Bright and Brilliant Painters Around the World V.V.S.Manian
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Unesco Weltkulturerbe Graz Managementplan 2013
UNESCO 2013 WELTKULTURERBE GRAZ MANAGEMENTPLAN City of Graz - Historic Centre and Schloss Eggenberg World Heritage since 1999, 2010 UNESCO 2013 WELTKULTURERBE GRAZ MANAGEMENTPLAN City of Graz - Historic Centre and Schloss Eggenberg World Heritage since 1999, 2010 IMPRESSUM: Herausgeber: Stadt Graz, Stadtbaudirektion/Weltkulturerbe Koordination | Europaplatz 20, 8011 Graz, [email protected], www.graz.at | Projektleitung: DI Mag. Bertram Werle, Mag. Daniela Freitag | Redaktion: DI Christian Probst, Dr. Astrid Wentner, Mag. Daniela Freitag | Autoren Kapitel IV.: Dr. Wiltraud Resch, Arch. DI Christian Andexer | Mitarbeit & Lektorat: Internationales Städteforum in Graz; Handbuchstruktur: DI Andreas Ledl | Grafische Gestaltung: Taska | Druck: Medienfabrik Graz | Auflage: 1000 Exemplare | © Stadt Graz 2013. INHALT Seite Vorwort 6 I. EINLEITUNG ZUM WELTKULTURERBE-MANAGEMENTPLAN 2013 7 1. Projektauftrag 8 2. Grundsätze und Ziele 9 3. Der Managementplan – Aufbau und Inhalt 10 4. Realisierung und Implementierung 11 II. EINRICHTUNGEN & INSTITUTIONEN IM BEREICH DES WELTERBES 13 1. UNESCO 14 2. Welterbe in Österreich 16 1. Republik Österreich – Bund 16 2. Österreichische UNESCO-Kommission 17 3. Österreichisches Nationalkomitee des Internationalen Rates für Denkmalpflege 18 4. Internationales Städteforum in Graz 18 3. Welterbe in Graz 19 III. WELTKULTURERBESTÄTTE STADT GRAZ – HISTORISCHES ZENTRUM & SCHLOSS EGGENBERG 21 1. Umfang und Lage der Weltkulturerbestätte 22 2. Begründung der Aufnahme in die Welterbeliste 23 IV. BEFUND & HANDLUNGSEMPFEHLUNGEN – MASTERPLAN 25 1. Einleitung 26 2. Kunsthistorischer Befund der Weltkulturerbestätte Graz 27 1. Einleitung und Übersicht 27 2. Befund und Beschreibung der historischen Viertel 29 3. Handlungsempfehlungen 65 1. Masterplan Struktur und Aufbau 65 2. Kategorisierung der Handlungszonen samt Handlungsempfehlungen 65 V. WELTKULTURERBE KOORDINATIONSSTELLE (WKE-STELLE) 95 1. Struktur 96 2. Aufgaben der WKE-Stelle 96 3. -
Het Gulden Cabinet Van De Edel Vry Schilderconst Cornelis De Bie, Het Gulden Cabinet Van De Edel Vry Schilderconst 244
Het gulden cabinet van de edel vry schilderconst Cornelis de Bie bron Cornelis de Bie, Het gulden cabinet van de edel vry schilderconst. Jan Meyssens, Juliaen van Montfort, Antwerpen 1662 Zie voor verantwoording: http://www.dbnl.org/tekst/bie_001guld01_01/colofon.php © 2014 dbnl 1 Het gulden cabinet vande edele vry schilder-const Ontsloten door den lanck ghevvenschten Vrede tusschen de twee mach- tighe Croonen van SPAIGNIEN EN VRANCRYCK, Waer-inne begrepen is den ontsterffe- lijcken loff vande vermaerste Constminnende Geesten ENDE SCHILDERS Van dese Eeuvv, hier inne meest naer het leven af-gebeldt, verciert met veel ver- makelijcke Rijmen ende Spreucken. DOOR Cornelis de Bie Notaris binnen Lyer. Cornelis de Bie, Het gulden cabinet van de edel vry schilderconst 3 Den geboeyden Mars spreckt op d'uytleggingh van de titel plaet. WEl wijckt dan mijne Macht, en Raserny ter sijden? Moet mijne wreetheyt nu dees boose schant-vleck lijden? Dat ick hier ligh gheboyt en plat ter aert ghedruckt, Ontrooft van Sweert en Schilt, t'gen' my is af-geruckt? Alleen door liefdens kracht, die Vranckrijck heeft ontsteken, Die door het Echts verbont compt al mijn lusten breken, Die selffs de wreetheyt ben, wordt hier van liefd' gheplaegt, Den dullen Orloghs Godt wordt van den Peys verjaeght. Ach! d' Edel Fransche Trouw: (aen Spaenien verbonden:) Die heeft m' allendigh Helt in ballinckschap ghesonden. K' en heb niet eenen vriendt, men danckt my spoedigh aff Een jeder my verstoot, ick sien ick moet in't graff. Nochtans sal menich mensch mijn ongeluck beclaghen Die was ghewoon door my heel Belgica te plaeghen, Die was ghewoon met my te liggen op het landt Dat ick had uyt gheput door mijnen Orloghs brandt, De deught had ick verjaeght, en liefdens kracht ghenomen Midts dat mijn fury was in Neder-landt ghecomen Tot voordeel vanden Frans, die my nu brenght in druck En wederleyt mijn jonst, fortuyn en groot gheluck. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
INV.163 Steunillustraties.Htm
INV. 163 – GERELATEERDE WERKEN / ŒUVRES EN RAPPORT / RELATED WORKS Redactie / Rédaction / Editing: Bert Schepers, 2008 © KMSKB / MRBAB / RMFAB Werken uit eigen collectie • Atelier van PETER PAUL RUBENS, De beklimming van de Calvarieberg. Paneel (schets), 58 x 46.5 cm. KMSKB, inv. 5057. Rubens Genie, no. 73. • Meester van het Leven van Jozef, ook genaamd Meester van de Abdij van Affligem (werkzaam te Brussel einde 15de eeuw), De kruisdraging (linkerluik van het retabel De zeven weeën van de heilige Maagd). Paneel, 144.5 x 86 cm. KMSKB, inv. 344. Rubens Genie, p. 204, fig. 2. • PETER PAUL RUBENS, De mirakelen van de heilige Benedictus. Doek, 164 x 262 cm. KMSKB, inv. 4063. Rubens Genie, no. 118. Bruiklenen Rubens expo • PETER PAUL RUBENS en atelier, De beklimming van de Calvarieberg. Paneel (schets), 74 x 55 cm. Maastricht, Bonnefantenmuseum, inv. 5358, in bruikleen van het Rijksmuseum Amsterdam. Rubens Genie, no. 69. • PETER PAUL RUBENS en atelier, De beklimming van de Calvarieberg. Paneel (schets), 104.5 x 74.2 cm, met ondertekening in zwart krijt. Kopenhagen, Statens museums for Kunst, inv. 1856. Rubens Genie, no. 70. • PETER PAUL RUBENS, De beklimming van de Calvarieberg. Paneel (ontwerp voor gravure), 59.5 x 45.7 cm. Berkeley, University of California, Berkeley Art Museum, inv.1966.16. Rubens Genie, no. 71. • Paulus Pontius (1603-1658) naar PETER PAUL RUBENS, De beklimming van de Calvarieberg. Gravure, 650 x 485 mm. Antwerpen, Museum Plantin- Moretus / Prentenkabinet, inv. RH-P 512. Rubens Genie, no. 72. • Atelier van PETER PAUL RUBENS, De beklimming van de Calvarieberg. Paneel (schets), 64 x 49.5 cm. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
Deborah Moggach, Zbigniew Herbert and Dutch Painting of the Seventeenth Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Studia Litteraria Universitatis Iagellonicae Cracoviensis 10 (2015), z. 2, s. 131–151 doi: 10.4467/20843933ST.15.012.4103 www.ejournals.eu/Studia-Litteraria MAREK KUCHARSKI Uniwersytet Jagielloński w Krakowie e-mail: [email protected] Intertextual and Intermedial Relationships: Deborah Moggach, Zbigniew Herbert and Dutch Painting of the Seventeenth Century Abstract The aim of the article is to analyse the intertextual and intermedial relationships between Tulip Fever, a novel by Deborah Moggach, The Bitter Smell of Tulips, an essay by Zbigniew Herbert from the collection Still Life with a Bridle, with some selected examples of Dutch paintings of the seventeenth century. As Moggach does not confi ne herself only to the aforementioned essay by Herbert, I will also refer to other essays from the volume as well as to the essay Mistrz z Delft which comes from the collection of the same title. Keywords: Deborah Moggach, Zbigniew Herbert, novel, essay, Dutch paintings, intertextuality, intermediality. Zbigniew Herbert’s essay The Bitter Smell of Tulips comes from the collection Still Life with a Bridle which is a part of the trilogy that, apart from the afore- mentioned collection of essays, consists of two other volumes: Labyrinth on the Sea and Barbarian in the Garden. In each of the volumes, in the form of a very personal account of his travels, Herbert spins a yarn of European culture and civi- lization. Labyrinth on the Sea focuses on the history and culture of ancient Greece and Rome whereas in Barbarian in the Garden Herbert draws on the whole spec- trum of subjects ranging from the prehistoric paintings on the walls of the cave in Lascaux, through the Gothic cathedrals and Renaissance masterpieces, to the stories about the Albigensians and the persecution of the Knights of the Templar Order. -
In It Together 24-APRIL-2020 Final
IN IT TOGETHER The Art Fundraiser for COVID 19 Relief An artist-led initiative to support relief work carried out by Facilitated by PARTICIPATING ARTISTS AKSHAY SETHI NILIMA SHEIKH ANJU DODIYA PARAMJIT SINGH ANJUM SINGH PRABHAKAR PACHPUTE ANUPAM ROY PRANATI PANDA ARPITA SINGH PRANEET SOI ASIM WAQIF RAGHU RAI ATUL BHALLA RAKHI PESWANI ATUL DODIYA RAM KUMAR BHARAT SIKKA RAM RAHMAN BIJOY JAIN RANBIR KALEKA DESMOND LAZARO RATHIN BARMAN DHARMENDRA PRASAD REENA SAINI KALLAT G R IRANNA RENUKA RAJIV GAURI GILL SACHIN GEORGE SEBASTIAN GIGI SCARIA SAMIT DAS GULAMMOHAMMED SHEIKH SEHER SHAH JAGANNATH PANDA SHEILA MAKHIJANI JITISH KALLAT SHILPA GUPTA MADHVI PAREKH SHRIMANTI SAHA MANU PAREKH SUDARSHAN SHETTY MANISHA PAREKH SUDHIR PATWARDHAN MANISH NAI SUHASINI KEJRIWAL MARTAND KHOSLA SUMAKSHI SINGH MITHU SEN SUNIL PADWAL MOONIS AHMAD SHAH TALLUR L N N PUSHPAMALA TEHMEENA FIRDOS NEHA THAKAR VIBHA GALHOTRA NIKHIL CHOPRA VIVAN SUNDARAM IN IT TOGETHER is an artist-led initiative seeking to raise awareness and support organisations that are working to alleviate the severity of the crisis caused by COVID-19 epidemic and the nation-wide lockdown on migrant workers as well as poor and vulnerable members of our country. To control the rapid spread of the coronavirus pandemic in the country, an emergency lockdown was announced on 25 March, 2020. However, its sudden declaration stranded several thousands of people away from their homes without a guaranteed source of income, food, shelter and medical supplies. Others have lost livelihood and are unable to find the means to sustain themselves. The fundraiser initiative is aimed at raising contributions to support the relief work carried out by two organisations Goonj and Karwan e Mohabbat in many of the states to provide timely sustenance and basic necessities to those affected. -
Landesmuseum Joanneum Graz Jahresbericht
©Digitalisierung Biologiezentrum Linz; download www.zobodat.at LANDESMUSEUM JOANNEUM GRAZ JAHRESBERICHT 1982 ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at 2 Abteilung für Mineralogie LandesmuseumJoanneum Raub© rgçisee 10 A-8010 Graz, AUSTRIA ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at LANDESMUSEUM JOANNEUM GRAZ, JAHRESBERICHT 1982 ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at LANDESMUSEUM JOANNEUM GRAZ JAHRESBERICHT 1982 NEUE FOLGE 12 - GRAZ 1983 ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at Nach den Berichten der Abteilungen redigiert von Eugen B r eg a n t und Dr. Detlef E rn et Graz 1983 Herausgegeben von der Direktion des Steiermärkischen Landesmuseums Joanneum, Raubergasse 10/1, A-8010 G raz Direktor: Dr. Friedrich W aidacher Gesamtherstellung: Buch- und Offsetdruckerei Styria, Judenburg Gesetzt aus Sabon — Berthold ©Digitalisierung Biologiezentrum Linz; download www.zobodat.at Inhalt Kuratorium 7 Bautätigkeit und Einrichtung 11 Sonderausstellungen 13 Veranstaltungen 19 Besuchsstatistik 1982 25 Verkäufliche Veröffentlichungen 27 Verkäufliche Diapositive und Bildpostkarten 33 Berichte Direktion 35 Referat für Jugendbetreuung 39 Abteilung für Geologie, Paläontologie und Bergbau 44 Abteilung für Mineralogie 51 Abteilung für Botanik 60 Abteilung für Zoologie 70 Abteilung für Vor- und Frühgeschichte und Münzensammlung 82 Abteilung für Kunstgewerbe 89 Landeszeughaus 95 Alte Galerie 101 Neue Galerie 105 Steirisches Volkskundemuseum 111 Außenstelle Stainz 116 Jagdmuseum 120 Abteilung Schloß Eggenberg 126 Landschaftsmuseum Schloß Trautenfels 134 Bild- und Tonarchiv 137 Beiträge K. R. Lorenz: Das geistige Erbe Erzherzog Johanns. Überlegungen zum Erzherzog-Johann-Gedenkjahr 145 F. Ebner: Erfahrungen mit der Wanderausstellung „Fossilien in der Steiermark — 500 Millionen Jahre Erdgeschichte“ 149 Z. -
Konsekrationsberichte Aus Dem Protokoll Der Diözese Seckau
QUELLEN ZUR GESCHICHTLICHEN LANDESKUNDE DER STEIERMARK Band 24 Herausgegeben von der Historischen Landeskommission für Steiermark Quellen zur geschichtlichen Landeskunde der Steiermark Band 24 Herausgegeben von der Historischen Landeskommission für Steiermark Oskar Veselsky (Bearb.) Die Konsekrationsberichte aus dem Weihebuch der Diözese Seckau von 1680–1758 Dieses Werk ist nicht im Buchhandel erhältlich, steht aber im Sinne des open access kostenlos online unter www.hlkstmk.at zur Verfügung Version 2 – Juni 2013 Graz 2013 Im Selbstverlag der Historischen Landeskommission für Steiermark Version 2 – Juni 2013 Graz 2013 Im Selbstverlag der Historischen Landeskommission für Steiermark A-8010 Graz, Karmeliterplatz 3 www.hlkstmk.at Satz: HLK Die Herausgabe dieser Veröffentlichung erfolgt ohne wirtschaftliche Gewinnabsicht, sondern vielmehr im Sinne der in den Statuten der Historischen Landeskommission für Steiermark festgelegten wissenschaftlichen Aufgaben. Das Werk ist urheberrechtlich geschützt. Die dadurch begründeten Rechte, insbesondere die der Übersetzung, des Nachdrucks, der Entnahme von Abbildungen, der Funksendung, der Wiedergabe auf fotomechanischem oder ähnlichem Wege, der Wiedergabe im Internet und der Speicherung in Datenverarbeitungsanlagen bleiben, auch bei nur auszugsweiser Verwertung, vorbehalten. ISBN 978-3-901251-37-5 INHALTSVERZEICHNIS Vorwort ...................................................................................................................................... 7 Einleitung .................................................................................................................................. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
Universalmuseum Joanneum Press Line, Light and Shadow Master
Universalmuseum Joanneum Press Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-316/8017-9211 www.museum-joanneum.at Line, Light and Shadow Master Drawings of the Baroque Alte Galerie, Eggenberger Allee 90, 8020 Graz Opening: 30.04.2013, 7 p.m. Duration: 01.05.-28.07.2013 Curators: Karin Leitner-Ruhe and Christine Rabensteiner, Alte Galerie, Universalmuseum Joanneum; Regina Kaltenbrunner, Rossacher Collection in the Salzburg Museum Information: +43-316/8017-9773, [email protected] In cooperation with Rossacher Collection in the Salzburg Museum In collaboration with the Rossacher Collection in the Salzburg Museum – which in autumn 2011 as the former Salzburger Barockmuseum had exhibited the Rembrandt etchings of the Alte Galerie – the Alte Galerie is showing a selection of works of Austrian and South German Baroque artists in its special exhibition, Line, Light and Shadow. Master Drawings of the Baroque, from May 1st, 2013 onwards. Besides its main focus on painted oil sketches, the Rossacher Collection includes a bundle of works drawn on paper. The Kupferstichkabinett of the Alte Galerie houses more than 400 freehand drawings. This exhibition comprises carefully selected works from both collections. With a few exceptions, the Baroque hand drawing should not be seen an artwork in its own right. It was primarily a form of preparation and design for another artistic medium. Accordingly, the exhibition is divided by areas of design – for altars, for ceiling and wall paintings, as well as for altar pieces and copper engravings. The works are often striking as individual works in their vivid, spontaneous and modern-seeming strokes.