DOCSLIB.ORG

31St International Congress on Medieval Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
31St International Congress on Medieval Studies Dear Colleague: I am very happy to write this, my first letter of invitation to you, requesting the pleasure of your company at the Thirty-First International Congress on Medieval Studies in Kalamazoo. The Congress will take place May 9-12, 1996 on the campus of Western Michigan University under the sponsorship of the Medieval Institute. As last year, more than 450 sessions and presentations will survey the many aspects of our common discipline. These many and varied sessions mark the current state of research and suggest future directions, while giving both established scholars and younger members of the profession an opportunity to present their work. This year's schedule includes more evening activities than before, but again we offer concerts of early music on two evenings. The New berry Consort will offer a program entitled "To Jerusalem! Crusaders' and Pilgrims' Songs of the Middle Ages" and Altramar will present a program in memory of Thomas Binkley on Friday entitled "Iberian Garden: Jewish, Christian, Muslim Spain". Seating is limited: be sure to order your tickets in advance on the registration fonn. Developments in our common field and new arrangements on campus have led to a number of changes in scheduling and programming. The computer has begun to loom large in Congress planning; sessions, demonstrations, and computer instruction are now part of the Program, and access to e-mail via TELNET is now available in computer labs. Note that the Book Rooms have moved to Valley II where the Dining Hall will serve as an Exhibits Hall with expanded hours for buying and browsing. Note also that plenary sessions are now scheduled for Valley I Dining Hall. There are some changes in meal arrangements and in Sunday scheduling. You will find details regarding registration, housing, meals, transportation, exhibits, computers, etc. in the re-designed pages of this program guide. As we move closer to May, you should also consult the Institute's newly opened WorldWide Web site: http://www .wmich.edu/medieval/ Much of the infonnation you find in this program will be available on the Web, as will updates, changes, and additions. This letter also gives me the opportunity to thank the many individuals who have wished me well as Otto Griindler's successor. I am very grateful as well to Otto, the MI faculty and staff, and the WMU community, who have made my first full year on the job a personal and professional pleasure. It is said that if you wait long enough in the lobby of Harrison-Stinson, you will meet every medievalist in the world. I look forward to meeting you this May. Paul E. Szarmach, Director PHONE: 616-387-8745 The Medieval Institute FAX: 616-387-8750 Western Michigan University e-mail: [email protected] Kalamazoo, MI 49008-3801 www: http://www/wmich.edu/medieval TO GRAND RAPIDS Directions To Western Michigan University- From 1-94 c At exit #74, tum north onto U.S. 131, go 2.7 miles: follow (/) ~ l> directions for exiting from U.S. 131. ~ ~ I'T\ From U.S. 131 At exit #36, tum east onto Stadium Drive. go 2.6 miles: tum N left onto Howard Street or continue to Oliver Street and tum . KALAMAZOq AVE. ~ left. From M-43 West of Kalamazoo WWE Go easterly over U.S. 131: after 1.7 miles, tum right onto s Solon Street: follow Solon into Howard Street and go to Valley Drive or continue to West Michigan, tum left (east). From M-43 North of Kalamazoo Tum leftoffM-43 (Gull Road) in Kalamazoo onto Riverview Drive; go under the railroad overpass and bear right onto Michigan Avenue. Continue westerly on Michigan Avenue for 0.4 miles: it then becomes Kalamazoo Avenue, which is one way westbound. After 1.4 miles, bear left and go 0.3 miles: cross Main Street and rejoin Michigan Avenue: proceed westerly on Michigan Avenue to the Western Michigan University campus. From Downtown Kalamazoo Go westerly on Kalamazoo Avenue as in above directions OR go westerly on Lovell Street: then tum left onto Michigan Avenue and proceed to the Western Michigan University campus. TO INDIANA Alphabetical Listing of Exhibitors at 1996 Congress as of December 1, 1995 Abbey Scriptorium Lafayette Books, Inc. (G. Hamon) Adler's Foreign Books Linguist's Software, Inc. Allen G. Berman, Numismatist Liturgical Press, The Allen ye Printmaker Loome Theological Booksellers Arthuriana Mail Room, The Balboa Software Marque de Martin Benjamin De Wit, Inc. Maryellen Hains Bolchazy-Carducci Publishers Medieval Academy of America Books in Philosophy Medieval Institute Publications Boydell & Brewer, Inc. Michigan State University Press Brepols Publishers Middle Earthenwares Pottery Bruce Ferrini Oxford University Press Cambridge University Press Paulist Press Catholic Univ. of America Press Penguin Celtic Designs and Music Penn State Press Chaucer Studio Personal Bibliographic Software Christopher's Book Room Phillip 1. Pi rages Cistercian Publications Pontifical Institute Columbia University Press Powell's Bookstore Compleat Scholar, The Princeton University Press Cornell University Press Purdue University Press Crossroad Publishing Reineke-Verlag David Brown Book Company Routledge Deadly Passions Bookshop Scholar's Choice, The E. 1. Brill, Inc. St. Martin's Press Edwin Mellen Press TEAMS Publications Franciscan Institute Publications Turtle Island Booksellers Franciscan Press University of Chicago Press Garland Publishing, Inc. University of Illinois Press Garrylee McCormick University of Michigan Press Hill Monastic Manuscript Library University of Minnesota Press Historic Waxcraft University of Notre Dame Press House-on-the-HiIl, The University of Pennsylvania Press Indiana University Press University of Toronto Press Information Commons, Toronto Variorum IMI Publications, Leeds Wayne State University Press 1. Hood Booksellers Wm. B. Eerdmans Publishing Yale University Press John Benjamins North America • e-'Gress (The Electronic Congress) In response to the growing interest in electronic resources for medievalists the 96 Congress will include demonstrations and workshops, by and for academics, to inform and instruct participants in some of the new tools for research, teaching, and telecommunicating in the profession. We are planning hands-on workshops for participants of various levels of experience. For the beginner there will be instruction in the basics of the Internet and World-Wide Web. For more advanced users there will be workshops on creating web pages in HTML and maintaining a web site. We would also like to learn how our colleagues are using the new technologies in research and teaching. We welcome proposals for demonstrations of programs and applications presented by their developers. If you have had success in using existing commercial CD-ROMs and other resources, please let us know. To register for workshops or to present a demonstration, please complete the form below and return by April 15th. REGISTRATION INFORMATION FOR WORKSHOPS Each workshop is limited to twelve participants (Mac and PC workstations available) and there is a fee of $10 per workshop. Sessions will be held in the University Computing Center. Campus transportation will be provided from the Goldsworth Valley residences. I would like to attend the following workshop(s): ~--------------------------------------------------------------------------- INTRODUCTION TO THE INTERNET This workshop will introduce participants to e-mail, the World-Wide Web, Usenet News, FfP (File Transfer Protocol), and Telnet. ______Thursday 3:30 - 5:00 p.m. ______Friday 1 :30 - 3:00 p.m. _____Saturday 10:00 -11:30 a.m. CREA TING WEB DOCUMENTS (please circle your interest in Mac or PC) _________Saturday 1 :30 - 3:00 p.m. Mac PC DEMONSTRA TIONS will be scheduled Thursday through Saturday of the Congress in Room 2040 of the Fetzer Building. ____I would like to demonstrate a program or application that 1 have developed, or a commercial tool (e.g. CD-ROM) that 1 have used. (Please submit a description of the program/application, including a complete and detailed listing of hardware and other software needed for the demonstration) or e-mail [email protected]. Detach the completed form and mail it with Congress Registration. For the training workshops make checks payable to the Medieval Institute. MEDIEVAL CONGRESS AT A GLANCE Wednesday Thursday Friday Saturday Sunday Registration 12:00 pm 7:00 am 7:00 am 7:00 am 7:00 am (Harrison-Stinson lobby) 11 :30 pm 11 :00 pm 11 :00 pm 5:00 pm 12:00 pm Bus Service from/to airport MEETING MEETING MEETING NO BUS 6:00 am (to Harrison-Stinson lobby) INCOMING INCOMING INCOMING SERVICE 3:00 pm FLIGHTS FLIGHTS FLIGHTS (on half hour) Sessions 10:00am 10:00 am 10:00 am 8:30 am 5:00 pm 5:00 pm 5:00 pm 12:00 pm Plenary sessions 8:30 am 8:30 am (Valley I cafeteria) Book Exhibits setup only, 8:00 am 8:00 am 8:00 am 8:00 am (Val!ey II cafeteria) noon 8:00 pm 8:00 pm 8:00 pm noon 8:30 pm Audio-Visual Room 9:00 am 9:00 am 9:00 am 8:00 am (1425 Schneider/Haworth) 6:00 pm 6:00 pm 6:00 pm 1 :00 pm Technology Room 8:00 am 8:00 am 8:00 am 8:00 am (1434 Schneider/Haworth) 8:00 pm 8:00 pm 8:00 pm 12:00 pm Wine Hour 5:00 pm 5:00 pm 5:00 pm (Valley II, cafeteria lobbies) 6:00 pm 6:00 pm 6:00 pm GENERAL INFORMATION REGISTRATION Everyone attending the Congress must fill out the official Registration Fonn. Participants may either pre-register by mail or may register on site. One fonn must be filled out for each person; photocopies of the fonn are acceptable. Registration fees are as follows: $95.00 regular $65.00 student; $65 for accompanying family members. Please send verification of student status.
Load more

Recommended publications
  • Romance and Writing: Interpreting the Lyric Domnas of Occitania
    Trends in Historiography Romance and Writing: Interpreting the Lyric Domnas of Occitania by Aubri E. Thurmond “I’ll ask you this: when a lady freely loves a man, should she do as much for him as he for her, according to the rules of courtly love?”1 These words are attributed to Maria de Ventadorn, a woman composing in the lyric tradition of the troubadours. From 1100-1300 A.D., Occitania (Southern France) produced over 400 troubadours whose poetry shaped the concepts of romantic love in the West. Their poems, written in langue d’oc, were expressions of fin’ amor, or courtly love.2 According to Paul Zumthor, “Fin’ amor strives toward a desired but unnamed good, bestowable only by a lady, herself identified only by an emblematic pseudonym: a dialogue without reply, pure song, turning into poetry the movements of a heart contemplating an object whose importance as such is minimal.”3 The troubadour was symbolically dependent on the favor of his lady, therefore seemingly giving her power and humbling himself.4 Fin ‘amor was the source of all courtly values.5 However, there were also women troubadours, called trobairitz, in Southern France. The name trobairitz comes from the root trobar, meaning to compose and the feminine suffix –airitz, literally meaning “a woman who composes.”6 The female troubadours did not refer to themselves as trobairitz. In fact, the term trobairitz is only found once in 13th century literature: in the romance Flamenca, when the heroine calls her maid 1 As quoted in Meg Bogin, The Women Troubadours (Scarborough, England: Paddington Press Ltd., 1976), 99.
    [Show full text]
  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.
    [Show full text]
  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support.
    [Show full text]
  • Schachweltmeister (Wikipedia)
    Schachweltmeister weltmeister“ wurden in Abgrenzung zur separa- ten Schachweltmeisterschaft der Frauen historisch auch als „Schachweltmeisterschaft der Männer“ be- zeichnet. Seit einer entsprechenden Klärung in den späten 1980ern steht der Titel aber generell Män- nern und Frauen offen. Beschränkt für Altersstu- fen gibt es die Juniorenweltmeisterschaft (U20), die Jugendweltmeisterschaften in den Altersklassen U8–U18 und die Seniorenweltmeisterschaft – alle ebenfalls offen für beide Geschlechter, aber auch mit eigenen Bewerben für Spielerinnen. Dazu gibt es Weltmeisterschaften im Blitzschach, Schnellschach und Fernschach. Weltmeisterschaften werden als Zweikampf über mehre- re Partien zwischen dem Weltmeister und einem Heraus- forderer ausgetragen. In den Jahren 1948 und 2007 er- mittelte man den Weltmeister dagegen durch ein Run- denturnier mit mehreren Teilnehmern. Der Herausfor- derer muss sich üblicherweise durch den Gewinn des Kandidatenturniers für den WM-Zweikampf qualifizie- ren. Eine zwischenzeitliche Trennung des Weltmeistertitels vom Weltverband FIDE seit 1993 wurde 2006 durch die Schachweltmeisterschaft 2006 behoben. Während dieser Zeit führte die FIDE Weltmeisterschaften durch, deren Sieger jedoch nicht als allgemein anerkannte Weltmeis- ter galten. 1 Die weltbesten Spieler vor Ein- führung der offiziellen Weltmeis- Oben: Logo des Weltschachbundes FIDE terschaftskämpfe Mitte: Weltmeister Michail Botwinnik 0000und Wilhelm Steinitz Unten: Schachweltmeisterschaft 2008 Der Titel Schachweltmeister ist die höchste Aus- zeichnung im Schachspiel, die – in der Regel – nach vorausgehenden Qualifikationsturnieren und schließlich durch einen Zweikampf um die Schachweltmeisterschaft vergeben wird. Als erster offizieller Schachweltmeis- ter gilt der Österreicher Wilhelm Steinitz nach sei- nem Wettkampfsieg gegen Johannes Hermann Zukert- ort im Jahr 1886. Amtierender Weltmeister ist seit 2013 der Norweger Magnus Carlsen, der den Titel bei der Erstes internationales Schachturnier am Hofe König Philipps II.
    [Show full text]
  • IMAGES of WOMEN in the TROBAIRITZ1 POETRY (Vocabulary and Imagery)
    Olaru Laura Emanuela IMAGES OF WOMEN IN THE TROBAIRITZ1 POETRY (Vocabulary and Imagery) M. A. Thesis in Medieval Studies CEU eTD Collection The Central European University Budapest June 1998 I, the undersigned, Laura Emanuela OLARU, candidate for the M. A. degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person's or institution's copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 15 June 1998 Signature CEU eTD Collection Images of Women in the Trobairitz Poetry (Vocabulary and Imagery) by Laura Emanuela Olaru (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU Chair, Exarffination Comittee External Examiner /\/ Examiffgp/^''^ Budapest June 1998 CEU eTD Collection Images of Women in the Trobairitz' Poetry (Vocabulary and Imagery) ABSTRACT The present study has focused on the poetry of the trobairitz, who wrote during 1180-1260 in Occitania, in the environment of the court. Its purpose is to extract the images of women as depicted in and through the vocabulary and the imagery. The study of vocabulary and imagery seemed the best way to understand the significance and the richness of the types of women depicted in the poems: the conscious woman, the authoritative figure, the fighter, the lover, the beloved, the uncourtly woman.
    [Show full text]
  • The Image of the Turk in Early Modern Board Games and Playing Cards
    THE IMAGE OF THE TURK IN EARLY MODERN BOARD GAMES AND PLAYING CARDS ÖMER FATİH PARLAK PHD THESIS Directed by DR. MARÍA JOSÉ VEGA RAMOS and DR. LARA VILÀ TOMAS Literary Theory and Comparative Literature Department of Spanish Literature Faculty of PhiLosophy and Arts BarceLona 2019 In memory of my father, Adem Parlak (1949-2014) TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 TABLE OF FIGURES ........................................................................................................ 8 LIST OF TABLES ............................................................................................................... 9 ABSTRACT ....................................................................................................................... 10 RESUMEN ......................................................................................................................... 11 ACKNOWLEDGEMENTS .............................................................................................. 12 INTRODUCTION ............................................................................................................. 15 GAMES INDEX ................................................................................................................... 23 Germany ...................................................................................................................... 23 Italy .............................................................................................................................
    [Show full text]
  • Troubadours NEW GROVE
    Troubadours, trouvères. Lyric poets or poet-musicians of France in the 12th and 13th centuries. It is customary to describe as troubadours those poets who worked in the south of France and wrote in Provençal, the langue d’oc , whereas the trouvères worked in the north of France and wrote in French, the langue d’oil . I. Troubadour poetry 1. Introduction. The troubadours were the earliest and most significant exponents of the arts of music and poetry in medieval Western vernacular culture. Their influence spread throughout the Middle Ages and beyond into French (the trouvères, see §II below), German, Italian, Spanish, English and other European languages. The first centre of troubadour song seems to have been Poitiers, but the main area extended from the Atlantic coast south of Bordeaux in the west, to the Alps bordering on Italy in the east. There were also ‘schools’ of troubadours in northern Italy itself and in Catalonia. Their influence, of course, spread much more widely. Pillet and Carstens (1933) named 460 troubadours; about 2600 of their poems survive, with melodies for roughly one in ten. The principal troubadours include AIMERIC DE PEGUILHAN ( c1190–c1221), ARNAUT DANIEL ( fl c1180–95), ARNAUT DE MAREUIL ( fl c1195), BERNART DE VENTADORN ( fl c1147–70), BERTRAN DE BORN ( fl c1159–95; d 1215), Cerveri de Girona ( fl c1259–85), FOLQUET DE MARSEILLE ( fl c1178–95; d 1231), GAUCELM FAIDIT ( fl c1172–1203), GUILLAUME IX , Duke of Aquitaine (1071–1126), GIRAUT DE BORNELH ( fl c1162–99), GUIRAUT RIQUIER ( fl c1254–92), JAUFRE RUDEL ( fl c1125–48), MARCABRU ( fl c1130–49), PEIRE D ’ALVERNHE ( fl c1149–68; d 1215), PEIRE CARDENAL ( fl c1205–72), PEIRE VIDAL ( fl c1183–c1204), PEIROL ( c1188–c1222), RAIMBAUT D ’AURENGA ( c1147–73), RAIMBAUT DE VAQEIRAS ( fl c1180–1205), RAIMON DE MIRAVAL ( fl c1191–c1229) and Sordello ( fl c1220–69; d 1269).
    [Show full text]
  • Programació a La Ciutat De
    Programació a la ciutat de OCTUBRE NOVEMBRE DESEMBRE 2019 FRONTERA, MARÍA PAGÉS I EL ARBI EL HARTI VICENT MARZÀ I IBÁÑEZ CONSELLER D’EDUCACIÓ, CULTURA I ESPort Benvolgudes amigues, benvolguts amics, Tornem a les rutines després de l’impàs estiuenc. Tor- nem, i ho fem amb ganes, perquè la tardor a Castelló es presenta pleníssima de plans culturals interessants i gustosos, en general i per suposat també als espais de l’Institut Valencià de Cultura a la ciutat. Al Teatre Principal podrem gaudir de produccions teatrals com “Una Ilíada”, “Lapònia” o “Viejo amigo Cicerón”, especta- cles musicals com el “Cant espiritual” de Carles Dénia o “Les Corts de l’amor”, de Mara Aranda. A l’Auditori, la programació tornarà a recollir el bo i millor del pa- norama simfònic europeu, sense deixar de banda els cicles de jazz i noves músiques i totes les activitats pensades per a les famílies. Mentrestant, a l’Espai d’Art Contemporani i al Museu de Belles Arts, les ex- posicions conviuran amb els tallers i programacions didàctiques per oferir experiències enriquidores a tots tipus de públics. A més, la segona edició dels premis de les arts escè- niques, de l’audiovisual i de la música, amb gal·les de lliurament de guardons repartides per tota la nostra geografia, tornaran a ser una celebració de l’excel·lent treball fet per la indústria cultural valenciana. La gala dels Premis Valencians de l’Audiovisual tindrà lloc el 22 de novembre a l’Auditori de Castelló. Ens ve un inici de temporada intens, no vos el perdeu! Programació a la ciutat de OCTUBRE | NOVEMBRE | DESEMBRE | 2019 Teatre Principal AUDITORI I PALAU TEATRE DE CONGRESSOS DANSA MÚSICA CLÀSSICA MÚSICA AUDITORI JAZZ CLUB OPERÀ TERRITORI CS FAMILIAR UN MÓN DE MÚSIQUES Organitza FAMILIAR PLAÇA DE LA PAU, S/N.
    [Show full text]
  • Indici 1971|2001
    I.S.S.N. 0391-5654 . 1-2 fasc Rivista di Filologia Romanza fondata da Giulio Bertoni ANNO LXVIII - 2008 - FASC. 1-2 . LXVIII - 2008 Direzione ROBERTO CRESPO ANNA FERRARI savERIO GUIDA VOL - Comitato scientifico INA CARLOS ALVAR ELSA GONÇALVES Université de Genève Universidade Clássica de Lisboa T Svizzera Portogallo GÉRARD GOUIRAN ULRICH MÖLK OLA Université de Montpellier Universität Göttingen Francia Germania E N ASCARI M. MUNDÓ WOLF-DIETER STEMPEL Institut d’Estudis Catalans Bayerische Akademie der Wissenschaften A Barcelona, Spagna München, Germania GIUSEPPE Tavani MADELEINE TYSSENS Università “La Sapienza” Université de Liège TUR Roma, Italia Belgio L FRANÇOISE VIELLIARD FRANÇOIS ZUFFEREY U École Nationale des Chartes Université de Lausanne C Paris, Francia Svizzera MUCCHI EDITORE Poste italiane s.p.a. - Sped. Abbon. Postale - D.L. 353/2003 (conv. in L. 27/02/2004 N. 46) art. 1, comma 1, DBC, Modena CPO CULTURA NEOLATINA Rivista di Filologia Romanza fondata da Giulio Bertoni ANNO LXVIII - 2008 - FASC. 1-2 Direzione ROBERTO CRESPO ANNA FERRARI SAVERIO GUIDA Comitato scientifico CARLOS ALVAR ELSA GONÇALVES Université de Genève Universidade Clássica de Lisboa Svizzera Portogallo GÉRARD GOUIRAN ULRICH MÖLK Université de Montpellier Universität Göttingen Francia Germania ASCARI M. MUNDÓ WOLF-DIETER STEMPEL Institut d’Estudis Catalans Bayerische Akademie der Wissenschaften Barcelona, Spagna München, Germania GIUSEPPE TAVANI MADELEINE TYssENS Università “La Sapienza” Université de Liège Roma, Italia Belgio FRANÇOISE VIELLIARD FRANÇOIS ZUffEREY École Nationale des Chartes Université de Lausanne Paris, Francia Svizzera MUCCHI EdITORE CULTURA NEOLATINA DIREZIONE: Roberto Crespo Anna Ferrari Saverio Guida COMITATO DI REDAZIONE: Patrizia Botta Maria Careri (responsabile) Anna Radaelli Adriana Solimena INDICI XXXI (1971) – XLI (2001) a cura di Danilo SROUR Facendo seguito agli Indici degli anni I-XXX (1941-1970), a cura di Sandro Ma- riani («Cultura Neolatina», XXXVII, 1976, fasc.
    [Show full text]
  • Lecture 6 Outline: the Birth of Polyphony
    21M.220 Fall 2010 Class #6 TROUBADOURS, CONTINUED: EARLY POLYPHONY THROUGH TO LEONIN 1. Sext 2. Peter Munstedt, Librarian of the Lewis Music Library, Introduction 3. Troubadours and Trouvères a. Part of the Medieval tradition of fin amours (or fin’amors) : refined love or courtly love i. This is the Middle Ages of popular imagination: chivalry, jousting, feasts, minstrels, unrequited love. ii. Poetry has endless variations on the theme of love from a lower/middle class man (or even a knight) for “the lady” – usually the wife of the Lord; often told in a poet’s vida (stylized biography) iii. Less often, but not rarely: unrequited love of a lower/middle class woman (trobaritz or trobairitz) for a nobleman. iv. First important major literary collections in the vernacular v. All were probably sung, but not all survive with melodies. Only 10% of troubadour songs have surviving melodies (and sadly, exactly one by a tro- baritz) and 2/3 of the (later) trouvère songs. b. Rhythm and Secular Music i. Rule #1: Don’t go there! c. Instruments and Secular Music i. Rule #1: Don’t go there! ii. Rule #2: Try a drone iii. Rule #3: Some random notes plucked on a harp or a lute between verses sound good. 4. Three troubadour pieces: a. Bernart de Ventadorn, Can vei la lauzeta mover. (c. 1160–70; troubadour) b. Beatriz de Dia, A chantar m’er (c. 1175—the only surviving trobaritz melody) c. Raimbaut de Vaqueiras, Kalenda Maya (borrowed “estampida”) 5. Other traditions a. Italy: extension of the troubadours b.
    [Show full text]
  • Troubadour Lyric in a Global Poetics Creating Worlds Through Desire
    Troubadour Lyric in a Global Poetics Creating Worlds Through Desire Marisa Galvez Stanford University, USA The troubadours were poet-performers of varied social status active in aristocratic courts of southern France, northern Italy, and northern Spain during the twelfth and thirteenth centuries. Around 2500 songs of the troubadours exist, and we have the names of more than 400 troubadours. The lyric was refined entertainment for an elite audience during a time that Occitan – as opposed to the French language of the north – was a signifi- cant poetic language of Europe. Transmitted orally as a musical composition of isometric stanzas followed by an ending half-strophe called the tornada, the dominant lyric genre the canso repeats a melody to the metrical pattern of each strophe. Eventually the lyric texts were written down, in mid-thirteenth century songbooks (chansonniers; 95 extant, four with music) commissioned by aristocratic patrons seeking to confirm their cultural status. The troubadours made vernacular poetry a true competitor of Latin, then the official language of the church and the medium of cultural knowledge. They created an art for dis- cussing feudal service and status as matters for verbal and artistic negotiation. This poetic language articulated the desire for a precious good bestowed by an unnamed highborn lady. Through subtle combinations of meter, melody, and verbal play, troubadour lyric maintained the ambivalence, frustration, and worthiness of desire as a poetic discipline of self-improvement. In sum, the troubadours invented a poetry that celebrated illicit love, a desiring subject in a world where spiritualized love took priority over earthly, bodily plea- sures, marriage was primarily an economic transaction, and courtly love a threat to familial alliances essential to the functioning of feudal society.
    [Show full text]
  • Spring 2011 ENGL 451/551 (#40799/42739) Th 4:00-6:30 in MH
    Spring 2011 ◆ ENGL 451/551 (#40799/42739) Th 4:00-6:30 in MH 211 Dr. Obermeier ◆ Medieval Lyrics Office Hours: M and Th 10-12 in HUM 269; and by Appointment and Voice Mail: 505.277.3103 Email: [email protected] Website: http://www.unm.edu/~aobermei Mailbox on Office Door HUM 321 Required Texts Additional Readings on eReserves: link on class webpage. Password = Pangur (eR). Class webpage: http://www.unm.edu/~aobermei/Eng451551Lyric/index451551.html Hardcopy Zimmerman Reserve for further research (Link on CWP). Hoffman, Richard L., and Maxwell S. Luria. Middle English Lyrics. Norton, 1974. Hollander, John. Rhyme’s Reason: A Guide to English Verse. 3rd ed. Yale UP, 2001. Obermeier, Anita, and Gregory Castle. Guide to Style. 2010 (CWP). Useful Literary Terms and Definitions (Link on CWP). Wilhelm, James. Lyrics of the Middle Ages. Routledge, 1990. Course Requirements Undergraduates: Graduates: 1 3-page Poetry Explication worth 10% 1 3-5-page Poetry Explication worth 10% 1 8-10-page Paper worth 25% 1 15-page Paper worth 20% 1 Oral Article Report worth 10% 1 5-7-page Literature Review worth 10% 1 In-class Midterm worth 10% 1 Oral Article Report worth 10% 1 In-class Final worth 20% 1 In-class midterm worth 10% 10 Written Responses worth 10% 1 In-class Final worth 20% Class Participation worth 15% 10 Written Responses worth 10% Class Participation worth 10% Grading is done on a standard 0-100 scale. For grading rubrics and scale, see class webpage. Tentative Syllabus Texts to be read for the day indicated.
    [Show full text]