- "# -i 1 -L —r 1» 1—1 : % :t=P= ^^W "t— THE DANCE MUSIC OF SCOTLAND. 155 0\ 4 3 J /" 2 m m t * . ^>-« fi-- » W 1fxx 1 -0- -0- -0- g -0- -0- m -0- -0- BE NHee* *=fc :=f=3 ¥ X 1 t±e—£* i ^ i±EEitEfi :3 £± iife^^i n^f—r—g-s—rf-f^-s—s-rf^-f—fcs=:=J:g- 3=3= M MRS. DRUMMOND OF LOGIEALMOND. X 1 X „J1 X 2 a 3 tf-»-#i-^P=* M- -t •- Mz^ -0-0-0-tt X_ 1 X -# .p. £=rfc ffPiS !=d335q !i« 5*-Ii£3 ffiE *-*- ft— 1 »- f. — x_ i x ISlpiSfcsiiiiliiii ate^ -•- -#: * $m$mmm^ i^il^i^ilii^=^i^^I s — — — * v — • 156 THE DANCE MUSIC OF SCOTLAND. THE HONOURABLE COLONEL WEMYSS. REEL. X 1 =CT1-TJ-1q^P3T^-»fctpT BE^fegggj^^^^jg IB3t 0- -0- -0- -»- -0- ft » — — « e - *= » —»—5 — f=M X • -•— *i3=G=|id=gg|E^ggSE|E^E^ -0- 8— -0-o- 0- ei £=S=|=3gpj SzEE=E +=*=?- :E / X 2 X -h- 0-. 1^+^'-^ *— *-0-m0 M-H--' f- a 9 0-m-P- -# «- — m- — -i m Oi O 9 0- =3 « *- k=± * *- j— -»SEEEEEE ^E=EEE *— — — X X 4 —»-0-B :ftctI—»—J—1-+ 5^ _Ttt -»- -»- -»- -a- » «- :is=p: -# — 0- fe*- 4=EbH=fe IeSE EE=E * 4 THE DUCHESS OF MANCHESTER. STRATHSPEY. L^ __ 1_ ^ ^ ^ i _^_- ^ # ^ . 1 J 1 J — 1 1 1 .—4 1 1 —- 1— « — o f)'. a „ l=k£ ' -* # #- - #—^-^ '— r *—l * *- » r » —| r— THE DANCE MUSIC OF SCOTLAND. 157 XI X P—- i i i -0 i-»-E ) ? p » « •^p.»-r— ———p-^-h-P r » $=F=z u g^g_g .« »_ £ •# # P F p— <): j0 « — — — e # 6- *=± -" S=E -*.»», 1 s=w It "hs,—Bdt r^r^-P-r-l-aT- ?- = I ^-^. ]_« tggj £SJ£fe - THE BRAES OF MARK. XX x BBHiIrj=g^P^p^^ EB3: 3E£I=f= 1=*: r—r— PPPPPPPPPPP X 3 »-,-p s^p •-.-#-P-= =5^ =1= :S5ig ^PIP_=P£P & :S:^» »* —igr ~ -# # A- 1— -# a—B- 4— § :pz=?: 1 ns- pp^ r—t- f^F^ X 2 E35 R- ^ -»— -, .i- 1 — -— _„_l ic 3- -* — | _, _ *-^-anr— V^^- I I =P=g=^==«^- g^z:»z~»i^zf~~p»~z:e ^: '~t —»—£—«—« - f^TT — —p 1 1— p=-P=|=p=P s— S; X X i^&l^s%^ii^=ig=irii^i^| <9 I — i 158 THE DANCE MUSIC OF SCOTLAND. MISS KOSE OF TARLOGIE. X 4 X X 1 Ifesw^^s- Sfe^^lp ^ 1 F-#— 1 ^p^ii^^^ Z^ZM^Z I m- -it-ji, —~l—-I — #—#- :^|: ^ ^!^=^ =fc= r X 1 X 1 ~? iL eg^E? S£ ,g§^?=^~ -m 0- -p—#- -•— #- silS BEEgE IZZTil 3 ' :=*: F^ipS ?==f=Jc=f: l==^&^rSEEtEl MONRO'S RANT. STRATHSPET. - '. I-*- feSb^ee^eS^=e3 "S-*T»-e-f— 1 l-^l-al— — - iMZ g 0Tj -**— ^re—=t *?=zg: g- —3 —-— 1— — a «]^2z*EEfEE* -«—»- !=F=F==F=F da«—«— s*-^ 3=5: 55EEEE r*. ^S^r=m -J- =** -*—:irTl *^r «» S^^zEEsEE^I^E^EJEE ^zzETrE&^Ez^EEj C — * THE DANCE MUSIC OF SCOTLAND. 159 fefegp^E^Brf^§ :2=zS: -»—* -0 0- -0 » — 1- lr-\ I j — dt~f. fr~ : =I^ -0— - Ff F # x 1 X 3 **=? t -»-•=#- 3333= TCg^ B1—•* **£^ — g i~* ) H:i. j g 6=g==l— — — — =S=S=e=S=|=8=!=.-J=J= BLACK BUT COMELY. x 1 e^ipgpas^g^g^p^a^g -0 0- — 1*| « P- #— p- I « 0- jtfii=gr£p ~i=^- :F=F= 1 X »- •— =P=p: g -a 0- -0 0- g— —•— =fcF=F=F=Fzr-t F=^ -0- -0- en—0- »Sf« =e=* #lg£g£ 0- -0 m 1— — -»—0- m -0 0- — — W r— -0 0- t=J: =F=F=F=l=h=I-^——.B=P--E=jg= ^"-=^ .0. -0- -0- 3J i1 Xa .^^ -s-Je. 0- a -0—0- »- BiiHS=£E*?E£p=ir—- _s=5=*—P==|-0—3 i-z£=\zis—P- 0^=0^H r? — « f — 160 THE DANCE MUSIC OP SCOTLAND. THE BOBERS 0' BRECHIN. , «_ _p JLft-pk,,.J> 1 #-^».f-.-§»_g, # — tf -#-4-? N Sg^fe£5 «=i EfflECTEg #— « P_P- ±=4=4=1-F- I -» §SBz3; :j=P — X 4 p- e * L-4, P_P i-*- SEfflt i*± z±==^=g=g= = -- t=£t= =H± :W P— 9 *— see p^Wt ='=^====1 ==£ I *- - | J J ! I ^==pi^=jl=*=Ff=»=j=j, ^&I^E=i=|=3 *=t: J=^i=e=r=J J=* P—«- dtW b§S -0 b -0 e — £ F* f=F =£== LADY GWYDYB. STKATHSPEI. _^ e _0 *"5-====3 si±^=E^=t=!:fc-tP=p —*^ Pi— fc£=*.-_# -9-sr. ==r=E=s: ?Epp§ -p—p Pf=I^NMN=bi^f^ip—»- » « THE DANCE MUSIC OF SCOTLAND. 161 »-0 -~- m "- d =J=f= •:):?. j—M:= = =3=5=5m :2~*^2z ^=W= ^ f==J f f K X 3 ^Hilijp|g§ -#-»-=-*- =£=& 3^ «—«- i^=iiliil^i -«— T^ * GLEN LYON. ^ii^L^^iif^fepl 1 —t ^ 1 1 1 —«,—^— —F ^ — — a a 1 1 a a eS a=aN^^=-M==^=H^=F&=^— — — —•} h-j a— —q i— H b— l^g -a3=jw= Ei^g^«= =b=i=r=p= -# -* -i X 4 3 XI s "-^Tl-i « 1 1- —0- * -^ 0- * a p -0—*+0 »—e- -'-*- tB>&-- r^r KB-*-* ife |£If t«= -*- H-0- -0- # frg- -#- #- -#- -«- H -0- f- ±— ini "J* =£ P -*- -*- #- E-0- eife #*H=f=j=£ :F=f: — — —» — — u 162 THE DANCE MUSIC OF SCOTLAND. MRS. ALEXANDER BRODIE. " SSS£ ^Igpyiisgg^-4—r-i - . i h— J5a * —* *- 3d= P 3isl^^i|=^i^ F=F T=f=F=F I :J5& I^^M^lM Jzuz r^rriX A m 1— • P • P * * » —-, D -?-#?---» X 4 Pis^^lliiii3=l:J5 i^^gH^H -<9 EEE* feS==M -»—i » #- : -f- f P^F F=F-"^= LIEUTENANT-COLONEL BAILLIE OF LEYS. 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