QX Magazine Issue 627 20Th March 2007
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40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Prince Batdance Mp3, Flac, Wma
Prince Batdance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Batdance Country: Philippines Released: 1989 Style: Synth-pop MP3 version RAR size: 1885 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1871 mb Rating: 4.6 Votes: 887 Other Formats: FLAC MMF XM VOC FLAC AHX ASF Tracklist Hide Credits Batdance (The Batmix) 1 7:15 Producer [Additional Production], Remix – Mark Moore, William Orbit Batdance (Vicki Vale™ Mix) 2 5:55 Producer [Additional Production], Remix – Mark Moore, William Orbit 3 200 Balloons 5:05 Companies, etc. Copyright (c) – DC Comics Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Manufactured By – WEA Manufacturing Pressed By – Specialty Records Corporation Credits Producer, Arranged By, Composed By, Performer – Prince Notes Standard jewel case with full artwork. Front insert: From the Warner Bros. Motion Picture Soundtrack album BATMAN™, a Warner Bros. Film. Back tray insert: Original version of "BATDANCE" available on the Warner Bros. Motion Picture Soundtrack Album BATMAN™, a Warner Bros. Film. Available on LP, Cassette and Compact Disc (1/4/2-25936). Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo] TM & © 1989 DC Comics Inc. ℗ 1989 Warner Bros. Records Inc. for the U.S. & WEA International Inc. for the world outside of the U.S. Printed in U.S.A. Disc: Warner Bros. Records Inc., a Warner Communications Company [Warner Music logo]® ℗ 1989 Warner Bros. Records Inc. for the U.S., TM & © 1989 DC Comics Inc. Mfg. by WEA Manufacturing. (ASCAP) Original version of "BATDANCE" available on the Warner Bros. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
E Guide the Travel Guide with Its Own Website
Londonwww.elondon.dk.com e guide the travel guide with its own website always up-to-date d what’s happening now London e guide In style • In the know • Online www.elondon.dk.com Produced by Blue Island Publishing Contributors Jonathan Cox, Michael Ellis, Andrew Humphreys, Lisa Ritchie Photographer Max Alexander Reproduced in Singapore by Colourscan Printed and bound in Singapore by Tien Wah Press First published in Great Britain in 2005 by Dorling Kindersley Limited 80 Strand, London WC2R 0RL Reprinted with revisions 2006 Copyright © 2005, 2006 Dorling Kindersley Limited, London A Penguin Company All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the copyright owner. A CIP catalogue record is available from the British Library. ISBN 1 4053 1401 X ISBN 978 1 40531 401 5 The information in this e>>guide is checked annually. This guide is supported by a dedicated website which provides the very latest information for visitors to London; please see pages 6–7 for the web address and password. Some information, however, is liable to change, and the publishers cannot accept responsibility for any consequences arising from the use of this book, nor for any material on third party websites, and cannot guarantee that any website address in this book will be a suitable source of travel information. We value the views and suggestions of our readers very highly. Please write to: Publisher, DK Eyewitness Travel Guides, Dorling Kindersley, 80 Strand, London WC2R 0RL, Great Britain. -
Selected Discography
479 of 522 selected discography 6932 Lawrence / LOVE SAVES THE DAY / sheet The following discography lists all of the recordings referred to in Love Saves the Day. It provides basic information on the name of the artist, the title of the recording, the name of the label that originally released the recording, and the year in which the recording was first released. Entries are listed in alphabetical order, first according to the name of the artist, and subsequently according to the title of the recording. Albums are highlighted in italics, whereas individual album cuts, seven-inch singles, and twelve-inch singles are written in normal typeface. Abaco Dream. ‘‘Life and Death in G & A.’’ , . Area Code . ‘‘Stone Fox Chase.’’ Polydor, . Ashford & Simpson. ‘‘Found a Cure.’’ Warner Bros., . '.‘‘It Seems to Hang On.’’ Warner Bros., . '. ‘‘Over and Over.’’ Warner Bros., . '. ‘‘Stay Free.’’ Warner Bros., . Atmosfear. ‘‘Dancing in Outer Space.’’ Elite, . Auger, Brian, & the Trinity. ‘‘Listen Here.’’ , . Ayers, Roy, Ubiquity. ‘‘Don’t Stop the Feeling.’’ Polydor, . '. ‘‘Running Away.’’ Polydor, . Babe Ruth. ‘‘The Mexican.’’ Harvest, . Barrabas. Barrabas. , . '. ‘‘Wild Safari.’’ , . '. ‘‘Woman.’’ , . Barrow, Keith. ‘‘Turn Me Up.’’ Columbia, . Bataan, Joe. ‘‘Aftershower Funk.’’ Mericana, . '. ‘‘Latin Strut.’’ Mericana, . '. ‘‘Rap-O Clap-O.’’ Salsoul, . '. Salsoul. Mericana, . Bean, Carl. ‘‘I Was Born This Way.’’ Motown, . Beatles. ‘‘Here Comes the Sun.’’ Apple, . Tseng 2003.10.1 08:35 481 of 522 !. ‘‘It’s Too Funky in Here.’’ Polydor, . !. ‘‘Mother Popcorn (You Got to Have a Mother for Me).’’ King, . Brown, Peter. ‘‘Do Ya Wanna Get Funky With Me.’’ , . !. ‘‘Love in Our Hearts.’’ , . B. T. Express. ‘‘Do It (’Til You’re Satisfied).’’ Scepter, . -
House, Techno & the Origins of Electronic Dance Music
HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines. -
Happy Bollock Goblin!
Lady Ga-goyle kicks off the Halloween celebrations with a surprise visit to G-A-Y happy bollock goblin! QX_973_Cover.indd 2 29/10/2013 20:09 Killer Once upon a time there was an evil queen, but you know all about her – and have probably seen her in Soho – so this Halloween we’re going to go one better and look at queens that kill. Gays may be one of the most peace- queens loving minorities in the world, but, just like the straights, our community has had its fair share of twisted minds – and these guys take it much further than a poisoned apple! BY DARREN PALFREY Murderer of Gianni Versace -Andrew Cunanan The Milwaukee Cunanan shot and killed four men across Cannibal The Kansas Butcher America, with no known motive. And we – Jeffrey Dahmer – Bob Berdella could have forgiven a little bit of serial killing, but Cunanan’s Dharma started early, Now this was a twisted next move was the committing his first bitch - Berdella sexually murder of Gianni murder at 18 years abused, raped, tortured Versace. Crimes old, but graciously spared the world from and killed at least six gay against fashion are anymore of his bloodshed for nine years. men in the late 1980s. He unforgivable – But then… this sista went on the rampage. drugged his victims before end of! (Beneath He’d lure men to his house and drug them turning them into unwilling sex slaves; he the botox, before killing them by strangulation. Often tied them up, beat them, gave them electric Donatella he would sexually molest the corpse shocks and put burning chemicals in their was deeply and then eat it – wonder if they’ve got eyes. -
1 Chic Le Freak 2 Trammps Disco Inferno 3 Daft Punk Ft. Pharrell
1 Chic Le freak 2 Trammps Disco inferno 3 Daft Punk ft. Pharrell & Nile Rodgers Get lucky 4 Bee Gees Stayin' alive 5 Michael Jackson Don't stop 'till you get enough 6 Gloria Gaynor I will survive 7 Justin Timberlake Take back the night 8 Patrick Hernandez Born to be alive 9 Donna Summer Love to love you baby 10 KC & The Sunshine Band That's the way I like it 11 George McCrae Rock your baby 12 Lipps Inc. Funky town 13 Barry White Can't get enough of your love, babe 14 O'Jays Love train 15 Earth Wind & Fire Let's groove 16 Michael Jackson Billie Jean 17 Pointer Sisters I'm so excited 18 Tavares Heaven must be missing an angel 19 Spargo You and me 20 Thelma Houston Don't leave me this way 21 Manu Dibango Soul makossa 22 Kool & The Gang Celebration 23 Amii Stewart Knock on wood 24 Chic Good times 25 Patrick Cowley ft. Sylvester Do you wanna funk 26 Donna Summer Last dance 27 Dan Hartman Relight my fire 28 Rick James Superfreak 29 Diana Ross Love hangover 30 James Brown Sex machine 31 Jacksons Blame it on the boogie 32 Rose Royce Car wash 33 Trammps Zing went the strings of my heart 34 Commodores Brick house 35 Bee Gees Night fever 36 S.O.S. Band Take your time (Do it right) 37 Barry White Let the music play 38 A Taste Of Honey Boogie oogie oogie 39 KC & The Sunshine Band Get down tonight 40 Cheryl Lynn Got to be real 41 Earth Wind & Fire September 42 Michael Zager Band Let's all chant 43 Sister Sledge We are family 44 Heatwave Boogie nights 45 Foxy Get off 46 Sugarhill Gang Rapper's delight 47 Jimmy "Bo" Horne Spank 48 Stevie Wonder I wish -
Crime for Everyone Launching the Digital Channel RTL Crime, RTL Nederland Creates a New Brand for Those Who Love the Thrill
1 September 2011 week 35 Crime for everyone Launching the digital channel RTL Crime, RTL Nederland creates a new brand for those who love the thrill Germany Netherlands IP Deutschland introduces RTL Nederland presents a common ‘convergence’ currency new season line-up France Belgium M6 and CBS Studios International Consistency is the key word extend partnership for the new season the RTL Group intranet week 35 Cover: Montage with RTL Crime’s TV programmes such as CSI and 24 2 the RTL Group intranet week 35 Thrills by the score Dutch crime lovers have a reason to cheer, when RTL Nederland launches its second digital channel. Nicolas Eglau explains how RTL Crime takes viewers into custody. The RTL Crime logo was designed bright and friendly The Netherlands - 1 September 2011 Starting 1 September, RTL Nederland watch crime series like the CSI franchise.” The extends its family of channels with a second RTL Crime channel design reflects this insight. digital thematic channel: RTL Crime. The new Nicolas Eglau says “its logo and optics are channel offers the best of domestic and US brighter and more friendly than one would expect crime series as well as documentaries on true from a crime-themed channel, as we target both stories behind high-profile criminal cases. women and men.” Nicolas Eglau, Director RTL Ventures, explains: “RTL Crime gives all fans of crime stories an alibi. We are expanding our range of digital broadcasts by launching a new channel that fits perfectly into our existing family. We are launching RTL Crime not just as an entertainment channel, but as a new brand for all crime story fans”. -
Broadcast Bulletin Issue Number 64
Ofcom broadcast bulletin Issue number 64 10 July 2006 Ofcom broadcast bulletin 64 10 July 2006 Contents Introduction 3 Standards cases In Breach 4 Resolved 7 Fairness & Privacy cases Not Upheld 11 Other programmes not in breach/outside remit 21 2 Ofcom broadcast bulletin 64 10 July 2006 Introduction Ofcom’s Broadcasting Code took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content The Communications Act 2003 allowed for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. While Ofcom has now published its Broadcasting Code, the following legacy Codes apply to content broadcast before 25 July 2005. • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Programme Sponsorship Code (Independent Television Commission) • Rules on the Amount and Distribution of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom).