A Framework for the Static and Dynamic Analysis of Interaction Graphs
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Iranian Traditional Music Dastgah Classification
12th International Society for Music Information Retrieval Conference (ISMIR 2011) IRANIAN TRADITIONAL MUSIC DASTGAH CLASSIFICATION SajjadAbdoli Computer Department, Islamic Azad University, Central Tehran Branch, Tehran, Iran [email protected] ABSTRACT logic to integrate music tuning theory and practice. After feature extraction, the proposed system assumes In this study, a system for Iranian traditional music Dastgah each performed note as an IT2FS, so each musical piece is a classification is presented. Persian music is based upon a set set of IT2FSs.The maximum similarity between this set and of seven major Dastgahs. The Dastgah in Persian music is theoretical Dastgah prototypes, which are also sets of similar to western musical scales and also Maqams in IT2FSs, indicates the desirable Dastgah. Gedik et al. [10] Turkish and Arabic music. Fuzzy logic type 2 as the basic used the songs of the dataset to construct the patterns, part of our system has been used for modeling the whereas in this study, the system makes no assumption about uncertainty of tuning the scale steps of each Dastgah. The the data except that different Dastgahs have different pitch method assumes each performed note as a Fuzzy Set (FS), so intervals. Figure 1 shows the schematic diagram of the each musical piece is a set of FSs. The maximum similarity system. We also show that the system can recognize the between this set and theoretical data indicates the desirable Dastgah of the songs of the proposed dataset with overall Dastgah. In this study, a collection of small-sized dataset for accuracy of 85%. Persian music is also given. -
3 & 4 Juillet 2021
3 & 4 JUILLET 2021 CORBEIL-ESSONNES À L’ENTRÉE DU SITE, UNE FÊTE POPULAIRE POUR D’UNE RIVE À L’AUTRE… RE-ENCHANTER NOTRE TERRITOIRE Pourquoi des « guinguettes » ? à établir une relation de dignité Le 3 juillet Le 4 juillet Parce que Corbeil-Essonnes est une avec les personnes auxquelles nous 12h 11h30 ville de tradition populaire qui veut nous adressons. Rappelons ce que le rester. Parce que les guinguettes le mot culture signifie : « les codes, Parade le long Association des étaient des lieux de loisirs ouvriers les normes et les valeurs, les langues, des guinguettes originaires du Portugal situés en bord de rivière et que nous les arts et traditions par lesquels une avons cette chance incroyable d’être personne ou un groupe exprime SAMBATUC Bombos portugais son humanité et les significations Départ du marché, une ville traversée par la Seine et Batucada Bresilienne l’Essonne. qu’il donne à son existence et à son place du Comte Haymont développement ». Le travail culturel 15h Pourquoi « du Monde » ? vers l’entrée du site consiste d’abord à vouloir « faire Parce qu’à Corbeil-Essonnes, 93 Super Raï Band humanité ensemble ». le monde s’est donné rendez-vous, Maghreb brass band 12h & 13h30 108 nationalités s’y côtoient. Notre République se veut fraternelle. 16h15 Aquarela Nous pensons que cela est On ne peut concevoir une humanité une chance. fraternelle sans des personnes libres, Association des Batucada dignes et reconnues comme telles Alors pourquoi une fête des originaires du Portugal dans leur identité culturelle. 15h « guinguettes du monde » Bombos portugais Association Scène à Corbeil-Essonnes ? À travers cette manifestation, 18h Parce que c’est tellement bon de c’est le combat éthique de Et Sonne faire la fête. -
Automatic Dastgah Recognition Using Markov Models
Automatic Dastgah Recognition Using Markov Models Luciano Ciamarone1, Baris Bozkurt2, and Xavier Serra2 1 Independent researcher 2 Universitat Pompeu Fabra, Barcelona, Spain [email protected], [email protected], [email protected] Abstract. This work focuses on automatic Dastgah recognition of mono- phonic audio recordings of Iranian music using Markov Models. We present an automatic recognition system that models the sequence of intervals computed from quantized pitch data (estimated from audio) with Markov processes. Classification of an audio file is performed by finding the closest match between the Markov matrix of the file and the (template) matrices computed from the database for each Dastgah. Ap- plying a leave-one-out evaluation strategy on a dataset comprised of 73 files, an accuracy of 0.986 has been observed for one of the four tested distance calculation methods. Keywords: mode recognition, dastgah recognition, iranian music 1 Introduction The presented study represents the first attempt in applying Markov Model to a non-western musical mode recognition task. The proposed approach focuses on Persian musical modes which are called Dastgah. Several different approaches to the same task have already been documented. In 2011 Abdoli [3] achieved an overall accuracy of 0.85 on a 5 Dastgahs classification task by computing similarity measures between Interval Type 2 Fuzzy Sets. In 2016 Heydarian [5] compared the performances of different methods including chroma features, spectral average, pitch histograms and the use of symbolic data. He reported an accuracy of 0.9 using spectral average and Manhattan metric as a distance cal- culation method between a signal and a set of templates. -
Coopération Culturelle Caribéenne : Construire Une Coopération Autour Du Patrimoine Culturel Immatériel Anaïs Diné
Coopération culturelle caribéenne : construire une coopération autour du Patrimoine Culturel Immatériel Anaïs Diné To cite this version: Anaïs Diné. Coopération culturelle caribéenne : construire une coopération autour du Patrimoine Culturel Immatériel. Sciences de l’Homme et Société. 2017. dumas-01730691 HAL Id: dumas-01730691 https://dumas.ccsd.cnrs.fr/dumas-01730691 Submitted on 13 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Sous le sceau de l’Université Bretagne Loire Université Rennes 2 Equipe de recherche ERIMIT Master Langues, cultures étrangères et régionales Les Amériques – Parcours PESO Coopération culturelle caribéenne Construire une coopération autour du Patrimoine Culturel Immatériel Anaïs DINÉ Sous la direction de : Rodolphe ROBIN Septembre 2017 0 1 REMERCIEMENTS Je tiens à remercier toutes les personnes avec lesquelles j’ai pu échanger et qui m’ont aidé à la rédaction de ce mémoire. Je remercie tout d’abord mon directeur de recherches Rodolphe Robin pour m’avoir accompagné et soutenu depuis mes premières années à l’Université Rennes 2. Je remercie grandement l’Université Rennes 2 et l’Université de Puerto Rico (UPR) pour la formation et toutes les opportunités qu’elles m’ont offertes. -
Nov07 NUCLEUS Aa4b
DED UN 18 O 98 F http://www.nesacs.org N Y O T R E I T H C E N O A E S S S L T A E A C R C I N S M S E E H C C TI N O CA February 2009 Vol. LXXXVII, No. 6 N • AMERI Monthly Meeting Professor Wilton L. Virgo of Wellesley College to Speak at Simmons College Tips for Job Seekers By Megan Driscoll Summer Scholar Report Identification of Genes Regulated by Transcriptional Regulator, p8 By Derek Kong This Month in Chemical History By Harold Goldwhite, California State University, Los Angeles February Historical Events in Chemistry by Leopold May, The Catholic University of America, Washington, DC February 1, 1905 methods for the determination of ing and used it against pellagra and Fifty years ago, Emilio Segré shared crystal structures, was born on this pursued the idea that diseases such the Nobel Prize in Physics (1959) day. as beriberi, scurvy, rickets and pella- with Owen Chamberlain for their gra were caused by lack of vital sub- discovery of the antiproton. He co- February 16, 1955 stances in the diet. discovered technetium with C. Per- F. P. Bundy, H. T. Hall, H. M. Strong rier in 1937, and astatine with D. R. and R. H. O. Wentoff announced the February 25, 1880 Corson and R. MacKenzie in 1940, synthesis of diamonds at General Arthur B. Lamb, who was the editor and demonstrated the existence of Electric Research Laboratories on of the Journal of the American the antiproton in 1955. -
Experiment 12
Experiment 12 Velocity and Propagation of Waves 12.1 Objective To use the phenomenon of resonance to determine the velocity of the propagation of waves in taut strings and wires. 12.2 Discussion Any medium under tension or stress has the following property: disturbances, motions of the matter of which the medium consists, are propagated through the medium. When the disturbances are periodic, they are called waves, and when the disturbances are simple harmonic, the waves are sinusoidal and are characterized by a common wavelength and frequency. The velocity of propagation of a disturbance, whether or not it is periodic, depends generally upon the tension or stress in the medium and on the density of the medium. The greater the stress: the greater the velocity; and the greater the density: the smaller the velocity. In the case of a taut string or wire, the velocity v depends upon the tension T in the string or wire and the mass per unit length µ of the string or wire. Theory predicts that the relation should be T v2 = (12.1) µ Most disturbances travel so rapidly that a direct determination of their velocity is not possible. However, when the disturbance is simple harmonic, the sinusoidal character of the waves provides a simple method by which the velocity of the waves can be indirectly determined. This determination involves the frequency f and wavelength λ of the wave. Here f is the frequency of the simple harmonic motion of the medium and λ is from any point of the wave to the next point of the same phase. -
Tuning a Guitar to the Harmonic Series for Primer Music 150X Winter, 2012
Tuning a guitar to the harmonic series For Primer Music 150x Winter, 2012 UCSC, Polansky Tuning is in the D harmonic series. There are several options. This one is a suggested simple method that should be simple to do and go very quickly. VI Tune the VI (E) low string down to D (matching, say, a piano) D = +0¢ from 12TET fundamental V Tune the V (A) string normally, but preferably tune it to the 3rd harmonic on the low D string (node on the 7th fret) A = +2¢ from 12TET 3rd harmonic IV Tune the IV (D) string a ¼-tone high (1/2 a semitone). This will enable you to finger the 11th harmonic on the 5th fret of the IV string (once you’ve tuned). In other words, you’re simply raising the string a ¼-tone, but using a fretted note on that string to get the Ab (11th harmonic). There are two ways to do this: 1) find the 11th harmonic on the low D string (very close to the bridge: good luck!) 2) tune the IV string as a D halfway between the D and the Eb played on the A string. This is an approximation, but a pretty good and fast way to do it. Ab = -49¢ from 12TET 11th harmonic III Tune the III (G) string to a slightly flat F# by tuning it to the 5th harmonic of the VI string, which is now a D. The node for the 5th harmonic is available at four places on the string, but the easiest one to get is probably at the 9th fret. -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Project Note Weston Solutions, Inc
PROJECT NOTE WESTON SOLUTIONS, INC. To: Canadian Radium & Uranium Corp. Site File Date: June 5, 2014 W.O. No.: 20405.012.013.2222.00 From: Denise Breen, Weston Solutions, Inc. Subject: Determination of Significant Lead Concentrations in Sediment Samples References 1. New York State Department of Environmental Conservation. Technical Guidance for Screening Contaminated Sediments. March 1998. [45 pages] 2. U.S. Environmental Protection Agency (EPA) Office of Emergency Response. Establishing an Observed Release – Quick Reference Fact Sheet. Federal Register, Volume 55, No. 241. September 1995. [7 pages] 3. International Union of Pure and Applied Chemistry, Inorganic Chemistry Division Commission on Atomic Weights and Isotopic Abundances. Atomic Weights of Elements: Review 2000. 2003. [120 pages] WESTON personnel collected six sediment samples (including one environmental duplicate sample) from five locations along the surface water pathway of the Canadian Radium & Uranium Corp. (CRU) site in May 2014. The sediment samples were analyzed for Target Analyte List (TAL) Metals and Stable Lead Isotopes. 1. TAL Lead Interpretation: In order to quantify the significance for Lead, Thallium and Mercury the following was performed: 1. WESTON personnel tabulated all available TAL Metal data from the May 2014 Sediment Sampling event. 2. For each analyte of concern (Lead, Thallium, and Mercury), the highest background concentration was selected and then multiplied by three. This is the criteria to find the significance of site attributable release as per Hazard Ranking System guidelines. 3. One analytical lead result (2222-SD04) of 520 mg/kg (J) was qualified with an unknown bias. In accordance with US EPA document “Using Data to Document an Observed Release and Observed Contamination”, 2222-SD03 lead concentration was adjusted by dividing by the factor value for lead of 1.44 to equal 361 mg/kg. -
The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism. -
RBRC-32 BNL-6835.4 PARITY ODD BUBBLES in HOT QCD D. KHARZEEV in This ~A~Er We Give a Pedawwicalintroduction~0 Recent Work Of
RBRC-32 BNL-6835.4 PARITY ODD BUBBLES IN HOT QCD D. KHARZEEV RIKEN BNL Research Center, Br$ookhauenNational Laboratory, . Upton, New York 11973-5000, USA R.D. PISARSKI Department of Physics, Brookhaven National Laboratoy, Upton, New York 11973-5000, USA M.H.G. TYTGAT Seruice de Physique Th&orique, (7P 225, Uniuersitc4Libre de Bruzelles, B[ud. du !t%iomphe, 1050 Bruxelles, Belgium We consider the topological susceptibility for an SU(N) gauge theory in the limit of a large number of colors, N + m. At nonzero temperature, the behavior of the topological susceptibility depends upon the order of the reconfining phrrse transition. The meet interesting possibility is if the reconfining transition, at T = Td, is of second order. Then we argue that Witten’s relation implies that the topological suscepti~lfity vanishes in a calculable fdion at Td. Ae noted by Witten, this implies that for sufficiently light quark messes, metaetable etates which act like regions of nonzero O — parity odd bubbles — can arise at temperatures just below Td. Experimentally, parity odd bubbles have dramatic signature% the rI’ meson, and especially the q meson, become light, and are copiously produced. Further, in parity odd bubbles, processes which are normally forbidden, such as q + rr”ro, are allowed. The most direct way to detect parity violation is by measuring a parity odd global seymmetry for charged pions, which we define. 1 Introduction In this .-~a~er we give a Pedawwicalintroduction~0 recent work of ours? We I consider an SU(IV) gau”ge t~e~ry in the limit of a large number of colors, N + co, This is, of course, a familiar limit? We use the large N expansion I to investigate the behavior of the theory at nonzero temperature, especially for the topological susceptibility.