Boston Symphony Orchestra Concert Programs, Season 92, 1972
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The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
Destacados De Programación – Abril 2019
Allegro HD – Destacados de programación – abril 2019 Destacados de programación – abril 2019 235 Lincoln Road #201 Miami Beach, FL 33139 USA - +1 305-531-1315 1 Allegro HD – Destacados de programación – abril 2019 Destacados de programación Abril 2019 Ciclo Verdi a través de sus óperas ÓPERA – La forza del destino, ópera en cuatro actos de Giuseppe Verdi [Ópera Estatal de Viena] – 6 de abril – Pág. 3 CONCIERTO – Sasha Boldachev: recital de arpa – Estreno 6 de abril – Pág. 5 CONCIERTO – ¡Feliz cumpleaños, Lucerna! Concierto de apertura de la 75.ª temporada, con la dirección de Claudio Abbado – Estreno 7 de abril – Pág. 7 Ciclo Verdi a través de sus óperas ÓPERA – Aida, ópera en cuatro actos de Giuseppe Verdi [Festival de Bregenz] – 13 de abril – Pág. 9 CONCIERTO – Philippe Jaroussky con Concert Köln: arias olvidadas de Antonio Caldara – Estreno 13 de abril – Pág. 11 CONCIERTO – Orquesta del Concertgebouw de Ámsterdam & Bernard Haitink: interpretan a Mahler & Beethoven – Estreno 14 de abril – Pág. 13 DOCUMENTAL – Riccardo Chailly: retrato, un documental de Peter Smaczny – Estreno 19 de abril – Pág. 15 CONCIERTO – Riccardo Chailly & Hélène Grimaud interpretan obras de Ravel & Mahler – 19 de abril – Pág. 17 Ciclo Verdi a través de sus óperas ÓPERA – Nabucco, ópera en cuatro actos de Giuseppe Verdi [Arena de Verona] – 20 de abril – Pág. 19 CONCIERTO – 80.º aniversario de Zubin Mehta: 2.º Concierto de Gala en Bombay, con la Filarmónica de Israel – Estreno 20 de abril – Pág. 21 CONCIERTO – Andris Nelsons dirige la Orquesta del Gewandhaus de Leipzig: Webern, Wagner & Stravinsky – Estreno 21 de abril – Pág. 23 Ciclo Verdi a través de sus óperas ÓPERA – La traviata, ópera en tres actos de Giuseppe Verdi [Festival de Salzburgo] – 27 de abril – Pág. -
Cruise D E S T I N at I O N S
W O R L D CRUISE D E S T I N AT I O N S Spring 2008 VISIONARIES OF THE CARIBBEAN: Hylton talks to fishermen ARISON: Impact of global deployment MITROPOULOS: IMO’s message to European Commission NAYLOR: Cold ironing - solution or red herring? COSTA AT 60: A remarkable transformation EUROPE: Economic impact accelerates by a quarter DICKINSON: 35 years of fun AWARDS: Barcelona hits six Untitled-1 1 9/2/074/3/08 10:59:0810:07:43 Foreword WORLD CRUISE DESTINATT IONS FOREWORD Spring 2008 VISIONARIES OF THE CARIBBEAN: Hylton talks to fishermen ARISON: Impact of global deployment he good news is that the industry is at last widening the scope of MITROPOULOS: IMO’s message to European Commission NAYLOR: Cold ironing - solution or red herring? its analysis. As a consequence we are beginning to have a better COSTA AT 60: A remarkable transformation EUROPE: Economic impact accelerates by a quarter DICKINSON: 35 years of fun understanding of the numbers that hide behind the images of cruise AWARDS: Barcelona hits six Tships sailing the oceans and delivering tourists to their favoured destinations. The second economic impact report for Europe was recently released in Brussels which together with the fi rst editions for Canada and Mexico add another layer of understanding to the global picture, which previously relied solely on the US and Caribbean studies. Impressive though the statistics are for Europe and elsewhere, the impact of growth on the environment is the issue that seems to have lodged itself fi rmly in the mind. There aren’t any industry sectors immune from the legislative Cover image: Gaudio’s La Casa Mila, Barcelona and regulatory momentum that currently exists. -
Insights Course 3
Insights Course 3 KEYS Verkkojulkaisu (doc) Elina Karapalo Paula Keltto Mark Kilmer Päivi Kuusivaara Teijo Päkkilä Annukka Suonio 1. painos © 2016 Elina Karapalo, Paula Keltto, Mark Kilmer, Päivi Kuusivaara, Teijo Päkkilä, Annukka Suonio ja Kustannusosakeyhtiö Otava Oy 1 Toimitus: Kaija Kaasinen, Elina Hyttinen, Laura Pakarinen Ulkoasu: Sari Inandik Taitto: Olli-Matti Hallikainen Kopiointiehdot Teos on suojattu tekijänoikeuslailla (404/61). Tämän verkkoaineiston muokkaaminen on sallittua. Aineiston tulostaminen, kopiointi, välittäminen tai muu jatkokäyttö sellaisenaan tai muokattuna edellyttää kuitenkin oikeudenomistajan tai Kopiosto ry:n lupaa. Muokkausoikeus ei koske kuvia tai kuvitusta. Kopiosto ry myöntää verkkoaineiston tulostamiseen, kopiointiin ja kopioiden käyttöön lupia. Sähköisten julkaisujen tulostaminen ja tulosteiden valokopiointi on sallittu luvan mukaisesti. Opetus- ja kulttuuriministeriö on hankkinut muun muassa peruskouluille, lukioille ja ammatillisille oppilaitoksille luvan valokopioida ja tulostaa julkaisuja opetus- ja tutkimuskäyttöä varten. Lisätietoja luvista kopiosto.fi ISBN: 978-951-1-30629-0 INSIGHTS COURSE 3 KEYS 1. I'm with the band 2 Glossary: Music 6 2. When you beat the odds 7 3. Enter from stage right 11 Glossary: Theatre and film 15 4. They're made out of meat 16 Glossary: Literature 18 6. Art workshop 19 Glossary: Visual arts 21 7. The anatomy lesson 22 8. From the shacks to the prom 26 9. All in the name of fun 28 Grammar 3 33 2 Insights Course 3 KEYS 1 I'm with the band 1a, p. 12 1. Chris plays bass guitar. Connor plays guitar, sings and writes most of the music. James is the drummer. 2. People who want to be in a band can meet up, talk about music and demonstrate their musical talent. -
Boston Symphony Orchestra Concert Programs, Season 87, 1967-1968, Subscription
4k *.Mf2h "^"x .,,-.:<" r : v f- ai "\ /^<«*fe%<-, :.'., v S'j \~" S ,^ .,'(> ::~5§£4 hi BOSTON % \s Xv ;y SYMPHONY ORCHESTRA I FOUNDED IN 1881 BY -<:V HENRY LEE HIGGINSON EIGHTY-SEVENTH SEASON 1967-1968 I Exquisite Sound From the palaces \ of ancient EgyptJ to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. -
New Copy- Made in America
MADE IN AMERICA: THE ORGAN WORKS OF ARTHUR FOOTE BY PATRICK KRONNER Submitted to the faculty of the Jacobs School of Music in partial fulfilment of the requirements for the degree, Doctor of Music Indiana University July, 2017 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. Doctoral Committee _______________________________________ Janette Fishell, Research Director and Chair _______________________________________ Andrew Mead _______________________________________ Frank Samaratto _______________________________________ Christopher Young July 11, 2017 ii Copyright © 2017 Patrick J. Kronner iii In memoriam George Grobbel. iv Acknowledgements Thank you to Claire Caruso, Paul Cienniwa, Susan Clermont, Leo Collins, Sallyjo Belanger, Barbara Benedett, George Bozeman, Janette Fishell, Wayne Leupold, Maria Jane Loizou, Andrew Mead, Barbara Owen, Paul Peeters, Maryalice Perrin-Mohr, Mike and Susan Powell, Frank Samarotto, Jacob Taylor, Christopher Young, my friends and colleagues at the University of Notre Dame and my family. v Table of Contents Acknowledgments………...……………………………………………………………….v Table of Contents…………………………………………………………………….…...vi List of Examples………………………..…...…………………………………………..viii List of Tables……………….………………………………………………………….….x List of Appendices ............................................................................................................. xi Chapter 1: Introduction ...................................................................................................... -
Selected Works Selected Works Works Selected
Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 SELECTED WORKS SELECTED WORKS S Snite Museum of Art nite University of Notre Dame M useum of Art SELECTED WORKS SELECTED WORKS Celebrating Twenty-five Years in the Snite Museum of Art: 1980–2005 S nite M useum of Art Snite Museum of Art University of Notre Dame SELECTED WORKS Snite Museum of Art University of Notre Dame Published in commemoration of the 25th anniversary of the opening of the Snite Museum of Art building. Dedicated to Rev. Anthony J. Lauck, C.S.C., and Dean A. Porter Second Edition Copyright © 2005 University of Notre Dame ISBN 978-0-9753984-1-8 CONTENTS 5 Foreword 8 Benefactors 11 Authors 12 Pre-Columbian and Spanish Colonial Art 68 Native North American Art 86 African Art 100 Western Arts 264 Photography FOREWORD From its earliest years, the University of Notre Dame has understood the importance of the visual arts to the academy. In 1874 Notre Dame’s founder, Rev. Edward Sorin, C.S.C., brought Vatican artist Luigi Gregori to campus. For the next seventeen years, Gregori beautified the school’s interiors––painting scenes on the interior of the Golden Dome and the Columbus murals within the Main Building, as well as creating murals and the Stations of the Cross for the Basilica of the Sacred Heart. In 1875 the Bishops Gallery and the Museum of Indian Antiquities opened in the Main Building. The Bishops Gallery featured sixty portraits of bishops painted by Gregori. In 1899 Rev. Edward W. J. -
Art As Integral Part of Architectural Space
Art as Integral Part of Architectural Space by Marta Vahtar M.S.Arch., 1991, School of Architecture and Civil Engineering B.S.Land.Arch, 1987, Biotechnical Faculty University of Ljubljana, Slovenia Submitted to the Department of Architecture in partial fulfillment of the requirements for the Degree of Master of Science in Visual Studies at the Massachusetts Institute of Technology May 1993 © Marta Vahtar, 1993. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. Signature of Author ............................ ................ Department of Architecture, May 7, 1993 Certified by ................. ... ...... Otto Piene, Director, Center for Advanced Visual Studies Thesis Advisor A ccepted by ............... .. ..... ... .... .......... .... Otto Piene Departmental Committee on Graduate Studies 8014e MASSACHUSETTS INSTITUTE OF TFNi4jnti oY MAY 02 1993 -2- Art as Integral Part of Architectural Space by Marta Vahtar Submitted to the Department of Architecture on May 7, 1993 in partial fulfillment of the requirements for the Degree of Master of Science in Visual Studies ABSTRACT To integrate art with architecture is the intention of every architect. However, many times other requirements overwhelm artistic potential. There are numerous good, simple examples in the history of architecture where solutions to a variety of often functional requirements have produced exceptional artistic expressions, which in turn have inspired contemporary architectural practice. Pre-industrial architecture not only responded to natural conditions in the environment; it employed all the senses as well in its design of living environments. Today, unfortunately, we rarely find that architects pay attention to sound, smell, water, natural cycles, or, almost unimaginable, to time. -
The Expression of Sacred Space in Temple Mythology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository EXPRESSONS OF SACRED SPACE: TEMPLE ARCHITECTURE IN THE ANCIENT NEAR EAST by Martin J Palmer submitted in accordance with the requirements for the degree of Doctor of Literature and Philosophy in the subject Ancient Near Eastern Studies at the UNIVERSITY OF SOUTH AFRICA Promoter: Prof. P S Vermaak February 2012 ii ABSTRACT The objective of this thesis is to identify, isolate, and expound the concepts of sacred space and its ancillary doctrines and to show how they were expressed in ancient temple architecture and ritual. The fundamental concept of sacred space defined the nature of the holiness that pervaded the temple. The idea of sacred space included the ancient view of the temple as a mountain. Other subsets of the basic notion of sacred space include the role of the creation story in temple ritual, its status as an image of a heavenly temple and its location on the axis mundi, the temple as the site of the hieros gamos, the substantial role of the temple regarding kingship and coronation rites, the temple as a symbol of the Tree of Life, and the role played by water as a symbol of physical and spiritual blessings streaming forth from the temple. Temple ritual, architecture, and construction techniques expressed these concepts in various ways. These expressions, identified in the literary and archaeological records, were surprisingly consistent throughout the ancient Near East across large expanses of space and time. Under the general heading of Techniques of Construction and Decoration, this thesis examines the concept of the primordial mound and its application in temple architecture, the practice of foundation deposits, the purposes and functions of enclosure walls, principles of orientation, alignment, and measurement, and interior decorations. -
An Historical Timeline of Events Concerning the Boston Music Hall, the "Great Organ" and the Methuen Memorial Music Hall
AN HISTORICAL TIMELINE OF EVENTS CONCERNING THE BOSTON MUSIC HALL, THE "GREAT ORGAN" AND THE METHUEN MEMORIAL MUSIC HALL 1837 The initial development of the organization that was later to become known as "The Harvard Musical Association" was started by a group of Harvard College graduates in July. As students, these graduates had been members of the Pierian Sodality, established in 1808. The graduates met with some fifty prominent citizens of Boston to form a new society, the chief goals of which were to be "...the promotion of musical taste and science in the University, ...to enrich the walls of Harvard with a complete musical library, ...and to prepare the way for regular musical instruction in the College". The new society was initially known as "The General Association of Past and Present Members of the Pierian Sodality". 1840 The society known as "The General Association of Past and Present Members of the Pierian Sodality" changed its name to "The Harvard Musical Association". 1851 The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of The Harvard Musical Association on Friday, January 31. A Music Hall Committee, comprised of members Robert E. Apthorp, George Derby, John Sullivan Dwight, Charles Callahan Perkins and Dr. Jabez Baxter Upham, was appointed to address the matter. The Music Hall Committee of The Harvard Musical Association selected a site for the proposed hall in the center of the block bounded by Tremont Street, Washington Street, Winter Street and Bromfield Street in February. The Music Hall Committee of The Harvard Musical Association engaged architect George Snell to draw up plans for the proposed hall in April. -
Musical Expressions of Astronomy and Cosmology
COSMOPHONIA : MUSICAL EXPRESSIONS OF ASTRONOMY AND COSMOLOGY Elaine diFalco, B.M. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2018 APPROVED: Joseph Klein, Major Professor and Chair of the Division of Composition Studies Martin Back, Committee Member David Stout, Committee Member Jon Nelson, Committee Member Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond: Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School diFalco, Elaine. “Cosmophonia”: Musical Expressions of Astronomy and Cosmology. Master of Arts (Music), August 2018, 113 pp., 22 figures, 3 musical scores, bibliography, 82 titles. Astronomy and music are both fundamental to cultural identity in the form of various musical styles and calendrical systems. However, since both are governed by incontrovertible laws of physics and therefore precede cultural interpretation, they are potentially useful for insight into the common ground of a shared humanity. This paper discusses three compositions inspired by different aspects of astronomy: Solstitium e Equinoctium, a site-specific composition for four voices and metal pipes involving an inclusive communal musical ritual and sonic meditation; Helios, a short symphonic work inspired by helioseismology; and Perspectives, a piece for soprano and percussion based on a logarithmic map of the universe. Copyright 2018 By Elaine diFalco ii ACKNOWLEDGEMENTS During my time at University of North Texas I have had to negotiate many steep learning