Hubert De Givenchy Quiz: Questions and Answers

Total Page:16

File Type:pdf, Size:1020Kb

Hubert De Givenchy Quiz: Questions and Answers kupidonia.com Hubert de Givenchy Quiz: questions and answers Hubert de Givenchy Quiz: questions and answers - 1 / 4 kupidonia.com 1. Who was Hubert de Givenchy? A jazz singer A writer A fashion designer 2. When did Hubert de Givenchy found the Givenchy fashion house? 1948 1952 1950 3. Where was Givenchy born? Lyon, France Beauvais, France Marseille, France 4. Who was Givenchy's partner? Christian Dior Phillipe Venet Jacques Fath 5. Where did Hubert graduate from? École des Beaux-Arts Atelier de Sèvres Hubert de Givenchy Quiz: questions and answers - 2 / 4 kupidonia.com École du Louvre 6. Givenchy's first designs were done for: Lucien Lelong Jacques Fath Robert Piguet 7. What was Givenchy's first collection called? "Dovima" "Bettina Graziani" "Jean Patchett" 8. At the beginning of which move did Audrey Hepburn wear the famous long black dress designed by Givenchy? "Breakfast at Tiffany" "How to Steal a Million" "Paris When It Sizzles" 9. What was Givenchy's first perfume collection? Caline L'interdit Évasion 10. Who owns the House of Givenchy nowadays? Arcor Procter & Gamble LVMH Hubert de Givenchy Quiz: questions and answers - 3 / 4 kupidonia.com Hubert de Givenchy Quiz: questions and answers Right answers 1. Who was Hubert de Givenchy? A fashion designer 2. When did Hubert de Givenchy found the Givenchy fashion house? 1952 3. Where was Givenchy born? Beauvais, France 4. Who was Givenchy's partner? Phillipe Venet 5. Where did Hubert graduate from? École des Beaux-Arts 6. Givenchy's first designs were done for: Jacques Fath 7. What was Givenchy's first collection called? "Bettina Graziani" 8. At the beginning of which move did Audrey Hepburn wear the famous long black dress designed by Givenchy? "Breakfast at Tiffany" 9. What was Givenchy's first perfume collection? L'interdit 10. Who owns the House of Givenchy nowadays? LVMH Hubert de Givenchy Quiz: questions and answers - 4 / 4 Powered by TCPDF (www.tcpdf.org).
Recommended publications
  • Givenchy Exudes French Elegance at Expo Classic Luxury Brand Showcasing Latest Stylish Products for Chinese Customers
    14 | FRANCE SPECIAL Wednesday, November 6, 2019 HONG KONG EDITION | CHINA DAILY Givenchy exudes French elegance at expo Classic luxury brand showcasing latest stylish products for Chinese customers This lipstick is a tribute and hom­ Givenchy has made long­standing age to the first Rouge Couture lip­ ties with China and a fresh resonance stick created by Hubert James Taffin in the country. The Mini Eden bag (left) de Givenchy, which had a case and Mini Mystic engraved with multiples 4Gs. History of style handbag are Givenchy’s Thirty years after Givenchy Make­ The history of Givenchy is a centerpieces at the CIIE. up was created, these two shades also remarkable one. have engraved on them the same 4Gs. The House of Givenchy was found­ In 1952, Hubert James Taffin de ed by Hubert de Givenchy in 1952. Givenchy debuted a collection of “sep­ The name came to epitomize stylish arates” — elegant blouses and light elegance, and many celebrities of the skirts with architectural lines. Accom­ age made Hubert de Givenchy their panied by the most prominent designer of choice. designers of the time, he established When Hubert de Givenchy arrived new standards of elegance and in Paris from the small town of Beau­ launched his signature fragrance, vais at the age of 17, he knew he want­ L’Interdit. ed to make a career in fashion design. In 1988, Givenchy joined the He studied at the Ecole des Beaux­ LVMH Group, where the couturier Arts in Versailles and worked as an remained until he retired in 1995. assistant to the influential designer, Hubert de Givenchy passed away Jacques Fath.
    [Show full text]
  • A Vision of Fashion from the Early 20Th Century to the Present Day
    A Vision of Fashion Outline from the early 20th century to the present day This exhibition,"A Vision of Fashion: from the early 20th century to the present day" explores the history of fashion with fabulous exhibits. Mainly, out of the rich collections of the Kyoto Costume Institute (KCI), more than 100 outstanding items are selected for the show. The exhibition consists of dresses, corsets, and shoes. You will find items by distinguished designers including Worth, Chanel, Christian Dior, Yves Saint-Laurent, Issey Miyake, Comme des Garçons, and Yohji Yamamoto as well as designers of the new generation. Exhibited pieces Dresses: 85 pieces Corsets, shoes: 19 pieces Amount: 104 pieces Brand / Designers Azzedine Alaïa, Giorgio Armani, Pierre Balmain, Biba / Barbara Hulanicki, Bulloz, Pierre Cardin, Hussein Chalayan, Chanel, Chloé, Comme des Garçons / Rei Kawakubo, Courrèges, Christian Dior, ©The Kyoto Costume Institute Dorothée bis / Jacqueline Jacobson, Jacques Fath, Mariano Fortuny, Maria Monaci Gallenga, Jean-Paul Gaultier, Rudi Gernreich, Date: 25th of June to 4th of Sep., 2011 Romeo Gigli, Givenchy, Harry Gordon, Gucci, Emmanuelle Khanh Place: Contemporary Art Museum, Kumamoto diffusion Troisa, Tokio Kumagaï, Jeanne Lanvin, Yves Saint Organizer: Kumamoto City, Laurent, matohu / Hiroyuki Horihata, Makiko Sekiguchi, Kumamoto Art and Culture Promotion Foundation, mintdesigns / Hokuto Katsui, Nao Yagi, Issey Miyake, Molyneux, Kumamoto Nichinichi Press, TKU(TV Kumamoto) Thierry Mugler, Paul Poiret, Prada, Paco Rabanne, Sonia Rykiel, Curator: Takeshi Sakurai, MIKIO SAKABE / Mikio Sakabe, Shueh Jen-Fang, Schiaprelli, Contemporary Art Museum, Kumamoto Seditionaries, Madeleine Vionnet, Louis Vuitton, Junya Akiko Fukai, the Kyoto Costume Institute Watanabe,Vivienne Westwood, Worth,Yohji Yamamoto .
    [Show full text]
  • © 2018 Weronika Gaudyn ALL RIGHTS RESERVED
    © 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support
    [Show full text]
  • Givenchy's Red Carpet Legacy
    Style Tribute Givenchy’s Red Carpet Legacy A historian notes how Hollywood style stems from the designer’s ‘marriage’ to Audrey Hepburn By Bronwyn Cosgrave n March 10, French master of the little O black dress Hubert de Givenchy died at the age of 91. But his partnership with Audrey Hepburn throughout the 1950s and ’60s forged a bond between Hollywood and haute couture that lives on. 1 Hepburn in a 1958 fitting That legacy was front and center this with designer Givenchy at his Paris atelier. 2 The awards season. Long black dresses — evoca- designer and his muse in 1 1983. 3 The 1970 facade of tive of the dark, languorous Givenchy gown the French fashion house, that Hepburn, as Holly Golightly, wears in which was founded in 1952. the opening scene of her best-known film, Breakfast at Tiffany’s — dominated the run-up 3 to the Oscars as the formal garb of Time’s Up. The protest movement’s sartorial ethos also resonates with Hepburn’s decision to exclusively wear Givenchy onscreen and at the Oscars through much of her career. After she GETTY IMAGES. / visited Givenchy’s Paris atelier in 1953 — to secure him as her designer for Sabrina — she considered his designs to be her uniform. “I felt so good in his clothes,” she once said. Before Hepburn and Givenchy worked GETTY IMAGES. HEAD: PARAMOUNT together, Hollywood’s relationship with the / French fashion industry had proved fractious. 2 For three of his 1930s productions, Samuel Goldwyn paid Coco Chanel $1 million to create costumes. After working with Gloria Swanson on 1931’s Tonight or Never, she severed her a more youthful mode, interpreting the free- “The biggest thing in my life was winning that relationship with the studio.
    [Show full text]
  • THE POLITICS of Fashion Throughout History, the First Lady’S Style Has Made a Statement
    THE POLITICS OF Fashion Throughout history, the first lady’s style has made a statement By Johanna Neuman rom the beginning, we have obsessed new country’s more egalitarian inclinations. Martha about their clothes, reading into the Washington dressed simply, but her use of a gilded sartorial choices of America’s first la- coach to make social calls led critics to lament that dies the character of a nation and the she was acting like a queen. Abigail Adams, who had expression of our own ambitions. “We cultivated an appreciation for French fashion, was want them to reflect us but also to reflect glamour,” careful to moderate her tastes but failed to protect Fobserves author Carl Sferrazza Anthony, who has John Adams from criticism that he was a monarchist; studied fashion and the first ladies. “It is always he was defeated for re-election by Thomas Jefferson. said that Mamie Eisenhower reflected what many “These Founding Fathers had deep ancestral and in- Americans were, and Jackie Kennedy reflected what tellectual ties to countries where government lead- many American women wanted to be.” ers’ dress was explicitly understood to In a nation born in rebellion against Jackie Kennedy in Ottawa, reflect and represent their august posi- the king, the instinct among public fig- Canada, in an outfit tions,” says historian Caroline Weber, ures to dress regally clashed with the designed by Oleg Cassini author of Queen of Fashion: What PAUL SCHUTZER—TIME & LIFE PICTURES/GETTY IMAGES SPECIAL COLLECTOR’S EDITION 77 AMERICA’S FIRST LADIES Marie Antoinette Wore to the Revolution (2008).
    [Show full text]
  • Cu/Fh 220 Art, Design & Fashion in France
    CU/FH 220 ART, DESIGN & FASHION IN FRANCE IES Abroad Paris BIA DESCRIPTION: The course aims to enrich students’ general knowledge of the fields of art and fashion over the past century. Additionally we will work on key concepts in fashion advertising, by acquiring a base in the history of fashion and in the evolution of technics in fashion marketing throughout the twentieth century. Upon completion of this course, students will be able to anticipate trends. Furthermore, this course will allow students the opportunity to develop their creativity in the field of communication. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: English PREREQUISITES: None METHOD OF PRESENTATION: • Lecture • Class discussion REQUIRED WORK AND FORM OF ASSESSMENT: • Course participation - 10% • Short Quizzes - 30% • Midterm Exam - 30% • Final Exam – 30% Course Participation A short daily quiz will be given at the beginning of each class. Midterm Exam The Midterm will be a written exam given in class on Monday, October 17th, which will last for 1.5 hours. Final Exam The final exam will be an analysis of a fashion marketing campaign, which will last 1.5 hours. For example the movie "Reincarnation" made by made by Karl Lagerfeld, and exercises on notions mentioned in the courses. LEARNING OUTCOMES: By the end of the course students will be able to: • Know the major players in the fashion industry. • Articulate the main steps in the evolution of fashion advertising • Identify major actors in the world of fashion marketing and important new trends in the field. • Analyze fashion with appropriate technical vocabulary • Identify principal periods in the history of fashion ATTENDANCE POLICY: Since IES BIA courses are designed to take advantage of the unique contribution of the instructor and since the lecture/discussion format is regarded as the primary mode of instruction, regular class attendance is mandatory.
    [Show full text]
  • Le Chypre, Un Parfum Au Cours Des Ages, Cahier Des Alpes –Maritimes N°8 1910’S
    Saturday April, 7th - h. 12.30 pm « » With Bruno Hervé OSMOTHEQUE Perfumer and Osmocurator L’Osmothèque - A few figures 4000 PERFUMES IN THE COLLECTION 800 DiSCONTINUED PERFUMES 200 PERFUMES RE-CREATED BASED ON ORIGINAL FORMULAS 27 YEARS OLD INSTITUTION 100 000 VISITORS SINCE IT’S CREATION 5 000 VISITORS EACH YEAR 1500 RARE OR DISCONTUNUED RAW MATERIALS 12 OSMOCURATORS – PERFUMERS INVOLVED 2 SUBSIDIARIES: AU MIP GRASSE / NEW YORK The origin of Chypre Iconic Fragance XVII th – Early XVIII th centuries « La poudre de Chypre » The word “Chypre” or “Cypre” designates an oak tree in Old French. Chypre powder, which has given its name to the Chypre family in perfumery, is made mostly from the moss that lives as a parasite on oak trees. Oak moss is always mixed with bits of bark torn off when moss is harvested, so its smell mingles with the scent of the tannin, a fragrant green component of the oak wood. Long ago fashionable people used Chypre powder to powder their skin or their wig. It was also used in making potpourri, “sachets” and baskets of fragrances. The chypre family The Chypre Family The differents notes: - Bergamot Chypre - Rose - Jasmin Fruity Chypre - Cistus – Labdanum - Oak’s Moss Floral Aldehydic - Patchouli Chypre Leather Chypre Aromatic Chypre Green Chypre Floral Chypre The first Chypres (before 1917) Eau de Chypre Cyprisine Chypre de Paris Guerlain Guerlain Guerlain 1850 1894 1909 Chypre de Tentation Chypre Roger & Gallet Lubin 1893 1898 • Eau de Chypre (Guerlain, near 1850) • Poudre de Riz Chypre (Florida, near 1900) • Chypre
    [Show full text]
  • René Gruau 1909-2004
    René Gruau 1909-2004 The Blue gloves Oil on canvas signed lower right Dimensions : 92 x 72 cm Dimensions : 36.22 x 28.35 inch Collection : Roger Fare, Gloves maker 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com René Gruau 1909-2004 Dimensions with frame : 109 x 89 cm Dimensions with frame : 42.91 x 35.04 inch This painting has been realized around 1940 for Roger Fare, the " king of gloves " in France in the 1940's and 1950's. It has been ordered directly by the glove-maker to René Gruau who begun his carrer in publicity at this time. The artist was already working with Givenchy and many fashion creators. The Roger Fare's house was located in the heart of the 8th district in Paris, the heart of fashion too. It served as a workshop and store for custom-made gloves, and was only decorated with paintings depicting gloved women. In our painting, Gruau has represented an elegant woman in the pure spirit of the woman in his art, leaned on the guardrail of the balcony at the Opera. The eye is immediately attracted by the curve of the red balcony, the red lips of the elegant and of course the color of the gloves. 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com René Gruau 1909-2004 Biography René Gruau was a fashion designer, illustrator and poster artist.
    [Show full text]
  • Haute Couture
    NEXT EXHIBITION AT THE CITY HALL PARIS HAUTE COUTURE FREE EXHIBITION AT THE CITY HALL FROM 2 MARCH TO 6 JULY 2013 With the support of Swarovski OPEN EVERY DAY EXCEPT SUNDAYS AND BANK HOLIDAYS, FROM 10 AM TO 7 PM PRESS RELEASE PARIS HAUTE COUTURE Paris City Hall celebrates haute couture from 2 March to 6 July 2013, with an exhi- bition in the Saint-Jean room, in collaboration with the Galliera Museum and the exceptional support of Swarovski. For the first time ever in Paris, fashion capital of the world, an exhibition is bringing together a hundred haute couture dresses and outfits by designers such as Worth, Doucet, Poiret, Lanvin, Vionnet, Patou, Chanel, Molyneux, Rochas, Maggy Rouff, Jacques Heim, Nina Ricci, Schiaparelli, Jacques Fath, Balenciaga, Grès, Balmain, Carven, Christian Dior, Givenchy, Cardin, Yves Saint Laurent, Courrèges, Jean Paul Gaultier, Lacroix, Alaïa… Organised in collaboration with the Galliera Museum – under the artistic direction of Oliver Saillard – the Paris haute couture exhibition invites you to admire these exceptional garments, chosen from the most beautiful pieces in the museum’s collections. A unique opportunity to discover a number of masterpieces, many of which have never been seen before. This group also includes a set of drawings and photographs, enabling the visitor to step behind the scenes of these world-famous fashion houses and observe the creative processes. Haute couture was born in Paris in the mid-19th century and since then, generations of designers have transformed this supposedly frivolous discipline into high art, drawing on the skill of thousands of little hands, like those of the embroiderers and plumassiers (feather workers), whose work in the shadows has kept alive the traditions that help maintain Paris’ influence on fashion all over the world.
    [Show full text]
  • Audrey Hepburn in Paris
    Through Fashionable Paris in the Steps of Audrey Hepburn Through Fashionable Paris in the Steps of Audrey Hepburn 1. Givenchy headquarters, 3, avenue George V, 8e 2. No. 2, avenue Montaigne, 8e 3. Christian Dior, 30, avenue Montaigne, 8e 4. No. 3, avenue de Matignon, 8e 5. Stamp market, near avenue Gabriel, 8e 6. American Embassy, 2, avenue Gabriel, 8e 7. Maxim’s, 3, rue Royale, 8e 8. Ritz Hotel, 15, Place Vendôme, 1er 9. Palais Royal, 1er 10. Didier Ludot boutique, Palais Royal, 1er 11. Comédie Française, 1, Place Colette, 1er Through Fashionable Paris in the Steps of Audrey Hepburn Audrey Hepburn made five films on location in Paris: was about to film Sabrina. Although the movie was shot in Funny Face (1957), Love in the Afternoon (1957), Charade Hollywood, it was Hubert de Givenchy who made the (1963), Paris When It Sizzles (1964) and How to Steal a glorious dresses that Audrey wears on her return from Million (1966). Funny Face was one of the first American cooking school in Paris. Okay, no apprentice cook who was films to be shot on location in the city and showcases the daughter of a chauffeur could really afford to dress like almost every major tourist attraction. Other films explored that, but that was 1950s Hollywood fantasy for you. some less well known areas. This walk will take you past Audrey and Givenchy hit it off from this first meeting, and locations from all five films in the chic 1st and 8th the rest is history. Arrondissements. A list of other locations easily reached Retrace your steps toward the metro entrance, and turn by metro or Vélib’ is also included for hard‐core fans.
    [Show full text]
  • Walking Tours the Central Paris Set
    Walking Tours The Central Paris Set Table of Contents Culture and History Stroll from Saint Germain to Notre Dame Louvre to Opera Walk Stroll from Saint Germain to the Louvre Walk from the Palais Royal to Pompidou Through Fashionable Paris in the Steps of Audrey Hepburn Stroll from St. Germain to Notre Dame (6th - 5th) 28 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 1. Carrefour de L’Odeon – starting point 2. 5 Carrefour de L’Odeon – Le Comptoir du Relais 2b. 4-6-8 Cour de Commerce – Un Dimanche à Paris 3. 13 rue de l’Ancienne Comedie – Le Procope 4. 41 rue St. Andre des Arts – Allard 5. St. Severin Church 6. St. Julien le Pauvre 7. 56 rue Galande – Aux Trois Mailletz 8. 50 & 52 rue Galande – Le Chat Huant 9. 14 rue St. Julien le Pauvre – the Tea Caddy 10. 4 rue St. Julien le Pauvre – Hotel Esmeralda 11. 37 rue de la Bucherie – Shakespeare and Co. 12. 21 Quai Montebello – Café Panis 13. Eglise Notre Dame 14. Square de Ile de France - Memorial des Martyrs 2 2 29 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d 15. 55 Quai de Bourbon – Brasserie de l’Île St. Louis 16. 31 rue St. Louis-en-L’ile – Berthillon Ice Cream 3 3 30 Stroll from St. Germain to Notre Dame (6th - 5th) cont’d This tour takes between 2 and 4 hours vards we now see on the right bank. depending on how long you linger. Note the 4. Bistro Allard at 41 St.
    [Show full text]
  • 78 How Christian Dior's Extravagant Designs Put the Frill Back Into Post
    Dior’s How ChristianNew Dior’s extravagant designs Look put the frill back into post-war fashion Written by Louise Quick ay ‘Dior’ and most people think of Following rave reviews, the designs spread luxury, haute couture and leggy across Europe like wildfire and made their way models strutting up and down over the Atlantic to New York City. Many praised the runway in the latest high-end Dior with having single-handedly revived Paris’ fashions. But before becoming one of struggling post-war fashion industry. His designs Sthe world’s biggest and most recognised fashion were most popular, of course, among society’s brands, it was just one man, Christian Dior, glamorous upper class. Hollywood leading ladies struggling to make his mark in war-torn Europe. Ava Gardner and Rita Hayworth were both said It was 12 February 1947 when the designer’s to be fans. However, his most prestigious fanbase scandalous ‘New Look’ shocked post-World actually came from within the British royal family War II society and revolutionised the fashion — namely Princess Margaret. BELOW The utility-style dresses that were industry forever. Taking place just under two all the rage during World War II years after Victory in Europe Day, Dior stunned the world’s fashion elite when he presented his debut collection in Paris. Models swanned past in swathes of rich fabric, long, heavy skirts and dresses synched at the waist. The story goes that one influential onlooker, Carmel Snow, editor of Harper’s Bazaar, was so shocked that she declared Dior’s collection a truly “new look” — and the name stuck.
    [Show full text]