Consider Purchase of Specialized Projectors and Film
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Grand Bazaar Shops Bring Placemaking and Stylish Shopping to Vegas
The MuseumsIAAPA & ExpandingIssue Markets #61 • volume 12, issue 1 • 2016 www.inparkmagazine.com 34 Grand Bazaar shops bring placemaking and stylish shopping to Vegas 38 Behind the steel of Ferrari World’s new coaster 52 Thoroughly modern museums 54 Space Next hits the big screens 29 China’s dramatic growth of museums jbaae.com Grand Bazaar Shops - Las Vegas, NV DreamPlay - Manila, Philippines World of Color - Anaheim, CA The National WWII Museum - New Orleans, LA ACOUSTICS ARCHITECTURAL & SHOW LIGHTING AUDIOVISUAL 3D PROJECTION MAPPING & SYSTEMS CLIENT TECHNICAL DIRECTION DIGITAL SIGNAGE EXPERIENTIAL AUDIO ENVIRONMENTS INFORMATION & COMMUNICATIONS TECHNOLOGY SECURITY DESIGN CONSULTING SHOW CONTROL SYSTEMS SOUND REINFORCEMENT SPECIAL EFFECTS CODE CONSULTING ATLANTA | HO CHI MINH CITY | HONG KONG | IRVINE | LAS VEGAS | LOS ANGELES | MACAU | NEW ORLEANS | PHOENIX | SHANGHAI Las Vegas (702) 362 9200 | New Orleans (504) 830 0139 Why the UAE matters Museums: All in the attractions family Martin Palicki, Judith Rubin, IPM editor IPM co-editor estled on the Persian Gulf, the UAE has been an useums around the world are in a state of crossover, Nexpanding market for decades. With a rich and ancient Mconvergence and dramatic growth. history, the modern country of the United Arab Emirates is only the same age as Walt Disney World. Interestingly, Cinematic content is better than ever and can travel their trajectories have been surprisingly similar. With Dubai from one platform to another, thanks to digital tools. Will and Abu Dhabi leading the way, the UAE has become an it play in a planetarium or a science museum? On a flat entertainment and relaxation destination for Europe, Asia screen or a dome? Or outside, on the building façade? and Africa. -
Nwave Pictures Distribution Launches Red Star 3D's New 4D Attraction Film
nWave Pictures Distribution Launches Red Star 3D’s New 4D Attraction Film “Tomb Racers” at EAS 2015 in Gothenburg The company unveils additional plans for the 2015 release of a 4D attraction film based on the upcoming 3D feature-length animated film “Robinson Crusoe 3D”. Brussels (Belgium) and Sheffield (United Kingdom) / Sept. 30, 2015 -- nWave Pictures Distribution will premiere its newest 4D attraction film “Tomb Racers” at next week’s European Attractions Show in Gothenburg (Sweden). Produced by British animation studio Red Star 3D and directed by Ben Smith, this thrilling action and adventure film takes the audiences into the legendary Lost Tomb of Egypt. This new 12-minute 4D title is exclusively distributed by nWave and will be available to theme parks and attraction exhibitors worldwide. “Tomb Racers 4D” depicts the story of three treasure-hunters who risk their lives to locate the legendary Lost Tomb of Egypt. Battered by dust storms and threatened by marauding crocodiles, danger lurks at every turn as they battle the elements, and each other, in their desperate bid to solve the ancient puzzle. The trailer of “Tomb Racers” can be seen on nWave’s YouTube channel at https://goo.gl/TkYJM9. The poster image and production stills can be downloaded at https://goo.gl/R7FRG0. From Tuesday to Thursday next week, EAS attendees will experience “Tomb Racers 4D” in nWave’s state-of-the-art 3D theater at booth #B727. “After our successful launch of “Knights Quest 4D” at IAAPA Attractions Show 2014, we are thrilled to again partner with Red Star 3D on another quality film, the 43rd title in our popular catalog of 4D attraction films,” said Eric Dillens, Chairman of nWave Studios. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
ABSTRACT Augustinian Auden: the Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin
ABSTRACT Augustinian Auden: The Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin Russell, Ph.D. It is widely acknowledged that W. H. Auden became a Christian in about 1940, but relatively little critical attention has been paid to Auden‟s theology, much less to the particular theological sources of Auden‟s faith. Auden read widely in theology, and one of his earliest and most important theological influences on his poetry and prose is Saint Augustine of Hippo. This dissertation explains the Augustinian origin of several crucial but often misunderstood features of Auden‟s work. They are, briefly, the nature of evil as privation of good; the affirmation of all existence, and especially the physical world and the human body, as intrinsically good; the difficult aspiration to the fusion of eros and agape in the concept of Christian charity; and the status of poetry as subject to both aesthetic and moral criteria. Auden had already been attracted to similar ideas in Lawrence, Blake, Freud, and Marx, but those thinkers‟ common insistence on the importance of physical existence took on new significance with Auden‟s acceptance of the Incarnation as an historical reality. For both Auden and Augustine, the Incarnation was proof that the physical world is redeemable. Auden recognized that if neither the physical world nor the human body are intrinsically evil, then the physical desires of the body, such as eros, the self-interested survival instinct, cannot in themselves be intrinsically evil. The conflict between eros and agape, or altruistic love, is not a Manichean struggle of darkness against light, but a struggle for appropriate placement in a hierarchy of values, and Auden derived several ideas about Christian charity from Augustine. -
Sherlock Holmes Films
Checklist of non-Sherlockian Conan Doyle Films and Television Programs This listing consists of film and television depictions of Arthur Conan Doyle or presentations of his non-Sherlockian stories. Production Co. Information Title Date Country Doyle or TV Channel Story basis / misc. notes TV/Film Release/Air date Source(s) Page # From the play of the same name which was based on Film BFI, Ross The House of Temperley 1913 UK --- London Film Company 'Rodney Stone' Universal Animated Weekly No. 117 1914* USA Arthur Conan Doyle Universal Pictures Doyle's arrival in America was captured for a newsreel Film June 3, 1914 Pointer 166 Our Mutual Girl 1914* USA Arthur Conan Doyle Mutual Film Corp. Doyle had a cameo appearance in reel 22 and possibly reel Film 23. There were a total of 52 weekly reels. The $5,000,000 Counterfeiting Plot 1914* USA Arthur Conan Doyle Dramascope Co. Doyle performed a short cameo appearance for William J. Film Burns, a former Pinkerton detective and star of the movie. The Firm of Girdlestone 1915 UK --- London Film Company Film BFI, Ross [Film newsreel of ACD setting a cornerstone] ? UK Arthur Conan Doyle ? Film Brigadier Gerard 1915 UK --- Barker Films. Ltd. Lewis Waller as Gerard Film UK: Sept. 1915 BFI, Ross US: April 10, 1916 Rodney Stone 1920 UK --- Screen Plays Film BFI, Ross Un drame sous Napoléon 1921 France --- Éclair Based on 'Uncle Bernac' Film [Film newsreel of ACD and family in the USA] 1922 USA Arthur Conan Doyle Fox-Case Movietone Film Paton The Fires of Fate 1923 UK --- Gaumont/Westminster Based on 'The Tragedy of the Korosko' Film IMDB The Lost World 1925 USA Arthur Conan Doyle First National Pictures Wallace Berry as Challenger. -
International Year of the Mountains 2002
INDEX TO THE JOURNALS OF THE MOUNTAIN CLUB OF SOUTH AFRICA 1979 to 2000 (volumes 82-103) This third Journal Index of the Mountain Club of South Africa is dedicated to the International Year of the Mountains 2002. Mountains are fragile ecosystems which are globally important as water towers of the earth, repositories of rich biological diversity, popular destinations for recreation and tourism and areas of important cultural heritage. They provide a direct life-support base for about 10% of humankind. They also provide 30-60% of downstream fresh water in humid areas and up to 70-95% in semi-arid to arid environments. Rapid and growing awareness of the importance of mountain areas in recent years prompted the United Nations General Assembly in November 1998 to declare 2002 as the International Year of Mountains. The International Year of Mountains promoted the conservation and sustainable development of mountain regions, aiming to ensure the well-being of both mountain inhabitants (whose livelihoods, cultural heritage, opportunities and overall well-being are at stake) and lowland communities. How to use this Index The methodology used for compiling this index follows that used for the two previous indices i.e. Entries appear in alphabetical sequence under authors’ names as well as subject headings. Each article is indexed as a whole with added entries where necessary. Each article is entered under the most specific heading that fits the whole article e.g. an article about AFRICA FACE, Table Mt. , is entered under AFRICA FACE, Table Mt. , not under TABLE Mt. If a considerable part of an article on a region is devoted to a specific peak in that region, an additional entry is made under the name of that peak. -
Nwave Pictures Distribution Names Jennifer Lee Hackett Director of Sales & Distribution, Americas
nWave Pictures Distribution Names Jennifer Lee Hackett Director of Sales & Distribution, Americas Brussels (Belgium) and Burbank (Calif.), January 12, 2015 – nWave Pictures Distribution is pleased to announce the hiring of Jennifer Lee Hackett as Director of Sales & Distribution, Americas. Lee Hackett comes to nWave Pictures Distribution with over 10 years experience in the giant screen industry, having previously served as Director of Sales for National Geographic Cinema Ventures and prior to that as Senior Group Sales & Marketing Manager at Smithsonian Business Ventures, the for-profit arm of the Smithsonian Institution in Washington DC. While at Smithsonian Business Ventures Jennifer created sales packages for the Institution’s six restaurants, three IMAX theaters and the planetarium, and developed educational and marketing materials to support group sales efforts. In her role as Sales & Marketing Manager at Jordan’s Furniture, Natick MA, Jennifer launched and managed a highly lucrative sales program for the newly installed Comcast IMAX 3D Theater. Prior to that, Jennifer spent seven years with Live Nation Entertainment's performing arts division in Boston, MA. “We are very pleased to have Jennifer join the nWave Pictures Distribution team,” said Eric Dillens, Chairman of nWave Studios. "In our efforts to expand our sales reach across multiple exhibition platforms, Jennifer brings a unique perspective, having served as both a buyer and seller of filmed content in the commercial and institutional markets.” Janine Baker, nWave’s SVP Film Distribution & Development added, “As we continue to adapt to our exhibitors’ evolving needs, Jennifer will bring fresh insight to those discussions, and will also contribute to our marketing strategy going forward.” "I'm very excited to rejoin the film distribution industry,” said Lee Hackett. -
3D a Space Adventure of the Third Kind
FLY ME TO THE MOON – 3D A Space Adventure of the Third Kind. In 1969 three astronauts dared to go where no man had gone before; the moon. Today, nWave Pictures is creating an animated feature film that will take you back to that historic moment. Producing and creating truly immersive 3D images that will literally put you, the audience, into the action, a part of the story. Cinema is about to cross into a new frontier. 3D cinema has been around for a very long time. In the early 1900’s, the first 3D experiments were carried out by none other than the Lumiere brothers. During the golden era of 3D cinema, 1952 to 1954, Hollywood released over fifty 3D titles. 3D made another resurgence in the late 1970’s with films like Jaws 3D, and Amityville 3D. But in the past, it was never more than a passing fad. The poor quality of the projection systems was largely to blame. With the advent of digital cinema, this is about to change. Rather than being a by- product of digital cinema, 3D could very well become the single most important reason for exhibitors to go digital. In the past few years, there have been growing indicators of the worldwide appeal of 3D cinema. The huge success of the 3D release of The Polar Express, grossing $45 million in a mere 64 IMAX venues got everyone’s attention. The fact that low budget 3D films with no stars attached and hardly any marketing budgets routinely gross well over $30 million, in a mere 140 IMAX 3D theaters worldwide, is perhaps even more significant. -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E. -
Fiction Lexiles
Lexiles for Usborne Children's and Young Adult fiction Series Title Author UK ISBN Lexile The Art of Not Breathing Alexander, Sarah 978-1-4749-0306-6 HL680L The House with Chicken Legs Anderson, Sophie 978-1-4749-4066-5 770L Smokescreen Ashley, Bernard 978-0-7460-6791-8 940L Solitaire Ashley, Bernard 978-0-7460-8137-2 940L My Second Life Bird, Faye 978-1-4095-7860-4 HL500L What I Couldn't Tell You Bird, Faye 978-1-4749-0307-3 HL560L Soulmates Bourne, Holly 978-1-4095-5750-0 HL610L The Manifesto on How to be InterestingBourne, Holly 978-1-4095-6218-4 HL670L It Only Happens in the Movies Bourne, Holly 978-1-4749-2132-9 HL650L Writing in the Sand Brandom, Helen 978-1-4095-6391-4 HL620L Billie and the Parent Plan Bryant, Ann 978-0-7460-6755-0 820L Mirror, Mirror Butcher, Nancy 978-0-7460-7309-4 660L The Lurkers Butler, Charles 978-0-7460-7065-9 700L Butterfly Summer Conway, Annemarie 978-1-4095-3859-2 720L Forbidden Friends Conway, Annemarie 978-1-4095-6190-3 740L Tangled Secrets Conway, Annemarie 978-1-4095-7033-2 770L The Earth is Singing Curtis, Vanessa 978-1-4095-7744-7 850L The Boy who Haunted Himself Deary, Terry 978-0-7460-6036-0 630L A Place Called Perfect Duggan, Helena 978-1-4749-2416-0 690L Under a War-Torn Sky Elliott, L M 978-1-4095-8635-7 HL680L Flying South Elliott, L M 978-0-7460-7381-0 660L Across Enemy Seas Elliott, L M 978-1-4095-8402-5 780L Mockingbird Erskine, Kathryn 978-1-4095-3858-5 630L Seeing Red Erskine, Kathryn 978-1-4095-7050-9 760L More of Me Evans, Kathryn 978-1-4749-0302-8 HL620L A World Away Francis, Pauline -
1 the Ctp Graduate Faculty Film Forum the Other
THE CTP GRADUATE FACULTY FILM FORUM THE OTHER: A THEME EXPLORED IN TWO FILMS, COME AND SEE AND ONCE WERE WARRIORS By Leah Lucas, March 2002 INTRODUCTION My journey into this theme of ‘the other’ began with my choosing of two foreign films to explore. Both of these films, one from Russia and one from New Zealand are quite unlike the mainstream Hollywood thrillers. They are about war and family, both experiences depicted with a raw intensity that goes right into the body. They are not easy films to view, but I believe worthy, providing valuable thoughts and responses for lively discussion. Elem Klimov, the Russian director of ‘Come and See’ wanted his film to appear so vividly real, to seem like a documentary. Klimov was a very young boy during World War Two when he had to flee the Volga River to reach the Urals with his mother and sisters. The Germans were on the attack and had just bombed the nearby petroleum plant. The flammable petroleum spread over the river boiling the water in a raging inferno. All the mothers heaped coats and blankets upon the children along with their own bodies to protect them from the flames. Elem, being a curious boy peaked out from under his mother’s body to gaze upon a scene of hell. He describes how his very skin could sense the apocalyptic destruction. As a filmmaker he felt compelled to give genuine expression to the emotional complexities experienced from the agony of war. The original title of his film was KILL HITLER, referring not just to Hitler the man but also to the darkness within each of us.