Sir Geoffrey Mander, Liberal MP for Wolverhampton East 1929 – 45
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以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Silent Films of Alfred Hitchcock
The Hitchcock 9 Silent Films of Alfred Hitchcock Justin Mckinney Presented at the National Gallery of Art The Lodger (British Film Institute) and the American Film Institute Silver Theatre Alfred Hitchcock’s work in the British film industry during the silent film era has generally been overshadowed by his numerous Hollywood triumphs including Psycho (1960), Vertigo (1958), and Rebecca (1940). Part of the reason for the critical and public neglect of Hitchcock’s earliest works has been the generally poor quality of the surviving materials for these early films, ranging from Hitchcock’s directorial debut, The Pleasure Garden (1925), to his final silent film, Blackmail (1929). Due in part to the passage of over eighty years, and to the deterioration and frequent copying and duplication of prints, much of the surviving footage for these films has become damaged and offers only a dismal representation of what 1920s filmgoers would have experienced. In 2010, the British Film Institute (BFI) and the National Film Archive launched a unique restoration campaign called “Rescue the Hitchcock 9” that aimed to preserve and restore Hitchcock’s nine surviving silent films — The Pleasure Garden (1925), The Lodger (1926), Downhill (1927), Easy Virtue (1927), The Ring (1927), Champagne (1928), The Farmer’s Wife (1928), The Manxman (1929), and Blackmail (1929) — to their former glory (sadly The Mountain Eagle of 1926 remains lost). The BFI called on the general public to donate money to fund the restoration project, which, at a projected cost of £2 million, would be the largest restoration project ever conducted by the organization. Thanks to public support and a $275,000 dona- tion from Martin Scorsese’s The Film Foundation in conjunction with The Hollywood Foreign Press Association, the project was completed in 2012 to coincide with the London Olympics and Cultural Olympiad. -
British Reaction to the Sepoy Mutiny, 1857-1858 Approved
BRITISH REACTION TO THE SEPOY MUTINY, 1857-1858 APPROVED: Major /Professor mor Frotessar of History Dean' ot the GraduatGradua' e ScHooT* BRITISH REACTION TO THE SEPOY MUTINY, 1857-185S THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Samuel Shafeeq Denton, Texas August, 1970 PREFACE English and Indian historians have devoted considerable research and analysis to the genesis of the Sepoy Mutiny of 1857 but have ignored contemporary British reaction to it, a neglect which this study attempts to satisfy. After the initial, spontaneous, condemnation of Sepoy atrocities, Queen Victoria, her Parliament, and subjects took a more rational and constructive attitude toward the insurrection in India, which stemmed primarily from British interference in Indian religious and social customs, symbolized by the cartridge issue. Englishmen demanded reform, and Parliament-- at once anxious to please the electorate and to preserve the valuable colony of India--complied within a year, although the Commons defeated the first two Indian bills, because of the interposition of other foreign and domestic problems. But John Bright, Lord Edward Stanley, William Gladstone, Benjamin Disraeli, and their friends joined forces to pass the third Indian bill, which became law on August 2, 1858. For this study, the most useful primary sources are Parliamentary Debates. Journals of the House of Commons and Lords, British and Foreign State' Papers, English Historical Queen Victoria's Letters , and the Annual' Re'g'i'st'er. Of the few secondary works which focus on British reac- tion to the Sepoy Mutiny, Anthony Wood's Nineteenth Centirr/ Britain, 1815-1914 gives a good account of British politics after the Mutiny. -
In a Rather Emotional State?' the Labour Party and British Intervention in Greece, 1944-5
ORE Open Research Exeter TITLE 'In a rather emotional state?' The Labour party and British intervention in Greece, 1944-5 AUTHORS Thorpe, Andrew JOURNAL The English Historical Review DEPOSITED IN ORE 12 February 2008 This version available at http://hdl.handle.net/10036/18097 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication 1 ‘IN A RATHER EMOTIONAL STATE’? THE LABOUR PARTY AND BRITISH INTERVENTION IN GREECE, 1944-45* Professor Andrew Thorpe Department of History University of Exeter Exeter EX4 4RJ Tel: 01392-264396 Fax: 01392-263305 Email: [email protected] 2 ‘IN A RATHER EMOTIONAL STATE’? THE LABOUR PARTY AND BRITISH INTERVENTION IN GREECE, 1944-45 As the Second World War drew towards a close, the leader of the Labour party, Clement Attlee, was well aware of the meagre and mediocre nature of his party’s representation in the House of Lords. With the Labour leader in the Lords, Lord Addison, he hatched a plan whereby a number of worthy Labour veterans from the Commons would be elevated to the upper house in the 1945 New Years Honours List. The plan, however, was derailed at the last moment. On 19 December Attlee wrote to tell Addison that ‘it is wiser to wait a bit. We don’t want by-elections at the present time with our people in a rather emotional state on Greece – the Com[munist]s so active’. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
Nielsen Collection Holdings Western Illinois University Libraries
Nielsen Collection Holdings Western Illinois University Libraries Call Number Author Title Item Enum Copy # Publisher Date of Publication BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.1 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.2 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.3 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.4 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. BS2625 .F6 1920 Acts of the Apostles / edited by F.J. Foakes v.5 1 Macmillan and Co., 1920-1933. Jackson and Kirsopp Lake. PG3356 .A55 1987 Alexander Pushkin / edited and with an 1 Chelsea House 1987. introduction by Harold Bloom. Publishers, LA227.4 .A44 1998 American academic culture in transformation : 1 Princeton University 1998, c1997. fifty years, four disciplines / edited with an Press, introduction by Thomas Bender and Carl E. Schorske ; foreword by Stephen R. Graubard. PC2689 .A45 1984 American Express international traveler's 1 Simon and Schuster, c1984. pocket French dictionary and phrase book. REF. PE1628 .A623 American Heritage dictionary of the English 1 Houghton Mifflin, c2000. 2000 language. REF. PE1628 .A623 American Heritage dictionary of the English 2 Houghton Mifflin, c2000. 2000 language. DS155 .A599 1995 Anatolia : cauldron of cultures / by the editors 1 Time-Life Books, c1995. of Time-Life Books. BS440 .A54 1992 Anchor Bible dictionary / David Noel v.1 1 Doubleday, c1992. -
New Influences on Naming Patterns in Victorian Britain
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-19-2016 New Influences on Naming Patterns in Victorian Britain Amy M. Hasfjord Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the European History Commons Recommended Citation Hasfjord, Amy M., "New Influences on Naming Patterns in Victorian Britain" (2016). Theses and Dissertations. 508. https://ir.library.illinoisstate.edu/etd/508 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. NEW INFLUENCES ON NAMING PATTERNS IN VICTORIAN BRITAIN Amy M. Hasfjord 176 Pages This thesis examines a major shift in naming patterns that occurred in Victorian Britain, roughly between 1840 and 1900, though with roots dating back to the mid-18 th century. Until approximately 1840, most new names in England that achieved wide popularity had their origins in royal and/or religious influence. The upper middle classes changed this pattern during the Victorian era by introducing a number of new names that came from popular print culture. These names are determined based on a study collecting 10,000 men’s and 10,000 women’s names from marriage announcements in the London Times. Many of these new names were inspired by the medieval revival, and that movement is treated in detail. A smaller Celtic revival in names and a few other minor trends are also examined. -
Uley and Owlpen Community Statement
Draft for ation Issue, February 2016 Prepared on behalf of Uley and Owlpen Parish Councils Issued on behalf of the Parishes of Uley and Owlpen, July 2016 Copyright © 2016 Uley Parish Council Other copyrights are identified in the document where applicable. July 2016 Acknowledgements This Community Design Statement (CDS) has been prepared on behalf of the parishes of Uley and Owlpen by a small sub-committee who have worked to produce what we hope will be an informative and useful document. If it is of value, this will be in large part due to the assistance of many people who have given their time and expertise to help us. Stroud District Council (SDC) and Gloucestershire Rural Community Council (GRCC) have given invaluable help towards the production of this document. Particular thanks must go to Conrad Moore of SDC Planning Policy Department for his advice and careful reviews of the evolving drafts of this report; thanks also to Natalie Whalley for her advice and to Vince Warwick for the provision of excellent maps. Thanks are due to Marilyn Cox of GRCC for early advice on the scope of the CDS and techniques for gathering the required background information. We are grateful to all those parishioners who took the time and trouble to complete the CDS Questionnaire at the end of 2014, which provided valuable input to the report. In this respect we are also indebted to the help given by Uley Community Stores both for the provision of gift vouchers to encourage participation in the survey and to collect hardcopy returns of the Questionnaire. -
4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands
4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands, WV6 8DR 4 Wightwick Bank, Wightwick, Wolverhampton, West Midlands, WV6 8DR A delightful, period semi-detached cottage standing in a prestigious address with fully refurbished accommodation, a good sized garden and off street parking for several cars LOCATION KITCHEN has a range of freestanding wall and base units with slate work surfaces, a co- 4 Wightwick Bank stands in a fine, elevated position on Wightwick Bank, close to the ordinating breakfast bar, under-mounted ceramic sink, space for a range style cooker junction with Perton Brook Vale, in an exclusive and sought after residential address. with Rangemaster extraction chimney above, double glazed windows to two elevations and a part double glazed door to the courtyard together with plumbing for a washing The extensive amenities provided by Tettenhall village, Tettenhall Wood and the machine, wiring for wall mounted television, integrated ceiling lighting and ceiling beam. Compton shopping centre are all within easy reach as are the further, full range of amenities provided by the City Centre and excellent schooling in both sectors. A fine, oak staircase rises to the LANDING with a rear window. BEDROOM 1 has a light, corner aspect with double glazed windows to two elevations, ceiling timbering and a DESCRIPTION decorative black-painted cast iron fireplace, wiring for a wall mounted television, 4 Wightwick Bank is an attractive semi-detached cottage dating from the Victorian era shelving and a built-in wardrobe. BEDROOM 2 is also a good double room in size with a which was originally believed to have been built on behalf of Sir Geoffrey Mander by the double glazed window, decorative cast iron black-painted fireplace and ceiling timbering. -
University Microfilms. a XER0K Company, Ann Arbor, Michigan
72-11430 BRADEN, James Allen, 1941- THE LIBERALS AS A THIRD PARTY IN BRITISH POLITICS, 1926-1931: A STUDY IN POLITICAL COMMUNICATION. The Ohio State University, Ph.D., 1971 History, modern University Microfilms. A XER0K Company, Ann Arbor, Michigan (^Copyright by James Allen Braden 1971 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE LIBERALS AS A THIRD PARTY IN BRITISH POLITICS 1926-1931: A STUDY IN POLITICAL COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James Allen Braden, B. S., M. A. * + * * The Ohio State University 1971 Approved by ment of History PLEASE NOTE: Some Pages haveIndistinct print. Filmed asreceived. UNIVERSITY MICROFILMS Sir, in Cambria are we born, and gentlemen: Further to boast were neither true nor modest, Unless I add we are honest. Belarius in Cymbeline. Act V, sc. v. PREFACE In 1927 Lloyd George became the recognized leader of the Liberal party with the stated aim of making it over into a viable third party. Time and again he averred that the Liberal mission was to hold the balance— as had Parnell's Irish Nationalists— between the two major parties in Parlia ment. Thus viewed in these terms the Liberal revival of the late 1920's must be accounted a success for at no time did the Liberals expect to supplant the Labour party as the party of the left. The subtitle reads: "A Study in Political Communi cation " because communications theory provided the starting point for this study. But communications theory is not im posed in any arbitrary fashion, for Lloyd George and his fol lowers were obsessed with exploiting modern methods of commu nications.