Bologna 2011

Total Page:16

File Type:pdf, Size:1020Kb

Bologna 2011 Simon & Schuster Children’s Publishing BOLOGNA 2011 RIGHTS GUIDE SIMON & SCHUSTER CHILDREN’S PUBLISHING DIVISION PICTURE BOOKS AND NOVELTIES CONTACTS CONTACTS FOR ALL U.S. AND UK PICTURE BOOKS & BOLOGNA 2011 NOVELTY TITLES WORLDWIDE & UK FICTION: TABLE OF Tracy Phillips, Children’s Co-editions and Rights Director [email protected] CONTENTS Stephanie Purcell, Senior Rights Manager [email protected] Ruth Middleton, Children’s Rights Executive [email protected] General queries: [email protected] Simon & Schuster UK Ltd. Picture Books & Novelties Contacts 1st Floor, 222 Gray’s Inn Road, London WC1X 8HB 2 UK Tel: 00 44 207 316 1900 UK Fax: 00 44 207 316 0332 FOREIGN AGENTS WE USE INCLUDE: 3 Novelties KOREA KCC Agency Ms. Rockyoung Lee, [email protected] 17 Picture Books Imprima Agency Ms. Irene Lee, [email protected] CHINA & TAIWAN Bardon Chinese Media Agency 31 Fiction Ms. Cynthia Chang, [email protected] Ms. Jian-Mei Wang, [email protected] Big Apple Tuttlemori Agency U.S. Fiction Ms. Lily Chen, [email protected] 32 JAPAN Japan Uni Agency Ms. Akiko Mieda, [email protected] 56 UK Fiction Tuttle-Mori Agency Ms. Solan Natsume, [email protected] 62 International Fiction Agents Contacts FOR U.S. FICTION CONTACTS see inside back cover 2 Novelties Moo, PAGE 9 2 3 17 31 32 56 62 NOVELTIES HAUNTED HOUSE Concept and Paper Engineering by Maggie Bateson Illustrated by Sarah Horne Imprint: Simon & Schuster UK A spooky pop-up house filled with frights! This book features a beautifully crafted pop-up haunted house, with intricate detail and spooks and monsters popping up all over the place. Includes a spooky story and press- out play pieces. Publication Date: August 2012 Ages: 3 up Page Extent: 10 pp HOW SANTA REALLY WORKS POP-UP By Alan Snow Imprint: Simon & Schuster UK Christmas will be even more magical with this Christmas-tastic pop-up edition of the bestselling picture book. Have you ever wondered how Santa knows exactly what you want for Christmas? How does he find time to read all those letters? Does he really know which children have been naughty and which have been nice? Here is the true scoop on how Santa does what he does so well, brilliantly brought to life in this Christmas-tastic new pop-up edition. Publication Date: November 2010 SIMON & SCHUSTER CHILDREN’S PUBLISHING Ages: 3 up Page Extent: 12 pp 4 BEAUTY & THE BEAST By Robert Sabuda Imprint: Little Simon The innovative Robert Sabuda will captivate all with his latest pop-up masterpiece, Beauty and the Beast! True love blooms in this pop-up adaptation RIGHTS GUIDE FRANKFURT 2009 of a beloved fairy tale. Amazing paper RIGHTS GUIDE BOLOGNA 2011 structures lead readers through the magic of this age-old story. With artful renditions of the magnificent castle, a lifelike Beast, and an enchanting closing scene, this three-dimensional retelling of a classic tale with surprises throughout is certain to become a favorite in every family’s library. Publication Date: October 2010 Ages: 3 up Page Extent: 12 pp 5 NOVELTIES AESOP’S FABLES Illustrated by Chris Beatrice and Bruce Whatley Paper Engineering by Kees Moerbeek Imprint: Little Simon Watch classic tales come to life in this engaging pop-up version of Aesop’s Fables! Aesop’s Fables leap off the page and into the minds and hearts of young readers in this dazzling pop-up collection of timeless tales. Favorite stories such as “The Tortoise and the Hare,” “The Goose That Laid the Golden Egg,” “The Lion and the Mouse,” and seven others, are vividly illustrated by Chris Beatrice and Bruce Whatley with expert paper engineering by Kees Moerbeek. Always relevant and exceptionally entertaining, Aesop’s Fables should pop up on every family’s bookshelf. Publication Date: October 2011 Ages: 4 up Page Extent: 14 pp WILD OCEANS By Lucio and Meera Santoro Imprint: Little Simon An amazing underwater adventure with revolutionary pop-up technology from Lucio and Meera Santoro, the creators of Journey to the Moon and Predators! Journey into the mysterious world under the sea as 3-D pop-ups swing off the page, bringing to life whales, dolphins, angler fish, and much more! Filled with stunning art and interesting facts about various oceanic zones—such as coral reefs, the frozen sea, the deep sea, and much more—Lucio and Meera Santoro take readers on an interactive and imaginative journey deep beneath the surface of the blue sea! Publication Date: September 2010 Ages: 6 up Page Extent: 12 pp SIMON & SCHUSTER CHILDREN’S PUBLISHING THE JUNGLE BOOK By Matthew Reinhart Imprint: Little Simon A pop-up extravaganza based on the ever popular Kipling adventure story as adapted by Matthew Reinhart! This spectacular 3-D edition of The Jungle Book features the “world’s tallest pop-up” (with a tower of monkeys 21 inches high), a pouncing tiger, and other terrific paper effects that make this a must-have for any library. With flocked animals throughout and phenomenal pops, pull-tabs, and paper engineering, this book brings a classic tale to life. Publication Date: October 2006 6 Ages: 3 up Page Extent: 12 pp TYRANNOSAURUS ROCKS! A POP-UP BOOK OF DYNAMIC DINOSAURS By Jonathan Emmett Illustrated by Ed Eaves Imprint: Simon & Schuster UK Five dreaming dinosaurs, Snoring in their sleep. I wonder what they’re dreaming of? Let’s go and take a peep. See five dreaming dinosaurs transform into some seriously cool characters. There’s Tyrannosaurus, Monster of Rock; Apatosaurus, Dance Sensation; Velociraptor, Soccer Star; Stegosaurus, Secret Agent; and Pterodactyl, Hero of the Skies. With fun rhyming text and moving pop-ups, this book will be a big hit with all dinosaur fans. Publication Date: October 2011 RIGHTS GUIDE FRANKFURT 2009 Ages: 3 up RIGHTS GUIDE BOLOGNA 2011 Page Extent: 7 spreads LILY LANE PET PARLOUR Created by Francesca Stitch Illustrated by Kim Martin Imprint: Simon & Schuster UK A pet parlour play pack, with a 24-page book and over 50 pop-up and press-out pieces. It’s the day of the annual ‘Best Pet Parade’ at Lily Lane and everyone wants to win. The Pet Parlour has never been busier. From pampered pooches to coiffed kittens, all of Lily Lane’s pets are getting the star treatment. Little ones will love this new addition to Lily Lane, which sits alongside Lily Lane Café to create a magical 3-D world. Publication Date: October 2011 Ages: 3 up Page Extent: 24 pp (book) & pop-up world 7 NOVELTIES MY LITTLE BLUE ROBOT Written and illustrated by Stephen T. Johnson Imprint: Paula Wiseman Books A sturdy reissue of Stephen T. Johnson’s My Little Blue Robot puts the fun of building and the joy of making a friend into one book! My Little Blue Robot features sturdy, ultrathick cardboard pages from which kids can follow simple step-by-step instructions to build a robot friend using slots and tabs—no glue needed! Publication Date: September 2011 Ages: 4–8 Page Extent: 14 pp MY LITTLE YELLOW TAXI Written and illustrated by Stephen T. Johnson Imprint: Paula Wiseman Books A sturdy reissue of Caldecott Honor artist Stephen T. Johnson’s irresistible book and car and toy in one! With sixteen interactive features at their fingertips, eager young drivers will learn just what it takes to get their taxi ready to roll: the mirror needs to be adjusted, the oil needs to be checked, the engine needs to be started . and there’s lots more to do! As an added bonus, a clock on each page counts down the minutes, introducing the concept of telling time. Publication Date: September 2011 Ages: 4–8 Page Extent: 14 pp MY LITTLE PINK PRINCESS PURSE Written and illustrated by Stephen T. Johnson Imprint: Paula Wiseman Books You are invited to the Prince’s Springtime Ball and this charming novelty book has just what SIMON & SCHUSTER CHILDREN’S PUBLISHING you need to be a true royal princess! With 6 lift-up tabs, an erasable writing slab, a quill pen, a handheld mirror, an elegant fan, 4 perfumes, rose-colored glasses, and a sapphire tiara, this book includes hours of dress-up fun for princesses everywhere! MY LITTLE RED FIRE TRUCK Written and illustrated by Stephen T. Johnson Imprint: Paula Wiseman Books Firefighters in training can get their own fire trucks ready with this interactive multi-concept book. My Little Red Fire Truck gives practice telling time while its sturdy moving parts provide hours of fun—and allow readers to see how it would be to work on a real fire truck! Publication Date: My Little Pink Princess Purse, October 2010; My Little Red Fire Truck, September 2009 Ages: 4–8 8 Page Extent: 16 pp MOO Written and illustrated by Matthew Van Fleet Imprint: Paula Wiseman Books The bestselling creator Matthew Van Fleet delivers an interactive barnyard bonanza that introduces toddlers to the lifestyles and distinctive voices of seven barnyard species: sheep, chickens, pigs, horses, cows, ducks, and goats. With five textures, four flaps, three pull-tabs, two pop-ups, and a push-button quacker, interactive surprises abound on every spread. Toddlers will delight in identifying and imitating each critter. And the sharpest-eyed will spot a tiny unnamed resident that appears throughout. Publication Date: August 2011 RIGHTS GUIDE FRANKFURT 2009 RIGHTS GUIDE BOLOGNA 2011 Ages: 3 up Page Extent: 18 pp THREE LITTLE MERMAIDS Written and illustrated by Mara Van Fleet Imprint: Paula Wiseman Books Have a tea party undersea and practice counting with Three Little Mermaids, this sparkling touch-and-feel and pull-tab book by Mara Van Fleet.
Recommended publications
  • The 007Th Minute Ebook Edition
    “What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I.
    [Show full text]
  • Symbol of Conquest, Alliance, and Hegemony
    SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born.
    [Show full text]
  • Cruise D E S T I N at I O N S
    W O R L D CRUISE D E S T I N AT I O N S Spring 2008 VISIONARIES OF THE CARIBBEAN: Hylton talks to fishermen ARISON: Impact of global deployment MITROPOULOS: IMO’s message to European Commission NAYLOR: Cold ironing - solution or red herring? COSTA AT 60: A remarkable transformation EUROPE: Economic impact accelerates by a quarter DICKINSON: 35 years of fun AWARDS: Barcelona hits six Untitled-1 1 9/2/074/3/08 10:59:0810:07:43 Foreword WORLD CRUISE DESTINATT IONS FOREWORD Spring 2008 VISIONARIES OF THE CARIBBEAN: Hylton talks to fishermen ARISON: Impact of global deployment he good news is that the industry is at last widening the scope of MITROPOULOS: IMO’s message to European Commission NAYLOR: Cold ironing - solution or red herring? its analysis. As a consequence we are beginning to have a better COSTA AT 60: A remarkable transformation EUROPE: Economic impact accelerates by a quarter DICKINSON: 35 years of fun understanding of the numbers that hide behind the images of cruise AWARDS: Barcelona hits six Tships sailing the oceans and delivering tourists to their favoured destinations. The second economic impact report for Europe was recently released in Brussels which together with the fi rst editions for Canada and Mexico add another layer of understanding to the global picture, which previously relied solely on the US and Caribbean studies. Impressive though the statistics are for Europe and elsewhere, the impact of growth on the environment is the issue that seems to have lodged itself fi rmly in the mind. There aren’t any industry sectors immune from the legislative Cover image: Gaudio’s La Casa Mila, Barcelona and regulatory momentum that currently exists.
    [Show full text]
  • Insights Course 3
    Insights Course 3 KEYS Verkkojulkaisu (doc) Elina Karapalo Paula Keltto Mark Kilmer Päivi Kuusivaara Teijo Päkkilä Annukka Suonio 1. painos © 2016 Elina Karapalo, Paula Keltto, Mark Kilmer, Päivi Kuusivaara, Teijo Päkkilä, Annukka Suonio ja Kustannusosakeyhtiö Otava Oy 1 Toimitus: Kaija Kaasinen, Elina Hyttinen, Laura Pakarinen Ulkoasu: Sari Inandik Taitto: Olli-Matti Hallikainen Kopiointiehdot Teos on suojattu tekijänoikeuslailla (404/61). Tämän verkkoaineiston muokkaaminen on sallittua. Aineiston tulostaminen, kopiointi, välittäminen tai muu jatkokäyttö sellaisenaan tai muokattuna edellyttää kuitenkin oikeudenomistajan tai Kopiosto ry:n lupaa. Muokkausoikeus ei koske kuvia tai kuvitusta. Kopiosto ry myöntää verkkoaineiston tulostamiseen, kopiointiin ja kopioiden käyttöön lupia. Sähköisten julkaisujen tulostaminen ja tulosteiden valokopiointi on sallittu luvan mukaisesti. Opetus- ja kulttuuriministeriö on hankkinut muun muassa peruskouluille, lukioille ja ammatillisille oppilaitoksille luvan valokopioida ja tulostaa julkaisuja opetus- ja tutkimuskäyttöä varten. Lisätietoja luvista kopiosto.fi ISBN: 978-951-1-30629-0 INSIGHTS COURSE 3 KEYS 1. I'm with the band 2 Glossary: Music 6 2. When you beat the odds 7 3. Enter from stage right 11 Glossary: Theatre and film 15 4. They're made out of meat 16 Glossary: Literature 18 6. Art workshop 19 Glossary: Visual arts 21 7. The anatomy lesson 22 8. From the shacks to the prom 26 9. All in the name of fun 28 Grammar 3 33 2 Insights Course 3 KEYS 1 I'm with the band 1a, p. 12 1. Chris plays bass guitar. Connor plays guitar, sings and writes most of the music. James is the drummer. 2. People who want to be in a band can meet up, talk about music and demonstrate their musical talent.
    [Show full text]
  • Selected Works Selected Works Works Selected
    Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J.
    [Show full text]
  • Art As Integral Part of Architectural Space
    Art as Integral Part of Architectural Space by Marta Vahtar M.S.Arch., 1991, School of Architecture and Civil Engineering B.S.Land.Arch, 1987, Biotechnical Faculty University of Ljubljana, Slovenia Submitted to the Department of Architecture in partial fulfillment of the requirements for the Degree of Master of Science in Visual Studies at the Massachusetts Institute of Technology May 1993 © Marta Vahtar, 1993. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. Signature of Author ............................ ................ Department of Architecture, May 7, 1993 Certified by ................. ... ...... Otto Piene, Director, Center for Advanced Visual Studies Thesis Advisor A ccepted by ............... .. ..... ... .... .......... .... Otto Piene Departmental Committee on Graduate Studies 8014e MASSACHUSETTS INSTITUTE OF TFNi4jnti oY MAY 02 1993 -2- Art as Integral Part of Architectural Space by Marta Vahtar Submitted to the Department of Architecture on May 7, 1993 in partial fulfillment of the requirements for the Degree of Master of Science in Visual Studies ABSTRACT To integrate art with architecture is the intention of every architect. However, many times other requirements overwhelm artistic potential. There are numerous good, simple examples in the history of architecture where solutions to a variety of often functional requirements have produced exceptional artistic expressions, which in turn have inspired contemporary architectural practice. Pre-industrial architecture not only responded to natural conditions in the environment; it employed all the senses as well in its design of living environments. Today, unfortunately, we rarely find that architects pay attention to sound, smell, water, natural cycles, or, almost unimaginable, to time.
    [Show full text]
  • The Expression of Sacred Space in Temple Mythology
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository EXPRESSONS OF SACRED SPACE: TEMPLE ARCHITECTURE IN THE ANCIENT NEAR EAST by Martin J Palmer submitted in accordance with the requirements for the degree of Doctor of Literature and Philosophy in the subject Ancient Near Eastern Studies at the UNIVERSITY OF SOUTH AFRICA Promoter: Prof. P S Vermaak February 2012 ii ABSTRACT The objective of this thesis is to identify, isolate, and expound the concepts of sacred space and its ancillary doctrines and to show how they were expressed in ancient temple architecture and ritual. The fundamental concept of sacred space defined the nature of the holiness that pervaded the temple. The idea of sacred space included the ancient view of the temple as a mountain. Other subsets of the basic notion of sacred space include the role of the creation story in temple ritual, its status as an image of a heavenly temple and its location on the axis mundi, the temple as the site of the hieros gamos, the substantial role of the temple regarding kingship and coronation rites, the temple as a symbol of the Tree of Life, and the role played by water as a symbol of physical and spiritual blessings streaming forth from the temple. Temple ritual, architecture, and construction techniques expressed these concepts in various ways. These expressions, identified in the literary and archaeological records, were surprisingly consistent throughout the ancient Near East across large expanses of space and time. Under the general heading of Techniques of Construction and Decoration, this thesis examines the concept of the primordial mound and its application in temple architecture, the practice of foundation deposits, the purposes and functions of enclosure walls, principles of orientation, alignment, and measurement, and interior decorations.
    [Show full text]
  • Musical Expressions of Astronomy and Cosmology
    COSMOPHONIA : MUSICAL EXPRESSIONS OF ASTRONOMY AND COSMOLOGY Elaine diFalco, B.M. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2018 APPROVED: Joseph Klein, Major Professor and Chair of the Division of Composition Studies Martin Back, Committee Member David Stout, Committee Member Jon Nelson, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond: Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School diFalco, Elaine. “Cosmophonia”: Musical Expressions of Astronomy and Cosmology. Master of Arts (Music), August 2018, 113 pp., 22 figures, 3 musical scores, bibliography, 82 titles. Astronomy and music are both fundamental to cultural identity in the form of various musical styles and calendrical systems. However, since both are governed by incontrovertible laws of physics and therefore precede cultural interpretation, they are potentially useful for insight into the common ground of a shared humanity. This paper discusses three compositions inspired by different aspects of astronomy: Solstitium e Equinoctium, a site-specific composition for four voices and metal pipes involving an inclusive communal musical ritual and sonic meditation; Helios, a short symphonic work inspired by helioseismology; and Perspectives, a piece for soprano and percussion based on a logarithmic map of the universe. Copyright 2018 By Elaine diFalco ii ACKNOWLEDGEMENTS During my time at University of North Texas I have had to negotiate many steep learning
    [Show full text]
  • Publications 2019-2020 High School Course Catalog Click to View
    Saint Ann’s School 129 Pierrepont Street, Brooklyn, NY 11201-2705 T 718-522-1660 | www.saintannsny.org HIGH SCHOOL COURSE CATALOG 2019–2020 Dear High Schoolers, All art is at once surface and symbol. Those who go beneath the surface do so at their peril. –Oscar Wilde, The Picture of Dorian Gray If we are to believe Mr. Wilde, then the pages of this book are riddled with danger, for every class on offer will lead you deep down one rabbit hole or another, never content to let you simply gaze across the surface of a subject. The works of art that you create—be they painted in oil or executed mathematically—may be of surface and symbol, but your engagement with all that you do will surely plumb the depths. Welcome to a year of great peril, indeed. Love, Chloe Cover Artwork by: Emily Dewhurst ’20 MINIMUM GRADUATION REQUIREMENTS Arts Four courses in the arts, preferably at least one in art, one in music, and one in theater Computer No requirement, but students are encouraged to become comfortable with usage and applications of the computer English Four years History Four years Language Four years of language study Math Four years, including Algebra 1, Geometry, and Algebra 2 Rec Arts One course or the equivalent, or one interscholastic sport, per year Science Three years including one year of biology and one year of physical science HIGH SCHOOL COURSE CATALOG 2019–2020 TABLE OF CONTENTS Art .................................................................................................................................... 2 Computer ........................................................................................................................
    [Show full text]
  • Voyage Au Bout Du Blues
    impag. Catal. jazz 03-4 8-03-2012 19:14 Pagina 1 From St. Louis to Sun Ra: voYaGe au bout du blues 13/24 MAGGIO new conversations 2003 new conversations impag. Catal. jazz 03-4 8-03-2012 19:14 Pagina 2 Leonard Bernstein (ph. Eugene Cook) 2 impag. Catal. jazz 03-4 8-03-2012 19:14 Pagina 3 La bellezza della musica La bellezza della musica è un fatto sostanzialmente indicibile. Sulla musica si sono riempiti vagoni di libri e si allungheranno chilometri di files. Eppure – lo sosteneva anche il grande Leonard Bernstein – chi mai riuscirà a spiegare compiutamente ed esaurientemente il singolaris- simo fenomeno della reazione dell’uomo al linguaggio dei suoni? Ci possiamo provare (ed è legittimo farlo), ma il mistero che ci pervade ogni volta, all’ascolto di Cavaradossi che canta “E luce- van le stelle”, resta impenetrabile. Come tutti i linguaggi dell’arte, la musica ha vissuto momenti 3 incomparabili, in cui le vette più alte della creatività umana erano intravedibili da tutti: i corali di Bach, le sinfonie di Mozart, le sonate di Beethoven, le arie di Verdi e Puccini. Chiunque poteva toccare il cielo con un dito. Poi, soprattutto nel secolo appena conclusosi, gli artisti, i poeti, i musicisti hanno ritenuto giusto incamminarsi su strade sempre più ardue e innalzare torri più alte: penso a personaggi pur geniali come Picasso, Joyce, Stravinskj e penso al jazz, una musica nata in America da una costola della nostra cultura europea ma per molti versi rimastaci spesso estranea. Tuttavia, ciò che del jazz ha senza dubbio e da sempre attirato l’at- tenzione persino dei più scettici è l’esser una musica capace di possedere sia le caratteristiche del linguaggio difficile e impegna- tivo sia la comunicatività diretta delle espressioni popolari.
    [Show full text]
  • Rodger Coleman Sun Ra Sundays
    SUN RA SUNDAYS by Rodger Coleman This is a compilation of blog entries about SUN RA authored by RODGER G. COLEMAN from 2008 to 2015 and posted at nuvoid.blogspot.com. Coleman's blog contains hundreds of posts on a myriad of music subjects; we've culled only the Ra content. We have added no commentary, preferring to let this writing speak for itself. The vast Sun Ra knowledge base covered in Coleman's posts remains vital and historically valid. Identifiable historic inaccuracies (generally based on best-available sources at the time) are neither corrected nor footnoted. These are the posts and responses as they were published online at the time—the verbatim historic record. All copyrights belong to Coleman and the authors of the comments and quoted sources. This chronicle was collected, formatted & edited by Irwin Chusid, with assistance from Kristen Pierce, in November 2018. It is sequenced chronologically. Some unintentional misspelling has been corrected; idiosyncratic spelling, abbreviations, and casual disregard of capitalization niceties (mostly in the comments) were left as written. Most dead links are omitted. Reader comments are highlighted in red (although salutations- only comments have been omitted). Graphic images and photos from the blog are not included. (For graphics, see SAM BYRD's complementary collection of Sun Ra Sundays posts; Byrd also arranged all entries in discographical order.) This content has been collected for preservation, research, and circulation. In some cases, recent findings have amplified, clarified, or superseded particular details or assertions. It would be interesting to crowd-source updates with new information that's come to light since these posts were published.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 92, 1972
    mm h OSTON SYMPHONY ORCHESTRA ** What's a Relska? B c. D. RELSKA® 80 PROOF, DISTILLED FROM GRAIN BY L. RELSKY & CIE., HARTFORD, CT. © 1972 JP Relska is a vodka. Though we're 251 years " old, people are still asking What's a Relska?" And we keep telling them — It's the cool, crisp m vodka that goes down as smooth as ice. RELSKA Vo:KA ' k Relska! The world's oldest vodka. ( SINCE 1721 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Adviser COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-SECOND SEASON 1972-1973 FRIDAY-SATURDAY 1 TUESDAY A 1 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN ROBERT H. GARDINER JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN FRANCIS W. HATCH EDWARD G. MURRAY ALLEN G. BARRY HAROLD D. HODGKINSON JOHN T. NOONAN RICHARD P. CHAPMAN E. MORTON JENNINGS JR MRS JAMES H. PERKINS ABRAM T. COLLIER EDWARD M. KENNEDY IRVING W. RABB MRS HARRIS FAHNESTOCK HENRY A. LAUGHLIN PAUL C. REARDON THEODORE P. FERRIS SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager THOMAS W. MORRIS DAVID ROCKEFELLER JR MARY H. SMITH Assistant Manager, Assistant Manager, Assistant Manager, Business Affairs Audience & Public Affairs Concerts & Artists FORRESTER C. SMITH DANIEL R. GUSTIN DONALD W. MACKENZIE Development Director Administrator of Operations Manager, Educational Affairs Symphony Hall JAMES F. KILEY RICHARD C. WHITE Operations Manager, Assistant to Tanglewood the Manager copyright © 1972 by Boston Symphony Orchestra Inc.
    [Show full text]