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Crònica 2003
AUSA · XX · 152 (2003) p. 225-233 © Patronat d’Estudis Osonencs CRÒNICA 2003 ARQUEOLOGIA La recerca arqueològica desenvolupada a la comarca d’Osona durant l’any 2003 ha seguit bàsicament les línies d’anys anteriors, i s’ha concretat en la realit- zació d’excavacions preventives, d’urgència i programades. D’altra banda, el Centre d’Investigacions Arqueològiques d’Osona (CIAO) ha continuat amb la tasca de donar-se a conèixer en l’àmbit de la comarca, col·labo- rant amb altres entitats i establint contactes amb diversos ajuntaments i institu- cions públiques. Excavacions arqueològiques1 Les excavacions arqueològiques efectuades a la comarca d’Osona durant el 2003 estan regulades pel Servei d’Arqueologia de Catalunya, en el marc de la Llei del patrimoni històric català. Aquestes es poden classificar en tres tipus: 1. Excavacions arqueològiques programades: Són excavacions que es realit- zen en el marc d’un projecte d’investigació preestablert i seguint les seves direc- trius, en les quals es prioritza la recerca i el coneixement de la història per sobre dels interessos urbanístics i patrimonials. A Osona s’han dut a terme interven- cions d’aquest tipus en dos jaciments: Domus de Todonyà (les Masies de Voltregà): S’ha dut a terme la tercera campanya d’excavacions d’aquest mas medieval, i les tasques s’han concentrat en una de les cambres del mas fortificat. (Agost de 2003. Treballs dirigits per Assumpta Serra.) L’Esquerda (les Masies de Roda de Ter): S’ha dut a terme la 27a campanya d’ex- cavacions al jaciment. A l’àrea ibèrica s’ha continuat l’excavació de la casa 3, del període ibèric recent, i d’un armorum del s. -
Talan Literature
TALAN LITERATURE: ANTONI TAPIES. PAPERS GRlSOS CREUATS. 1977. STEPHEN WlRTZ GALLERY COLLECTION. SAN FRANCISCO TRANSLATIONSOF CATALANLITERATURE HAVE MADE PROGRESS IN MANY DIFFERENT SPHERES. CATALAN LITERARY WORKS HAVE STIRRED THE CURIOSITY OF PUBLISHERS ALL OVER THE WORLD WHO HAVE HAD THEM TRANSLATED INTO THEIR OWN LANGUAGE. ORIOL PI DE CABANYES DIRECTOR OF THE INSTITUCIÓ DE LES LLETRES CATALANES CATALONIA 1 DOSSIER XAVIER CORBER~.AUTUMN BOAT SING. 1 982 t's now a long time since those the theatre, it is one of the artistic prac- places their work within the broader years when the presence of Cat- tices in which the social use of the Cata- parameters of the world as a whole. ralan literature in the country's lan language has advanced conside- Frorn 1939 until only a short time ago, bookshops was almost an act of nation- rably. Now that the period of resistance only the dedicated enthusiasrn of Cata- al affirrnation. The persecution of Cat- is well behind us, now that Catalan has ' lan-lovers al1 over the world, usually alan meant that cornpared to other lit- recovered the official status that had linked to universities and teaching, erature few titles were published in our been denied it and has been able to made the publication of Catalan literary language and few outlets were avail- develop unfettered, the challenge of works outside our country possible. To- able to them. The sixties marked the turn- our days is to consolidate the home day, a Copernican revolution has taken ing point in this trend and frorn that market and make sure that Catalan lit- place and Catalan literary works have mornent on Catalan publishing grew in erature finds a permanent place on the stirred the curiosity of publishers al1 a geornetrical progression. -
Anunci Cobrament 1Er Període 2021
ANUNCI DE COBRAMENT D’acord amb el que preveu l’article 24 del Reial decret 939/2005, de 29 de juliol, pel que s’aprovà el Reglament general de recaptació, es posa en coneixement dels contribuents i de totes les persones interessades que des del dia 1 de febrer a l’1 d’abril d’enguany, ambdós inclosos, tindrà lloc el cobrament en període voluntari dels impostos, taxes i preus públics de l’exercici 2021, corresponents als municipis de les comarques de la Cerdanya i del Ripollès que es relacionen a continuació. Els rebuts domiciliats es carregaran en compte el dia 1 de març de 2021. Els contribuents podran satisfer els deutes durant el període voluntari de cobrament a qualsevol de les caixes d'estalvis o bancs amb establiment a les comarques del Ripollès i la Cerdanya. Si transcorre el període d’ingrés en termini voluntari sense haver-se fet efectiu el pagament, els deutes s’exigiran per via executiva, i s’hi aplicarà el recàrrec de constrenyiment, els interessos de demora i, si s’escau, les costes que es produeixin, d’acord amb els articles 161.4 de la Llei 58/2003, de 17 de desembre, general tributària i 69 i següents del Reglament general de recaptació. MUNICIPIS - ENS CONCEPTES ALP IVTM, Cementiri CAMPDEVÀNOL IVTM, Escombraries industrials 50%, Cementiri CAMPELLES IVTM CAMPRODON IVTM FONTANALS DE CERDANYA IVTM GER IVTM, Aigua 2n Sem.2020 GOMBRÈN IVTM, Aigua 2n Sem.2020 GUILS DE CERDANYA IVTM ISÒVOL IVTM LLANARS IVTM LES LLOSSES IVTM LLÍVIA IVTM MERANGES IVTM MOLLÓ IVTM OGASSA IVTM, Aigua 2n.sem.2020 PARDINES IVTM PLANOLES IVTM QUERALBS IVTM RIBES DE FRESER IVTM RIPOLL IVTM SANT JOAN DE LES ABADESSES IVTM, Aigua 3r i 4t Trim.2020 SANT PAU DE SEGÚRIES IVTM, Aigua 4t Trim.2020 SETCASES IVTM TOSES IVTM URÚS IVTM VALLFOGONA DE RIPOLLÈS IVTM, Aigua 2n Sem.2020 VILALLONGA DE TER IVTM, Aigua 2n Sem.2020 Ripoll, 18 de gener de 2021 El director. -
Patum: Música I Festa Anaís Falcó Ibàñez
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en TESI DOCTORAL Patum: música i festa Anaís Falcó Ibàñez 2017 Director: Dr. Joaquim RabaseDa i Matas Tutor: Dr. Francesc Cortès i Mir Doctorat en Història de l’Art i Musicologia Departament d’Art i de Musicologia, Facultat de Filosofia i Lletres Universitat Autònoma De Barcelona Imatge De la portaDa: LA ESQUELLA DE LA TORRATXA. “Esquellots”. Dins La Esquella de la Torratxa: periódich satírich, humorístich, il·lustrat i literari, núm. 89, 2-X-1880. Barcelona: Llibreria Espanyola. Pàg. 4. 2 TESI DOCTORAL Patum: música i festa Anaís Falcó Ibàñez 2017 Director: Dr. Joaquim RabaseDa Tutor: Dr. Francesc Cortès Doctorat en Història de l’Art i Musicologia Departament d’Art i de Musicologia, Facultat de Filosofia i Lletres Universitat Autònoma de Barcelona 4 Trobador del mes de maig, rossinyol, refila i canta, mes no deixes eixos cims per los vergers de la plana; no hi vinguis a la ciutat, que hi ha una gent molt ingrata: diu que estima els aucellets, diu que en son cor los regala, mes als que canten millor los posa dins de la gàbia. -
Verification of Vulnerable Zones Identified Under the Nitrate
CONTENTS 1 INTRODUCTION 1 1.1 OVERVIEW OF THE QUALITY OF CONTINENTAL WATERS 1 1.2 PROBLEMS ENCOUNTERED DURING THE INVESTIGATIONS 2 2 PROCEDURES FOR DESIGNATING SENSITIVE AREAS AND VULNERABLE ZONES AND APPLICATION OF CRITERIA ESTABLISHED IN DIRECTIVES 5 2.1 INTRODUCTION 5 2.2 PROCEDURES FOR DESIGNATING SENSITIVE AND LESS SENSITIVE AREAS (DIRECTIVE 91/271/EEC) 8 2.3 PROCEDURES FOR DESIGNATING VULNERABLE ZONES (DIRECTIVE 91/676/EEC). 14 2.4 ANALYSIS OF THE APPLICATION OF CRITERIA FOR DESIGNATION OF SITES UNDER DIRECTIVES 91/271/EEC AND 91/676/EEC. 20 3 CONCLUSIONS REGARDING THE RELATIONSHIP BETWEEN VULNERABLE ZONES AND SENSITIVE AREAS IN SPAIN, TAKING INTO ACCOUNT COMMON STANDARDS. 30 1 INTRODUCTION 1.1 OVERVIEW OF THE QUALITY OF CONTINENTAL WATERS At the end of 1998, the national Ministry of the Environment completed the “Libro Blanco del Agua en España”, or (White Paper for Water in Spain). This document was designed as a tool for assessing and guiding water management in Spain. Although Spain’s future water policy is outlined in the conclusions, the points mentioned refer only to quantitative aspects of water resources without considering the issue of quality. Nonetheless, the issue of river, reservoir, lake and groundwater pollution is taken into account in the assessment section. Amongst the problems related to water quality, the White Paper notes, among others, problems related with Directives 91/271/EEC and 91/676/EEC. A brief summary of the main issues addressed is provided below. Surface water and diffuse pollution. In general, diffuse pollution produced by agricultural and livestock raising activities (e.g. -
Pla D'ordenació Urbanística Municipal
Ajuntament d’Alp Pla d’Ordenació Urbanística Municipal Memòria descriptiva i justificativa: Informació Document per a l’aprovació inicial Maig de 2009 EQUIP REDACTOR DEL PLA. Directors del Pla: Jordi Romero, arquitecte urbanista. Imma Jansana, arquitecta paisatgista. Arquitectes: Borja Iglésias, arquitecte. Coordinador dels treballs. Sergi Tamayo, Andreu Marfull, Pau Asens, Elena Gómez, Cecilia Russo, Marta Vidal, Mercedes Medina, Mònica Batalla, Anna Pascual, Lucia Vecchi Oriol Xandri Gonzàlez, arquitecte consultor. Irene Viudas, Guillem Gascón, estudiants d'arquitectura. Assistència jurídica: Maurici Anglarill (Anglarill & Agulló, advocats). Medi ambient: Sergi Nogués, director-coordinador dels treballs ambientals. (Limonium S.L). Montserrat Fuguet, enginyera forestal. Eduardo Soler, enginyer agrònom. Agustí Buisàn, biòleg. Economia: Marçal Tarragó (Marçal Tarragó & Associats). Enginyeria: Xavier Irigoyen, enginyer de CCP (Greccat S.L. PLA D’ORDENACIÓ URBANÍSTICA MUNICIPAL D’ALP A MEMÒRIA DESCRIPTIVA I JUSTIFICATIVA: INFORMACIÓ índex A.1 INTRODUCCIÓ............................................................... 1 A.2 TERRITORI I MEDI AMBIENT .......................................... 6 A.2.1 EL MEDI FÍSIC........................................................................................... 6 A.2.2 EL MEDI NATURAL (VALORS MEDIAMBIENTALS I PAISATGÍSTICS)........... 12 A.2.2.1 L’àmbit forestal...................................................................................... 13 A.2.2.2 Els camps agrícoles ............................................................................... -
COAC.1874-1962-En.Pdf
COL·LEGI D’ARQUITECTES DE CATALUNYA 1874-1962 Enric Granell, Antoni Ramon The author of the cover photograph is Klaus Erik Halmburger. Thanks to the donation of Enric Granell, it forms part of the Historical Archive of the Col·legi d’Arquitectes de Catalunya. This book is published at a time of crisis when it is useful to look back at our history and review the role played by the Col·legi d’Arquitectes de Catalunya (Architects’ Institute of Catalonia) at other, equally difficult moments and to see how, in its support to architects as a body, the COAC has been able to evolve by adapting to new situations. It is also positive to see how some constants of the COAC and, by extension, of Catalan architects, have continued throughout inevitable changes. These are values such as the will to undertake the responsibility for constructing a quality environment for our fellow citizens, with social and cultural commitment, incorporating the requirements and needs produced by the rapid transformation of lifestyles and technological means. Since 1874, first the Associació d’Arquitectes de Catalunya and then the Col·legi d’Arquitectes de Catalunya have brought together the architectural profession, becoming its public representative and a link between citizens, professionals and architecture. With the opening of the building in Barcelona’s Plaça Nova, 50 years ago now, these roles acquired a new dimension. Today, at a time of far-reaching global change, the objectives remain the same, and we continue with our search for new ways to make them reality. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
2012 Barcelona Christmas Agenda Ang
CHRISTMAS NEW YEAR’S EVE IN BARCELONA We celebrate New Year with food and parties as 2012 / 2013 we wait for the city clocks to strike midnight. Then everyone eats twelve lucky grapes, one by FESTIVALS AND TRADITIONS one, and drinks a toast with cava while they wish each other a Happy New Year. “PESSEBRE” THE THREE KINGS OF THE ORIENT The crib is displayed in the home and features This is the big day for children during the festive figures from the Nativity arranged in a specific season. On the evening of 5th January, the Three order. In recent years, living nativity scenes have Kings arrive in Barcelona and travel in a grown in popularity in Catalonia. They feature procession around the city in their royal carriages real people who re-enact different episodes from throwing sweets to the people in the crowd. After the Christmas story and are usually held in the children have welcomed the Kings, it’s time beautiful settings in towns and villages around the for them to go to bed. Before they do, they leave region. their slippers and something to eat for the Kings, their camels and pages, by the window or the “CAGANER” balcony. On the morning of the 6th January the The caganer , the curious crouching figure, is one children find the presents left by the Kings. of the most popular features of Catalan Nativity Children that have been naughty receive a lump of scenes. It is believed to date back to the 17th or coal. 18th centuries. For further information: www.bcn.cat/nadal “TIÓ” An old log which people used to place by the fire CHRISTMAS FAIRS AND MARKETS on Christmas Eve as a token of abundance. -
THE CONTENTS of a CATALONIAN VILLA the Collection of Anton Casamor Wednesday 11 April 2018
THE CONTENTS OF A CATALONIAN VILLA The Collection of Anton Casamor Wednesday 11 April 2018 THE CONTENTS OF A CATALONIAN VILLA The Collection of Anton Casamor Wednesday 11 April 2018 at 2pm New Bond Street, London VIEWING BIDS ENQUIRIES PHYSICAL CONDITION OF Sunday 8 April +44 (0) 20 7447 7447 Head of Sale LOTS IN THIS AUCTION 11am to 3pm +44 (0) 20 7447 7401 fax Charlie Thomas Monday 9 April To bid via the internet +44 (0) 20 7468 8358 PLEASE NOTE THAT THERE 9am to 4.30pm please visit bonhams.com [email protected] IS NO REFERENCE IN THIS Tuesday 10 April CATALOGUE TO THE PHYSICAL 9am to 4.30pm TELEPHONE BIDDING Administrator CONDITION OF ANY LOT. Wednesday 11 April Telephone bidding on this sale Mackenzie Constantinou INTENDING BIDDERS MUST 9am to 11am will only be accepted on lots +44 (0) 20 7468 5895 SATISFY THEMSELVES AS TO with a lower estimate of £1,000 mackenzie.constantinou@bonhams. THE CONDITION OF ANY LOT SALE NUMBER or above. com AS SPECIFIED IN CLAUSE 14 24740 OF THE NOTICE TO BIDDERS Please note that bids should Representative, Barcelona CONTAINED AT THE END OF CATALOGUE be submitted no later than 4pm Teresa Ybarra THIS CATALOGUE. £20.00 on the day prior to the sale. +34 680 347 606 New bidders must also provide [email protected] As a courtesy to intending proof of identity when submitting bidders, Bonhams will provide bids. Failure to do this may result Press a written Indication of the in your bid not being processed. -
Socio-Ecological Complexity and Ecosystem Services. an Analysis Of
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Socio-ecological complexity and ecosystem Services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD Thesis Liliana Solé Figueras Socio-ecological complexity and ecosystem services An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism PhD thesis developed by Liliana Solé Figueras Supervised by Dr.Eduard Ariza Solé PhD program in Geography Department of Geography Universitat Autònoma de Barcelona (UAB) September 2019 Supervisor statement I STATE that the present study, entitled ‘Socio-ecological complexity and ecosystem services. An analysis of ecosystem services coproduction and access in the case of Barcelona’s cruise ship tourism’, presented by Liliana Solé Figueras for the award of the degree of Doctor, has been carried out under my supervision at the Department of Geography of this university. Bellaterra, 17th Setember 2019. Doctoral thesis supervisor PhD student Director de la tesis doctoral Doctoranda Eduard Ariza Solé Liliana Solé Figueras i Summary Coastal landscapes are highly dynamic and complex socio-ecological systems resulting from the interface of land and sea. -
Modernist Movement
THE MODERNIST MOVEMENT MODERNIST ARCHITECTURE MODERNISMIN ARCHITECTURE AND THE INDUSTRIAL ARTS AND, CONSEQUENTLY, IN DESIGN, CAN BE CONSIDERED THE MOST IMPORTANT ARTISTIC MOVEMENT IN MODERN CATALAN CULTURE. THE MODERNIST MOVEMENT are not only important as architects but also for their extensive humanistic training. Although Gaudí had the same training, his circumstances were very dif- ferent from those of the others. Our study of this architectural movement must be seen as a debate with the central idea of Gaudí, of whom we spoke in the odernism in architecture and the first issue of this magazine, as a count- sought with faith and courage and industrial arts and, consequently, erpoint to the other two architects, without renouncing the past. Oin design, can be considered the without taking this to mean that he was With this purely theoretical outlook, most important artistic movement in situated between Domknech and Puig i Domenech started his professional ca- modem Catalan culture. The movement Cadafalch. reer. He finished his training in 1873 gained such importance and strength that The controversy between Lluís Dome- and 8 years later work started on his first it cannot really be studied in the same nech i Montaner and Gaudí centred on project, the Editorial Montaner i Simón, light as its contemporary European the aspect of space, that between Puig i 255, Aragó street, Barcelona, completed movements such as Art Nouveau, Cadafalch and Gaudí on ornamentation. in 1884. Jugendstil, Sezession, Liberty o Floreale, In 1878, the same year Gaudí finished his This building, along with Gaudí's Casa to name just the best-known.