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The Prospector, September 26, 2017
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 9-26-2017 The rP ospector, September 26, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, September 26, 2017" (2017). The Prospector. 294. http://digitalcommons.utep.edu/prospector/294 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. VOL. 103, NO. 5 THE UNIVERSITY OF TEXAS AT EL PASO SEPTEMBER 26, 2017 BY CHRISTIAN VASQUEZ body wants to represent Chica- The Prospector nos through a cholo.” Daniel’s novel, “Th e Cholo When people ask Kenneth Tree,” is about an artist frequent- Chacón why he still dresses like ly mistaken for a cholo. Victor a cholo—a Chicano with a bald doesn’t think of himself as a head and tattoos—as a tenured cholo, though his mom thinks professor, he tells them, “when otherwise, and eventually fi nds a homeboy or a homegirl walks himself drawn into the culture, into my classroom, I want to say, partly because everyone thinks ‘Ora, cholos welcome.’” he already is one. “No Cholos Allowed: A Read- “‘I’m not a cholo,’ I repeated,” ing and Discussion on Cholos & Daniel writes in his book. -
Member Orientation Package Revised 2015
SUS Member Orientation Package Revised 2015 We welcome you to Singles Under Sail, Inc. SUS members are required to meet certain education requirements. It is mandatory for all NEW members to have met the following requirements by their second membership renewal date: 1) To have completed the SUS Dockside Orientation Class (DOC), AND 2) To have passed either the U.S. Coast Guard Auxiliary's or the U.S. Power Squadron's Basic Boating Course (8 hours minimum), OR provide proof of having held a U.S. Coast Guard Captain’s license, AND 3) To attend an SUS Member Orientation Class (MOC). See the SUS Bylaws (attached) for additional information. In the Member Orientation Class (which lasts approximately 1-1/2 hours) we will review SUS policies, procedures and guidelines and give you an opportunity to ask questions about the Club. The Dockside Orientation Class is approximately 4 hours and given on a docked boat (usually one of the SUS Skipper’s boats). We encourage everyone to enhance SUS sailing activities with sailing and boating classes. We believe it is important for all members to become active, contributing, participants in SUS. In return you can enjoy great sailing, programs and social events with some of the best people you may ever meet. This booklet contains all the information you will need to become an active participant in SUS. BRING THIS BOOK WITH YOU TO THE MOC. http://www.singlesundersail.org VISIT THE SUS WEBSITE singlesundersail.org for additional information and updates. The site requires a user name and password to access members only material. -
Jackline Update
A P R I L 2 0 2 1 JACKLINE INSURANCE PROGRAM 2021 NEWS & UPDATES FEAR NO HORIZON - INSURANCE FOR GLOBAL CRUISERS & LIVING ABOARD The Jackline Insurance Program by Gowrie Group is a comprehensive insurance program designed to protect yachts and their owners cruising throughout the world. Our marine insurance experts understand the cruising lifestyle, and work with our clients to create customized insurance solutions to align with cruising plans and coverage needs. The Jackline Program includes key protection important to cruisers, such as world-wide navigation, approval for living aboard with a crew of two, personal property coverage, mechanical breakdown, ice damage, pollution liability, reef damage liability, loss of use, and more. The program is endorsed by Seven Seas Cruising Association (SSCA), underwritten by Markel Insurance, and managed by Gowrie Group, a Division of Risk Strategies. CONTENTS INSURANCE MARKET - UPDATE FOR CRUISERS The insurance marketplace has experienced unprecedented forces and undergone significant changes in the past few years. 2020 presented not only a global pandemic, but also delivered a Fear No Horizon continuation of the multi-year trend of extremely active, destructive, and costly Atlantic Hurricane Seasons. Many insurance companies have reacted to the multi-year catastrophic losses, by reevaluating their rates and in some cases, exiting the marine insurance market. These changes Insurance Market Update have left thousands of boat owners with a policy scheduled for non-renewal, and limited options for how to secure new coverage. Did You Know? The Jackline Insurance Program, underwritten by Markel and managed by Gowrie Group, is proud to confirm that we are committed to our cruising clients, and we have no plans to exit from the marine insurance market. -
The Serious Business of Graphic Novels Guide by A
The Serious Business of Graphic Novels Guide by A. David Lewis (11/10/06) Prepared for the NACAE 1. This is just the title slide, something static yet interesting to have on the screen while the audience is waiting. In addition to specifying the date and place (to make it seem tailored for them), I really like the contrast between a “serious” title and a very “un-serious” image (in this case, my own caricature); it’s also a decent place to “hide” your own logo or company name in plain sight, if such is the case for you. I would only ask, as people modify and use this presentation as a template, that they mention its being “Derived from The Serious Business of Graphic Novels by A. David Lewis, courtesy of the NACAE” as some sort of sub-title. It needn’t even be that big and it gives you a bail-out if the audience objects to something or asks a question to which you don’t know the answer. 2. This slide is entirely optional but highly necessary in some fashion if the group to whom you are speaking is unfamiliar with you. That is, if it’s your own class, skip it; they know you, and you already have (hopefully!) a rapport. But, if you’re relatively new to them, then this should be your “credentials slide:” Why should they listen to you about comics? The goal here is “show, don’t tell” -- You’ll explain what your own book covers or university campus photographs or company building means aloud. -
Glossary of Nautical Terms: English – Japanese
Glossary of Nautical Terms: English – Japanese 2 Approved and Released by: Dal Bailey, DIR-IdC United States Coast Guard Auxiliary Interpreter Corps http://icdept.cgaux.org/ 6/29/2012 3 Index Glossary of Nautical Terms: English ‐ Japanese A…………………………………………………………………………………………………………………………………...…..pages 4 ‐ 6 B……………………………………………………………………………………………………………………………….……. pages 7 ‐ 18 C………………………………………………………………………………………………………………………….………...pages 19 ‐ 26 D……………………………………………………………………………………………..……………………………………..pages 27 ‐ 32 E……………………………………………………………………………………………….……………………….…………. pages 33 ‐ 35 F……………………………………………………………………………………………………….…………….………..……pages 36 ‐ 41 G……………………………………………………………………………………………….………………………...…………pages 42 ‐ 43 H……………………………………………………………………………………………………………….….………………..pages 49 ‐ 48 I…………………………………………………………………………………………..……………………….……….……... pages 49 ‐ 50 J…………………………….……..…………………………………………………………………………………………….………... page 51 K…………………………………………………………………………………………………….….…………..………………………page 52 L…………………………………………………………………………………………………..………………………….……..pages 53 ‐ 58 M…………………………………………………………………………………………….……………………………....….. pages 59 ‐ 62 N……………….........................................................................…………………………………..…….. pages 63 ‐ 64 O……………………………………..........................................................................…………….…….. pages 65 ‐ 67 P……………………….............................................................................................................. pages 68 ‐ 74 Q………………………………………………………………………………………………………..…………………….……...…… page 75 R………………………………………………………………………………………………..…………………….………….. -
Specification SAILS & RIGS
January 2014 Specification for SAILSetc International One Metre SAILS & RIGS prices valid for orders paid during 2014 SAILS No 1 £76.00 No 2 £80.25 No 3 £70.25 mainsail and headsail have the following features general features battens, tapered, self adhesive four panels in mainsails three panels in headsails (2 only in No 3) built in shaping at seams All sails NOT SEWN as standard luff shaping suitable for application eyelets, slides or small pocket luff finish on mainsails cloth suitable for application No 1 sails 50 micron film No 2 & No 3 sails 75 micron film headsail luff has a narrow pocket suitable for a 0.6 mm diameter forestay colour of tape light blue choose blue from black the grey list white pink red orange yellow corner reinforcements patches are self adhesive colour of reinforcement blue choose dark blue from black the grey list silver white pink dayglo red orange dayglo yellow dayglo SAILSetc cream options price slides for GROOVY mast (for No 1 mainsail) no charge eyelets for rings for round mast no charge non-standard cloth - other see note A non standard shaping see note A & B ‘finger’ patches £8.25 small pocket at luff for jackline £7.75 luff hooks for jackline £10.75 insignia & numbers added to each side of mainsail and headsail £14.50 national letters applied to each side of one mainsail £7.20 pair of tell tales on headsail £1.40 note A for one or more of the ‘non standard’ options please add per suit of sails £5.75 note B the shaping built into our sails has evolved over a long time and many generations of -
The History and Development of Jazz Piano : a New Perspective for Educators
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr. -
Post Traumatic Stress Disorder Sourcebook.Pdf
The Post-Traumatic Stress Disorder SOURCEBOOK Second Edition ALSO BY GLENN R. SCHIRALDI World War II Survivors: Lessons in Resilience The Self-Esteem Workbook The Anger Management Sourcebook Conquer Anxiety, Worry and Nervous Fatigue: A Guide to Greater Peace Ten Simple Solutions for Building Self-Esteem Facts to Relax By: A Guide to Relaxation and Stress Reduction Hope and Help for Depression: A Practical Guide Stress Management Strategies The Post-Traumatic Stress Disorder SOURCEBOOK Second Edition @ A GUIDE TO HEALING, RECOVERY, AND GROWTH @ Glenn R. Schiraldi, Ph.D. @ New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney Toronto Copyright © 2009 by Glenn R. Schiraldi. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, with- out the prior written permission of the publisher. ISBN: 978-0-07-161495-5 MHID: 0-07-161495-8 The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-161494-8, MHID: 0-07-161494-X. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. -
Super Citizen by Reg P. Wydeven May 7, 2011
Super Citizen By Reg P. Wydeven May 7, 2011 The other day my son and I were shopping for underwear for him. It took us quite a while to pick some, as he had so many characters to choose from (I’m proud to say he chose ‘Star Wars’). As we shopped, I couldn’t help but think about the Underoos underwear I had when I was my son’s age. Underoos were awesome underwear consisting of an undershirt and briefs that resembled the costumes of popular characters. I had sets to look like Luke Skywalker, Boba Fett and Aquaman. I even had a set of long underwear that looked like Batman’s costume. My favorite pair, however, was easily Superman. While I loved ‘Star Wars,’ there was nothing quite like unbuttoning your shirt after a long day of school to expose that red ‘S.’ After all, what could be cooler to a six-year-old than pretending to be the Man of Steel, who was faster than a speeding bullet, stronger than a locomotive and able to leap tall buildings in a single bound? I would dream about being able to fly and fight “the never ending battle for truth, justice and the American way.” If my son would have settled on the Superman undies, however, he could only pretend to fight the never ending battle for truth and justice. Apparently the American way has gone up, up and away. In issue 900, the latest release of DC’s ‘Action Comics,’ Superman announces his intention to renounce his U.S. -
Wonderful Wonderful out September 22, 2017
The Killers Reveal Details Of New Album Wonderful Wonderful Out September 22, 2017 Pre-Order Wonderful Wonderful NOW New Song "Run For Cover" Available Now North American Tour Dates For 2018 Announced! For A Limited Time, Select Dates Include CD of Wonderful Wonderful with Online Ticket Purchase Wonderful Wonderful cover art The Killers have revealed details for their highly anticipated new album, Wonderful Wonderful. The band's fifth studio album, and first in five years, will be released on September 22nd on Island Records. Produced by Jacknife Lee, it was recorded at the band's own Battle Born recording studio in Vegas, and at Jacknife's Los Angeles studio. The album art, shot by Anton Corbijn, was also unveiled today (above). Wonderful Wonderful is now available for pre-order along with an instant grat of brand new track "Run For Cover." "Run For Cover," a slice of classic Killers songwriting, is available now via all digital service providers. You can pre-order the album and limited edition deluxe merchandise bundles HERE; a full album tracklist is below. Following the release of blistering first single "The Man," The Killers played a surprise unannounced set at the Glastonbury Festival in June, sold out their British Summer Time show in London's Hyde Park in record time, and conquered the European festival circuit with a crowd pleasing set of almost two decades worth of hits. The band headline Friday night at Lollapalooza in Chicago, August 4th. Next, the band will be hitting the road in North America in early 2018 for their first full Killers tour since 2013, including stops at Brooklyn's Barclays Center and Madison Square Garden in New York as well as Staples Center in Los Angeles. -
Crewmember Overboard Training Summary (ASA101 & 103 Courses)
The Maryland School of Sailing and Seamanship P.O. Box 609 • Rock Hall, MD 21661 • 410-639-7030 • www.mdschool.com April 22, 2013 Crewmember Overboard Training Summary (ASA101 & 103 Courses) Dockside Discussion (Overview; 10-15 minutes) • Risks & recovery difficulties • Loss of life potential • Staying onboard is best solution o Jacklines per Figure (1) o Harness & tether o Deck safety procedures • Overboard Survival Equipment o Personal Flotation Device (PFD) • Overboard Rescue Equipment o Horseshoe-Pole rig per Figure (2) o Lifesling per Figure (3) o Throw Rope per Figure (4) • Rescue Procedures o Figure Eight under sail per ASA Sailing Made Easy or Quick Stop under sail per ASA Cruising Made Easy. o Lifesling maneuver under power per ASA Cruising Made Easy. o Motor-sailing maneuvers per Figures (5) & (6) • Bringing victim aboard o Midship preferred o Lift with mainsail halyard Dockside Demos (Show and Tell; 15-20 minutes) • Rig jacklines on side decks per Figure (1) • Donning Harness & Tether • Clipping to Jackline and going forward • Throw rope • Halyard lift with Lifesling Figure (1) Jacklines are run the full length of boat from bow to stern. This allows clipping to jackline before exiting cockpit to go forward along side deck or coach roof. Jacklines may be secured to bow pulpit and stern pulpit stanchions to leave mooring cleats clear. Figure (2) Horseshoe & Pole rig is deployed during the recovery process 2 Figure (3) Lifesling is used to encircle victim in the water with a tether line and harness. It is kept in a stowage box on stern rail ready for quick deployment. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.