Co:N Gress!On Al Beoord- House

Total Page:16

File Type:pdf, Size:1020Kb

Co:N Gress!On Al Beoord- House 1918. CO:N GRESS!ON AL BEOORD- HOUSE. 6675 Mr. XELSO:X. l\11·. Pre ·iLlent, I . imply wnnt to suggest to I moye thnt the Senate procC'etl to tile consideration of e:s:ecu­ Senator \Yho are oppo e(l to this item thnt t he .:implest way to tin' husi ne s. ucfent it i::; when the nan11 al11H'opriation bill come: bcfo:·c the Tile 1110tion was a;;reed to, nnll the Senate proceeded to Ute Senate pro\iding for the building of a dry dock. If you cnn con. ·ideration of ex:ecutiYe business. After fiye minutes spent eliminate that from the nnntl uill, and if.no proyi;·ion is made in executiYe sc3sion the (loors were reopened. for the building of a dry <lock in Charleston Harbor, this appro­ priation will not be a\ailablc. l:ECESS. 1\lr. ~DWICK. If "·e eliminate thi appropriation now, l\Ir. FLETCHER. I moye that the Senate take a recess the other would not perhaps come up. until to-morrow at 12 o'clock noon. Mr. NELSOX. '.rlu1t woulu not preYent the building of the The motion ' "as agreed to; nml (at ::; o'clock nm11iJ minutes dry dock. p . m.) the Senate took a recess uutil tb-morrow, Saturllay, ~Iny l\fr. s::HITH of Georgia. They would not wish to vut a dry ] , 1018, at 1:2 o·clock meridian. <lock "·here ships can not get to it. Mr. ~"ELSON. If the na\al billrwoYidcs for a <lry dock, cer­ NO~liXATIOXS. tainly we ougllt to make it accessible; but iC Senators think a dry dock is not a war emergency anu is not needed now, the E .rccutirc 11ominations ,·cccicc(l u!J tltc Senate May 17, 1918. !>lace to make their objection is on the naval bill. · PnonsroxAL AProTXT:llEi.\'TS, BY Pno:.u:onox, IX THE Ar:~n:- . · ?\Ir. HA.TIDWICK. But many Senators may think it coulu be C.\\'A.LRY _\lDI. better located "·here it "·ould not be so expensiYely located, To uc first lieutenants. nor "·oulu it take so long to build it as a war measure. l\Ir. ' ELSON. I take it the Senator from Georgia, if they , ecouu Lieut. Arthur H . Besse, Can1lry, from ~larch 23, 1D18. e. tnblished a na\al . ta.tion at Bruns\Yick, would want the channel .'econd I.ieut. Charles '\V. '\Vhite, Ca\ahT, from April 10, 1Dl8. deepened to the extent of 40 feet to inake the dry llock and navy Seconu Lieut. John R Lindsey, CaYalry, from April 20, 1918. yard at Brw1swick a\ailable and within reach. :FJELD ARTlLT.EP.Y AR:ll. 1\lr. WADSWORTH. Does the Senator realize that tllel'e is To be captains. a. dry dock at Charleston now? First Lieut. Oscar I. Gate-·, Fiehl Artillery, from April 13, :\lr. NELSON. There may be a little dry <lock, a small one, 1918. but they are going into extensi,-e schemes now and there are a First Lieut. Gerahl E . Brower, FieiU Artillcr~-. from A11rit 1G, good many shipyards do-n-n in the south Atlantic-! think one 1918. or two near Charleston. Tho Navy Department and the Ship­ Fil:st Lieut. '\Yillinm J. Joues, Field Artillery, from Arwil 13, ping Board feel that a dry dock is necessary at tllat point. That 1918. is a question tllat bas to be determined when -the na\al bill To be first lieutenants. comes up; and if ;you decide not to build a dry uock there, that Second Lieut. Edgar A. O'Hair, Field Artillery, from F ebruary ends this appmpriation-it i not availaule at all. 2G, 1018. :Mr. SMI'l'll of Georgia. Or if dcfeateu now, thn t enus the ury dock. Second Lieut. Stephen l\lallon, FielU Artillery, f_rom April 15, 1918. Mr. NELSOX. _" o; not nece snrily. You can lla\o a ury uock anyway. Second Lieut. A.<.ldison B. Green, FiclLl Artillery, from April Hi, 1918. l\Ir. SMITH of Georgia. '\Ve "\\ould hardly Yote seyeral mil­ Second Lieut. John R. Shepley, Field Artillery, from .AI1l'il 20, lion uollat'S to build a dry dock where it was so dry that no 1918. vessel could reach it. If full investigation shows the d ry uock CO..\ST ARTILLERY CORPS. must be built at Charleston, the naval bill could carry the appropriation for digging tho channel,. and then perhaps we To be first lie1ttenants. might know what the enth'e project would cost ::mu how sooa Second Lieut. George M . Holstein, jr., Coast ...:-~rtille ry Corps, it would be finished. from 1\larcb 22, 1018. 1\lr. FLETCHER. I am satisfied that if the proYision is Second Lieut. Joseph G. Cole, Coast ..irtillery Corp·, from tricken out of tills bill it will not settle the que tion of estab­ April 10, 1918. Ji,cshing a mrml base at Charleston and building a dry dock at Second Lieut. ' Vnnl Rubenuall , Coast Artillery Corps, from Charleston. That is not going to be settled by any action taken .April 11, 1918. in reference to this item. On the conb.·ary, the naval appro­ Second Lieut. Clyde LeG. '\\alker, Coast Artillery Corps, nrlation bill will l)robably carry that item in it, and if this from April 11, 1018. ·provision is sh·icken out of the pending bill with reference to the Second Lieut. Richard B. Gayle, Const Artillery Corp. , from improvement of the channel the nayal appropriation bill will April 11, 1918. probably include · that item. I suggest, as the Senator from Minnesota has said, that we defer the Charle ton discussion CO~FI1U1ATIO_ -s. until the na\al appropriation bill is here and the item with ref- E .rccuti re nominations con finned _by tlle Se11ate Jlay r/, 1918. erence to a navy yard and dry uock or a naval base and <lry U:'\ITED STATES hl~11 srr.u, . dock comes up. St 1 J D 1 t 1' U ·t· 1 St t 1 1 ,,. t · t f 1\Ir. HARDING. 1\lr. President, I only wish to answer t he ~ • ep ten . o:r e o ue 111 et a es mars Ill. , . uJS nc o question of the Senator from New York [l\1r. WADSWORTH] and ~ - orth Dakota. -· -· _ other inquiries. The total appropriation for the Char leston A.PPOI::'\ nrE::'\ r ~ THE An~rY. Harbor to June 30 lust year was fiye and one-third million Llol- DE::'\T.\.L CORPS. lfn·s, while the appropriations for the Brunswick Harbor up to l iarl Eaton Safforu to be first lieutenant. the same period were thr ee million and a half. Pos-nrASTEn. The VI CE PRESIDEl\TT. The question is on the amemlme"t :\nssrssrrrr. of the Senator from ~isconsin [hlr. LENROOT]. 1\lr. CURTIS. Let 1t uc read. 1 Preston T . Smith, Ittauena. The VICE PRESIDENT. It will be reaLl. Tlle SEcr..ETAUY. It is proposed to adu a a new section, n t tile end of i.lte bill, tl10 following: liOUSE OF REPRESENTATI\ ES. • SEC. 8. That no new work of impro"ement approprintell for in this net, involving :m expenditure during the fiscal year ending June 30, FRIDAY, JJI ay 17, 1918. 1910, of mor ~ than $100,000, shall be undertaken tmtil the Secretary of the ~reasury shall first certify to the Secretary of War that the The House met at 12 o'clock noon. condition of the 'Treasury is such that such expenditure can be made r> , ~ I Ke· • D D Slll)erintenuent of the UniH'l'salist without injury to the war needs of the Go\-ernment : Provided, That the ~ev. u. · 11 0 ' • ·• · · - provisions of this section shall not apply to any expenditure heretofore Ja1:>an ::\1i sion, offered the follo-wing prnyer : specifically recommended by the Secretary of War as a ·war emergency. Our Father, who art in llenven and who art here, grant, we 1\Ir. CURTIS. I shoulcl like to ask tlle Senator from Florida pray Thee, that all that is <lone and said here to-day may be if he de. ires a vote on this amenument ·this evening? done and said out of the consciousness of Tlly presence. Be 1\lr. PLETCHER. I think some Senators want an executi\e Thou with us as a Nation, with its Executive head. in the heavy session, and I am going to move an executive ession, and after- respon ibilities which Thou hast placed upon him, and with wnrus mo\e for a recess. each department of our Go\ernment. Grant that in tile geeat l\Ir. CURTIS. And not ask for a \Ote this evening? struggle in which we are engaged \ictory may come to righteous- i\Ir. FLETCHER. Not ask for a YOte this e\ening. I giye 1 ne s. W'e desire nothing more, and we ask nothing less; nnd -n·e notice that I shall moYe for a recess at the close of the ex:ecu- ask it "·ith assuran~e, becau e Thou art the God of ~ig~teous ­ ti\e ·ession. ne · . Grant tlmt unn·ersnl brotherhood may be the prmc1ple of 6676 _CONGRESSIQN ~L- -~~_QORD-HOUSE . ~fAY 17, all government, and that the peace of righteousness may come excmpti.on, with .the re'u1t that if their report had been adopted and abide in all the world. eYery m.l anc.l ~meral lease would be subject to final .action by We ask it in the spirit and in tlle name of Christ our SaYior. an officml out m Oklahoma, the Superinten<lent for tlle FiYe Amen.
Recommended publications
  • Autobituary: the Life And/As Death of David Bowie & the Specters From
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing.
    [Show full text]
  • Student Newspaper October 11 1996
    .,. sweet revival free before 10:31 rJr f2.50 after with this ) .-arling & two dogs fia bott. - mdayr A. nar, - STIJDENIncorporating juice magazine Britain's biggest weekly student newspaper October 11 1996 , -1 A Major 144 liiP;1exclusive Your chance to interview W‘'1 the Prime Minister Ulm)11Aan Thriller; ElOn tallcs)o juice alioul his jieW wyrh violenue ip the moms - u6es 4 Turn lo patie PLUS: SUN RISING, DAVID ADAM, PAIN BANKS INTERVIEWED AND FULL SEVEN-DAY TV LISTINGS GUIDE STUDENT aiming for the double COUNCIL FEARS Br A,u KAU( NAT It INAL _judges ha% e voted Leeds Student one of the hest student -newspapers in the country, Leeds Student has been shurtlisted for the Newspaper the Year prize in the annual student media awards_ hosted by the NUS and The HOUSING HELL Guardian Nine other papers are also up for the award- TwTwo Leeds Student contributors have also been Landlords under nominated for the individual Student Journalist of the Year award. Catriona Davies and Rosa Prince are aiming four others who,hope to win. fire over lethal "les an amazing surprise:' said Catriona. a former News Editor on the paper. "1 didn't expect anything like this accommodation when 1 sent in niy entry." By ANDY KELK Prestigious The results will he TWO-THIRDS of the houses announced at a prestigious ceremony on October 26 rented to students in Leeds are during the NUS Student Media conference. The dangerous and unfit to live in. Judging panel is made up of Sixty-seven per cent of the 8,500 media professionals, including Diana Madill Or student rental properties in the city 13130 Radio 5 Live, Rosie have been condemned as substandard Boycott.
    [Show full text]
  • Historicizing the Liminal Superhero
    BOX OFFICE BACK ISSUES: HISTORICIZING THE LIMINAL SUPERHERO FILMS, 1989–2008 by ZACHARY ROMAN A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2020 DISSERTATION APPROVAL PAGE Student: Zachary Roman Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Peter Alilunas Chairperson Janet Wasko Core Member Erin Hanna Core Member Benjamin Saunders Institutional Representative and Kate Mondloch Interim Vice-Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded December 2020 ii © 2020 Zachary Roman iii DISSERTATION ABSTRACT Zachary Roman Doctor of Philosophy School of Journalism and Communication December 2020 Title: Box Office Back Issues: Historicizing the Liminal Superhero Films, 1989–2008 Although the superhero film became a dominant force in Hollywood early in the 21st century, the formation of the superhero genre can be attributed to a relatively small temporal window beginning in 1989 and ending in 2008. This dissertation argues that a specific group of superhero films that I call the liminal superhero films (LSF) collectively served as the industrial body that organized and created a fully formed superhero genre. The LSF codified the superhero genre, but that was only possible due to several industrial elements at play before they arrived. An increasing industrial appetite for blockbusters coming out of the 1970s, the rise of proprietary intellectual property after the corporate conglomeration that occurred at the end of the 20th century, and finally, the ability of the LSF to mitigate risk (both real and perceived) all led to this cinematic confluence.
    [Show full text]
  • BLM 2008-12.Pdf
    DECEMBER 2008 2 BLUE LINE MAGAZINE December 2008 Volume 20 Number 10 “You should always look at the past with interest but never stare at it,” a journalist suggested recently. “With very little effort it will consume you and become your only future.” Wise words indeed, but it’s still worth paus- ing to look back on the occasion of our 20th anniversary. We hope setting aside one issue out of 200 will not be considered staring! Features 5 A story to tell 20 years later 30 The latest high retention holster technology 7 Jeers & cheers 34 Holster retention levels 8 Milestones in 20 years of This is what the numbers mean Canadian policing 62 Congratulations Departments Case Law 62 Advertisers Index 58 Court sets high standard for YCJA compliance 46 Deep Blue 37 Dispatches 48 Forensic Science 61 Market Place 45 Odditorials 56 Technology BLUE LINEINE MAGAZINEE 33 DECEMBER 2008 DECEMBER 2008 4 BLUE LINE MAGAZINE A story to tell... 20 years later by Morley Lymburner I pointed an authorita- tive finger at a Plymouth speeding in a school zone. The front end of the mis- creant’s car nose-dived, indicating his initial com- pliance, if not terror. Some- what more relaxed, I low- ered my arm and reflexively concentrated on the plate number. The front end immediately rose back up and there was the tell-tale sound of an accelerating motor as the car headed directly for me, a clear indication the driver did not want to speak to me. I quickly dove into my scout car, dropping it in gear at the same moment the Plymouth came along side.
    [Show full text]
  • Fire Alarm Hits Union
    Issue 833 University of Surrey Students' Union 27th January 1995 VC Stresses FIRE ALARM HITS Importance of Union was disappointed to read in last week's Bare Facts that there appears UNION to be very little interest in this year's Isabbatical elections. Hopefully the points which have been made by students and others have already gone some way to counter this. My dis^pointment stems from the fact that, when I arrived here ^ Surrey last October I was very impressed by the strong links which existed t^tween the Suidents' Union and the rest of the University. The high quality of student life at Surrey is critically dependent on the activities and services the Union provides, and the Union acts as an important channel of communication between the stu(tents and the University authorities on all aspects of Universi^ life, both academic and social. Tlie Union Sabbatical Officers are the people on whom the continuation of the uniquely successful relationship between the University and the Union, which works so strongly to the benefit of stu- dents, particularly depends, but all those who take on official Union posts play their part Your Students' Union leaders represent you, both internally at Univer- S most people know, the union had a false fire alann last friday night The fíie si^ level and externally U) the Guildford community and beyond and the Union alann was tnpped by someone at about 10.15 p.m., security immediately deserves your support for this vital work. evacuated the building and the fire brigade were called. As expected the Aconsequences of this incident went on formost of the following week and may Although I am aware of the ever increas- last for another six months.
    [Show full text]
  • The Praise of Music
    THE PRAISE OF MUSIC THE PRAISE OF MUSIC: Wherein, besides the antiquity,dignity, delectation and use thereof in civil matters, is also declared the sober and lawful use of the same in the congregation and Church of God. Jerome in Psal. Matutinis Vespertinisque hymnis Ecclesiae delectatur Deus per animam fidelem, quae relicto inanium superstitionum ritu, eum devotem laudaveris. God is delighted with the morning and evening hymns of the church in a faithful soul, which, rejecting the ceremonies of vain superstition, praises him devoutly. Printed at Oxford by Joseph Barnes, Printer to the University, Anno . Edited by Ben Byram-Wigfield London, This book is issued by the publisher as an electronic book, to be freely distributed across computer networks and viewed on screen. The contents may be printed for greater legibility and ease of reading, subject to the condition that such printed matter shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher’s consent.This electronic document may only be distributed in its entirety,without alteration, emendation or deletion of the content. No part of the content may be used in any other publication (excepting fair-dealing) without the express permission of the publisher. Printed and bound copies are available from the publisher on request. First published in the United Kingdom by Ben Byram-Wigfield © Ben Byram-Wigfield . All rights reserved. Typeset and designed by Ben Byram-Wigfield. Contents Editor’s Preface 7 Dedication 9 Preface 11 1. The antiquity and origin of music: first generally, then more particularly set down.
    [Show full text]
  • Dec/Jan FREE
    Issue 33 Dec/Jan FREE SLAP Supporting Local Arts &Performers Open Mon-Sat 9.30 - 5.30 Music47 31-33 Sidbury Worcester 01905 22958 WR1 2HT www.music47.co.uk It’s the end of another crazy time here at SLAP. Having moved into new premises ‘twice’ this year I’m looking forward to our annual January break. Hence this being a double issue. As we celebrate (I think that’s the right word) the completion of our third full year in print we take a look back over 2013 and look forward to 2014 with Andy O’hare. We also take a peek at the progress of SLAP Tv Dec/Jan and the great things coming up there. As well as the gig previews and reviews, we have our usual news from Worcester Arts Workshop and the Boars Head Gallery who along with the pub celebrate SLAP MAGAZINE the film premiere ‘The Boars Head’! Exciting times! Unit 3a, Lowesmoor Wharf, News too of another community project gathering Worcester WR1 2RS momentum in Evesham called Imagine. Telephone: 01905 26660 [email protected] The one piece of sad news we had this month was For advertising enquiries, please contact: the tragic passing of Sicknote dancer and loveable Paul Robinson on 07852 247 970 legend Doctor Conker. The band are big favourites here [email protected] at SLAP and he will be sorely missed by us all. EDITORIAL Mark Hogan That just leaves me to once again thank all our CONTRIBUTORS Andy O’Hare contributers and readers and wish you all a marvellous Kate Cox Winter Solstice and a happy new year Steven Glazzard - Ed Reindeer Ant Robbins Chris Bennion Mel Hall Sarah Ganderton Reg Richardson Will Munn Nikki Boraston Bongo Bryan Corina Harper Craigus Barry Richard Austin Edward Ling Ralph Titley Andy Maynard Baz Bojak Mark Hoy Mad Dave Bentley Graham Munn Rosie Hamilton Paul Snow Naomi Preece Design Mark Hogan Sales Paul Robinson Web & Social Media Dave Marston Cover Image This Wicked Tongue Photography by Joe Singh www.snaprockandpop.co.uk ALL RIGHTS RESERVED Reproduction in whole or part prohibited without permission.
    [Show full text]
  • Senseless Things Got It at the Delmar EP Mp3, Flac, Wma
    Senseless Things Got It At The Delmar EP mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Got It At The Delmar EP Country: UK Released: 1991 Style: Alternative Rock, Indie Rock MP3 version RAR size: 1399 mb FLAC version RAR size: 1351 mb WMA version RAR size: 1165 mb Rating: 4.9 Votes: 314 Other Formats: AHX DMF TTA XM ASF AU AUD Tracklist A1 Got It At The Delmar A2 Beat To Blondie A3 Fishing At Tescos A4 Can't Remember B1 Got It At The Delmar B2 Beat To Blondie B3 Fishing At Tescos B4 Can't Remember Credits Artwork By [Front Cover] – Jamie Hewlett Bass – Morgan* Drums [Drummer] – Cass* Guitar [Strumming], Vocals [Singing] – Ben* Mixed By – Ralph Jezzard (tracks: A1) Photography [Back Photo] – Steve Gullick Producer – Jessica Corcoran, Senseless Things Vocals [Singing], Guitar [Strumming] – Keds* Written-By – Mark Keds Notes Recorded at The Greenhouse, London, N1. tracks are repeated on both sides Barcode and Other Identifiers Barcode: 5 099765 744941 Other (Label Code): LC0199 Other versions Category Artist Title (Format) Label Category Country Year 657449 6, Senseless Got It At The Epic, 657449 6, UK 1991 31-657449-20 Things Delmar EP (12", EP) Epic 31-657449-20 Senseless Got It At The UK & 657449 2 Epic 657449 2 1991 Things Delmar (CD, Single) Europe Got It At The Senseless XPR 1676 Delmar EP (12", Epic XPR 1676 UK 1991 Things Promo) Got It At The Senseless ESK 4590 Delmar (CD, EP, Epic ESK 4590 US 1992 Things Promo) Senseless Got It At The 657449 7 Epic 657449 7 UK 1991 Things Delmar (7", Single) Related Music albums to Got It At The Delmar EP by Senseless Things Riddlehouse - Senseless Senseless Things - Hold It Down Senseless Things - Is It Too Late? Kings Of The Delmar - Seems So Easy Senseless Things - The First Of Too Many Drop Dead - Senseless Senseless Things - Easy To Smile Johnny Delmar, - The Senseless - In The Realm Of The Senseless Delmar Donnell - Banana Split / So-Long Baby.
    [Show full text]
  • The Age of Emocore
    The History of Rock Music - The Nineties The History of Rock Music: 1990-1999 Raves, grunge, post-rock, trip-hop History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Age of Emocore (These are excerpts from my book "A History of Rock and Dance Music") Emocore, 1989-94 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. While magazines kept publicizing the "death of punk-rock", hardcore became a pervasive movement that did not leave any town (or country) untouched. As if galvanized by its own death, the movement took on a life of its own and became a genre within the genre. In the 1990s that genre, in turn, spawned a number of sub-genres. First and foremost, there was "emocore", the style invented in the late 1980s by Rites Of Spring and the Washington contingent. Their "emotional" hardcore alternated quiet and furious musical parts, admitted moody arrangements, indulged in time changes and mid-tempo rhythms, leveraged emotional singing that could whisper as well as shout within the same song, and was not limited to the short/fast format of hardcore. In other words, it was almost the negation of hardcore. While the genre was, by definition, rather loose, bands that fell into the category during the 1990s included: San Francisco's Jawbreaker, with Unfun (1990); Oregon's Heatmiser, the group of songwriter Elliott Smith and bassist Sam Coomes (formerly of Donner Party), with Dead Air (1993); Los Angeles' Weezer, the most successful of the batch, with Weezer (1994).
    [Show full text]
  • Artist Album Label Year Genre Sub Genres Format
    ARTIST ALBUM LABEL YEAR GENRE SUB GENRES FORMAT COUNTRY PRICE JOHN LEE HOOKER COUNTRY BLUES OF JOHN LEE HOOKER CORNBREAD RECORDS 2017 BLUES COUNTRY BLUES LP EUROPE 135 JOHN LEE HOOKER MAMBO CHILLUN: VEEJAY SINGLES 1955-1958 WAX LOVE 2018 BLUES BLUES LP EUROPE 125 JOHN LEE HOOKER. STICKS McGHEE HIGHWAY OF BLUES AUDIO LAB 2013 BLUES COUNTRY BLUES LP US 135 JOHN MAYALL WHY WORRY SUCCESS 1989 BLUES ELECTRIC BLUES - BLUES ROCK LP EUROPE 105 OTIS SPANN OTIS SPANN IS THE BLUES CANDID BLUES PIANO BLUES LP US 135 PETER SCHNEIDER MIDNIGHT BLUES NOT ON LABEL 1985 BLUES HARMONICA BLUES LP GERMANY 165 RY COODER INTO THE PURPLE VALLEY REPRISE RECORDS 1972 BLUES COUNTRY BLUES - TEXAS BLUES LP US 125 SISTER ROSETTA THARPE WITH THE TABERNACLE CHOIR DOWN AT DAWN 2018 BLUES BLUES - SOUL JAZZ LP UK 115 THE ANIMALS THE ANIMALS CHARLY BLUES BLUES ROCK LP GERMANY 145 TOM PRINCIPATO SMOKIN' EMERGO 1987 BLUES ELECTRIC BLUES LP HOLLAND 135 ADOLPHE ADAM DER POSTILLON VON LONJUMEAU ODEON CLASSICAL CLASSICAL LP GERMANY 50 ALEKSANDER SVESHNIKOV - U.S.S.R RUSSIAN CHORUS THE WHITE BIRCH TREE & OTHER RUSSIAN SONGS MELODIYA 1970 CLASSICAL ORCHESTRAL LP RUSSIA 50 AMY.BOUCOURECHLIEV.MANOURY.XENAKIS CAHIERS D'EPIGRAMMES.SIX ETUDES.CRYPTHONOS.MISTS HARMONIA MUNDI 1986 CLASSICAL MODERN LP FRANCE 195 ANDRE JOLIVET.JEANNE LORIOD.LILY LASKINE CONCERTO POUR ONDES MARTENOT... ERATO 1970 CLASSICAL MODERN LP FRANCE 125 ANDRES SEGOVIA.BACH.LOBOS.MENDELSSOHN.RODRIGO GITARRE DEUTSCHE GRAMMOPHON 1961 CLASSICAL BAROQU - MODERN - ROMANTIC LP GERMANY 35 ANTON WEBERN WEBERN.VARIOUS COMPOSITIONS
    [Show full text]
  • Jimi Hendrix - the Voodoo Chile at Fifty
    The Student Newspaper of Imperial College 1 Li LI 1 11Issu e 950 27 November 1992 Greenwich 'Ultra Jump for Rag Vires' Shock by the News Editor campaigning against the actions of Greenwich University Students' the Israeli government, and from Union has been banned by the High sending letters to the Israeli Court from campaigning against the Embassy and the Israeli Ministry of Israeli government. An injunction Defence. At the second hearing on was brought against the union's 23 November, both Greenwich sabbaticals by John Meyer, a Union's President, Paul Thomas, Conservative Student activist at and Vice President, Kevin Small, Greenwich. The union's President conceded that they could not defend and Vice President were ordered to their plans. pay individual costs of almost £500 This is the first time that a each. permanent injunction has been The case was heard before Mr granted against the campaigns of a Justice Vinelott, who banned the students' union. Richard Harwood, union from acting on a motion Bar student and former passed on 5 November. The motion Conservative Student national mandated the union to campaign officer, said after the 23 November against the actions of the Israeli hearing, 'all student unions should government in the West Bank and now stop any campaigning on Gaza Strip. It also called on the Palestine'. John Meyer, the union to affiliate to the Friends of Conservative Student activist who Bir Zeit University, and to the brought the case said, 'the Union Marcus Krackowizer on the way down as he performs a sponsered bungee General Union of Palestinian was blatantly breaking the law.
    [Show full text]
  • 59 LS 20 IX 09 Teatro Nuovo.Pdf
    Milano Music from Teatro Nuovo The Penguin Cafe Domenica 20.IX.09 ore 22 59° Torino Milano Festival Internazionale della Musica 03_24.IX.2009 Terza edizione SettembreMusica Music from The Penguin Cafe Arthur Jeffes, pianoforte, cuatro Neil Codling, pianoforte, ukulele Tom Chichester-Clark, cuatro, chitarra Des Murphy, ukulele Becca Waterworth, violoncello Vince Greene, viola Darren Berry, violino Andy Waterworth, contrabbasso Cass Browne, percussioni Set unico di 90 minuti circa In collaborazione con Ponderosa Music & Art Coltivare con discrezione, ma anche con feroce tenacia l’utopia di un’arte senza confini. Questo il “chiodo fisso” del compianto visionario Simon Jeffes, scomparso una dozzina di anni fa per un tumore al cervello a soli 49 anni dopo due decenni trascorsi alla guida della Penguin Café Orchestra, storico ensemble cameristico britannico che ha saputo esprimere la sua critica ai meccanismi del mercato ripescando le formule del caffè-concerto, utilizzando una strumentazione inconsueta che comprendeva dall’ukulele alla pianola fino al mettalofono, il segnale telefonico e il vagito femminile, e muovendosi, in buona sostanza, tra folk europeo e percussioni africane, tra sinfonia classi- ca, minimalismo e divertimento pop. Quella proposta indefinibile e davvero fuori del comune, venuta meno con la morte del suo eccentrico capobanda, in precedenza produttore di Caravan e i Camel, due dei nomi più in vista del rock di Canterbury, (ma i biografi hanno scoperto che Simon Jeffes, musicista di estrazione classica, curò anche gli arrangiamenti degli archi nella trasgressiva versione di My Way dell’ex Sex Pistola Sid Vicious!), è riuscita a dare corpo all’idea di una musica universale, nella quale sentire gli echi delle più diverse tradizioni, tutte però sotto la domi- nante di una visione occidentale che cerca, al suo interno, di evidenziare le sue fonti antiche, i suoi ricordi ancestrali, in una sostanziale sovrapposizione tra tecnologia e alternativa terzomondista che, da sempre, ha avuto una parte importante nella ricerca musicale contemporanea.
    [Show full text]