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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties. -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
1489596882 BL Festivals Guid
WE’RE FESTIVAL VETERANS Getting value for money from your festival branding activity requires research, planning, creativity, and an appreciation that you’re venturing into an environment where brands can be welcomed, tolerated, ignored or vilified. We have a long history of helping clients win cut through at festivals around the world, these include: R ECOVE FESTIVALS NOT RIGHT F OR YOU? THINK AGAIN With younger festival goers increasingly priced out of the game, today’s festival audience largely comprises Millenials, people in their thirties. This also explains the increasing number of festivals catering for families, cultural, literary and culinary enthusiasts. It also means an opening of the way for brands that previously might have never thought about investing in a festival. And a growing number are realising this is an environment that can yield results; there’s a lot more to festivals than mud, booze, rock and roll. KNOW YOUR FESTIVAL HEDONISTIC Global Gathering, Big Chill, Exit, Tribal Gathering, Tommorowland, Boom Town, 2000Trees MAINSTREAM Glastonbury, V Festival, Big Day Out, Tea in the Park, Oxygen, Isle of Wight, Wireless, Reading & Leeds Festivals FAMILY FRIENDLY/ CULTURAL Secret Garden Party, Sonar, Green Man, WOMAD, Camp Bestival, Big Feastival, Wilderness, Somersault Brands that can work their way into the festival environment in a natural, creative way can engage this audience while they’re in a highly receptive state. To do this, there are a couple of simple principles we employ: 1. IDENTIFY ‘WHY’ Identifying your ‘why’ is all about finding a festival with which your brand can legitimately demonstrate a shared purpose, common ethics and values. -
Translation Rights List Non-Fiction
TRANSLATION RIGHTS LIST NON-FICTION Frankfurt Book Fair 2016 General Non-Fiction……………………….……...........p.2 Business and Management……………………...……p.8 History……………………………………………………..p.10 Memoirs and Biography……………………………….p.15 Modern Life……………………………………………….p.20 Health, Self-help and Popular Psychology……….....p.21 Parenting…………………………………………………..p.27 Food and Cookery……..…………………….….………p.29 Overcoming Series………………………………………p.32 ANDY HINE Rights Director (for Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States) [email protected] KATE HIBBERT Rights Director (for the USA, Spain, Portugal, Far East and the Netherlands) [email protected] HELENA DOREE Senior Rights Manager (for France, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia) [email protected] JOE DOWLEY Rights Assistant [email protected] Little, Brown Book Group Ltd Carmelite House 50 Victoria Embankment London EC4Y 0DZ Tel: +44 020 3122 6209 email: [email protected] Rights sold displayed in parentheses indicates that we do not control the rights * Indicates new title since previous Rights list Titles in italics were not published by Little, Brown Book Group GENERAL NON-FICTION BREAKING DOWN THE WALLS OF HEARTACHE by Martin Aston Popular culture | 592pp | 16pp colour and b&w picture section | Constable | October 2016 | Korea: | Japan: EAJ The very first history of gay popular music Popular music’s gay DNA is inarguable, from Elvis in eye shadow and Little Richard’s ‘Tutti Frutti’ to The Velvet Underground’s subversive rock’n’roll and Bowie’s ambisexual alien Ziggy Stardust; from disco diva Sylvester and Frankie Says ‘Relax’ to Frankie Knuckles; from Boy George to Morrissey’s ‘fourth sex’; from k.d. -
In Focus " II Weather Notes Esteban and Interfraternity "Fraternities Need on I5-Year Anniversary, Tau Michael Davirro, Then 20, Hitchhiked "If All Else Fails
- . .. ":' ' .. ~ .. :~ .... ~ --.. -- .. , ' :'.. :-:. -.. :~., I;f / .'1 J Art:hivt'l~ 'Ii r..o729.6 C5 075 Orion. I VOl. 40 no. 4 :1 • 'The 1 FQb lB/ 199B Meriam Libra.ry- -Cgu vonn 1l1t=: ll1e .. I golden road to finding !I . frfends. Credit I. .. State J,I Credit is a rite of passage for students. How 'i do you cope? I,I Volume 40, Issue 4 California State University, Chico Wednesday, February 1.8, 1998 I I Matt Notley ,! Managing Editor Campus puts hazing -in focus " II Weather notes Esteban and Interfraternity "Fraternities need On i5-year anniversary, Tau Michael Davirro, then 20, hitchhiked "If all else fails. talk about to think about the back to town, retrieved his car and shut , the weather." Well, all right, I'll Council take stance against message they are Gamma Thetas still deal with 'tied the other pledges back to the frater take your advice. sending," Esteban nity house. On his second trip, he struck' An increasing amount of wire silence surrounding hazings said. "There are ways Chico's only hazing death and killed pledge Jeff Long, 23 .. 'i Ij stories are filling local newspa pledges can demon ------- It was the only hazing-related incident pers reporting the potential, and Elisa Bongiovanni strate their loyalty to Manuel Esteban Elisa Bongiovanni that has ever been reported on the Chico 1\ I already felt, damage of the Senior Writer the fraternity without University Senior Writer State campus. ! dreaded El Nino. Recent fore physical abuse. Pr.. sident Charlie Preusser, founding father of : casts predict a line-up of four Lead by example, said Manuel "I know it goes on, The events of the final night of Rush Tau Gamma Theta and currently a sales storms to smash into California. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
The Midlands Essential Entertainment Guide
Midlands Cover - June_Layout 1 24/05/2013 13:55 Page 1 MIDLANDS WHAT’S ON WHAT’S MIDLANDS THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE ISSUE 330 JUNE 2013 JUNE www.whatsonlive.co.uk £1.80 ISSUE 330 JUNE 2013 THE LION KING THE DEFINITIVE LISTINGS GUIDE ARRIVES IN BIRMINGHAM INCLUDING BIRMINGHAM WOLVERHAMPTON WALSALL DUDLEY COVENTRY STRATFORD WORCESTER INSIDE: REDDITCH MALVERN SHREWSBURY Bruce Joel Rubin TELFORD STAFFORD creator of Ghost STOKE interview inside Sean Foley brings Jacobean comedy to the RSC interview inside Peter Lord co-founder of Aardman talks pirates interview inside PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART What’sOn MAGAZINE GROUP ISSN 1462-7035 Grand Theatre (FP-June)_Layout 1 24/05/2013 08:36 Page 1 Contents June_Layout 1 24/05/2013 16:13 Page 1 June 2013 Editor: INSIDE: Davina Evans [email protected] 01743 281708 Editorial Assistants: Ghost The Musical Brian O’Faolain interview with creator [email protected] 01743 281707 Bruce Joel Rubin p6 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] Sean Foley 01743 281714 interview p8 Managing Director: Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell The Lion King arrives in the Midlands, page 29 Chris Atherton Accounts -
Music Preview
JACKSONVILLE NING! OPE entertaining u newspaper change your free weekly guide to entertainment and more | february 15-21, 2007 | www.eujacksonville.com life in 2007 2 february 15-21, 2007 | entertaining u newspaper table of contents cover photo of Paul Paxton by: Dennis Ho feature NASCAR Media Day ............................................................................PAGES 16-17 Local Music Preview ...........................................................................PAGES 18-24 movies Breach (movie review) .................................................................................PAGE 6 Movies In Theatres This Week .................................................................PAGES 6-9 Seen, Heard, Noted & Quoted .......................................................................PAGE 7 Hannibal Rising (movie review) ....................................................................PAGE 8 The Last Sin Eater (movie review) ................................................................PAGE 9 Campus Movie Fest (Jacksonville University) ..............................................PAGE 10 Underground Film Series (MOCA) ...............................................................PAGE 10 at home The Science Of Sleep (DVD review) ...........................................................PAGE 12 Grammy Awards (TV Review) .....................................................................PAGE 13 Video Games .............................................................................................PAGE 14 food -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
Ifpi Digital-Music-Report-2009.Pdf
DIGITAL MUSIC REPORT 2009 New BusiNess Models for a ChaNgiNg eNviroNMeNt. ifPi DIGITAL MusiC rePORT 2009 Contents p3 n Introduction: Music has embraced the future with new business models – Will governments secure a future for digital content? p4 n Section 1: Shaping a new era in digital music – Digital music: key facts and figures p8 n Section 2: New business models for a changing environment – The shift to ‘music access’ – More choice in music downloads – Social networks and ad-supported services deliver - New frontiers: brands, games and merchandising – Public performance: getting fair value for music – Digital music goes global – three countries in focus p18 n Section 3: The core mission – investing in talent – Cutting through the digital noise – Adding value to artists – Broadening services – Marketing an album in the digital world – A team sharing the same vision: The manager’s view p22 n Section 4: Monetising music in an era of free - the role of ISPs and governments – A future for local music and film? France and Spain in focus – From concept to reality: governments start to move on ISP cooperation p26 n Section 5: Education – the campaign for hearts and minds – Young People, Music and the Internet – Pro-music.org – National campaigns p28 n Section 6: Creative voices speak out – When did intellectual property become free? – music managers speak out – Commerce in the era of “free” – a common challenge for creative industries p30 n Section 7: Pre-release piracy: industry steps-up action 2 iNTRODUCtioN Music has embraced the future with new business models – will governments secure a future for digital content? By John Kennedy, chairman testimony to the commercial value of and chief executive, ifPi.