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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Encouraging Fair Compensation for Musical Theatrical Compositions Through a Compulsory Synchronization License
In Sync: Encouraging Fair Compensation for Musical Theatrical Compositions Through A Compulsory Synchronization License Chris Johnson I. Introduction ....................................................................................................45 II. Copyright Enforcement and the Licensing of Musical Theatrical Compositions ..........................................................................................47 A. Basic Licensing Framework for Musical Theatrical Compositions ................................................................................. 48 1. Grand Rights ............................................................................ 48 2. Small Rights ............................................................................. 50 3. Recording Rights ..................................................................... 50 a. Mechanical Licensing ........................................................51 b. Synchronization Licensing .................................................52 B. Expression and the Online Culture of Infringement ...................... 52 C. Proposed Solutions and Associated Criticisms .............................. 54 1. Universal Compulsory Synchronization License .................... 55 2. “Content ID” – The Current YouTube Approach .................... 56 II. A Compulsory Synchronization License .......................................................57 A. Limited License ............................................................................. 57 1. A Compulsory Synchronization -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Deerfield Beach News
TO REACH BOCA RATON NEWS KATCN NEWS PHONE 3767 Serving Boca- Raton and Deerfield Beach No. 4 Vol. 45 Boca Raton, Florida, Thursday, October 1, 1959 24 pages Price Ten Cents City Sanitarian Is Considered Dr. C. L. Brumback, medi- cal director of the Palm Beach Squirrel Puts Out Lights County Health Department, and Fireman Earl Troxell said a squirrel touching a transformer was Joseph C. Alvarez, chief sani- responsible for a power failure that cut out electrical service in tarian, appeared before the City Boca Raton, parts of Deerfield Beach and Delray Beach for more Commission in a committee meeting Monday to discuss the than two hours Tuesday evening. I possibility of a sanitarian for Troxell said the squirrel caused quite an explosion when it Boca Raton. came in contact with a transformer at a Florida Power and Light Alvarez told the commis- substation. sioners that a county sanitarian Service was off from 5:10 to 7:10 in most areas. employed full time in Delray Troxell said nothing was found of the squirrel. The accident Beach had been working out ex- happened at the Boca power plant, the fireman said. ceptionally well under an ar- "rangement in which the city and the state jointly pay the sani- City Commission Adopts tarian. Alvarez said a sanitarian would normally be selected New Civil Service Rules under the state merit system ex- New rules and regulations for amination and would work close- the Civil Service Board were a- Groundbreaking ly in conjunction with the County dopted by the City Commission Health Department Tuesday. -
A Fish in a Stream on Body and Memory in Virginia Woolf's
DOI: http://dx.doi.org/10.5007/2175-8026.2021.e79128 A FISH IN A STREAM ON BODY AND MEMORY IN VIRGINIA WOOLF’S “A SKETCH OF THE PAST” Ana Carolina de Carvalho Mesquita1* 1Independent Researcher, São Paulo, SP, Brasil Abstract This article examines the deadlocks foregrounded in recreating and reconstituting memory in Virginia Woolf’s “A Sketch of the Past” from the body’s perspective. “Body” is seen here as a category to reflect upon the meanings of women’s marginality and resistance. Of particular interest are the hiatuses of memory in “Sketch,” for recovering her own body and establishing a voice from within it constituted a conflicting and contradictory process, to which Virginia Woolf responded with unique narrative strategies. General and private perspectives merge, not only because of the troubles of not being personal when writing one’s own life but because Woolf claims that leaving out “the person to whom things happen” is undesirable. Even though she may meet silence when including herself personally in her writings, silence is embraced as a constituent. I suggest that much in the same way Woolf juxtaposes temporalities and subjectivities in “Sketch,” personality, impersonality, and their absence (or connectedness, which is another way of seeing it) are also juxtaposed in a kind of palimpsest that does not overlook corporeality but acknowledges it as essential. Keywords: Virginia Woolf; body; memory; women’s embodiment; life- writing * Translator, and PhD in Literary Theory and Comparative Literature by Universidade de São Paulo (USP). By Virginia Woolf, she has translated into Brazilian Portuguese “A Sketch of the Past” (Um esboço do passado, Nós, 2020), “The Death of the Moth” (A morte da mariposa, Nós, 2021), and the first volume of her Diaries (Diário I: 1915-1918, Nós, 2021). -
Univerzita Palackého V Olomouci Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Veronika Glaserová The Importance and Meaning of the Character of the Writer in Stephen King’s Works Diplomová práce Vedoucí práce: PhDr. Matthew Sweney, Ph.D. Olomouc 2014 Olomouc 2014 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem předepsaným způsobem všechny použité podklady a literaturu. V Olomouci dne Podpis: Poděkování Děkuji vedoucímu práce za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Contents Introduction ....................................................................................................................... 6 1. Genres of Stephen King’s Works ................................................................................. 8 1.1. Fiction .................................................................................................................... 8 1.1.1. Mainstream fiction ........................................................................................... 9 1.1.2. Horror fiction ................................................................................................. 10 1.1.3. Science fiction ............................................................................................... 12 1.1.4. Fantasy ........................................................................................................... 14 1.1.5. Crime fiction ................................................................................................. -
Stephen-King-Book-List
BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short -
Duality and Reflections in Stephen King's Writers Alexis Hitchcock
ABSTRACT A Dark Mirror: Duality and Reflections in Stephen King's Writers Alexis Hitchcock Director: Dr. Lynne Hinojosa, Ph.D. Stephen King is well known for popular horror fiction but has recently been addressed more thoroughly by literary critics. While most studies focus on horror themes and the relationships between various characters, this thesis explores the importance of the author characters in three works by Stephen King: Misery, The Dark Half, and The Shining. The introduction gives a background of Stephen King as an author of popular horror fiction and discusses two themes that are connected to his author characters: doppelgängers and duality, and the idea of the death of the author. The death of the author is the idea that an author's biography should not affect the interpretation of a text. Implicit in this idea is the notion that the separation of an author from his work makes the text more literary and serious. The second chapter on Misery explores the relationship between the author and the readership or fans and discusses Stephen King’s divide caused by his split between his talent as an author of popular fiction and a desire to be a writer of literary fiction. The third chapter concerning The Dark Half explores Stephen King’s use of the pseudonym Richard Bachman and the splitting this created within himself and the main character of his novel. The last chapter includes discussion of The Shining and the author character’s split in personality caused by alcohol and supernatural sources. Studying the author characters and their doppelgängers reveals the unique stance King takes on the “death of the author” idea and shows how he represents the splitting of the self within his works. -
Creep Show Licensed Psychologist with Of- Fices in the Tall Pine Center in Somerset
Inside: Time Off's Restaurant Guide Franklin News-Record Vol. 36, No. 12 Thursday, March 21, 1991 50 0 NEWS Chemical cloud still has officials perplexed By Laurie Lynn Strasser over how its source —• a leaky been in business two years, needs no because it's too dangerous," said said, because a deposit upon purchase Staff Writer container of hydrogen chloride — DEP operating permit because it is Somerset Recycling's owner, Bud usually serves as incentive for BRIEFS wound up at Somerset Recycling, not a full-scale recycling facility, Mr. Flynn. "We didn't find the tanks empties to be returned to the com- State officials have yet to de- located at 921 Route 27, in the first Staples said, adding that the only until Saturday when we were clean- pany that distributes them. termine who is accountable for a place. laws pertaining to a situation such as ing a pile of steel to ship out to a If the company that made them caustic chemical cloud that exuded Hydrogen chloride gas reacts with this come "after the fact." shredder in Newark." were still in business, Mr. Flynn said. from a Franklin junkyard, hovered Spring rec moisture, cither in the atmosphere or "Our emergency response people Purchasing metal by the truckload it would be responsible for disposal. over town and wafted into New in living organisms, to form have referred the matter to the can be like buying strawberries in the But in this case, he speculated, what- Brunswick for seven hours Saturday. Franklin Township's Depart- hydrochloric acid, which can irritate Division of Environmental Quality to supermarket, Mr. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Real-Time and Historic Location Surveillance After United States V
Journal of Criminal Law and Criminology Volume 103 | Issue 3 Article 5 Summer 2013 Real-Time and Historic Location Surveillance After United States v. Jones: An Administrable, Mildly Mosiac Approach Stephen E. Henderson Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons Recommended Citation Stephen E. Henderson, Real-Time and Historic Location Surveillance After United States v. Jones: An Administrable, Mildly Mosiac Approach, 103 J. Crim. L. & Criminology 803 (2013). https://scholarlycommons.law.northwestern.edu/jclc/vol103/iss3/5 This Symposium is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. 0091-4169/13/10303-0803 THE JOURNAL OF CRIMINAL LAW & CRIMINOLOGY Vol. 103, No. 3 Copyright © 2013 by Stephen E. Henderson Printed in U.S.A. REAL-TIME AND HISTORIC LOCATION SURVEILLANCE AFTER UNITED STATES V. JONES: AN ADMINISTRABLE, MILDLY MOSAIC APPROACH STEPHEN E. HENDERSON* In United States v. Jones, the government took an extreme position: so far as the federal Constitution is concerned, law enforcement can surreptitiously electronically track the movements of any American over the course of an entire month without cause or restraint. According to the government, whether the surveillance is for good reason, invidious reason, or no reason, the Fourth Amendment is not implicated. Fortunately, the Supreme Court unanimously rejected that position. The Court did not, however, resolve what restriction or restraint the Fourth Amendment places upon location surveillance, reflecting proper judicial restraint in this nuanced and difficult area. -
A Father Like That
Kunapipi Volume 30 Issue 1 Article 10 2008 A father like that Olive Senior Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Senior, Olive, A father like that, Kunapipi, 30(1), 2008. Available at:https://ro.uow.edu.au/kunapipi/vol30/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A father like that Abstract Well I never know I would make it back much less get in without Matron seeing me and cutting my tail for being outside without permission. Bread and water for a week. Plus, if she ever find out about the commotion I just cause! But I was lucky for as soon as I reach up to the house I could tell from all the noise Matron wasn’t there, for the girls only carry on like that when she turn her back leave poor Aunt in charge. So I change into my house dress and I get inside without a soul see me. But my heart was still in my mouth from the running and the fright so that if anybody did say one word to me that evening, I would just start to bawl. Then I would let my mouth run away with me and tell them everything. Then dog would nyam my supper for Matron bound to hear. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol30/iss1/10 106 olive Senior A Father LIKE That Well I never know I would make it back much less get in without Matron seeing me and cutting my tail for being outside without permission.