The Aqua Traiana / Aqua Paola and Their Effects on The
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History of the Franciscan Movement
HISTORY OF THE FRANCISCAN MOVEMENT Volume 2 FROM THE YEAR 1517 TO THE SECOND VATICAN COUNCIL On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 2: From 1517 to the Second Vatican Council Chapter 10 NEW REFORMS AND NEW DIVISIONS: THE BIRTH OF THE CAPUCHINS AND REFORMS WITHIN THE OBSERVANCE The friars “of the Holy Gospel” The Order of Friars Minor of the Regular Observance, after the union of all the reformed families in 1517, became a powerful religious family dedicated mainly to apostolic missions. A minority of friars, however, continued to insist upon living a simpler Franciscan life in the hermitages. Besides the Amadeiti and Coletani, there were other congregations which preferred eremitical life, like the Clareni and the friars “of the Holy Gospel” or Capuciati. This last religious family was one which the Bulla Ite vos of Leo X (1517) had not managed to integrate within the Order of the Friars Minor of the Regular Observance. They were born, as we have already seen, with the initiative of Juan de la Puebla, who had made an experience of Franciscan life in the Umbrian hermitages of central Italy, and then had returned to Spain, founding a congregation of friars who lived the literal observance of the Rule in the hermitages. Among his followers there was Juan de Guadalupe, who in 1508 obtained the approval of the Province “of the Holy Gospel”.1 The negative reaction of the Spanish Observants, who persecuted the new religious family, compelled the brothers of the Custody of Estremadura to place themselves under the obedience of the Conventuals in 1515, and thus became to be known by the name of “Reformed Conventuals”.2 They wore a short tunic with a pyramidal hood, and hence also the name Capuciati. -
Ovid, Fasti 1.63-294 (Translated By, and Adapted Notes From, A
Ovid, Fasti 1.63-294 (translated by, and adapted notes from, A. S. Kline) [Latin text; 8 CE] Book I: January 1: Kalends See how Janus1 appears first in my song To announce a happy year for you, Germanicus.2 Two-headed Janus, source of the silently gliding year, The only god who is able to see behind him, Be favourable to the leaders, whose labours win Peace for the fertile earth, peace for the seas: Be favourable to the senate and Roman people, And with a nod unbar the shining temples. A prosperous day dawns: favour our thoughts and speech! Let auspicious words be said on this auspicious day. Let our ears be free of lawsuits then, and banish Mad disputes now: you, malicious tongues, cease wagging! See how the air shines with fragrant fire, And Cilician3 grains crackle on lit hearths! The flame beats brightly on the temple’s gold, And spreads a flickering light on the shrine’s roof. Spotless garments make their way to Tarpeian Heights,4 And the crowd wear the colours of the festival: Now the new rods and axes lead, new purple glows, And the distinctive ivory chair feels fresh weight. Heifers that grazed the grass on Faliscan plains,5 Unbroken to the yoke, bow their necks to the axe. When Jupiter watches the whole world from his hill, Everything that he sees belongs to Rome. Hail, day of joy, and return forever, happier still, Worthy to be cherished by a race that rules the world. But two-formed Janus what god shall I say you are, Since Greece has no divinity to compare with you? Tell me the reason, too, why you alone of all the gods Look both at what’s behind you and what’s in front. -
Borgo Pignano - Italy, Tuscany, Siena Area
BORGO PIGNANO - ITALY, TUSCANY, SIENA AREA 100 GUESTS, 40 BEDROOMS BORGO PIGNANO SUMMARY Italy, Tuscany, Siena Area Countryside views Eco-friendly property 100 Guests Swimming pool 40 Bedrooms Landscaped gardens Spa facilities Outdoor living & dining Music & games rooms Wine cellar Events & weddings Wi-Fi LOCATION A magnificent 750 acres estate boasting lush gardens and incredible views of the countryside Italy, Tuscany, Siena Area Borgo Pignano is an 18th century property perched on a GUESTS hilltop, 500 metres above sea level. Located near Volterra and San Gimignano in Tuscany, the “borgo” (hamlet) is up to 100 comprised of an 18th century villa, a 13th century consecrated church, and multiple restored farmhouses and cottages, sleeping just under 100 guests in total. BEDROOMS The 300 hectares of land surrounding the hamlet are divided 40 into woods, fields, ponds, vegetable gardens and pastures for horses, making it an idyllic countryside escape. RENTAL PERIOD The main villa is stunning and immaculate, with a style that Nightly crosses effortlessly from historical to contemporary. It is composed of two wings; the western wing looks out towards the Mediterranean Sea and the eastern wing faces the fields PRICE and hills that lead to San Gimignano. From 20,000 EUR On the western side, the lawn leads on to the countryside with hills rolling away towards the far horizon. There is a MORE stunning pool carved from an ancient limestone quarry and its infinity edge overlooks the woods and hills below. Price per night. Minimum stay 3 nights in peak season, The eastern wing opens on to a luscious Mediterranean 2 nights in high and mid- garden with purple, mauve and lavender hues whilst the seasons, 1 night in shoulder northern garden of the property leads into the surrounding seasons. -
Borgo Pignano Press Pack 2021.Pdf
PRESS PACK 2021 ABOUT BORGO PIGNANO Borgo Pignano is set in the heart of a picturesque 750-acre organic estate in Tuscany, where Etruscans were the first settlers. The estate is a short drive from the medieval hilltop towns of Volterra and San Gimignano and is only 1 hour’s drive from Florence. Today, this sensitively restored and privately-owned Borgo offers warm hospitality in a tranquil setting at 500 metres above sea level, with some of the most commanding views in all of Tuscany. ACCOMMODATION Accommodation is spread over the estate and includes: • The 18th century Villa • The Hamlet • La Canonica (The Priest’s House) • Individual luxury villas NEW for 2021: Refurbished Villa La Fonte New Villa La Lavandaia THE VILLA Borgo Pignano’s main building is an 18th century noble house, surrounded by traditionally planted English gardens overlooking pristine landscapes of Tuscany that have changed little since Renaissance times. The Villa offers 14 elegant rooms and suites, some with original frescoes and all with en- suite white marble and travertine bathrooms. A grand stone staircase leads to the upper floors also accessible by an elevator. Rooms are furnished with exquisite antiques, original artworks, Italian linens and chandeliers. The main villa also features spacious common rooms that complete the country house atmosphere: the library, billiard room, ballroom and lounge offer a variety of environments where guests can relax. LA CANONICA Dating back to the 13th century, La Canonica can be used as one large three-bedroomed house or, independently, divided as two separate suites. La Canonica, the Priest’s house, is located next to the ancient church of San Bartolomeo and contains original features such as medieval stonework, archways, columns, vaulted ceilings, terracotta floors and restored medieval frescoes. -
The Macella of Rome Introduction After All These Things Which Pertain
Author Susan Walker Author Status Full time PhD, University of Newcastle upon Tyne Nature of Paper Journal Article Journal Edition The School of Historical Studies Postgraduate Forum e-Journal , Edition Three , 2004 The Macella of Rome Introduction After all these things which pertain to human sustenance had been brought into one place, and the place had been built upon, it was called a Macellum. 1 So wrote Varro. It seems that almost every city and town with any pretensions to importance within the Roman Empire had, as part of its suite of civic amenities, a macellum. This building normally sat alongside the forum and basilica, providing a place in which a market could be held. Why then did Rome, the foremost and most populous city of the Empire, have only one, or very possibly two, at any one time? Why did it not form one of the sides to the Forum in Rome as it did in other cities? Was the macellum intended to provide the only market place for the entire population of Rome? These questions highlight the problems about the role of the macellum within the market and retail structure of the City of Rome. Macella Before discussing the problems raised by the macella in Rome it may be beneficial to give an overview of their development and to describe the buildings themselves. In her book, called Macellum, Claire De Ruyt 2outlines the problems and arguments related to the origins of the word and the form the buildings took. One part of the debate is to the origin of the word macellum itself, Greek, Latin or even Semitic beginnings have been advanced. -
Waters of Rome Journal
TIBER RIVER BRIDGES AND THE DEVELOPMENT OF THE ANCIENT CITY OF ROME Rabun Taylor [email protected] Introduction arly Rome is usually interpreted as a little ring of hilltop urban area, but also the everyday and long-term movements of E strongholds surrounding the valley that is today the Forum. populations. Much of the subsequent commentary is founded But Rome has also been, from the very beginnings, a riverside upon published research, both by myself and by others.2 community. No one doubts that the Tiber River introduced a Functionally, the bridges in Rome over the Tiber were commercial and strategic dimension to life in Rome: towns on of four types. A very few — perhaps only one permanent bridge navigable rivers, especially if they are near the river’s mouth, — were private or quasi-private, and served the purposes of enjoy obvious advantages. But access to and control of river their owners as well as the public. ThePons Agrippae, discussed traffic is only one aspect of riparian power and responsibility. below, may fall into this category; we are even told of a case in This was not just a river town; it presided over the junction of the late Republic in which a special bridge was built across the a river and a highway. Adding to its importance is the fact that Tiber in order to provide access to the Transtiberine tomb of the river was a political and military boundary between Etruria the deceased during the funeral.3 The second type (Pons Fabri- and Latium, two cultural domains, which in early times were cius, Pons Cestius, Pons Neronianus, Pons Aelius, Pons Aure- often at war. -
Sezioni Mostra
SEZIONI MOSTRA L’esposizione è suddivisa in tre sezioni : Prima della Spina La Spina dei Borghi Cavare la “spina” a San Pietro PRIMA DELLA SPINA Tramite sculture, affreschi, disegni, dipinti e cartografie si racconterà come questo territorio passò dall’essere marginale e inospitale ad esercitare una forte attrazione urbanistica su Roma divenendone parte integrante. Escluso dal perimetro delle mura, povero e malsano a causa dei frequenti straripamenti del Tevere, questo territorio iniziò ad esercitare una forte attrazione urbanistica su Roma solo a partire dalla prima età imperiale. A seguito di interventi di bonifica furono realizzate le prime ville suburbane le più famose delle quali appartenevano ad Agrippina e Domizia. Giardini dal ricco arredo scultoreo si alternavano a costruzioni sfruttando scenograficamente la topografia dei luoghi, vicini al fiume e prossimi ai rilievi del colle Vaticano, del Monte Santo Spirito e del Gianicolo. Lungo le due strade principali che attraversavano la zona, la via Triumphalis e la via Cornelia, si addensarono diversi monumenti funerari (tra le memorie più evidenti, oggi, il mausoleo di Adriano, la necropoli vaticana – sotto la Basilica – e quella dell’Autoparco Vaticano e di S. Rosa). Se il termine “ Vaticano ” è oggi immediatamente riconducibile a San Pietro e al cristianesimo, in età imperiale ebbe una valenza fortemente pagana : quest’area ospitò infatti un luogo di culto dedicato alla dea frigia Cibele chiamato, per l’appunto, Vaticanum o Phrygianum Vaticanum frequentato ancora fin quasi alla fine del IV sec. d.C ., in compresenza e forse in contrapposizione alla nuova fede emergente, il cristianesimo. Nel corso dell’alto medioevo, intorno alla Basilica si sviluppò una vera e propria area sacra con monasteri, diaconie, chiese: burgs era il termine con cui i pellegrini germanici definivano l’agglomerato da cui “Borgo”. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
Bernini Breaking Barriers – Sensuality Sculpted in Stone
Bernini Breaking Barriers – Sensuality Sculpted in Stone Sandra Mifsud Bonnici [email protected] Abstract This paper will attempt to demonstrate that with his virtuosity, the Baroque sculptor, Gian Lorenzo Bernini managed to challenge the barriers which the medium he worked with, namely stone (marble) offered, to produce dynamic, lifelike and realistic works that also managed to express a previously unknown element in sculpture, that of sensuality. It will try to highlight how the spiritual and physical could come together in his works. The first masterpiece that will be focused upon will be the portrait bust of Bernini’s lover Costanza Piccolomini, a private work Bernini sculpted when he was thirty-nine years of age, chosen to represent the passion and worldly love that he felt for this woman. By way of contrast, the second masterpiece studied in this paper is the figure of the Blessed Ludovica Albertoni, one of his last works, chosen to represent Bernini’s concept of the culmination of spiritual love that also incorporated a sensual element. The third and final masterpiece is the ecstasy of St. Teresa of Avila found in the Cornaro Chapel in the Church of Santa Maria della Vittoria, considered by many as his greatest work, as an example of how mysticism also has a sensual element to it. Keywords: Baroque sculpture, Gian Lorenzo Bernini, sensuality, Costanza Piccolomini, Ludovica Albertoni, St Teresa d’Avila. No one can deny that Gian Lorenzo Bernini had the extraordinary technical skill and expertise to sculpt anything that he visualised or saw. The numerous works of art that he continued to create into his maturity and almost up to his death are evidence of this. -
Roman Architecture with Professor Diana EE Kleiner Lecture 13
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 13 – The Prince and the Palace: Human Made Divine on the Palatine Hill 1. Title page with course logo. 2. Domus Aurea, Rome, sketch plan of park. Reproduced from Roman Imperial Architecture by John B. Ward-Perkins (1981), fig. 26. Courtesy of Yale University Press. 3. Portrait of Titus, from Herculaneum, now Naples, Archaeological Museum. Reproduced from Roman Sculpture by Diana E. E. Kleiner (1992), fig. 141. Portrait of Vespasian, Copenhagen. Reproduced from A History of Roman Art by Fred S. Kleiner (2007), fig. 9-4. 4. Roman Forum and Palatine Hill, aerial view. Credit: Google Earth. 5. Via Sacra, Rome. Image Credit: Diana E. E. Kleiner. Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45. 6. Arch of Titus, Rome, from side facing Roman Forum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:RomeArchofTitus02.jpg (Accessed February 24, 2009). 7. Arch of Titus, Rome, 18th-century painting [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:7_Rome_View_of_the_Arch_of_Titus.jpg (Accessed February 24, 2009). Arch of Titus, Rome, from side facing Colosseum. Image Credit: Diana E. E. Kleiner. 8. Arch of Titus, Rome, attic inscription and triumphal frieze. Image Credit: Diana E. E. Kleiner. 9. Arch of Titus, Rome, triumphal frieze, victory spandrels, and keystone. Image Credit: Diana E. E. Kleiner. 10. Arch of Titus, Rome, composite capital. Image Credit: Diana E. E. Kleiner. 11. Arch of Titus, Rome, triumph panel. Image Credit: Diana E. E. -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
Pursuing the Perspective. Conflicts and Accidents in the Gran Palazzo Degli Eccellentissimi Borghesi a Ripetta
Publisher: FeDOA Press - Centro di Ateneo per le Biblioteche dell’Università di Napoli Federico II Registered in Italy Publication details, including instructions for authors and subscription information: http://www.serena.unina.it/index.php/eikonocity/index Pursuing the Perspective. Conflicts and Accidents in the Gran Palazzo degli Eccellentissimi Borghesi a Ripetta Fabio Colonnese Sapienza Università di Roma - Dipartimento di Storia, Disegno e Restauro dell’Architettura To cite this article: Colonnese, F. (2021).Pursuing the Perspective. Conflicts and Accidents in theGran Palazzo degli Eccellentissimi Borghesi a Ripetta: Eikonocity, 2021, anno VI, n. 1, 9-25, DOI: 110.6092/2499-1422/6156 To link to this article:http://dx.doi.org/10.6092/2499-1422/6156 FeDOA Press makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. FeDOA Press, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Versions of published FeDOA Press and Routledge Open articles and FeDOA Press and Routledge Open Select articles posted to institutional or subject repositories or any other third-party website are without warranty from FeDOA Press of any kind, either expressed or im- plied, including, but not limited to, warranties of merchantability, fitness for a particular purpose, or non-infringement. Any opinions and views expressed in this article are the opinions and views of the authors, and are not the views of or endorsed by FeDOA Press. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information.