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J. Stalin August 1930
W O R K E R S O F A L L C O U N T R I E S, U N I T E ! From Marx to Mao M L © Digital Reprints 2006 RUSSIAN EDITION PUBLISHED BY DECISION OF THE CENTRAL COMMITTEE OF THE COMMUNIST PARTY OF THE SOVIET UNION (BOLSHEVIKS) П pолеma puu вcex cm paн, coeдuняйmecь! ИНCTИTУT МАРKCА — ЭНГЕ ЛЬCА — ЛЕ НИНА пpи ЦK ВKП(б) n.b. CTAlnH СОчИНEНИя О Г И З ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ПОЛИТИЧЕСКОЙ ЛИТЕРАТУРЫ М o c к в a • 1 9 4 9 J. V. S TA L I N FROM MARX w o R k s TO MAO VOLUME ¡£ JULY !(#) _ JANUARY !(#$ NOT FOR COMMERCIAL DISTRIBUTION E FOREIGN LANGUAGES PUBLISHING HOUSE M o s c o w • 1 9 5 4 C O N T E N T S FROM MARX TO MAO Page Preface .................. XIII REPLY TO THE DISCUSSION ON THE POLITICAL REPORT OF THE CENTRAL COMMITTEE TO THE SIXTEENTH CONGRESS OF THE C.P.S.U.(B.), July 2, 1930 ............... 1 LETTER TO COMRADE SHATUNOVSKY ...... 18 LETTERS TO COMRADENOT CH. FOR......... 21 TO COMRADE DEMYAN BEDNY. (Excerpts from a Letter) 24 ANTI-SEMITISM. Reply to an Inquiry of the Jewish News Agency in theCOMMERCIAL United States ..........30 THE TASKS OF BUSINESS EXECUTIVES. Speech Deliv- ered at the First All-Union Conference of Leading Person- nel of SocialistDISTRIBUTION Industry, February 4, 1931 ....31 LETTER TO COMRADE ETCHIN .........45 GREETINGS TO THE STAFFS OF AZNEFT AND GROZ- NEFT .................47 TO ELEKTROZAVOD .............48 MAGNITOGORSK IRON AND STEEL WORKS PROJECT, MAGNITOGORSK .............49 TO THE CHAIRMAN OF THE BOARD OF THE ALL- UNION CENTRE OF MACHINE AND TRACTOR STATIONS. -
Russia Through the Eyes of the Tagores: Travelogues of Rabindranath and Saumyendranath
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Themed Issue on “India and Travel Narratives” (Vol. 12, No. 3, 2020) Guest-edited by: Ms. Somdatta Mandal, PhD Full Text: http://rupkatha.com/V12/n3/v12n322.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n3.22 Russia through the Eyes of the Tagores: Travelogues of Rabindranath and Saumyendranath Sajal Dey Department of Russian Studies, the English and Foreign Languages University, Shillong Campus, Umshing-Mawkynroh, Shillong, Meghalaya, India. Email: [email protected] Abstract Two Tagores, two visionaries; one as a poet-educationist, another as a revolutionary-politician, both from colonial India, then reeling under the British yoke, visited Russia at about the same time. While the elder Tagore, Nobel-laureate Rabindranath, was moved by the huge scale of development, mainly on the educational front, -- the younger and the more rebellious one, Soumyendranath, studied deeply, paused, and raised questions, debated and disputed the gap between the so-called socialist theory and practice in Soviet Russia. Rabindranath wanted to visit post-revolution Russia for quite some time. After a few futile attempts his desire was ultimately fulfilled in 1930. What he primarily wanted to see was the all-embracing spread of education in the Soviet system and its results. His Russiar Chithi, or Letters from Russia bears testimony to his impression of the new ‘awakened’ Russia. In the very first line of his first letter from Moscow he writes, “In Russia at last! Whichever way I look, I am filled with wonder.” In spite of a few adverse comments that he made later on, this feeling of ‘wonder’ about Russia lasted throughout the collection. -
Russians Abroad-Gotovo.Indd
Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) The Real Twentieth Century Series Editor – Thomas Seifrid (University of Southern California) Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) GReta n. sLobin edited by Katerina Clark, nancy Condee, dan slobin, and Mark slobin Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-214-9 (cloth) ISBN 978-1-61811-215-6 (electronic) Cover illustration by A. Remizov from "Teatr," Center for Russian Culture, Amherst College. Cover design by Ivan Grave. Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Foreword by Galin Tihanov ....................................... -
Sofia Kovalevskaya
Sofia Kovalevskaya Claire Larkin Kovalevskaya's life Sofia Kovalevskaya was born in Moscow, Russia on January 15th, 1850. She was born into a wealthy, well- educated family with an older sister and a younger brother. Sofia was often seen as the neglected middle child because both of her siblings were well-mannered and well-admired; she was always the odd one out. For these reasons, Sofia was not a happy child. She also had a governess who tried to make her into a young lady. However, Sofia always wanted to do math and science, subjects that were not acceptable for young women to do during that time period. One reason for her acquiring her interest in mathematics was her uncle, Pyotr Vasilievich Krukovsky, who spoke about the subject often in front of her. When she was 11, she grew a deep interest for the subject. She would study it on the wall of her nursery and then began studying it with a tutor. However, her father did not like the idea of his daughter doing math, so he put a stop to all of it. This forced her to learn math in the shadows of her family. Sofia was also extremely lucky that she lived next to Professor Tyrtov, a well known professor of mathematics and physics as well as author of a physics book Sofia read while she was young. Professor Tyrtov was beyond dumbfounded when he found out that Sofia had read and understood his book. He even claims that she understood and explained it in the same fashion that the founders of trigonometry did. -
Archiefexemplaar !!! Niet Meenemen !!! 53
RUSSIAN BIZNES IN THE NETHERLANDS Dina Siegel Willem Pompe Institute University of Utrecht May 2002 ARCHIEFEXEMPLAAR !!! NIET MEENEMEN !!! 53 RUSSIAN BIZNES IN THE NETHERLANDS Dina Siegel Contents Acknowledgements 6 Introduction 7 Dutch media 9 Police reports 10 Scientific reports 11 Present study 12 Chapter 1. Purposes of research and theoretical background 15 1.a The cultural approach 15 1.b Russian organised crime as a study of community 19 1.c 'Mafia', 'Russian Mafia' and other generalizations 21 1.d The research methods 23 Organised crime as empirical study 23 Field work among Russian-speakers in the Netherlands 24 Lies and gossip 26 Chapter 2. From Stenka Razin to Yaponchik — historical development of Russian organised crime 29 2.a History of Russian Organized crime 29 2.a.1 Crime and criminal in Russia in Tsarist times 31 2.a.2 Urban criminals 33 2.a.3 Organised Crime in the Soviet period and its perception in Soviet culture..... 34 Revolutionaries 34 Nomenklatura 37 Underground millionaires 38 Economic criminals — crime for survival 39 Vory v zakone (thieves in law) 41 2.a.4 New Russians and the development of organised crime in the post-Gorbachev period Nomenklatura and KGB 45 New Entrepreneurs 46 Vory v zakone 47 2.b The Present Situation 49 2.b.1 Numbers and size 50 2.b.2 Economic function 50 2.b.3 Structure and organization 51 2.b.4 Geographical location 51 1 2.b.5 Main criminal organizations, activities and crime bosses in the post-Socialist Russia (1990 — 2000) 52 Solntsevskaya 52 Podolskaya 53 Pushlcinskaya 53 21 st Century Association 53 Kurganskaya 54 Other criminal organizations from Moscow 54 Tambovskaya 55 Kazanskaya 55 Brigade of Haritonov 55 2.b.6 Multi-ethnic post-Soviet Mafia 56 Ethnicity as an old problem in the Soviet Union 56 Ethnic criminality in theoretical perspective 57 Stereotypes and racism 58 Ethnic violence 58 Theory and practice 60 Chechens 60 Georgians 61 Azeris 62 Armenians 62 Latvians.. -
Remarkable Russian Women in Pictures, Prose and Poetry
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 11-2013 Remarkable Russian Women in Pictures, Prose and Poetry Marcelline Hutton [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the European History Commons, European Languages and Societies Commons, Slavic Languages and Societies Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hutton, Marcelline, "Remarkable Russian Women in Pictures, Prose and Poetry" (2013). Zea E-Books. 21. https://digitalcommons.unl.edu/zeabook/21 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Remarkable Russian Women in Pictures, Prose and Poetry N Marcelline Hutton Many Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and ful- filling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while oth- ers sought unsuccessfully but no less desperately to transcend the genera- tions-old restrictions imposed by church, state, village, class, and gender. Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, in- deed, the twentieth century in the West. -
The Formation of a New Female Identity in the Russian
Abstract of the Thesis The Early Women’s Emancipation Movement: Formation of a New Female Identity in the Russian and Late-Victorian Novel by Elena V. Shabliy Thesis Director: Professor Raymond C. Taras Women's emancipation altered the course of Victorian and Russian literature by challenging the literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Emancipationist writing either explicitly advocated social change or embodied a feminist impulse in their treatment of particular themes and questions. The second half of the nineteenth century was marked by the emergence of the women’s movement; this focused primarily on women’s social and moral emancipation. In the 1830s and 1850s, in the German Federation of States, Denmark, England, France, Poland, Russia, and Spain women began to mobilize under the influence of emancipationist novels, discussing the role of women and shifting gender relations. This dissertation The Early Women’s Emancipation Movement: The Formation of a New Female Identity in the Russian and Late-Victorian Novel is comprised of two parts. The first part focuses on the women’s liberation movement in Russia and literary responses to the social change. The second part is dedicated to the women’s movement in Victorian England and its feminist literary discourse. Relatively little research exists on the Russian women’s movement in the nineteenth century, while there is a vast scholarship on the early women’s movement in England. To date, there is no scholarship that treats Russian and Victorian emancipationist work comparatively. The choice of female (S. V. -
A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland
Swiss American Historical Society Review Volume 53 Number 1 Article 3 2-2017 A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland Bryan K. Herman Doctoral Candidate, History Department, University at Albany Axel Fair-Schulz Department of History, State University of New York College at Potsdam Follow this and additional works at: https://scholarsarchive.byu.edu/sahs_review Part of the European History Commons, and the European Languages and Societies Commons Recommended Citation Herman, Bryan K. and Fair-Schulz, Axel (2017) "A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland," Swiss American Historical Society Review: Vol. 53 : No. 1 , Article 3. Available at: https://scholarsarchive.byu.edu/sahs_review/vol53/iss1/3 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Swiss American Historical Society Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Herman and Fair-Schulz: A Chasm Between Two Vanguards A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland by Bryan K. Herman Doctoral Candidate, History Department, University at Albany and Axel Fair-Schulz Department of History, State University of New York College at Potsdam In the year 1916, Switzerland was an island of peace in a sea of belligerence. Surrounded by Germany, France, and Italy, Switzerland was one of the few European counties to maintain its neutrality during the war that transformed Europe into a graveyard. It also became an ideal sanctuary for those who opposed the brutality and strident nationalism of World War I. -
Collected Works of VI Lenin
W O R K E R S O F A L L C O U N T R I E S , U N I T E! L E N I N COLLECTED WORKS 43 A THE RUSSIAN EDITION WAS PRINTED IN ACCORDANCE WITH A DECISION OF THE NINTH CONGRESS OF THE R.C.P.(B.) AND THE SECOND CONGRESS OF SOVIETS OF THE U.S.S.R. ИНCTИTУT МАРÇCИзМА — ЛЕНИНИзМА пpи ЦK KНCC B. n. l d H n H С О Ч И Н E Н И Я И з д a н u е ч е m в е p m o e ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ПОЛИТИЧЕСКОЙ ЛИТЕРАТУРЫ M О С К В А V. I. L E N I N cOLLEcTED WORKS VOLUME 43 December 18o3 –October 1o17 PROGRESS PUBLISHERS MOSCOW TRANSLATED FROM THE RUSSIAN BY MARTIN PARKER AND BERNARD ISAACS From Marx to Mao M L © Digital Reprints 2014 www.marx2mao.com First printing 1969 Second printing 1971 Third printing 1977 10102—212 л беэ объявл. 014 (01)—77 7 C O N T E N T S Page Preface ........................ 29 1893 1. TO P. P. MASLOV. Second half of December ....... 37 1894 2. TO P. P. MASLOV. May 30 .............. 39 3. TO P. P. MASLOV. May 31 .............. 42 4. TO L. F. MILOVIDOVA. July ?1 ............ 42 1900 5. TO Y. M. STEKLOV. September ? 5 ........... 44 6. TO D. B. RYAZANOV. September ? 5 .......... 45 7. TO V. P. NOGIN. October 10 ............. 45 8. TO Y. M. STEKLOV. October 10 ............ 46 9. TO APOLLINARIA YAKUBOVA. October ?6 ........ 47 10. -
Constructing Revolution: Soviet Propaganda Posters from Between the World Wars September 24, 2017–February 11, 2018
Constructing Revolution: Soviet Propaganda Posters from between the World Wars September 24, 2017–February 11, 2018 Bowdoin College Museum of Art OSHER GALLERY Constructing Revolution: Soviet Propaganda Posters from between the World Wars Constructing Revolution explores the remarkable and wide-ranging body of propaganda posters as an artistic consequence of the 1917 Russian Revolution. Marking its centennial, this exhibition delves into a relatively short-lived era of unprecedented experimentation and utopian idealism, which produced some of the most iconic images in the history of graphic design. The eruption of the First World War, the Russian revolutions of 1905 and 1917, and the subsequent civil war broke down established political and social structures and brought an end to the Tsarist Empire. Russia was split into antagonistic worlds: the Bolsheviks and the enemy, the proletariat and the exploiters, the collective and the private, the future and the past. The deft manipulation of public opinion was integral to the violent class struggle. Having seized power in 1917, the Bolsheviks immediately recognized posters as a critical means to tout the Revolution’s triumph and ensure its spread. Posters supplied the new iconography, converting Communist aspirations into readily accessible, urgent, public art. This exhibition surveys genres and methods of early Soviet poster design and introduces the most prominent artists of the movement. Reflecting the turbulent and ultimately tragic history of Russia in the 1920s and 1930s, it charts the formative decades of the USSR and demonstrates the tight bond between Soviet art and ideology. All works in this exhibition are generously lent by Svetlana and Eric Silverman ’85, P’19. -
Soviet Montage Cinema As Propaganda and Political Rhetoric
Soviet Montage Cinema as Propaganda and Political Rhetoric Michael Russell Doctor of Philosophy The University of Edinburgh 2009 This thesis is dedicated to the memory of Professor Dietrich Scheunemann. ii Propaganda that stimulates thinking, in no matter what field, is useful to the cause of the oppressed. Bertolt Brecht, 1935. iii Abstract Most previous studies of Soviet montage cinema have concentrated on its aesthetic and technical aspects; however, montage cinema was essentially a rhetoric rather than an aesthetic of cinema. This thesis presents a com- parative study of the leading montage film-makers – Kuleshov, Pudovkin, Eisenstein and Vertov – comparing and contrasting the differing methods by which they used cinema to exert a rhetorical effect on the spectator for the purposes of political propaganda. The definitions of propaganda in general use in the study of Soviet montage cinema are too narrowly restrictive and a more nuanced definition is clearly needed. Furthermore, the role of the spectator in constituting the rhetorical effectivity of a montage film has been neglected; a psychoanalytic model of the way in which the filmic text can trigger a change in the spectator’s psyche is required. Moreover, the ideology of the Soviet montage films is generally assumed to exist only in their content, whereas in classical cinema ideology also operates at the level of the enunciation of the filmic text itself. The extent to which this is also true for Soviet montage cinema should be investigated. I have analysed the interaction between montage films and their specta- tors from multiple perspectives, using several distinct but complementary theoretical approaches, including recent theories of propaganda, a psycho- analytic model of rhetoric, Lacanian psychoanalysis and the theory of the system of the suture, and Peircean semiotics. -
Days with Lenin
V58,21yM70 G2 009534 - I . - .:1'~· • . .~ :---;:v ~ { . ~ " .;~ . -~ . : ·. ... DAYS ITH LENIN by Maxim Gorky MARTIN LAWRENCE, LTD. LONDON ALL RIGHTS RESERVED PRINTED IN THE U, S. A. This book i; composed and printed by union labor. DAYS WITH LENIN BY MAxiM GoRKY VLADIMIR LENIN is dead. That in him the world has lost a surpassing genius, one far greater than any of his great contempo.r:ar!es, even some of his enemies have · had the courage to admit. The following words form the conclusion of an article on Lenin, which appeared in the Prager Tageblatt, a German bourgeois newspaper published in Czechoslovakia-an article whose domi nant note is one of· awe and reverence for his colossal figure: "Great and terrible and beyond our compre hension, even in death-such is Lenin.'' It is clear that the feeling behind this article is not one of mere gloat ing, not the feeling which finds cynical expression in the saying that "the corpse of an enemy always smells good,; neither is it the feeling of relief which comes from the departure of a great but restless spirit. It is unmistakably the pride of humanity in a great man.. The Russian emigre press had neither the moral cour age nor the good taste to express, on the occasion of Lenin's death, the respect which the bourgeois papers showed in appreciating the personality of a man whose\ life was one of the greatest examples of fearless reason · and resolute will to live. · It would be a difficult task to paint the portrait of Vladimir Ilyitch • Lenin.