Consider Purchase of Specialized Projectors and Film

Total Page:16

File Type:pdf, Size:1020Kb

Consider Purchase of Specialized Projectors and Film CITY COMMISSION AGENDA MEMO November 27, 2018 FROM: Susan Adams, Flint Hills Discovery Center Director MEETING: December 4, 2018 SUBJECT: FHDC Projectors and nWave Film Agreements PRESENTER(S): Susan Adams, Flint Hills Discovery Center Director BACKGROUND In April 2012, the City of Manhattan opened the Flint Hills Discovery Center (FHDC). This 35,000 square foot facility explores the science and cultural history of the Flint Hills of Kansas through permanent and temporary exhibits and accompanying programs for visitors of all ages and backgrounds. There are 10,000 square feet of permanent exhibits at the Flint Hills Discovery Center. The space is programmatically supported by an additional 2,100 square foot temporary exhibit gallery. Changing exhibitions are presented on average of 10-12 weeks, with approximately 3-5 changing exhibits each year. FHDC’s temporary exhibition program seeks out exhibits that serve the local population and Flint Hills regional interests with a focus on the mission of FHDC. Some of the temporary exhibits are developed in collaboration with community partnerships while others are purchased from companies that specialize in traveling exhibits. The exhibit subjects are chosen to expand the general public’s engagement with and understanding of unusual subject matter that they ordinarily wouldn’t be aware of or be exposed to. DISCUSSION The Flint Hills Discovery Center and the Flint Hills Discovery Center Foundation have been able to secure, through a private donor, the funds to purchase an upgrade for the Immersive Theater projectors and to add new animated/documentary films. The projector upgrade and specialized films had been requested through the Capital Improvement Program for 2019 and had been delayed with the expectation that outside funding be considered. The total gift to secure these items for FHDC is $417,950 and is being graciously donated by Marty Vanier. Marty Vanier and her late husband Bob Krause previously donated $750,000 in 2015, with $220,000 of that gift to support the ongoing Immersive Theater costs. The original gift in 2015 gave them the naming rights of the theater which is now referred to as the Horizon Ranch Immersive Theater. This gift will allow FHDC to purchase four (4) 3-Chip laser projectors. The technology of the current projector system is considered obsolete and was installed 6 1/2 years ago when the building was first opened. FHDC is currently spending, on average from the previous Vanier/Krause gift, approximately $20,000 a year to repair the current projectors. Once installed, these enhancements will significantly reduce repair costs for the system, and save money being withdrawn from the FHDC Foundation endowment. The 3-Chip laser projectors will not require lamp replacements and will have a five-year warranty. The cost of these projectors, along with the services and upgrade, are quoted to cost $337,950. The upgrade to this level of projectors will enhance the current "Tide of Times" film while also giving FHDC the capability to offer additional films utilizing the fourth projector. This upgrade will not only improve the quality of the existing "Tides of Time" film viewing experience, but will also allow FHDC the opportunity to offer additional attraction and documentary films to our guests. A direct purchase is being recommended for these projectors due to the specialty of this technological equipment and familiarity with the company. Few companies work in this market, and the current company that has submitted the agreement, Communications Electronic Design (CED), is the original company that installed the system and has continued to service it over the past 6 1/2 years. CED has a proven record with FHDC and it would be a challenge to find another company that could offer the equivalent products and proven service as CED has offered for the past 6 1/2 years. If FHDC works with a vendor other than CED, we not only lose continuity and our current contract with them, we risk the possibility of another vendor coming in and severely disrupting the functionality of the theater. The additional $40,000 gift would allow FHDC to contract for specialized films with nWave. This is a two-year contract at $40,000 a year. nWave is being chosen since they offer very specialized films to museums and science centers similar to FHDC. These kinds of companies are rare and nWave meets the needs of the specialized theater due to the seating capacity being limited and films needing to be short due to the comfort of the current seating. The FHDC team has researched this information and met with nWave at a recent convention and have determined that their films would be compatible with the FHDC set up and upgraded projector system. They offer short films that meet the needs of the theater with the large format compatibility in addition to having a large catalog of films to choose from that are educational, animated, and documentary based. FHDC would have access to four films a year (two animated and two documentary films). The additional films have been a request from guests and was also noted numerous times in the 2016 Community Engagement survey. A direct purchase is being recommended as this film company offers the exact needs for the FHDC theater. Recognition for Marty Vanier's gift will be noted in the credits once the project has been completed. Additional forms of recognition will be incorporated into other formats in gratitude of her very generous gift to the Flint Hills Discovery Center. FINANCING The financing for this purchase is being offered as a gift to the Flint Hills Discovery Center from Marty Vanier through the Flint Hills Discovery Center Foundation. Marty Vanier has continued to show her commitment to FHDC and its possibility for improvements and expansion. Her support of both of these projects through these gifts reflects that very story and the belief she has in the Flint Hills Discovery Center. ALTERNATIVES It appears the Commission has the following alternatives concerning the issue at hand. The Commission may: 1A. Authorize City Administration to finalize and the Mayor and City Clerk to execute a direct purchase agreement for four Laser projectors with Communications Electronics Design, of Louisville, Kentucky, in the amount of $337,950 being paid through a gift from Marty Vanier. 1B. Authorize City Administration to finalize and the Mayor and City Clerk to execute a direct purchase for a two-year agreement at $40,000 per year with nWave, of Los Angeles, California, for attraction films being paid through a gift from Marty Vanier. 2. Deny the request. 3. Modify or develop alternatives if other concerns or factors arise. 4.Table the request. RECOMMENDATION City Administration recommends the City Commission authorize staff to finalize and the Mayor and City Clerk to execute a direct purchase of four Laser projectors with Communications Electronic Design, of Louisville, Kentucky, in the amount of $337,950 being paid through a gift from Marty Vanier. City Administration recommends the City Commission authorize staff to finalize and the Mayor and City Clerk to execute a two-year agreement at $40,000 a year with nWave, of Los Angeles, California, for attraction films being paid through a gift from Marty Vanier. POSSIBLE MOTION Authorize City Administration to finalize and the Mayor and City Clerk to execute a direct purchase agreement of four Laser projectors with Communications Electronics Design, of Louisville, Kentucky, at the cost of $337,950 to be paid through a gift from Marty Vanier. Authorize City Administration to finalize and the Mayor and City Clerk to execute a two-year agreement at $40,000 with nWave, of Los Angeles, California, for attraction films being paid through a gift from Marty Vanier. Enclosure(s): 1. Service Agreement 2. Film License Agreement 3. PowerPoint Presentation SERVICE AGREEMENT by and between: CITY OF MANHATTAN, KANSAS and COMMUNICATIONS ELECTRONIC DESIGN, INC. THIS AGREEMENT (“Agreement”) is made and entered into this ____ day of December, 2018 (“Effective Date”), by and between the City of Manhattan, Kansas, a municipal corporation and body politic hereinafter referred to as “City,” and Communications Electronic Design, Inc., a Kentucky corporation and authorized to conduct business in the State of Kansas, hereinafter referred to as “CED.” WITNESSETH: WHEREAS, City desire to receive technical services as provided herein for its Flint Hills Discovery Center (“FHDC”) and with support for the maintenance, application and functionality of the FHDC existing global AV Systems and Control; including but not limited to: software and computer systems, and related peripherals; and WHEREAS, CED is an experienced and high-quality developer and/or integrator of such systems, as developed by CED on behalf of City previously, and is qualified and capable of performing the technical services for the City as provided herein. NOW, THEREFORE, in consideration of the mutual covenants, conditions and promises contained herein, and for good and valuable consideration, the receipt and sufficiency of which are hereby mutually acknowledged, the parties hereto agree as follows: 1. Services. City agrees to retain CED and CED agrees to perform the technical services for City. “Technical Services”Draft shall include the services detailed in CED’s FHDC IE Theatre/CED Annual Maintenance Visit 2017, dated December 30, 2017 which is attached and incorporated into this Agreement by this reference as Appendix A. CED shall provide to City: A. One yearly scheduled service visit to the City with CED technician(s), including: • Provide technical services for global projector lamp change and projector cleaning to correctly adjust color balance and brightness in the projectors. • Provide global projector adjustments and alignment including adjusting the projector electronics and the physical alignment for correct panoramic display. • Inspection and testing of all AV hardware/software components and wiring for correct operation and condition, including identification of repair/replacement required for any component.
Recommended publications
  • Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans
    [Show full text]
  • Grand Bazaar Shops Bring Placemaking and Stylish Shopping to Vegas
    The MuseumsIAAPA & ExpandingIssue Markets #61 • volume 12, issue 1 • 2016 www.inparkmagazine.com 34 Grand Bazaar shops bring placemaking and stylish shopping to Vegas 38 Behind the steel of Ferrari World’s new coaster 52 Thoroughly modern museums 54 Space Next hits the big screens 29 China’s dramatic growth of museums jbaae.com Grand Bazaar Shops - Las Vegas, NV DreamPlay - Manila, Philippines World of Color - Anaheim, CA The National WWII Museum - New Orleans, LA ACOUSTICS ARCHITECTURAL & SHOW LIGHTING AUDIOVISUAL 3D PROJECTION MAPPING & SYSTEMS CLIENT TECHNICAL DIRECTION DIGITAL SIGNAGE EXPERIENTIAL AUDIO ENVIRONMENTS INFORMATION & COMMUNICATIONS TECHNOLOGY SECURITY DESIGN CONSULTING SHOW CONTROL SYSTEMS SOUND REINFORCEMENT SPECIAL EFFECTS CODE CONSULTING ATLANTA | HO CHI MINH CITY | HONG KONG | IRVINE | LAS VEGAS | LOS ANGELES | MACAU | NEW ORLEANS | PHOENIX | SHANGHAI Las Vegas (702) 362 9200 | New Orleans (504) 830 0139 Why the UAE matters Museums: All in the attractions family Martin Palicki, Judith Rubin, IPM editor IPM co-editor estled on the Persian Gulf, the UAE has been an useums around the world are in a state of crossover, Nexpanding market for decades. With a rich and ancient Mconvergence and dramatic growth. history, the modern country of the United Arab Emirates is only the same age as Walt Disney World. Interestingly, Cinematic content is better than ever and can travel their trajectories have been surprisingly similar. With Dubai from one platform to another, thanks to digital tools. Will and Abu Dhabi leading the way, the UAE has become an it play in a planetarium or a science museum? On a flat entertainment and relaxation destination for Europe, Asia screen or a dome? Or outside, on the building façade? and Africa.
    [Show full text]
  • Nwave Pictures Distribution Launches Red Star 3D's New 4D Attraction Film
    nWave Pictures Distribution Launches Red Star 3D’s New 4D Attraction Film “Tomb Racers” at EAS 2015 in Gothenburg The company unveils additional plans for the 2015 release of a 4D attraction film based on the upcoming 3D feature-length animated film “Robinson Crusoe 3D”. Brussels (Belgium) and Sheffield (United Kingdom) / Sept. 30, 2015 -- nWave Pictures Distribution will premiere its newest 4D attraction film “Tomb Racers” at next week’s European Attractions Show in Gothenburg (Sweden). Produced by British animation studio Red Star 3D and directed by Ben Smith, this thrilling action and adventure film takes the audiences into the legendary Lost Tomb of Egypt. This new 12-minute 4D title is exclusively distributed by nWave and will be available to theme parks and attraction exhibitors worldwide. “Tomb Racers 4D” depicts the story of three treasure-hunters who risk their lives to locate the legendary Lost Tomb of Egypt. Battered by dust storms and threatened by marauding crocodiles, danger lurks at every turn as they battle the elements, and each other, in their desperate bid to solve the ancient puzzle. The trailer of “Tomb Racers” can be seen on nWave’s YouTube channel at https://goo.gl/TkYJM9. The poster image and production stills can be downloaded at https://goo.gl/R7FRG0. From Tuesday to Thursday next week, EAS attendees will experience “Tomb Racers 4D” in nWave’s state-of-the-art 3D theater at booth #B727. “After our successful launch of “Knights Quest 4D” at IAAPA Attractions Show 2014, we are thrilled to again partner with Red Star 3D on another quality film, the 43rd title in our popular catalog of 4D attraction films,” said Eric Dillens, Chairman of nWave Studios.
    [Show full text]
  • Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
    Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS
    [Show full text]
  • ABSTRACT Augustinian Auden: the Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin
    ABSTRACT Augustinian Auden: The Influence of Augustine of Hippo on W. H. Auden Stephen J. Schuler, Ph.D. Mentor: Richard Rankin Russell, Ph.D. It is widely acknowledged that W. H. Auden became a Christian in about 1940, but relatively little critical attention has been paid to Auden‟s theology, much less to the particular theological sources of Auden‟s faith. Auden read widely in theology, and one of his earliest and most important theological influences on his poetry and prose is Saint Augustine of Hippo. This dissertation explains the Augustinian origin of several crucial but often misunderstood features of Auden‟s work. They are, briefly, the nature of evil as privation of good; the affirmation of all existence, and especially the physical world and the human body, as intrinsically good; the difficult aspiration to the fusion of eros and agape in the concept of Christian charity; and the status of poetry as subject to both aesthetic and moral criteria. Auden had already been attracted to similar ideas in Lawrence, Blake, Freud, and Marx, but those thinkers‟ common insistence on the importance of physical existence took on new significance with Auden‟s acceptance of the Incarnation as an historical reality. For both Auden and Augustine, the Incarnation was proof that the physical world is redeemable. Auden recognized that if neither the physical world nor the human body are intrinsically evil, then the physical desires of the body, such as eros, the self-interested survival instinct, cannot in themselves be intrinsically evil. The conflict between eros and agape, or altruistic love, is not a Manichean struggle of darkness against light, but a struggle for appropriate placement in a hierarchy of values, and Auden derived several ideas about Christian charity from Augustine.
    [Show full text]
  • Sherlock Holmes Films
    Checklist of non-Sherlockian Conan Doyle Films and Television Programs This listing consists of film and television depictions of Arthur Conan Doyle or presentations of his non-Sherlockian stories. Production Co. Information Title Date Country Doyle or TV Channel Story basis / misc. notes TV/Film Release/Air date Source(s) Page # From the play of the same name which was based on Film BFI, Ross The House of Temperley 1913 UK --- London Film Company 'Rodney Stone' Universal Animated Weekly No. 117 1914* USA Arthur Conan Doyle Universal Pictures Doyle's arrival in America was captured for a newsreel Film June 3, 1914 Pointer 166 Our Mutual Girl 1914* USA Arthur Conan Doyle Mutual Film Corp. Doyle had a cameo appearance in reel 22 and possibly reel Film 23. There were a total of 52 weekly reels. The $5,000,000 Counterfeiting Plot 1914* USA Arthur Conan Doyle Dramascope Co. Doyle performed a short cameo appearance for William J. Film Burns, a former Pinkerton detective and star of the movie. The Firm of Girdlestone 1915 UK --- London Film Company Film BFI, Ross [Film newsreel of ACD setting a cornerstone] ? UK Arthur Conan Doyle ? Film Brigadier Gerard 1915 UK --- Barker Films. Ltd. Lewis Waller as Gerard Film UK: Sept. 1915 BFI, Ross US: April 10, 1916 Rodney Stone 1920 UK --- Screen Plays Film BFI, Ross Un drame sous Napoléon 1921 France --- Éclair Based on 'Uncle Bernac' Film [Film newsreel of ACD and family in the USA] 1922 USA Arthur Conan Doyle Fox-Case Movietone Film Paton The Fires of Fate 1923 UK --- Gaumont/Westminster Based on 'The Tragedy of the Korosko' Film IMDB The Lost World 1925 USA Arthur Conan Doyle First National Pictures Wallace Berry as Challenger.
    [Show full text]
  • International Year of the Mountains 2002
    INDEX TO THE JOURNALS OF THE MOUNTAIN CLUB OF SOUTH AFRICA 1979 to 2000 (volumes 82-103) This third Journal Index of the Mountain Club of South Africa is dedicated to the International Year of the Mountains 2002. Mountains are fragile ecosystems which are globally important as water towers of the earth, repositories of rich biological diversity, popular destinations for recreation and tourism and areas of important cultural heritage. They provide a direct life-support base for about 10% of humankind. They also provide 30-60% of downstream fresh water in humid areas and up to 70-95% in semi-arid to arid environments. Rapid and growing awareness of the importance of mountain areas in recent years prompted the United Nations General Assembly in November 1998 to declare 2002 as the International Year of Mountains. The International Year of Mountains promoted the conservation and sustainable development of mountain regions, aiming to ensure the well-being of both mountain inhabitants (whose livelihoods, cultural heritage, opportunities and overall well-being are at stake) and lowland communities. How to use this Index The methodology used for compiling this index follows that used for the two previous indices i.e. Entries appear in alphabetical sequence under authors’ names as well as subject headings. Each article is indexed as a whole with added entries where necessary. Each article is entered under the most specific heading that fits the whole article e.g. an article about AFRICA FACE, Table Mt. , is entered under AFRICA FACE, Table Mt. , not under TABLE Mt. If a considerable part of an article on a region is devoted to a specific peak in that region, an additional entry is made under the name of that peak.
    [Show full text]
  • Nwave Pictures Distribution Names Jennifer Lee Hackett Director of Sales & Distribution, Americas
    nWave Pictures Distribution Names Jennifer Lee Hackett Director of Sales & Distribution, Americas Brussels (Belgium) and Burbank (Calif.), January 12, 2015 – nWave Pictures Distribution is pleased to announce the hiring of Jennifer Lee Hackett as Director of Sales & Distribution, Americas. Lee Hackett comes to nWave Pictures Distribution with over 10 years experience in the giant screen industry, having previously served as Director of Sales for National Geographic Cinema Ventures and prior to that as Senior Group Sales & Marketing Manager at Smithsonian Business Ventures, the for-profit arm of the Smithsonian Institution in Washington DC. While at Smithsonian Business Ventures Jennifer created sales packages for the Institution’s six restaurants, three IMAX theaters and the planetarium, and developed educational and marketing materials to support group sales efforts. In her role as Sales & Marketing Manager at Jordan’s Furniture, Natick MA, Jennifer launched and managed a highly lucrative sales program for the newly installed Comcast IMAX 3D Theater. Prior to that, Jennifer spent seven years with Live Nation Entertainment's performing arts division in Boston, MA. “We are very pleased to have Jennifer join the nWave Pictures Distribution team,” said Eric Dillens, Chairman of nWave Studios. "In our efforts to expand our sales reach across multiple exhibition platforms, Jennifer brings a unique perspective, having served as both a buyer and seller of filmed content in the commercial and institutional markets.” Janine Baker, nWave’s SVP Film Distribution & Development added, “As we continue to adapt to our exhibitors’ evolving needs, Jennifer will bring fresh insight to those discussions, and will also contribute to our marketing strategy going forward.” "I'm very excited to rejoin the film distribution industry,” said Lee Hackett.
    [Show full text]
  • 3D a Space Adventure of the Third Kind
    FLY ME TO THE MOON – 3D A Space Adventure of the Third Kind. In 1969 three astronauts dared to go where no man had gone before; the moon. Today, nWave Pictures is creating an animated feature film that will take you back to that historic moment. Producing and creating truly immersive 3D images that will literally put you, the audience, into the action, a part of the story. Cinema is about to cross into a new frontier. 3D cinema has been around for a very long time. In the early 1900’s, the first 3D experiments were carried out by none other than the Lumiere brothers. During the golden era of 3D cinema, 1952 to 1954, Hollywood released over fifty 3D titles. 3D made another resurgence in the late 1970’s with films like Jaws 3D, and Amityville 3D. But in the past, it was never more than a passing fad. The poor quality of the projection systems was largely to blame. With the advent of digital cinema, this is about to change. Rather than being a by- product of digital cinema, 3D could very well become the single most important reason for exhibitors to go digital. In the past few years, there have been growing indicators of the worldwide appeal of 3D cinema. The huge success of the 3D release of The Polar Express, grossing $45 million in a mere 64 IMAX venues got everyone’s attention. The fact that low budget 3D films with no stars attached and hardly any marketing budgets routinely gross well over $30 million, in a mere 140 IMAX 3D theaters worldwide, is perhaps even more significant.
    [Show full text]
  • A Holmes and Doyle Bibliography
    A Holmes and Doyle Bibliography Volume 7 Audio/Visual Materials Alphabetical Listing Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2018 A Holmes & Doyle Bibliography Vol. 7, Audio/Visual Materials, Alphabetical Listing INTRODUCTION This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. This volume contains an alphabetical listing of audio-visual materials. Coverage of this material begins around 1994, the final year covered by De Waal's bibliography, but may not yet be totally up-to-date (given the ongoing nature of this bibliography). It is hoped that other titles will be added at a later date. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. The second volume presents the exact same information arranged by subject. The third volume focuses on the periodical literature of Doyle and Holmes, listing individual articles alphabetically. The fourth volume includes "core" or "primary" citations from the periodical literature. The fifth volume includes "passing" or "secondary" references to Doyle or Holmes in the periodical literature. The sixth volume organizes the periodical literature according to De Waal's original categories. As the bibliography expands, additional annotations will be provided in order to give the researcher a better idea on the exact Holmesian or Doylean reference contained in each article. The compiler wishes to thank Peter E.
    [Show full text]
  • Fiction Lexiles
    Lexiles for Usborne Children's and Young Adult fiction Series Title Author UK ISBN Lexile The Art of Not Breathing Alexander, Sarah 978-1-4749-0306-6 HL680L The House with Chicken Legs Anderson, Sophie 978-1-4749-4066-5 770L Smokescreen Ashley, Bernard 978-0-7460-6791-8 940L Solitaire Ashley, Bernard 978-0-7460-8137-2 940L My Second Life Bird, Faye 978-1-4095-7860-4 HL500L What I Couldn't Tell You Bird, Faye 978-1-4749-0307-3 HL560L Soulmates Bourne, Holly 978-1-4095-5750-0 HL610L The Manifesto on How to be InterestingBourne, Holly 978-1-4095-6218-4 HL670L It Only Happens in the Movies Bourne, Holly 978-1-4749-2132-9 HL650L Writing in the Sand Brandom, Helen 978-1-4095-6391-4 HL620L Billie and the Parent Plan Bryant, Ann 978-0-7460-6755-0 820L Mirror, Mirror Butcher, Nancy 978-0-7460-7309-4 660L The Lurkers Butler, Charles 978-0-7460-7065-9 700L Butterfly Summer Conway, Annemarie 978-1-4095-3859-2 720L Forbidden Friends Conway, Annemarie 978-1-4095-6190-3 740L Tangled Secrets Conway, Annemarie 978-1-4095-7033-2 770L The Earth is Singing Curtis, Vanessa 978-1-4095-7744-7 850L The Boy who Haunted Himself Deary, Terry 978-0-7460-6036-0 630L A Place Called Perfect Duggan, Helena 978-1-4749-2416-0 690L Under a War-Torn Sky Elliott, L M 978-1-4095-8635-7 HL680L Flying South Elliott, L M 978-0-7460-7381-0 660L Across Enemy Seas Elliott, L M 978-1-4095-8402-5 780L Mockingbird Erskine, Kathryn 978-1-4095-3858-5 630L Seeing Red Erskine, Kathryn 978-1-4095-7050-9 760L More of Me Evans, Kathryn 978-1-4749-0302-8 HL620L A World Away Francis, Pauline
    [Show full text]
  • 1 the Ctp Graduate Faculty Film Forum the Other
    THE CTP GRADUATE FACULTY FILM FORUM THE OTHER: A THEME EXPLORED IN TWO FILMS, COME AND SEE AND ONCE WERE WARRIORS By Leah Lucas, March 2002 INTRODUCTION My journey into this theme of ‘the other’ began with my choosing of two foreign films to explore. Both of these films, one from Russia and one from New Zealand are quite unlike the mainstream Hollywood thrillers. They are about war and family, both experiences depicted with a raw intensity that goes right into the body. They are not easy films to view, but I believe worthy, providing valuable thoughts and responses for lively discussion. Elem Klimov, the Russian director of ‘Come and See’ wanted his film to appear so vividly real, to seem like a documentary. Klimov was a very young boy during World War Two when he had to flee the Volga River to reach the Urals with his mother and sisters. The Germans were on the attack and had just bombed the nearby petroleum plant. The flammable petroleum spread over the river boiling the water in a raging inferno. All the mothers heaped coats and blankets upon the children along with their own bodies to protect them from the flames. Elem, being a curious boy peaked out from under his mother’s body to gaze upon a scene of hell. He describes how his very skin could sense the apocalyptic destruction. As a filmmaker he felt compelled to give genuine expression to the emotional complexities experienced from the agony of war. The original title of his film was KILL HITLER, referring not just to Hitler the man but also to the darkness within each of us.
    [Show full text]