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1 ANDREA TOFANELLI Resumè/Biography (UPDATED TO
ANDREA TOFANELLI http://www.andreatofanelli.it https://en.wikipedia.org/wiki/Andrea_Tofanelli https://es.wikipedia.org/wiki/Andrea_Tofanelli https://it.wikipedia.org/wiki/Andrea_Tofanelli https://no.wikipedia.org/wiki/Andrea_Tofanelli https://ja.wikipedia.org/wiki/アンドレア・トファネッリ http://www.vecchi-tonelli.it/studiare-in-istituto/docenti/andrea-tofanelli.html https://scuolamusicafiesole.it/it/didattica/corsi-di-perfezionamento/214-didattica/corsi-di- base/it/didattica/docenti/809-andrea-tofanelli https://www.facebook.com/AndreaTofanelliTrumpet Resumè/Biography (UPDATED TO January, 2018) Andrea was born in Viareggio (Lucca, Italy) on July 26, 1965. Mentioned on Wikipe- dia in 5 languages and in many other music books and encyclopedias, he began to study music and trumpet in 1975 in the wind ensemble of his village Torre del Lago Puccini with some musicians close to Dean Benedetti, the famous italo-american jazz saxophonist mentioned in all official Charlie Parker biographies. In 1979, at the age of 14, Andrea started working locally with some professional big bands and commercial music groups, and in 1981 he began performing professionally in the classical music field too, while simultaneously attending the Conservatory at the "Istituto Musicale Pareggiato L. Boccherini" in Lucca (Italy). In 1987 Andrea finished his Conservatory studies with highest full marks, graduating cum laude. That same year he studied with Armando Ghitalla (soloist trumpet with the Boston Symphony Orchestra and teacher at the University of Michigan) and consolidated -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
(Hg.) Menschliches Handeln Als Improvisation. Sozial- Und Musikwissenschaftliche Perspektiven
Ronald Kurt, Klaus Näumann (Hg.) Menschliches Handeln als Improvisation 2008-02-22 10-12-18 --- Projekt: transcript.titeleien / Dokument: FAX ID 0302171630609556|(S. 1 ) T00_01 schmutztitel - 754.p 171630609564 2008-02-22 10-12-18 --- Projekt: transcript.titeleien / Dokument: FAX ID 0302171630609556|(S. 2 ) T00_02 seite 2 - 754.p 171630609572 Ronald Kurt, Klaus Näumann (Hg.) Menschliches Handeln als Improvisation. Sozial- und musikwissenschaftliche Perspektiven 2008-02-22 10-12-18 --- Projekt: transcript.titeleien / Dokument: FAX ID 0302171630609556|(S. 3 ) T00_03 titel - 754.p 171630609580 Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung: Kordula Röckenhaus, Bielefeld Umschlagabbildung: Matthias Kunert: Kindergeburtstag (3/5), © Photocase 2008 Lektorat & Satz: Ronald Kurt, Klaus Näumann Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-754-7 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] 2008-02-22 10-12-18 --- Projekt: transcript.titeleien / Dokument: FAX ID 0302171630609556|(S. 4 ) T00_04 impressum -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Quaderno 2010
Catalogo_jazz_2010-def 16-12-2010 10:12 Pagina 1 Allonsanfàn il jazz di là dalle alpi 2010 QUINDICESIMA EDIZIONE Catalogo_jazz_2010-def 16-12-2010 10:12 Pagina 2 Quindici anni di Nuove Conversazioni Dopo quindici anni, “Vicenza Jazz” è più che una realtà consolidata: è un patrimonio della città e di tutto il territorio vicentino e veneto, oltre che un punto fermo nella geografia nazionale ed europea dei festi- val di primavera. Quando siamo partiti, nel ’96, pensavamo semplicemente di fare qualcosa di diverso, se possibile di significativo, qualcosa che in città non c’era e che, secondo noi, la città avrebbe apprezzato. 2 Certamente non pensavamo a quanta strada avremmo potuto fare ma non vi è dubbio che quindici anni di festival sembrano ora aver dato ragione alle intuizioni di allora. La nostra idea si chiamò “New Conversations”, nuove conversa- zioni, nuovi modi di parlarsi, di incontrarsi, di confrontarsi: nel jazz, nella musica, nella società e con tutti quelli che avevano voglia di mettersi in gioco per ritrovarsi in una Vicenza nuova, se possibile più europea. Così, ancora una volta, anche quest’anno Vicenza uscirà di casa, per le strade e nelle piazze, per entrare nei teatri e nei locali, nelle chiese e nei musei, nei cinema e ancora all’aperto. Il tutto, con uno scopo sostanzialmente semplice: guardarsi intorno, e dentro di sé, grazie all’unico linguaggio che non ha bisogno di traduzioni, quello della musica. E di tutte le musiche, il jazz è quella che da sempre più di tutte ha cercato nuovi incontri, senza il bisogno di traduttori, né di media- tori. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Ottobre / Novembre 2017 BJF 2017
ottobre / novembre 2017 BJF 2017 Il Bologna Jazz Festival giunge alla dodicesima edizione, proseguendo la strada intrapresa negli ultimi anni: una kermesse lunga quasi un mese che rappresenta la sintesi delle migliori proposte dell’attualità jazzistica internazionale con uno sguardo attento alla tradizione e uno proiettato verso i nuovi linguaggi. La manifestazione inizia strizzando l’occhio alla musica contem- poranea, facendo incontrare il jazz con l’elettronica (Enrico Rava - Matthew Herbert - Giovanni Guidi) e il rap (Steve Lehman & Sélébéyone). Prosegue poi con un omaggio alla carriera di Lee Konitz, tocca un apice con il concerto clou della manifestazione (Chick Corea & Steve Gadd Band) e si conclude celebrando i cento anni dalla nascita di Thelonious Monk (4 by Monk by 4). Il Festival non si limita ai concerti in teatro ma coinvolge anche numerosi altri luoghi delle città e provincie di Bologna, Ferrara e Modena. Arricchiscono l'architettura di questa edizione diverse iniziative multidisciplinari e didattiche, tra cui, per la prima volta, un articolato progetto europeo dedicato all’inte- grazione sociale e professionale dei musicisti migranti e rifugiati. Le illustrazioni del Bologna Jazz Festival 2017 sono opere originali realizzate da Lorenzo Mattotti in collaborazione con BilBOlbul Festival internazionale di fumetto e sono esposte sull'Autobus del Jazz e sulle bacheche di Cheap on Board. G0005_HERA_CULTURA_10,5x14,8.indd 1 12/09/16 14:38 8 Bravo Caffè 14 Teatro Duse Ottobre Novembre BINKER & MOSES 4 BY MONK BY 4 Centro Pandurera Bravo Caffè Cantina Bentivoglio 26 1 9 Bravo Caffè PAOLO FRESU BRIAN AUGER'S SMALLS LIVE 15 YELLOWJACKETS DEVIL QUARTET OBLIVION EXPRESS ON TOUR FEAT. -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Massimo Morganti, Nato a Fossombrone (PU) Il 02.09.1972, Residente a Corinaldo(AN) in Viarossini N
Il sottoscritto Massimo Morganti, nato a Fossombrone (PU) il 02.09.1972, residente a Corinaldo(AN) in ViaRossini n. 2/i,consapevole delle sanzioni penali richiamate dall’art. 76 del D.P.R. 28/12/00 n. 445 in caso di dichiarazioni mendaci e della decadenza dei benefici eventualmente conseguenti al provvedimento emanato sulla base di dichiarazioni non veritiere, di cui all’art. 75 del D.P.R. del 28/12/00 n. 445; ai sensi e per gli effetti dell’art. 46 del citato D.P.R. 445/2000; sotto la propria responsabilità DICHIARA: che le notizie riportate nel seguente curriculum sono vere Curriculum Vitae Massimo Morganti DATI ANAGRAFICI: Massimo Morganti Nato a Fossobrone (PU) il 02.09.1972 Residente in viale G. Rossini 2/i 60013 Corinaldo (AN) Tel. 07167045 Cell. 3396496079 e-mail: [email protected] TITOLI di STUDIO 1990 Diploma di Maturità Tecnica Commerciale presso l’Istituto “Corinaldesi” di Senigallia. 1995 Diploma di Trombone presso il Conservatorio di Musica “G. Rossini” di Pesaro 2011 Diploma di Composizione presso il Conservatorio di Musica “G. Rossini” di Pesaro. 2007 Diploma di Strumentazione per Banda presso il Conservatorio di Musica “G. Rossini” di Pesaro. PERCORSO FORMATIVO (formazione classica) 1993/1994 studia trombone con il M° Maurizio Mineo presso la Scuola Civica di Milano 1995 si diploma in Trombone al Conservatorio G. Rossini di Pesaro 1999/2002 studia tecnica degli ottoni con il M° Giancarlo Parodi 2002/2005 frequenta vari seminari sulla tecnica degli ottoni tenuti dal M° Rex Martin della Northwestern University di Chicago 2007 si diploma in Strumentazione per Banda 2011 si diploma in Composizione PERCORSO FORMATIVO (formazione jazzistica) 1993/1994 in qualità di primo trombone frequenta il Corso di Formazione Professionale per Orchestra Jazz tenuto presso l’Associazione “Paese degli Specchi” di Bologna con docenti quali Bruno Tommaso, Kenny Wheeler, George Russel e Mike Gibbs. -
Dave Douglas/Marcus Rojas Duo
Solos and Duos Series Glenn Siegel, Program Director 15 Curry Hicks, 100 Hicks Way (413) 545-2876 University of Massachusetts [email protected] Amherst, MA 01003 www.fineartscenter.com THE 2008 SOLOS & DUOS SERIES PRESENTS: Dave Douglas/Marcus Rojas Duo The Solos & Duos Series, produced by the Fine Arts Center at the University of Massachusetts at Amherst, concludes its 7th season with a duo concert by trumpeter Dave Douglas and tuba player Marcus Rojas on Thursday, November 20, in Bezanson Recital Hall at 8:00pm. Dave Douglas is widely recognized as one of the most important and original American musicians to emerge from the jazz and improvised music scene of the last decade. His collaborations as a trumpeter read like a who's who of important contemporary artists: John Zorn, Joe Lovano, Bill Frisell, Don Byron, Steve Lacy, Anthony Braxton, Myra Melford, Andy Bey, Trisha Brown, Henry Grimes, Tom Waits, Rabih Abou-Khalil, DJ Olive, Ikue Mori, Han Bennink, Misha Mengelberg, Uri Caine, Roswell Rudd, Andrew Cyrille, Marc Ribot, Karsh Kale, Mark Dresser, Marty Ehrlich, and many others. For the past half decade Dave Douglas has repeatedly been named trumpeter, composer, and jazz artist of the year by such organizations as the New York Jazz Awards, Down Beat, Jazz Times, and Jazziz. Dave Douglas is “an original thinker blessed with a seemingly bottomless well of intriguing ideas,” writes Howard Reich. Since 1993, Douglas has released 21 albums of original music, and has appeared on over one hundred recordings. His 2000 album “Soul on Soul”, was voted “Album of the Year” by DownBeat.