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Ethnomathematics and Education in Africa
Copyright ©2014 by Paulus Gerdes www.lulu.com http://www.lulu.com/spotlight/pgerdes 2 Paulus Gerdes Second edition: ISTEG Belo Horizonte Boane Mozambique 2014 3 First Edition (January 1995): Institutionen för Internationell Pedagogik (Institute of International Education) Stockholms Universitet (University of Stockholm) Report 97 Second Edition (January 2014): Instituto Superior de Tecnologias e Gestão (ISTEG) (Higher Institute for Technology and Management) Av. de Namaacha 188, Belo Horizonte, Boane, Mozambique Distributed by: www.lulu.com http://www.lulu.com/spotlight/pgerdes Author: Paulus Gerdes African Academy of Sciences & ISTEG, Mozambique C.P. 915, Maputo, Mozambique ([email protected]) Photograph on the front cover: Detail of a Tonga basket acquired, in January 2014, by the author in Inhambane, Mozambique 4 CONTENTS page Preface (2014) 11 Chapter 1: Introduction 13 Chapter 2: Ethnomathematical research: preparing a 19 response to a major challenge to mathematics education in Africa Societal and educational background 19 A major challenge to mathematics education 21 Ethnomathematics Research Project in Mozambique 23 Chapter 3: On the concept of ethnomathematics 29 Ethnographers on ethnoscience 29 Genesis of the concept of ethnomathematics among 31 mathematicians and mathematics teachers Concept, accent or movement? 34 Bibliography 39 Chapter 4: How to recognize hidden geometrical thinking: 45 a contribution to the development of an anthropology of mathematics Confrontation 45 Introduction 46 First example 47 Second example -
Among the Baganda
3Rashid37.5.qxd 02/11/2006 16:14 Page 89 Eroticism, Sensuality and ‘Women’s Secrets’ Among the Baganda Sylvia Tamale* 1 Introduction (McFadden 2003; Pereira 2003). This study of Ssenga Sexuality is intricately linked to practically every aspect is set against the backdrop of the institution of of our lives: to pleasure, power, politics and patriarchy and the legacy of colonialism. In Uganda, procreation, but also to disease, violence, war, colonialist constructions of Africans as profligate and language, social roles, religion, kinship structures, hypersexual led to the intensified repression and identity, creativity ... The connection and collision surveillance of African women’s sexuality in between human sexuality, power and politics provide particular. Colonialists worked hand in hand with the inspiration for this article, which explores the African patriarchs to develop inflexible customary various ways the erotic facility is used, as both an laws that evolved into new structures and forms of oppressive and empowering resource. In her domination (Schmidt 1991; Mama 1996) and deployed compelling essay, subtitled The Erotic as Power, Audre various legal and policy strategies and discourses in Lorde (1984) argues for the construction of the erotic the areas of medical health and hygiene. Traditional as the basis of women’s resistance against oppression. customs were reconfigured to introduce new sexual For her, the concept entails much more than the mores, taboos and stigmas. Women’s sexuality was sexual act, connecting meaning and form, infusing the medicalised and reduced to reproduction (Vaughan body and the psyche. Before Lorde, Michel Foucault 1991; Musisi 2002). Through adopting Christianity, (1977, 1990) demonstrated how the human body is a Africans were encouraged to reject their previous central component in the operation of power. -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133 -
Module 2: Investigating History
Primary Subject Resources Social Studies and the Arts Module 2 Investigating History Section 1 Investigating family histories Section 2 Investigating how we used to live Section 3 Using different forms of evidence in history Section 4 Understanding timelines Section 5 Using artefacts to explore ENGLISH TESSA (Teacher Education in Sub-Saharan Africa) aims to improve the classroom practices of primary teachers and secondary science teachers in Africa through the provision of Open Educational Resources (OERs) to support teachers in developing student-centred, participatory approaches. The TESSA OERs provide teachers with a companion to the school textbook. They offer activities for teachers to try out in their classrooms with their students, together with case studies showing how other teachers have taught the topic, and linked resources to support teachers in developing their lesson plans and subject knowledge. TESSA OERs have been collaboratively written by African and international authors to address the curriculum and contexts. They are available for online and print use (http://www.tessafrica.net). The Primary OERs are available in several versions and languages (English, French, Arabic and Swahili). Initially, the OER were produced in English and made relevant across Africa. These OER have been versioned by TESSA partners for Ghana, Nigeria, Zambia, Rwanda, Uganda, Kenya, Tanzania and South Africa, and translated by partners in Sudan (Arabic), Togo (French) and Tanzania (Swahili) Secondary Science OER are available in English and have been versioned for Zambia, Kenya, Uganda and Tanzania. We welcome feedback from those who read and make use of these resources. The Creative Commons License enables users to adapt and localise the OERs further to meet local needs and contexts. -
Wodaabe 1 Wodaabe
Wodaabe 1 Wodaabe Wodaabe A group of traveling Wodaabe. Niger, 1997. Total population 45,000 in 1983 Regions with significant populations Niger, Cameroon, Central African Republic, Nigeria Languages Fula Religion Islam, Oriental Orthodoxy, African traditional religion Related ethnic groups Fula The Wodaabe (Fula: Woɗaaɓe) or Bororo are a small subgroup of the Fulani ethnic group. They are traditionally nomadic cattle-herders and traders in the Sahel, with migrations stretching from southern Niger, through northern Nigeria, northeastern Cameroon, and the western region of the Central African Republic.[1] [2] The number of Wodaabe was estimated in 1983 to be 45,000.[3] They are known for their beauty (both men and women), elaborate attire and rich cultural ceremonies. The Wodaabe speak the Fula language and don't use a written language.[3] In the Fula language, woɗa means "taboo", and Woɗaaɓe means "people of the taboo". "Wodaabe" is an Anglicisation of Woɗaaɓe. [3] [4] [5] [6] This is sometimes translated as "those who respect taboos", a reference to the Wodaabe isolation from broader Fulbe culture, and their contention that they retain "older" traditions than their Fulbe neighbors.[7] In contrast, other Fulbe as well as other ethnic groups sometimes refer to the Wodaabe as "Bororo", a sometimes pejorative name,[5] translated into English as "Cattle Fulani", and meaning "those who dwell in cattle camps".[8] By the 17th century, the Fula people across West Africa were among the first ethnic groups to embrace Islam, were often leaders of those forces which spread Islam, and have been traditionally proud of the urban, literate, and pious life with which this has been related. -
Surrogate Surfaces: a Contextual Interpretive Approach to the Rock Art of Uganda
SURROGATE SURFACES: A CONTEXTUAL INTERPRETIVE APPROACH TO THE ROCK ART OF UGANDA by Catherine Namono The Rock Art Research Institute Department of Archaeology School of Geography, Archaeology & Environmental Studies University of the Witwatersrand A thesis submitted to the Graduate School of Humanities, University of the Witwatersrand, Johannesburg, South Africa for the Degree of Doctor of Philosophy March 2010 i ii Declaration I declare that this is my own unaided work. It is submitted for the degree of Doctor of Philosophy in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. Signed:……………………………….. Catherine Namono 5th March 2010 iii Dedication To the memory of my beloved mother, Joyce Lucy Epaku Wambwa To my beloved father and friend, Engineer Martin Wangutusi Wambwa To my twin, Phillip Mukhwana Wambwa and Dear sisters and brothers, nieces and nephews iv Acknowledgements There are so many things to be thankful for and so many people to give gratitude to that I will not forget them, but only mention a few. First and foremost, I am grateful to my mentor and supervisor, Associate Professor Benjamin Smith who has had an immense impact on my academic evolution, for guidance on previous drafts and for the insightful discussions that helped direct this study. Smith‘s previous intellectual contribution has been one of the corner stones around which this thesis was built. I extend deep gratitude to Professor David Lewis-Williams for his constant encouragement, the many discussions and comments on parts of this study. His invaluable contribution helped ideas to ferment. -
Catalogue 97
Eastern Africa A catalogue of books concerning the countries of Kenya, Uganda, Tanzania, Rwanda, Burundi, and Malawi. Catalogue 97 London: Michael Graves-Johnston, 2007 Michael Graves-Johnston 54, Stockwell Park Road, LONDON SW9 0DA Tel: 020 - 7274 – 2069 Fax: 020 - 7738 – 3747 Website: www.Graves-Johnston.com Email: [email protected] Eastern Africa: Catalogue 97. Published by Michael Graves-Johnston, London: 2007. VAT Reg.No. GB 238 2333 72 ISBN 978-0-9554227-1-3 Price: £ 5.00 All goods remain the property of the seller until paid for in full. All prices are net and forwarding is extra. All books are in very good condition, in the publishers’ original cloth binding, and are First Editions, unless specifically stated otherwise. Any book may be returned if unsatisfactory, provided we are advised in advance. Your attention is drawn to your rights as a consumer under the Consumer Protection (Distance Selling) Regulations 2000. The illustrations in the text are taken from item 49: Cott: Uganda in Black and White. The cover photograph is taken from item 299: Photographs. East Africa. Eastern Africa 1. A Guide to Zanzibar: A detailed account of Zanzibar Town and Island, including general information about the Protectorate, and a description of Itineraries for the use of visitors. Zanzibar: Printed by the Government Printer, 1952 Wrpps, Cr.8vo. xiv,146pp. + 18pp. advertisements, 4 maps, biblio., appendices, index. Slight wear to spine, a very nice copy in the publisher’s pink wrappers. £ 15.00 2. A Plan for the Mechanized Production of Groundnuts in East and Central Africa. Presented by the Minister of Food to Parliament by Command of His Majesty February, 1947. -
Omweso -.:: GEOCITIES.Ws
Omweso: The Royal Mancala Game Of Uganda - A General Overview Of Current Research Author: Brian Wernham1, International Omweso Society2 Brief introduction to the rules of Omweso ..................................................................................................... 2 Speculation On The Origins Of Omweso....................................................................................................... 5 Recent tournaments ........................................................................................................................................ 7 Omweso’s Complexity ................................................................................................................................... 8 State-Space Complexity ............................................................................................................................. 8 Game-tree Complexity ............................................................................................................................... 9 Mutational Complexity............................................................................................................................. 10 Standard Set-Ups: 2 examples...................................................................................................................... 11 Example ‘junior grouping’ set-up............................................................................................................. 11 Example ‘senior grouping’ set-up ........................................................................................................... -
"Women's Secrets" Among the Baganda
Feature article • 9 • Eroticism, sensuality and “women's secrets” among the Baganda: A critical analysis Sylvia Tamale1 Introduction Sexuality is intricately linked to practically every aspect of our lives: to pleasure, power, politics and procreation, but also to disease, violence, war, language, social roles, religion, kinship structures, identity, creativity… the list is endless. The connection and collision between human sexuality,2 power and politics pro- vided the major inspiration for this piece of research. Specifically, I wanted to explore the various ways in which the erotic is used both as an oppressive and empowering resource. In her compelling essay sub-titled The Erotic as Power, Audre Lorde (1984) argues for the construction of the erotic as the basis of women's resistance against oppression. For her, the concept entailed much more than the sexual act, connecting meaning and form, infusing the body and the psyche. Before Lorde, Michel Foucault (1977; 1990) had demonstrated how the human body is a central component in the operation of power. He theorised the body as “an inscribed surface of invents” from which the prints of history can be read (Rabinow, 1984: 83). In a bid to gain a better understanding of African women's sexuality, this article focuses on one particular cultural/sexual initiation institution among the Baganda3 of Uganda, namely the Ssenga.4 When one speaks of “ensonga za Ssenga” (Ssenga matters) among the Baganda, this is at once understood to signify an institution that has persisted and endured through centuries as a tra- dition of sexual initiation. At the helm of this elaborate socio-cultural institution is the paternal aunt (or surrogate versions thereof), whose role is to tutor young girls and women in a wide range of sexual matters, including pre-menarche practices, pre-marriage preparation, erotic instruction and reproduction. -
Mancala Notes
MANCALA Mancala is a name given to a large family of “ Pit and Seeds ” or “ Count, Sow and Capture ” games -- one of the oldest games known! Mancala games have been played the longest and most popular in Africa, though various versions are played all over the world. Boards have been found dating back to 1400 B.C in Eygpt. By 600 A.D. the game had spread to the Middle East and Asia. Surprisingly, the game was little known in Europe until the 19 th Century. In some parts of Africa. Mancala was reserved for royalty and people of rank, and play was limited to the men, or to particular seasons of the year, or to day time. Women had more important chores to do! The name, “Mancala, ” comes from the Arabic word meaning “ to move. ” Names of various games may refer to the board, or the seeds, or manners of play in native languages. Depending on the culture, pieces are “seeds” or “cows.” These two player games are played with a board, usually consisting of two or four equal rows of cup-shaped Pits that may be carved out of wood or stone, or even just dug out of the dirt. The row or rows on each player’s side belong to that player. Sometimes there is also a larger cup-shaped Storehouse for each player on his right side of the board. Several three row games have been found in Northeastern Africa, and modern inventers have even created a one row board with simultaneous play. The playing pieces may be large seeds, pebbles , or marbles , and they belong to a player only when they are in his row of pits. -
Bridging Peace Between Herders and Farmers in Nigeria
BRIDGING PEACE BETWEEN HERDERS AND FARMERS IN NIGERIA. A STUDY OF BORDERLINE ON RADIO NIGERIA, ENUGU. Stella Uchenna Nwofor http://www.ajol.info/index.php/cajtms.v.12.1.2 Abstract In the past decade, Nigeria; a nation state with a population of about one hundred and sixty million people and over two hundred and fifty ethno-linguistic, socio-cultural and religious groups, had suffered pervasive violent crises with devastating impacts on the peaceful co-existence of its citizens. These crises which were either fuelled by seemingly incompatible interests and values or mere hostilities, had resulted to major outcomes such as premature deaths, gruesome casualties and general stagnation in the socio- economic growth of the communities affected and the nation at large. Several reconciliatory measures and mediation processes have been applied by the Nigerian government, as well as the international community but the results are yet not impressive. This paper presents drama as an interventionist tool for conflict resolution and social reconstruction. Using qualitative methodology, the selected radio drama attempts using a dramatic approach to expose the various perspectives to the prevalent issues of conflicts between herders and farmers in Nigeria; and calls for a peaceful co-existence amongst the ethnic groups, hence, advocating for dialogue and negotiations rather than violence and aggression as effective ways of achieving lasting peace in the nation. Keywords: Conflict, Drama, Nigeria, peace, Radio. 22 Bridging Peace Between Herders and Farmers in Nigeria. A Study of Borderline on Radio Nigeria, Enugu. Introduction Conflict is an intrinsic and inevitable part of human existence. It is as old as man and has pervaded the life cycle of most nations, communities and individuals. -
Knowledge Organiser
2020-2021 Knowledge Organiser YEAR GROUP: 7 TERM: 2 NAME FORM “Knowledge is a better weapon than a sword.” – Patricia Briggs Year 7 Knowledge organiser Term 2 Page: 1 How to use your knowledge organiser You are expected to bring your knowledge organiser to the academy every day This knowledge organiser contains all the key knowledge that you need to know for your learning this term. You should spend at least 30 minutes every evening using the knowledge organiser to complete a learning homework. You should record the subject or subjects on the learning homework page and show this to your form tutor on a weekly basis. You will be tested in lessons on your learning from this knowledge organiser. In some lessons, your teacher will ask you to learn specific sections of the knowledge organiser, but otherwise you should work through each subject independently, trying to memorise the information in the booklet. The more you can remember, the more useful it will be for your lessons. How to learn using a knowledge organiser The best way to use a knowledge organiser is to revise the information so that you can recall it when you are asked. The best methods to do this are: ▪ Look, cover, write and check the key words and knowledge lists ▪ Ask a family or friend member to test you on the knowledge ▪ Create a mind map to remember the information in each section ▪ Write down on a blank piece of paper as much as you can remember from the organiser ▪ Use the knowledge organiser to help you complete work in school and at home Year 7 Knowledge organiser Term 2 Page: 2 SCHOLAR A scholar is a person who studies a subject and knows a lot about it.