Dark Knight Mania: It Ain't Heath; It's the Batman
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7 Tips from Philip Seymour Hoffman, Gandolfini, & Other
Robert W. Wood THE TAX LAWYER TAXES | 2/23/2014 @ 8:09PM 7 Tips From Philip Seymour Hoffman, Gandolfini, & Other Celeb Estates Storied estates can be salacious (Anna Nicole Smith) or amusing (Leona Helmsley’s $12M trust for her dog Trouble), but most are dull. Yet unexpected celebrity deaths like Philip Seymour Hoffman’s at 46 spark debate and impart lessons. Ditto from James Gandolfini, Amy Winehouse, Heath Ledger, and others. Although Mr. Hoffman had three children with Marianne O’Donnell, they were unmarried. Plus, he mentioned only one child in his will, not three. Amy Winehouse didn’t even have a will, so we don’t know what she would have wanted. Under the law, her parents inherited while her ex-husband got nothing. Heath Ledger’s five year old will gave his parents and 3 sisters his $20M estate, failing to mention Michelle Williams or their child. And after Mr. Gandolfini died at 51, reports said his will clumsily sent $30M of his $70M to the IRS. The stories should make tax advisers go to the mattresses. Key lessons? 1. Keep It Private. Incredibly, Hoffman, Ledger and Gandolfini, all ended up with wills in probate. Probate is public, expensive, time consuming and unnecessary. Like Amy Winehouse, It is worse not to even have a will (after dying without one, singer John Denver’s family spent six years in court). But a will still has to go through the courts. For very little money, a revocable trust disposes of your assets outside court. You still do a simple pour-over will. -
The Serious Business of Graphic Novels Guide by A
The Serious Business of Graphic Novels Guide by A. David Lewis (11/10/06) Prepared for the NACAE 1. This is just the title slide, something static yet interesting to have on the screen while the audience is waiting. In addition to specifying the date and place (to make it seem tailored for them), I really like the contrast between a “serious” title and a very “un-serious” image (in this case, my own caricature); it’s also a decent place to “hide” your own logo or company name in plain sight, if such is the case for you. I would only ask, as people modify and use this presentation as a template, that they mention its being “Derived from The Serious Business of Graphic Novels by A. David Lewis, courtesy of the NACAE” as some sort of sub-title. It needn’t even be that big and it gives you a bail-out if the audience objects to something or asks a question to which you don’t know the answer. 2. This slide is entirely optional but highly necessary in some fashion if the group to whom you are speaking is unfamiliar with you. That is, if it’s your own class, skip it; they know you, and you already have (hopefully!) a rapport. But, if you’re relatively new to them, then this should be your “credentials slide:” Why should they listen to you about comics? The goal here is “show, don’t tell” -- You’ll explain what your own book covers or university campus photographs or company building means aloud. -
Production in Peril: What Happens When You Lose a Star? by Mary Craig Calkins and Record Some of His Lines
LOS ANGELES www.dailyjournal.com FRIDAY, DECEMBER 13, 2013 PERSPECTIVE Production in peril: What happens when you lose a star? By Mary Craig Calkins and record some of his lines. rect physical loss of or damage to tion, “loss-payee” endorsements Daniel H. Rylaarsdam Delays also come from inju- Covered Property.” Policies must can interfere with payments. For aul Walker’s untimely death ries. Final production of “Tristan ensure coverage for both direct example, if the feature film has is a tragedy for his family, & Isolde” was put on hold for six losses and mitigation costs — the been financed, the policy might be Pfriends and the entertain- months while James Franco recu- “necessary expenses incurred to structured that loss payments go to ment community. The unexpected perated from a knee injury. “Die the extent they reduce the amount third parties in the first instance — loss also causes significant busi- Another Day” was also delayed of loss that otherwise would be not to the producer. ness issues. Universal Studios when Pierce Brosnan suffered a payable” under the policy. And Insureds should be aware of has announced that production of knee injury. The planned release they must consider coverage be- abandonment clauses. If a pro- “Fast & Furious 7” will be shut of “The Hunted” was pushed back fore a loss. ducer elects to abandon a project, down to allow the parties to recov- when Benicio Del Toro broke his the insurance company might pay er and decide what to do. With an wrist. Likewise, a television ce- Production Policies a negotiated loss amount and then estimated budget of $150 million, lebrity cannot host if she loses her Production policies are key. -
May Insights
gstrustco.com May 2016 May Insights In April we allread about the passing of the musical celebrity, Prince. Prince is the latest example of a celebritywho died without a Will. Recent celebrities dying without a will include Philip Seymour Hoffman, James Gandolfini, Amy Winehouse, Heath Ledger, to name afew. You would think with all their monies that an estate plan would have beena priority. Accordingto the American Bar Association, recent statistical studies show that 55% ofAmericans die without a will or estate plan. These people don’t have up-to-date estate strategies to protectthemselves and their families in the event of illness, accidents, or untimelydeath. Are you one of 55%? Here aresome reasons you need an estate plan. And for those of you with an existingestate plan, reasons to update your plan: You probably will want to considerthe needs of a new child or grandchild in your estate plan. The death of your spouse or anotherbeneficiary can greatly affect your plan. So, too, can the death of your namedexecutor, your children’s guardian, or your trustee. An important part of an estate planis protecting yourself and your family against your possible incapacity ordeath. If you marry, you most certainlywill want to review your estate plan. Also when your children marry, you maywant to revise the plan. Most people review their estate planif they divorce, but many fail to consider the possible unintended consequencesof a beneficiary’s divorce on that beneficiary’s inheritance. For example, ifyour will gives your son and his wife joint ownership in your home, think ofthe problems that could arise if they divorce and you don’t revise your will. -
Barack Obama, the Joker, Capitalism, and Schizophrenia Gerry Canavan Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2010 Person of the Year: Barack Obama, the Joker, Capitalism, and Schizophrenia Gerry Canavan Marquette University, [email protected] Accepted version. "Person of the Year: Barack Obama, the Joker, Capitalism, and Schizophrenia," in Politics and Popular Culture. Eds. Leah A. Murray. New Castle: Cambridge Scholars Publishing, 2010: 2-13. Publisher Link. © 2010 Cambridge Scholars Publishing. Used with permission. Gerry Canavan was affiliated with Duke University at the time of publication. 1 Gerry Canavan Program in Literature, Duke University 917 Burch Ave. #2 Durham, NC 27701 336-253-7135 [email protected] Person of the Year: Barack Obama, the Joker, Capitalism, and Schizophrenia for Hollywood Politics (ed. Dr. Leah Murray) How then does one explain the fact that capitalist production is constantly arresting the schizophrenic process and transforming the subject of the process into a confined clinical entity, as though it saw in this process the image of its own death coming from within? Why does it make the schizophrenic into a sick person not only nominally but in reality? Why does it confine its madmen and madwomen instead of seeing in them its own heroes and heroines, its own fulfillment? —Deleuze and Guattari, Anti-Oedipus If 2008 had a person of the year, it had two: Barack Obama on the one hand and Heath Ledger’s Joker on the other. Each in his own way was a spectacular image made flesh—the spectacle of hope, change, and progress against that of disaster, dread, and death—and each in his own way embodied his moment. -
Super Citizen by Reg P. Wydeven May 7, 2011
Super Citizen By Reg P. Wydeven May 7, 2011 The other day my son and I were shopping for underwear for him. It took us quite a while to pick some, as he had so many characters to choose from (I’m proud to say he chose ‘Star Wars’). As we shopped, I couldn’t help but think about the Underoos underwear I had when I was my son’s age. Underoos were awesome underwear consisting of an undershirt and briefs that resembled the costumes of popular characters. I had sets to look like Luke Skywalker, Boba Fett and Aquaman. I even had a set of long underwear that looked like Batman’s costume. My favorite pair, however, was easily Superman. While I loved ‘Star Wars,’ there was nothing quite like unbuttoning your shirt after a long day of school to expose that red ‘S.’ After all, what could be cooler to a six-year-old than pretending to be the Man of Steel, who was faster than a speeding bullet, stronger than a locomotive and able to leap tall buildings in a single bound? I would dream about being able to fly and fight “the never ending battle for truth, justice and the American way.” If my son would have settled on the Superman undies, however, he could only pretend to fight the never ending battle for truth and justice. Apparently the American way has gone up, up and away. In issue 900, the latest release of DC’s ‘Action Comics,’ Superman announces his intention to renounce his U.S. -
WAFCA Fact Sheet
OPERATING OFFICERS WAFCA Timothy E. Gordon President OVERVIEW Nell Minow Vice President Capitol Spotlight The Washington, DC Area Film Critics Association (WAFCA) was founded in 2002 Jim Judy by a group of dedicated DC-based film critics with affiliations in television, radio, Treasurer print and the web. In the past eight years, membership in the group has grown from Brandon Fibbs 17 to close to 50 with members in Virginia, Maryland and the District of Columbia. Membership Coordinator This year, WAFCA will close their eligibility period on Friday, December 4. The Patrick Jennings membership will vote for their eighth annual awards over the weekend of December Website Coordinator 5-6, with winners announced on Monday, December 7, 2009. Willie Waffle, Executive Member Emeritus CORE STATISTICS COMPANY WEBSITE 93 The amount of WAFCA winners since the awards www.WAFCA.com inception in 2002. MEMBERSHIP 17 The number of critics that voted for the organization’s inaugural awards in 2002. CRITERIA 13 The amount of wins from Fox Searchlight which To be eligible for membership in WAFCA, critics must meet ONE of the has won more awards than any other studio in following criteria*: the organization’s history. 4 The number of awards given to three films which Author, editor or publisher of at least 50 are tied for the most wins in a single year reviews of at least 400 words each per (“Eternal Sunshine of the Spotless Mind” 2004, calendar year in a print medium with circulation of at least 50,000 monthly “No Country for Old Men” 2007 and “Slumdog OR on a web site with an average of at Millionaire” 2008) least 15,000 page views per week. -
The Lost Journals of Sylvia Plath
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2005 The Lost Journals of Sylvia Plath Kimberly Dawn Knutsen Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the English Language and Literature Commons Recommended Citation Knutsen, Kimberly Dawn, "The Lost Journals of Sylvia Plath" (2005). Dissertations. 1040. https://scholarworks.wmich.edu/dissertations/1040 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE LOST JOURNALS OF SYLVIA PLATH by Kimberly Dawn Knutsen A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan August 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE LOST JOURNALS OF SYLVIA PLATH Kimberly Dawn Knutsen, Ph.D. Western Michigan University, 2005 Wilson A. Lavender is a doctoral candidate and instructor of women’s studies who is beginning to thing he knows nothing about women. His wife, Katie, is a recent graduate and stay-at-home mother of three—sexy, bored, and plagued by a violent past. Her sister, January, newly pregnant and obsessed with 80s rocker, Stevie Flame, arrives unexpectedly from New Mexico. As Wilson writes in the dissertation he fears will never be done: “Things begin to devolve.” Reproduced with permission of the copyright owner. -
Vero Gandini & Jay David Ramos Letterer
Peter Parker is an average, tech-loving high school student in Queens. Or, at least he was until he mysteriously gained spider-like powers, granting him the ability to stick to walls, a precognitive awareness of danger called spider- sense, and the proportionate strength of a spider. After developing his own super-strong webbing (and a makeshift costume), Peter has adopted the identity of Spider-Man to try to help people in his neighborhood. An internet video of Spider-Man in action caught the attention of Tony Stark, a.k.a. Iron Man, who recognized the potential in this budding young super hero. As a civil war erupts between Captain America and Iron Man, who disagree on the Sokovia accordsʼ mandate that the Avengers register as a government-controlled organization, Tony pays a surprise visit to Peter with an offer: a full upgrade and the chance to join Iron Man and his team! BASED ON THE CAPTAIN AMERICA: CIVIL WAR SCREENPLAY BY CHRISTOPHER MARKUS & STEPHEN MCFEELY WRITER: WILL CORONA PILGRIM ARTIST: TODD NAUCK COLORISTS: VERO GANDINI & JAY DAVID RAMOS LETTERER: VC’s TRAVIS LANHAM EDITOR: MARK BASSO EDITOR IN CHIEF: AXEL ALONSO CHIEF CREATIVE OFFICER: JOE QUESADA PRESIDENT: DAN BUCKLEY MARVEL STUDIOS DIRECTOR OF PRODUCTION & DEVELOPMENT: TRINH TRAN DIRECTOR OF PRODUCTION & DEVELOPMENT: ERIC H. CARROLL VP PRODUCTION & DEVELOPMENT: NATE MOORE SVP PRODUCTION & DEVELOPMENT: JEREMY LATCHAM PRESIDENT: KEVIN FEIGE SPIDER-MAN CREATED BY STAN LEE & STEVE DITKO MARVEL’S SPIDER-MAN: HOMECOMING PRELUDE No. 2, June 2017. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OF- FICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. -
Heath Ledger's Fake Death
return to updates The Genealogy of Heath Ledger by Miles Mathis Zen koan: imagine the sequel to the film Groundhog Day First published November 21, 2018 I was watching the Imaginarium of Doctor Parnassus on the internet when I got bored and decided to look up Heathcliff Ledger's ancestry. You will be glad I did. Why? Because it shows he is from the Families, which indicates. yep, he faked his death. Go here for the first good dunking. There, you will notice his mother and maternal grandmother are scrubbed, telling us something big is hidden there. But it must be really big, considering all the other things they are willing to give up on the same page. Six of his eight great grandparents are given, and four are immediate red flags. One is a Campbell, possibly tying Ledger to the top of the Scottish peerage. One is a Jackman, almost certainly linking Heath to fellow Aussie actor Hugh Jackman. One is a Lyons, possibly linking Heath to the Queen, who is a Bowes-Lyon. The other is a Lang, possibly tying us to Andrew Lang, who I mentioned in a recent paper. The next generation before that gives up more, since we also find the names Sumner, Monk, Solomon, Usher, and Mackay. The names Monk and Solomon are definitely Jewish, while Sumner probably links Heath to Gordon Sumner—better known as Sting. The Ledger in this generation is Edson Ledger, which given name may link us to the Edsons/Edisons of Massachusetts, involved in the Salem Witch hoax. The Monk married a Ramshaw, and the Ramshaws were related to the Atkinsons, Hawkins, and Chapmans—which links us to Stephen Hawking, who was also a Hawkins and an Atkinson. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
By DAVID LESER Two Years After Heath Ledger Scandalised Sections
By DAVID LESER Two years after Heath Ledger scandalised sections of middle America with his near- miraculous performance as a gay cowboy, he would light up the screen with another tour de force, this time as the lovelorn, heroin-soaked poet, Dan, in the Australian cult movie, Candy. Little known outside Australia, this film was based on a loosely autobiographical book of the same name written by Australian author, Luke Davies. In the film Ledger somehow managed to find his way inside the twisted, twilight world of the drug addict. I pull the syringe from her arm and drop it on the table and hold my thumb down over the tiny hole I’ve made. I release the tie with my other hand. Candy looks down at her arm like a child who’s relieved that the innoculation is over. Then she says, mmmm, and her facial muscles relax and she lies back on the bed and says, that is heaps better. Heaps better. Fuck oh God. Fuck fuck fuck. This is the best. Oh God, this is awesome. This was – as the New York Times commented of Ledger’s role – acting of the first order. “Ledger looks and plays the part of the scheming user exceptionally well. He’s deep in the character’s skin right from the start.” Ledger and his co-star, Abbie Cornish – who recently appeared opposite Cate Blanchett in Elizabeth: The Golden Age - had received their tutoring from an expert, a heroin addict belonging to a Sydney group called “Proud Users.” “Abbie and Heath got lots of lessons with a prosthetic arm on how to inject,” the film’s producer, Margaret Fink told Vanity Fair.