The Development of Japanese Cotton Weaving Industry in Edo Period
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A La Découverte I^
KARATE : Tous les combats de l'Ôpen de Paris. PS,: i f» revue mondiale d'Arts Martiaux N° 309 - février 29 ma 18e f estival d Arts Martial '; - Reportage exclusif au Japon A la découverte I^ o co Dossier spécial Leurs secrets enfin révélés Les meilleures techniques, pour devenir invincible / Kung-fu : Howard Choy, Dans l'intil le maître de l'énergie du Kina duK-1 somm Éditeur : Européenne de Magazines, 44, avenue George \8 PARIS. Tél. 01 49 52 14 00. Fax : 01 49 52 14 44. Site Internet : http://www.karatebushido.com Karaté-Bushido N° 309 - Février 2003 Printed in France Grand Couverture : Ninja (remerciementsà Budostore et Judogi, età Patrick Vo qui a revêtu le costume de ninja), Howard Choy, Reportage Ernesto Hoost, Abdelhakim Mesbah. Photos : J. Vayriot au Japon Incroyable ! 4. Zooms Découvrez 14. Courrier des lecteurs le berceau des Ninjas, 16.Édito les 18. Panorama des Arts Martiaux guerriers 22. Stages de l'ombre. p.28 24. Club Rruce Lee 28. Grand Reportage Ninjutsu. Destination Iga, le berceau des Ninjas 36. Grand Maître Howard Choy, le Kung-fu volcanique 41. Dossier : les secrets des points vitaux 46. Savoir-faire Les techniques pour bien absorber les coups 50. Décryptage Katana : Le sabre des samouraïs © 52. Découverte Dossier Le voile se lève enfin sur Savoir-faire Comment Kiryuho, un Budo interne entre Aïkido et Tai Ji Quan les secrets des points vitaux avec absorber efficacement les 56. La chronique d'Henry Plée l'expert américain Marc Kline. coups, p. 46 58. Le Club du Mois Explications et photos à l'appui ! La Mante belge : champion de la danse du lion p.41 68. -
Himeji – (2 Hours) Dinner and Overnight in Himeji
Travelling the path of Musashi *Note: This itinerary doesn’t follow Musashi’s life in chronological order due to travel logistics. It does however, begin and end at his place of birth and death. The trip begins with a flight to Osaka, Japan. Depending on when flights arrive (day or evening) will dictate on which day the true itinerary begins. Day 1: Mimasaka Visit Musashi museum/shrine; believe to be the birthplace of Musashi. (About an hour visit) Depart Osaka by train [Japan Railways Limited Express operates a train from Osaka to Mimasaka, every 4 hours. Tickets cost $30 - $45 and the journey takes 1 h 37 min.] It is ten minutes on foot from Chizu railroad Miyamoto Musashi Station. Taxi to Hirafuku – 30 min ride from Mimasaka to Hyogo Sayo-cho in Hirafuku. At the age of 13 years old, Musashi challenged Kihei Arima who practiced Katori Shinto Ryu. Musashi attacked with a staff, and Kihei defended with a Wakizashi. Masashi threw Kihei to the ground with his hands, and then beat him to death as he tried to get up. Train to Himeji – (2 hours) dinner and overnight in Himeji Day 2: Himeji In his 30’s; Musashi helped in the construction of Akashi Castle and helped organize the layout of the town of Himeji. During his stay, he taught martial arts, particularly kenjutsu and shuriken throwing, and he perfected his Enmei-ryu kenjutsu style. Visit castle and local sites. Train to Sekigahara 2.5 hours. (0vernight in Sekigahara town) Day 3: Battle of Sekigahara Sekigahara was the biggest, the bloodiest, the most violent and most important of all samurai battles, fought between the factions of a nation divided in two, East and West. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
MARUKI GALLERY for the HIROSHIMA PANELS, Burns and Our Father Died After Six Months ; Many Friends Established by Iri Maruki and Toshi Maruki, Husband and Perished
Message from IRI and TOSHI Maruki -Iri Maruki (left), 1901-1995 -Toshi Maruki (right), 1912-2000 We lost our uncle to the Atomic Bomb and our two young nieces were killed ; our younger sister suffered MARUKI GALLERY FOR THE HIROSHIMA PANELS, burns and our father died after six months ; many friends established by Iri Maruki and Toshi Maruki, husband and perished. wife, is famous for its message for peace all over the Iri left Tokyo for Hiroshima on the first train from Tokyo, world. three days after the Bomb was dropped. Nearly at the end of the World War II, two atomic bombs Toshi followed a few days later. were dropped at Hiroshima and Nagasaki, which Two kilometers from the center of the explosion, the destroyed more than 300,000 lives. family house was still standing. Japanese-style painter Iri Maruki, born in Hiroshima, and But the roof and roof tiles were mostly gone, windows Western-style painter Toshi Maruki went into Hiroshima had been blown out, and even the pans, dishes, and city just three days after the bombing. chopsticks had been blasted out of their places in the They were shocked by the terrible disaster caused by kitchen. In what was left of the burned structure, rescued the atomic bombs. bomb victims were gathered together and lay on the They made decision to make victims' agony, sufferings floor from wall to wall until it was full. and wishes for peace known to everybody and spent 30 We carried the injured, cremated the dead, searched for years painting the great, all 15, "HIROSHIMA PANELS". -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726664 Organizational adaptation of Japanese companies in the United States Ito, Kinko, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Ito, Kinho. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
Urban Fictions of Early Modern Japan: Identity, Media, Genre
Urban Fictions of Early Modern Japan: Identity, Media, Genre Thomas Gaubatz Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Thomas Gaubatz All rights reserved ABSTRACT Urban Fictions of Early Modern Japan: Identity, Media, Genre Thomas Gaubatz This dissertation examines the ways in which the narrative fiction of early modern (1600- 1868) Japan constructed urban identity and explored its possibilities. I orient my study around the social category of chōnin (“townsman” or “urban commoner”)—one of the central categories of the early modern system of administration by status group (mibun)—but my concerns are equally with the diversity that this term often tends to obscure: tensions and stratifications within the category of chōnin itself, career trajectories that straddle its boundaries, performative forms of urban culture that circulate between commoner and warrior society, and the possibility (and occasional necessity) of movement between chōnin society and the urban poor. Examining a range of genres from the late 17th to early 19th century, I argue that popular fiction responded to ambiguities, contradictions, and tensions within urban society, acting as a discursive space where the boundaries of chōnin identity could be playfully probed, challenged, and reconfigured, and new or alternative social roles could be articulated. The emergence of the chōnin is one of the central themes in the sociocultural history of early modern Japan, and modern scholars have frequently characterized the literature this period as “the literature of the chōnin.” But such approaches, which are largely determined by Western models of sociocultural history, fail to apprehend the local specificity and complexity of status group as a form of social organization: the chōnin, standing in for the Western bourgeoisie, become a unified and monolithic social body defined primarily in terms of politicized opposition to the ruling warrior class. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135 -
Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi
Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi Ross Bender Published by PMJS Papers (23 November 2016) Premodern Japanese Studies (pmjs.org) Copyright © Ross Bender 2016 Bender, Ross. “Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi.” PMJS: Premodern Japanese Studies (pmjs.org), PMJS Papers, November 2016. Note: This paper is a continuation of the thread “Shinto in Noh Drama (and Ancient Japan)” on PMJS.org listserve beginning June 14, 2016. PMJS Papers is an open-source platform for the publication of scholarly material and resources related to premodern Japan. Please direct inquiries to the editor, Matthew Stavros ([email protected]) End users of this work may copy, print, download and display content in part or in whole for personal or educational use only, provided the integrity of the text is maintained and full bibliographic citations are provided. All users should be end users. Secondary distribution or hosting of the digital text is prohibited, as is commercial copying, hiring, lending and other forms of monetized distribution without the express permission of the copyright holder. Enquiries should be directed to [email protected] Shinto in Nara Japan, 749-770: Deities, Priests, Offerings, Prayers, and Edicts in Shoku Nihongi PMJS Papers Copyright © Ross Bender 2016 Shinto has become something of a taboo word, especially in the context of discussions of ancient Japanese thought. Fundamentally of course this tendency began as a reaction to the unsavory imperialist and fascist state Shinto of prewar Japan, and to the notion that Shinto was the timeless, unchanging religion of the Japanese race. -
Shimonoseki: a Town with a 1000 Year-Old History
Shimonoseki: a town with a 1000 year-old history Shimonoseki, situated on the westernmost end of the mainland of Japan has prospered as a gateway to Eurasia as well as a strategic stop for land and sea transport in the area. The town, boasting attractive scenery along the Kanmon Strait, has witnessed so many important events in Japan’s history that it forms an integral part of its culture. As the location of a famous naval battle in the War between the Genji and the Heike clans in 1185, Shimonoseki played a key role in the transition from aristocratic to warrior rule in Japan. The city has places of natural beauty and historical interest typical of a castle town, such as ancient samurai residences and clay walls. Visitors will enjoy the distinctively Japanese atmosphere they exude. With its wealth of historical sites, ethnic ambience, beautiful scenery and Japanese food, Shimonoseki is a town that will capture your heart. Shimonoseki Japan to Nagato City 276 TSUKUNO Natural scenic attractions HOT SPRING TSUNOSHIMA ISLAND 275 ICHINOMATA HOT SPRING HistoryHof Shimonoseki TOYOTA LAKE 800 years ago the great “Genji” and “Heike” clans fought a decisive JR San-in Main Line battle (the so-called Genji and Heike War in Dannoura) at “Dannoura” HIBIKINADA in Shimonoseki City. Of note are also the Akama Shrine dedicated to Kanmon Strait the 8-year old Emperor Antoku who sacrificed his life after his clan’s FUTAOIJIMA Tsunoshima Island ISLAND defeat in this war, “Ganryujima Island” where two samurais (Miyamoto Musashi and Sasaki Kojiro) clashed swords for the no.1 position in SHIMONOSEKI CITY The Kanmon Walker Shimonoseki is surrounded to the south by Seto Japan 400 years ago, and the numerous footsteps of patriots who to Yoshimi Submarine Tunnel Inland Sea National Park and to the north by Kita- fought for construction of modern Japan under the Meiji Restoration. -
To Ise at All Costs Religious and Economic Implications of Early Modern Nukemairi
Japanese Journal of Religious Studies 33/1: 75–114 © 2006 Nanzan Institute for Religion and Culture Laura Nenzi To Ise at All Costs Religious and Economic Implications of Early Modern Nukemairi If pilgrimages are ideal platforms for contention, nowhere more than in early modern nukemairi did tensions come to the fore so prominently, and contrast- ing interests clash so stridently. This article looks at Edo-period (1600–1868) unauthorized pilgrimages to highlight the inherent disjunctions between the interests of the individual and those of the community, and between the pri- orities of faith and the practical necessities of the economy. It also follows the evolution of nukemairi over time by looking at the repercussions that the fis- cal reforms of the late eighteenth century had on the identification of travelers as “runaways.” keywords: Ise – nukemairi – okagemairi – money – alms – pilgrimage – travel – recreation – economy – Konno Oito Laura Nenzi is Assistant Professor of History at Florida International University. Her main field of interest is the culture of travel in early modern Japan. 75 n a work titled Shokoku nukemairi yume monogatari 諸国抜参夢物語 [Tale of a dream about nukemairi in various provinces, 1771], the author Zedōshi 是道子 describes a distinct type of religious journey that remained popular Ithroughout the Edo or Tokugawa period (1600–1868). He writes: I do not know at what point in time nukemairi began. A long, long time ago, at the end of the Tenshō era [1573–1592], nukemairi were widely popular in Kyoto. […] In this year of the rabbit, Meiwa 8 [1771], spring has come early, and pil- grims from all provinces [have set out], needless to say, in large numbers. -
The Japanese Sword and Its Fittings, from the Collections of the Members
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Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan.