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VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet. -
Palazzo Barberini: Galleria Nazionale D’Arte Antica
Palazzo Barberini: Galleria Nazionale d’Arte Antica El Palazzo Barberini, situado en la confluencia de una de las vías más importantes de la ciudad de Roma, la Via del Tritone, es uno de los lugares de Roma que merece la pena visitar. Antigua residencia de la familia Barberini, depositaria de uno de los linejes papales más afamados, el Palazzo Barberini, una vez musealizado, se ha convertido en Galleria Nazionale d’Arte Antica, uno de los museos más prestigiosos y con mayor número de obras de arte de la Ciudad Eterna. El palacio, obra del arquitecto barroco Carlo Maderno y con intervención de Gian Lorenzo Bernini y Francesco Borromini, se convirtió en un referente a la hora de la construcción de palacios urbanos, ya que unía entre sus características las propias del palacio urbano y la villa campestre adornada con grandes jardines. Así pues, la propiedad de la familia Barberini y los bienes que poseía, fueron comprados por el recién creado estado italiano y, gracias al incremento de la colección Corsini, la Galleria Nazionale d’Arte Antica se trasladó desde su antigua ubicación hasta el presente palacio. Paseando por sus dos niveles repletos de obras maravillosas, recreándote en cada una de ellas, porque cada una de ellas es especial, admirando los Tiziano, los Greco, los Bernini, los Caravaggio, los Guido Reni, acostarte para dejarte deslumbrar por el gigantesco techo con el “Triunfo de la Divina Providencia” de Pietro da Cortona... Un sinfín de objetos para alimentar el disfrute tanto del alma como del espíritu. O simplemente pasear por los jardines de la villa, un oasis de tranquilidad en medio de una ciudad populosa. -
Roman Architecture with Professor Diana EE Kleiner Lecture 13
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 13 – The Prince and the Palace: Human Made Divine on the Palatine Hill 1. Title page with course logo. 2. Domus Aurea, Rome, sketch plan of park. Reproduced from Roman Imperial Architecture by John B. Ward-Perkins (1981), fig. 26. Courtesy of Yale University Press. 3. Portrait of Titus, from Herculaneum, now Naples, Archaeological Museum. Reproduced from Roman Sculpture by Diana E. E. Kleiner (1992), fig. 141. Portrait of Vespasian, Copenhagen. Reproduced from A History of Roman Art by Fred S. Kleiner (2007), fig. 9-4. 4. Roman Forum and Palatine Hill, aerial view. Credit: Google Earth. 5. Via Sacra, Rome. Image Credit: Diana E. E. Kleiner. Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45. 6. Arch of Titus, Rome, from side facing Roman Forum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:RomeArchofTitus02.jpg (Accessed February 24, 2009). 7. Arch of Titus, Rome, 18th-century painting [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:7_Rome_View_of_the_Arch_of_Titus.jpg (Accessed February 24, 2009). Arch of Titus, Rome, from side facing Colosseum. Image Credit: Diana E. E. Kleiner. 8. Arch of Titus, Rome, attic inscription and triumphal frieze. Image Credit: Diana E. E. Kleiner. 9. Arch of Titus, Rome, triumphal frieze, victory spandrels, and keystone. Image Credit: Diana E. E. Kleiner. 10. Arch of Titus, Rome, composite capital. Image Credit: Diana E. E. Kleiner. 11. Arch of Titus, Rome, triumph panel. Image Credit: Diana E. E. -
The Identity and Spectacle of Sport As a Modern Piazza
The Identity and Spectacle of Sport as a Modern Piazza A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Architecture in the department of Architecture of the College of Design, Architecture, Art, and Planning by Mackenzie M Grause Bachelor of Science in Architecture University of Cincinnati May 2015 Committee Chair: M. McInturf, M.Arch. Committee Member: A. Kanekar, Ph.D. Abstract Sports have always been and always will be a significant part of our every day lives. This thesis contends that in order to continue to serve the community and cities in which the stadia are located, they must be designed as a modern day piazza. Historically, the Mesoamerican civilizations as well as the Ancient Greeks and Romans, treated their athletic facilities and buildings with such significance that they placed these facilities in the city center. This thesis argues that today these sporting facilities also serve the community the same way the Italian piazza serves communities. Major stadium facilities such as Detroit’s new professional hockey and basketball arena, the proposal for AC Milan’s soccer stadium, and the London Olympic stadium, all represent a sporting venue that effectively engages the community. They also serve as a polyfunctional spaces that can be used by many different clients at varying times. In doing so, these stadia have the ability to transform and completely rejuvenate areas of cities. This thesis contends that past, present, and future stadia are all examples of a piazza through their symbolic nature, social function, focal point of the community, and center of daily life. -
The Aqua Traiana / Aqua Paola and Their Effects on The
THE AQUA TRAIANA / AQUA PAOLA AND THEIR EFFECTS ON THE URBAN FABRIC OF ROME Carolyn A. Mess A Thesis Presented to the Faculty of the Department of Architectural History In Partial Fulfillment of the Requirements for the Degree Master of Architectural History May 2014 Cammy Brothers __________________ Sheila Crane __________________ John Dobbins __________________ ii ABSTRACT Infrastructure has always played an important role in urban planning, though the focus of urban form is often the road system and the water system is only secondary. This is a misconception as often times the hydraulic infrastructure determined where roads were placed. Architectural structures were built where easily accessible potable water was found. People established towns and cities around water, like coasts, riverbanks, and natural springs. This study isolates two aqueducts, the Aqua Traiana and its Renaissance counterpart, the Aqua Paola. Both of these aqueducts were exceptional feats of engineering in their planning, building techniques, and functionality; however, by the end of their construction, they symbolized more than their outward utilitarian architecture. Within their given time periods, these aqueducts impacted an entire region of Rome that had twice been cut off from the rest of the city because of its lack of a water supply and its remote location across the Tiber. The Aqua Traiana and Aqua Paola completely transformed this area by improving residents’ hygiene, building up an industrial district, and beautifying the area of Trastevere. This study -
50Th Anniversary Guest Instructions
50th Anniversary Guest Instructions Welcome to the ICCS’s 50th Anniversary Celebration! Below are instructions for your tours and the gala dinner. Please see our staff and volunteers, if you have any questions. Tours Bring hats, water bottles, and sunscreen for all outdoor tours. The reverse side of your name badge lists the tours for which you are registered. Your name badge will serve as your ticket for all tours. We will also have lists of guests for each tour at each site. Check in with the tour leader at each site when you arrive. You may not switch tours. Tours will begin promptly at the times specified below. If you need to leave a tour early, you may do so. If you are on a bus or boat tour, please inform the tour leader before you go. City bus tickets may be purchased at tobacco and newspaper shops. Saturday Tours Below are the meeting times and places for all the Saturday tours: Archaeo-Culinary Tour: 9:00 Meet at the Piazza Testaccio fountain. Children’s Tour of the Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Grown-ups Tour of the Sculpture Galleries, Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Non-Catholic Cemetery Tour 10:00 Meet at the entrance of the Cemetery on Via Caio Cestio, 6. Near the Pyramid. Pantheon Tour: 10:00 Meet at the corner of Via Pantheon and Via Orfani in P.zza della Rotonda. Villa Doria Pamphili Tour: 9:00 Meet at the Centro. -
Society of Fellows News American Academy in Rome
SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City. -
Front Matter
Cambridge University Press 978-1-107-02320-8 - Campus Martius: The Field of Mars in the Life of Ancient Rome Paul W. Jacobs II and Diane Atnally Conlin Frontmatter More information CAMPUS MARTIUS A mosquito-infested and swampy plain lying north of the city walls, Rome’s Campus Martius, or Field of Mars, was used for much of the Roman Republic as a military training ground and as a site for celebratory rituals and the occasional political assembly. Initially punctuated with temples vowed by victorious generals, during the imperial era it became filled with extraordinary baths, theaters, porticoes, aqueducts, and other structures – many of which were architectural firsts for the capital. This book explores the myriad factors that contributed to the transformation of the Campus Martius from an occasionally visited space to a crowded center of daily activity. It presents a case study of the repurposing of urban landscape in the Roman world and explores how existing topographical features that fit well with the republic’s needs ultimately attracted architecture that forever transformed those features but still resonated with the area’s original military and ceremonial traditions. Paul W. Jacobs II is an independent scholar who focuses on ancient Rome and its topographical development. A graduate of Harvard College and the University of Virginia Law School, and a litigator by training, Jacobs has practiced and published in the area of voting rights, where knowledge of demographics, mapmaking, and geography is essential. He has spent extensive time in Rome and has studied the ancient city and its development for decades. Diane Atnally Conlin is Associate Professor of Classics at the University of Colorado, Boulder. -
The Building of Palazzo Pamphilj
The building of Palazzo Pamphilj Author: Stephanie Leone Persistent link: http://hdl.handle.net/2345/bc-ir:107932 This work is posted on eScholarship@BC, Boston College University Libraries. Published in Palazzo Pamphilj: Embassy of Brazil in Rome, pp. 15-67, 2016 These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publicat PALAZZO PAMPHILJ Embassy of Brazil in Rome UMBERTO ALLEMANDI The Building of Palazzo Pamphiij STEPHANIE LEONE he Palazzo Pamphilj overlooks the Piazza Navona, one of the largest and most celebrated public spaces in T Rome that is situated at the heart of the historical centre (fig. I). The monumental palace stretches for eighty ,five metres along the Western flank of the piazza from the Southern corner coward the Northern end. The exceptionally long fapde is organised into a symmetrical sequence of bays with a projecting central section and is buttressed, at the North end, by a distinct fapde with a large serliana win, dow (an arch with crabeaced sides). The exterior boasts a profusion of ornament that enlivens the surface and punctuates the horizontality of the building. Through sheer scale and abundance of form, the Palazzo Pamphilj bespeaks grandeur and authority. Architecture serves the rhetorical functions of communication and persuasion. In the early modem period (ca. 1500-1800), palaces in particular became synonymous with the statm of their owners. Today, the Palazzo Pamphilj houses the Embassy of Brazil in Rome, but until the government ofBrazil purchased the palace in 1960, it had belonged to the Pamphilj family. -
Soul of Rome Soul Of
CAROLINA VINCENTI Soul of Rome A GUIDE TOSoul 30 EXCEPTIONAL of Rom EXPERIENCES Soul of Roma JONGLEZ PUBLISHING SPEND A NIGHT IN THE MOST BEAUTIFUL VILLA IN ROME It’s one of Rome’s most amazing secrets. For several years now, the exquisite Villa Medici has offered insiders the privilege of staying in four of the villa’s historic suites – the erstwhile apartments of the Medici family. And when we say privilege, we really mean it: after dinner, as you enter the villa through the small door cut into the large central doorway, you immediately feel you’re experiencing something exceptional. In the silence of the night, go up the villa’s wide marble stairs to the level of the famous gardens, which spread out before you … The four rooms (some 70 square metres – each!) feature 16th-century frescoes by Jacopo Zucchi and period coffered ceilings. They either offer views of the marvellous gardens or 180° panoramas of Rome. One suite even has a grand piano. N.B: These rooms don’t come with luxury-hotel amenities or services: the bathrooms are basic (though there are bathtubs, at least), there’s no elevator or staff to carry your luggage, and VILLA MEDICI VIALE DELLA TRINITÀ DEI MONTI breakfast isn’t served (a problem easily solved by popping over to the nearby Caffè Colbert). Reservations by e-mail only and no Specify that you wish to stay in a historic room more than four months in advance: (classic rooms, also located in the villa, are available [email protected] at considerably lower rates) PHOTO CREDIT: ASSAF SHOSHAN FOR VILLA MEDICI 28 29 BUY SOCKS LIKE THE POPE’S Founded in the 1790s, Gammarelli has been famous in Rome since 1798. -
WISHBOOK-2019.Pdf
FRONT COVER Crivelli Madonna with Child - Carlo Crivelli XV - XVI Century Art Department pages 136 - 139 Contents 3 4 Letter from the President of the Vatican City State 94 Coronation of the Virgin with Angels and Saints 6 Letter from the Director of the Vatican Museums 98 Enthroned Madonna and Child Letter from the International Director of the 102 Saints Paola and Eustochium 8 Patrons of the Arts 106 Stories of the Passion of Christ 110 Icons from the Tower of Pope John XXIII 10 BRAMANTE COURTYARD Long-term Project Report 126 XV – XVI CENTURY ART 16 CHRISTIAN ANTIQUITIES 128 Tryptich of the Madonna and Child with Saints 18 Drawn Replicas of Christian Catacombs Paintings 132 Apse of the Church of San Pellegrino 22 GREEK AND ROMAN ANTIQUITIES 136 Crivelli Madonna with Child 24 Chiaramonti Gallery Wall XlV 140 Madonna and Child with Annunciation and Saints 30 Ostia Collection: Eleven Figurative Artifacts 144 XVII – XVIII CENTURY ART AND TAPESTRIES Ostia Collection: Two Hundred and Eighty-three 34 Household Artifacts 146 Noli Me Tangere Tapestry 38 Statue of an Old Fisherman 150 Plaster Cast of the Bust of Pope Pius VII 42 Polychrome Mosaic with Geometric Pattern 154 Two Works from the Workshop of Canova 162 Portrait of Pope Clement IX 46 GREGORIAN ETRUSCAN ANTIQUITIES 166 Embroidery Drawings for Papal Vestments 48 Krater, Kylixes and Perfume Jars 52 Gold Necklaces from the Regolini-Galassi Tomb 170 XIX CENTURY AND CONTEMPORARY ART 56 Astarita Collection: Thirty-three Figurative Vases 172 Clair de Lune 60 Ceremonial Clasp from the Regolini-Galassi Tomb 176 Model of Piazza Pius XII 64 Amphora and a Hundred Fragments of Bucchero 180 HISTORICAL COLLECTIONS 68 DECORATIVE ARTS 182 Two Jousting Shields 70 Rare Liturgical Objects 186 Drawing of the Pontifical Army Tabella 76 Tunic of “St. -
Rome Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Ancient Rome The Flavium Amphitheatre was built in 80 AD of concrete and stone as the largest amphitheatre in the world. The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, and was used The Colosseum or for gladiatorial contests and public spectacles such as mock sea Amphitheatrum ***** Unknown Piazza del Colosseo battles, animal hunts, executions, re-enactments of famous battles, Flavium and dramas based on Classical mythology. General Admission €14, Students €7,5 (includes Colosseum, Foro Romano + Palatino). Hypogeum can be visited with previous reservation (+8€). Mon-Sun (8.30am-1h before sunset) On the western side of the Colosseum, this monumental triple arch was built in AD 315 to celebrate the emperor Constantine's victory over his rival Maxentius at the Battle of the Milvian Bridge (AD 312). Rising to a height of 25m, it's the largest of Rome's surviving ***** Arch of Constantine Unknown Piazza del Colosseo triumphal arches. Above the archways is placed the attic, composed of brickwork revetted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The arch served as the finish line for the marathon athletic event for the 1960 Summer Olympics. The Domus Aurea was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine Hill.