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Jesus Christ Superstar: K Problematice Historického Zařazení, Recepce a Analýzy Díla A

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Jesus Christ Superstar: K Problematice Historického Zařazení, Recepce a Analýzy Díla A UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA MUZIKOLOGIE Magisterská diplomová práce Jesus Christ Superstar: k problematice historického zařazení, recepce a analýzy díla A. L. Webbera a T. Rice Jesus Christ Superstar: On the Issues of Historical Classification, Reception and Analysis of the Work of A. L. Webber and T. Rice Bc. Kristýna Baborová Vedoucí práce: Mgr. Jan Blüml, Ph.D. Olomouc 2017 Prohlašuji, že jsem magisterskou diplomovou práci na téma: Jesus Christ Superstar: k problematice historického zařazení, recepce a analýzy díla A. L. Webbera a T. Rice vypracovala zcela samostatně, výhradně s použitím uvedených pramenů a literatury. V Olomouci 3. května 2017 ……………………… Ráda bych na tomto místě poděkovala Mgr. Janu Blümlovi, Ph.D. za vedení mé diplomové práce, za cenné odborné rady, připomínky a inspiraci. Dále děkuji všem, kteří jakýmkoliv způsobem přispěli k realizaci této práce. Obsah Úvod .............................................................................................................................................. 5 Stav pramenů a literatury .............................................................................................................. 7 1. Terminologicko-historický blok .......................................................................................... 14 1.1. Jesus Christ Superstar – terminologicko-pojmové vymezení ..................................... 14 1.2. Jesus Christ Superstar v kontextu progresivního rocku a konceptuálních tendencí přelomu šedesátých a sedmdesátých let .................................................................................. 21 1.3. Recepce Jesus Christ Superstar v dobovém tisku ....................................................... 27 1.4. Jesus Christ Superstar v kontextu díla Andrew Lloyd Webbera a Tima Rice ............ 40 2. Analytický blok ................................................................................................................... 47 2.1. Obecný teoreticko-analytický kontext ........................................................................ 47 2.2. Rekonstrukce biblického příběhu dle Tima Rice. Obecná forma ............................... 54 2.3. Srovnání libreta s evangelii ......................................................................................... 61 2.4. Obecná analýza ........................................................................................................... 68 2.5. Stylová analýza ........................................................................................................... 83 2.6. Motivicko-tematická práce .......................................................................................... 90 2.7. Instrumentace ............................................................................................................ 101 2.8. Změny v divadelním a filmovém provedení ............................................................. 105 Závěr ......................................................................................................................................... 110 Bibliografie a jiné použité zdroje .............................................................................................. 113 Résumé ...................................................................................................................................... 118 Summary ................................................................................................................................... 119 Zusammenfassung ..................................................................................................................... 120 Seznamy .................................................................................................................................... 121 Anotace ..................................................................................................................................... 153 Úvod Předmětem předkládané magisterské diplomové práce je dílo Jesus Christ Superstar v nejširším slova smyslu. Práce se jím bude zabývat jak z hlediska historického, analytického tak i esteticko-sociologického. Práce si klade za cíl podrobit kritickému zkoumání všeobecně přijatou tezi o výjimečnosti díla Jesus Christ Superstar. Výzkum vychází z těchto hypotéz: Dílo je všeobecně považováno za výjimečný tvůrčí počin s významnými přesahy jak do oblasti artificiální, tak i nonartificiální hudby. Za zajímavé bývá označováno především díky kombinaci prvků vážné a populární hudby, a to jak v jednotlivých hudebních číslech, složkách hudebního projevu, tak i například instrumentaci. Hlavními cíli tedy jsou: Vypracování syntetického spisu, který se bude zaobírat dílem Jesus Christ Superstar v nejširším slova smyslu, a to jak v kontextu dějin hudby, tak i díla Andrew Lloyd Webbera a Tima Rice, ale i s ohledem na dobovou recepci. Dále vytvoření uceleného analytického pohledu na dílo včetně představení a shrnutí existujících analytických přístupů a (ne pouze) s ohledem na ně postupovat i při vlastní analýze. Se zvláštním zaměřením na jednotlivé složky hudebního projevu odhalit prvky, které jsou pro Webberovu kompoziční práci typické a na základě zjištěných faktů prokázat tezi o výjimečnosti díla a jeho významném zásahu do artificiální i nonartificiální oblasti hudby. Co se týká libreta, prostřednictvím textové analýzy zjistit, do jaké míry Tim Rice vychází z originální předlohy, evangelií Matouše, Marka, Lukáše a Jana. Stať záměrně neobsahuje hloubkovou hudební analýzu, zaměřuje se spíše na význam a důležitost jednotlivých prvků ve Webberově tvorbě (stylová analýza, motivicko- tematická práce) a tím nechává tuto část otevřenou pro případné další bádání v této oblasti. První kapitola z prvního ze dvou větších bloků bude věnována terminologicko- pojmovému vymezení. Tento úkol je velmi důležitý z hlediska správného uchopení a zacházení s dílem. Bude vycházeno především z domácích a zahraničních encyklopedií a slovníků, dále z odborných monografií a v neposlední řadě i z dobových periodik. Na základě důkladné analýzy dostupné literatury a rovněž informací, jež můžeme naleznout v článcích, které obsahují rozhovory v dobovém tisku, bude závěrem první kapitoly určeno nejadekvátnější pracovní terminologické označení díla Jesus Christ Superstar. Následující kapitola tak bude na základě zjištěných faktů zasazovat dílo do kontextu dějin rocku, resp. do kontextu rockového konceptualismu přelomu šedesátých 5 a sedmdesátých let. Jako výchozí pramen pro tuto část práce poslouží jak historiografické monografie, tak především teoretické spisy jako například What’s That Sound: an Introduction to Rock and its History od Johna Covache. Recepcí Jesus Christ Superstar v dobovém tisku se bude zabývat část následující, a to jak ve vybraných seriálových publikacích anglo-americké provenience, tak i východní Evropy. Diplomová práce bude obsahovat některé citace v anglickém jazyce, které záměrně nebudou překládány do českého jazyka, jelikož by tím byla narušena výpovědní hodnota. Poslední část historicko-teoretického bloku práce se věnuje tomuto dílu v kontextu tvorby Andrew Lloyd Webbera a Tima Rice. Analytický blok a jeho části se budou zaobírat jednotlivými analytickými problémy, které v souvislosti s Jesus Christ Superstar vystupují. Jak to implicitně naznačuje Karel Janeček, postupuje se od obecných problémů k těm konkrétním. Jednotlivé stati se tak věnují obecné formě, tektonice, stylové analýze a libretu ve vztahu k originálním předlohám, resp. evangeliím Jana, Matouše, Marka a Lukáše. Konkrétní problémy řeší druhá polovina. Je to například motivicko-tematická práce v díle, jedinečná instrumentace, a v neposlední řadě informace o dalším zpracování díla, ať už divadelním či filmovém s přihlédnutím na změny a zásahy například ze strany režisérů. Nedílnou součástí práce budou i přílohy, a to například tabulky znázorňující Webberovu kompoziční práci, seznam aktů a čísel a dále i chronologický přehled děl Andrew Lloyd Webbera a Tima Rice. Přiloženo bude i libreto. Nahrávka, stejně tak jako partitura podléhá autorským právům. Proto nejsou tyto materiály k práci přiloženy, nýbrž jsou dostupné v archivu autorky. Z hlediska základní metodologie je v prvním bloku práce uplatňována zvláště metoda klasifikace a historiografický pohled. V druhém bloku je potom použit především analytický, ale i komparativní a kontemplativní přístup. Bibliografické citace dokumentů vychází z aktuálních norem ČSN ISO 690 a ČSN ISO 690-2 a to kromě části, která se zabývá srovnáním libreta s evangelii. Evangelia jsou specifický zdroj, který má zažitý způsob citování. V této práci proto užívám zkrácenou biblickou praxi. 6 Stav pramenů a literatury O díle Jesus Christ Superstar bylo napsáno mnoho studií, článků, statí ať už historiografického charakteru či analytického. Existuje i několik monografií. Vzhledem k tomu, že je dílo z Velké Británie, je zřejmé, že většina literatury bude zahraniční. V české literatuře se ale také můžeme setkat s několika fundovanými publikacemi. Z tohoto důvodu dělím přehled literatury na tři části. První pojednává o použité zahraniční literatuře a druhá o česky psaných zdrojích. Ve dvou případech se bude hovořit především o zdrojích encyklopedického charakteru, knižních monografiích, historiografických a hudebně-teoretických spisech, článcích dobových periodik, video dokumentech, kvalifikačních pracích a internetových zdrojích. Poslední kategorií jsou ostatní pramenné materiály, tj. partitura, klavírní výtah, nahrávka a libreto, ale i Nový zákon. Zahraniční literatura
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