In It Together 24-APRIL-2020 Final

Total Page:16

File Type:pdf, Size:1020Kb

In It Together 24-APRIL-2020 Final IN IT TOGETHER The Art Fundraiser for COVID 19 Relief An artist-led initiative to support relief work carried out by Facilitated by PARTICIPATING ARTISTS AKSHAY SETHI NILIMA SHEIKH ANJU DODIYA PARAMJIT SINGH ANJUM SINGH PRABHAKAR PACHPUTE ANUPAM ROY PRANATI PANDA ARPITA SINGH PRANEET SOI ASIM WAQIF RAGHU RAI ATUL BHALLA RAKHI PESWANI ATUL DODIYA RAM KUMAR BHARAT SIKKA RAM RAHMAN BIJOY JAIN RANBIR KALEKA DESMOND LAZARO RATHIN BARMAN DHARMENDRA PRASAD REENA SAINI KALLAT G R IRANNA RENUKA RAJIV GAURI GILL SACHIN GEORGE SEBASTIAN GIGI SCARIA SAMIT DAS GULAMMOHAMMED SHEIKH SEHER SHAH JAGANNATH PANDA SHEILA MAKHIJANI JITISH KALLAT SHILPA GUPTA MADHVI PAREKH SHRIMANTI SAHA MANU PAREKH SUDARSHAN SHETTY MANISHA PAREKH SUDHIR PATWARDHAN MANISH NAI SUHASINI KEJRIWAL MARTAND KHOSLA SUMAKSHI SINGH MITHU SEN SUNIL PADWAL MOONIS AHMAD SHAH TALLUR L N N PUSHPAMALA TEHMEENA FIRDOS NEHA THAKAR VIBHA GALHOTRA NIKHIL CHOPRA VIVAN SUNDARAM IN IT TOGETHER is an artist-led initiative seeking to raise awareness and support organisations that are working to alleviate the severity of the crisis caused by COVID-19 epidemic and the nation-wide lockdown on migrant workers as well as poor and vulnerable members of our country. To control the rapid spread of the coronavirus pandemic in the country, an emergency lockdown was announced on 25 March, 2020. However, its sudden declaration stranded several thousands of people away from their homes without a guaranteed source of income, food, shelter and medical supplies. Others have lost livelihood and are unable to find the means to sustain themselves. The fundraiser initiative is aimed at raising contributions to support the relief work carried out by two organisations Goonj and Karwan e Mohabbat in many of the states to provide timely sustenance and basic necessities to those affected. The focus is on providing cooked food and dry ration packets to stranded migrant workers, the violence-affected families, vulnerable populations like aged, disabled and refugees as well as other distressed families and individuals. Facilitated by Foundation for Indian Contemporary Art, the fundraiser brings together members of the art community who have generously pledged artworks to the cause. Fifty five artists from across generations and cities have come together to form a very special ‘art pool’ made of prints, photographs, drawings, paintings and sculptures. Each donor who contributes to the fundraiser will receive an artwork in return. This exchange marks a moment of solidarity and our ability to come together in moments of crisis and extend a hand to those that are the ‘last in the line.’ In this momentary socially distanced nature of our community, we seek new ways to form connections and express our social responsibility towards those in dire need. How to Participate 1. To get the process going, please get in touch with the FICA Team ([email protected]) to confirm participation and indicate your donation bracket. 2. You will then be invited to make a donation to either organisations directly. You can pledge an amount in any one of these brackets: Rs 25,000 | Rs 50,000 | Rs 1,00,000 | Rs 2,00,000 | Rs 3,00,000 and above Please note there are a limited number of artworks in each bracket. Please see the following pages for further details. 3. Once this donation is made please share the receipt of this at [email protected] with the subject heading Donation Receipt. You can also share a screen shot of the page. 4. The fundraiser will culminate in recipients being gifted an artwork donated by artists for the cause. 5. Please note that the transportation of the works will be borne by the donor. This process can be carried out only once the lockdown is lifted. FICA will support with the logistics. 6. All contributions made are eligible for tax deduction of 50% u/s 80G of the Income Tax Act 1961. The certificates and receipts will be received directly from the organization where the donation was made. Please visit our website www.ficart.org for further details on the IN IT TOGETHER fundraiser. You can write to [email protected] / [email protected] for further details A Note from FICA Team As our country comes to a standstill to deal with the crisis perpetuated by COVID-19 and the subsequent lockdown, we are put in an unnatural state of stasis - some of us are locked in our home while others are left to fend for themselves without resources and livelihood. This is without doubt a life-altering moment that makes us stop and think about privilege and precarity. about our immensely heterogenous and divided society, and about the uncertain future that awaits us. The title of the fundraiser ‘In It Together’ was not so much about assuming that our experiences of this crisis are the same but about the possibility of sharing and supporting each other through it. Gauri Gill was one of the first to respond to our call for this fundraiser. Sharing a poignant photograph of a rudimentary wooden structure, she attached this note with it: “At the best of times, home is a precarious idea for many. It is shelter built on the back of one's livelihood, often transient. Today, when many workers in India's mostly informal economy have tragically lost their jobs, unable to afford rent for basic quarters in the city, yet unable to reach their ancestral homes in the village, where families and emotional ties exist, the idea of home becomes another luxury available only to those with power and capital. Yet, even though resources are inequitably shared, if COVID-19 has taught us anything, it is that we are essentially interdependent. Migrant workers and the privileged rich and middle classes, people of all faiths and non-faiths, men and women, the young and old, are cut from the same fabric, and share an ecosystem: a collective home, country, planet, in which we exist as equals. The vulnerability of any one makes the whole weak and unstable. Each person must have food, safe shelter, money to cover basic needs and access to medical care. We're all in it together—this is the time to finally know it." The fundraiser is not ours alone. It is an artist-initiated platform - one that we were invited to facilitate and structure. We have in turn reached out to others - artists, gallerists, donors and friends – to help in various ways and together developed this online initiative. Artists joined the cause with a readiness that was heartwarming. We invited them from different parts of the country and also across generations because we wanted the fundraiser to express the multiplicity of contexts from which practices emerge. Amidst discussions on the fundraiser, we exchanged notes about the precarious times ahead for creative practitioners and also the different conditions under which artists are reconfiguring life and work. The collection that has been gathered – of prints, paintings, sculptures and photographs – commemorates the solidarity expressed by the artistic community. We want to use this opportunity to thank them for their generosity. Finding our ground between feeling and action, Nilima Sheikh sums up this collective initiative: The role of the artist in reaching out and sharing the suffering of others sounds rather sentimental to me. However, this fundraiser gives us an opportunity to link ourselves as a collective to reach groups and organisations doing relief work rather than as civic individuals. It is a learning and healing proposition. Artists often come together: during natural and man-made catastrophes; we have in the past often rallied together for raising funds. And this time, if we are in it together, we can be engaging together.” Image in the previous page: Shilpa Gupta, I want to live with no fear Digital print on archival paper 12.5 x 16.5 inches 2018 Edition: 2/6 Donation Bracket: Rs 25,000 10 artworks Artists include Shrimanti Saha, Akshay Sethi, Tehmeena Firdos, Renuka Rajiv, Prabhakar Pachpute and Ram Kumar (Limited Edition Print) (Some images shared below) SHRIMANTI SAHA Shelter Graphite, pencil color, watercolor, casein on paper 20.5x16 inches 2019 NEHA THAKAR From the series, Frozen Homes Photo Performance, 8 x 11 inches each 2016 RENUKA RAJIV Monolow 9.5 x 6.3 inches each Monotype 2013 Donation Bracket: Rs 50,000 10 artworks Artists include N Pushpamala, Anupam Roy, Pranati Panda, Rakhi Peswani, Sachin George Sebastian , Rathin Barman and Martand Khosla (Some images shared below) SACHIN GEORGE SEBASTIAN Untitled Handcut archival paper 21 x 14.5 x 2.5 inches 2017 MARTAND KHOSLA Untitled 5.8 x 8.3 inches each ink on paper 2018 PUSHPAMALA N Eugenics Giclee print ( archival inkjet print) 36x36 inches Edition of 10 2020 PRANATI PANDA Breathing Inside 1 Watercolour, ink and hand stitched embroidery on rice 19 inches diameter 2019 ANUPAM ROY Vertical landscape Distemper and black pigment on 2 mm correx corrugated plastic sheet Size: 6ft x 2ft; Year: 2018 RATHIN BARMAN We Have Other Views on This Paint and brass inlay on concrete panel 16 x 16 x 1 inches approx (Wall mounted work) Indicative image 2018 Donation Bracket: Rs 1,00,000 15 artworks Artists include Seher Shah, Moonis Ahmad Shah, Paramjit Singh, Gigi Scaria, G R Iranna, Nikhil Chopra, Prabhakar Pachpute, Gulammohammed Sheikh, Sudarshan Shetty and Praneet Soi (Some images shared below) GIGI SCARIA Untitled, Watercolour on paper 14 x 18.75 inches 2016 PRABHAKAR PACHPUTE Exclamation Charcoal and acrylic on paper 19.7 x 25.6 inches 2016 SEHER SHAH Hewn (splinter) Woodcut on A4 size grid paper Monoprint 2014 PRANEET SOI Building, Mumbai with a study of a tree in winter, in Amsterdam
Recommended publications
  • Raja Ravi Varma 145
    viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art.
    [Show full text]
  • 20Years of Sahmat.Pdf
    SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
    [Show full text]
  • New Narratives in the Art of the Miniature
    FABULAR NEW NARRATIVES IN THE ART OF THE MINIATURE FOREWORD Change does not occur in a vacuum. Every step we take is There are some intriguing contradictions in this show. informed by one that has gone before; every move towards The contrast of an elegant, serene setting with the bold the future owes a debt to the past. statements on display; the cohesive character of a show peopled by a diverse group of artists; a contemporary Art is no exception. creative passion inspired by a traditional artistic past. I believe these contradictions will draw people into the show The tradition of the miniature is intrinsic to our cultural and leave them mesmerised. heritage. Characterised by fineness of detail and vivid imagery, these paintings are not only exquisite works of art In essence, this is the aim of the Harmony Art Show, but a valuable chronicle of our histories; snapshots, as it which has never been defined by prevailing market were, of civilisations in the making. trends or themes. In the past 16 years, our endeavour has remained the same: to evoke a greater interest in art In 2009, Harmony Art Foundation was proud to showcase among those who have been immune to its magic, and the miniature as an enduring legacy in a show that sought to enable the artist and art lover to find each other. In the renew our pride and engagement in this rich tradition. This process, we have strived to break down the barriers and year, with Fabular Bodies: New Narratives in the Art of the boundaries associated with art, making it accessible to Miniature, curated by Gayatri Sinha, we take a step forward, people from every walk of life,while recognising to celebrate the miniature as inspiration for contemporary promising talent and giving it a platform to shine alongside creative inquiry.
    [Show full text]
  • Brush with Boldness
    Brush with boldness The GenNext of women artists wields a confident and adventurous brush when it comes to expressing the art of the current century, writes Nirupama Dutt Let me begin by saying that I object to the term ‘woman artist.’ I am an artist. Also, I do not see myself as a crusader because of the time one has been born in. I certainly feel that the times are different and each artist has her/his own respective journey to make and experiences to learn from,’ says Sheila Makhijani, one of the serious painters of the new millennium. How different she sounds and how much more self-assured than the women artists who came before her in the seventies — neither those self- conscious and self-effacing remarks nor the pressure to prove herself as a woman artist. There is also no compulsive need to probe the layers feminine or feminist psyche. But this "I have been able to translate confidence is not born in a vacuum. It is the newer perceptions into my result of some very hard work put in the field of works" art by women who came before them. Manisha Parekh has chosen to move far away from the figurative to experiment with the abstract Although traditional Indian art always had woman practitioners even if they remained anonymous, as far as modern Indian art goes, the First Lady of the Canvas was Amrita Sher-Gil (1913-1941). Sher-Gil, with her mixed Indo-Hungarian parentage, aristocratic background and Parisian training in art, was the lone star in the colonial times.
    [Show full text]
  • Standing up for Those Who Stood with Us
    Standing up for those who stood with us Statement of support for Lawyers Collective We, the undersigned concerned citizens, are extremely perturbed at the increasing tendency of the Government, through its agencies, to use excessive power to curb the voice of the people, which is the very essence of democracy. The work of Lawyer’s Collective in general and Indira Jaising and Anand Grover, in particular, has contributed to changing the lives not just of individuals but of citizens of a democratic republic. They have not only represented the rights of individuals and communities such as slum dwellers, workers, trade unions, prisoners, SC/ST associations, Bhopal Gas tragedy victims, women, LGBTQ+ and other marginalised communities as lawyers, but have also contributed immensely to the discourse of human rights and state accountability as public intellectuals. They represent a commitment to the country that our founding leaders envisioned and that is enshrined in our Constitution. They have fearlessly exercised their right to not just freedom of speech and expression but the fundamental right of every citizen to hold the Government and Institutions of the day accountable. This is a right that every constitutional democracy must seek to protect for its citizenry. The registration of an FIR against them under the Foreign Contribution Regulation Act, Prevention of Corruption Act and the Indian Penal Code, on the very allegations that are already under challenge before the High Court of Bombay, is a clear sign of executive haste and overreach. Pillorying them in this manner would deprive vulnerable sections of society of the benefit of representation of such high calibre and commitment.
    [Show full text]
  • Bright and Brilliant Painters Around the World V.V.S.Manian
    Bright and Brilliant Painters around the world V.V.S.Manian Contents A.E.Kieren Adriaen Brouwer Adriaen van de Venne Armin Mersmann Arpita Singh Artemisia Gentileschi Bikash Bhattacharjee Canaletto Diego Rivera El Greco Emanuel Gottlieb Leutze Fares Cachoux Frederic Remington George Keyt Gustave Courbet Hassan Massoudy Henri Rousseau Heri Dono Hieronymus Bosch Honore Daumier Hossein Nuri & Nadia Ivan KonstantinovichAivazovsky Jacques –Louis David Jean-Baptiste-Camille Corot Johan Vermeer Johann Michael Rottmayr Kara Walker Kole Idromeno Leonardo Da Vinci Master Mahmoud Farschchian Michelangelo Pablo Picasso Paolo Uccello Patrick Ching Pawel Kuczynski Peter McIntyre Philip Guston Porternari Quintus Pedius Rabindranath Tagore Raphael Rembrandt Harmenszoon van Rijn Richard David Shepherd Sandro Botticelli A.E.Kieren A.E. Kieren is a free lance illustrator and performer. He is a specialist in on – location “sketch journalism” as well as events entertainment. He is famous for sketching human moments happening around him- on the train, in bars/restaurant and on the street. He is fast, operating on instinct to catch. “You had to be there- moments of his subjects doing everything from chatting to staring into space”. Kieren holds a BFA on Illustration from College for Creative Studies in Detroit, MI, and an MFS in Illustration and Visual Essay from School of Visual Arts in New York City. His ambition includes editorial illustration for magazines, book covers, theatre posters and wine labels. Kieren’s clients include Target, Entertainment Weekly, John Hopkins Magazine and Refinery Hotel. He lives in New York. Adriaen Brouwer Adriaen Brouwer was a Flemish painter. Brouwer worked in Haarlem and Amsterdam before joining the Antwerp painters’ guild.
    [Show full text]
  • We, the Undersigned, Are Shocked at the Action of the up Police Under
    We, the undersigned, are shocked at the action of the UP police under Yogi Adityanath in filing criminal charges against The Wire and against one of its founding editors, Siddharth Varadarajan. This attack on media freedom, especially during the Covid-19 crisis, endangers not just free speech, but the public’s right to information. The target of this action is a factual story on the Tablighi Jamaat and its exposure to Covid- 19. Towards the end, the impugned article merely pointed out that “Indian believers” more generally have been late to adopt precautions and avoid congregation, recalling UP Chief Minister Yogi Adityanath’s plans, as late as March 18, to proceed with a religious fair at Ayodhya and his flouting of the national lockdown and social distancing norms by taking part in a religious ceremony along with others on March 25. Two FIRs were filed under various sections of the law on April 1, one on a complaint by a resident of Ayodhya and the other on the basis of a complaint by the SHO of the Kotwali Nagar police station, Faizabad. A plain reading of the sections invoked in the FIRs (given below) makes it clear they cannot possibly apply to the article in question. The FIRs were followed up with a gross display of intimidation on April 10 when policemen arrived in a black SUV with no numberplates at Varadarajan’s residence in Delhi to issue a legal notice ordering him to appear in Ayodhya on April 14 at 10 am. That the UP government sent policemen driving across 700 kilometres during the national lockdown to issue this summons when the postal system is still operational speaks volumes for its priorities.
    [Show full text]