A Cosmic Hunt in the Berber Sky: : a Phylogenetic Reconstruction of a Palaeolithic Mythology
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Myths and Legends of the New York State Iroquois
.»>.. The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924055492973 CORNELL UNIVERSITY LIBRARY 924 055 492 973 Education Department Bulletin Published fortnightly by the University of the State of New York Entered as second-class matter June 24, i!)o8, at the Post Office at Albany, N. Y., under the act of July 16, 1894 No; 437 ALBANY, N. Y. December is, 1908 New York State Museum John M. Clarke, Director Museum bulletin 125 MYTHS AND LEGENDS OF THE NEW YORK STATE IROQUOIS BY HARRIET MAXWELL CONVERSE (Ya-ie-wa-noh) EDITED AND ANNOTATED BY ARTHUR CASWELL PARKER (Ga-wa-so-wa-neh) PAGE PAGE Prefatory note S Neh Ho-noh-tci-noh-gah, the Introduction 7 Guardians of the Little Waters, Biography of Harriet Maxwell a Seneca Medicine Society. A. Converse 14 C. Parker : 149 Pt I Iroquois Mythsand Legends. Appendix A. Origin of Good and Harriet Maxwell Converse. 31 Evil 184 Pt 2 Myths and Legends. Har- Appendix B. The Stone Giants. 185 riet Maxwell Converse (Re- Appendix C. The De-o-ha-ko.. 185 vised from rough drafts) 93 Appendix D. The Legendary Pt 3 . Miscellaneous papers. Har- Origin of Wampum 187 riet Maxwell Converse 128 Index igi ALBANY - UNIVERSITY OF THE STATE OF. NEW YORK. 1908 M2ozr-Je8-3ooo 1 STATE OF NEW YORK EDUCATION DEPARTMENT Regents of the University Witll years when terms expire 191.3 Whitelaw Reid M.A. LL.D. -
Leg Child Revised TRES
van Binsbergen, Wim M.J., 2020, The leg child in global cultural history: A distributional exercise in comparative mythology, at: http://www.quest- journal.net/shikanda/topicalities/leg_child,pdf In this paper we shall address an interessting and wide-spread mytheme that nonetheless is little known outside the circle of comparative mythologists: the leg child. In comparative mythology, the leg child is a mythical anthropomorphic figure born from a human body otherwise than via the normal birth channel; cf . van Binsbergen 2018: 417, where I wrote approximately (text considerably adapted): .... the mytheme of the leg child (NarCom 12b). This is a common motif, indicating a mythical figure who was born, not by passing through the normal birth channel, but through a thigh, armpit, waist, occiput or any other part of the human body except the birth channel. The type case is from Ancient Greek mythology, where Dionysus was sewn into his father Zeus's thigh, and born from there, after his mother Semele had been burned to death under the hot splendour of Zeus' lightning.(...) Quite a few mythical protagonists worldwide appear as leg children, including Ancient Egyptian Seth born from his mother's side, Thoth from his father's skull (Bonnet 1952: 702 f.), cf. Greek Athena from her father's skull (and when Hephaestus – who incidentally, as a smith was the very one to split Zeus’s skull on that occasion – in sexual arousal ejaculated against Athena's thigh who in disgust wiped off the sperm with a handful of wool and cast it to the Earth, who immediately responded by producing Erichthonius [ – by an ancient popular etymology, ‘Wool-Earthy’ – , ] this makes the latter also a leg child although he was reputedly borne by Gaia / Earth). -
[Calvinism : Six Stone-Lectures]
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SETTLER COLONIALISM and UTOPIANISM by Karl
UNSETTLING HOPE: SETTLER COLONIALISM AND UTOPIANISM by Karl Joseph Hardy A thesis submitted to the Cultural Studies Graduate Program In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada June 10, 2015 Copyright © Karl Joseph Hardy, 2015 Abstract This dissertation locates the manifold concept of utopia as imbricated with the project of English settler colonialism in the New World and the succeeding settler colonial societies of Canada and the US. I situate Thomas More’s Utopia as an early modern narrative that was mobilized to articulate notions of transcendental progress and universal rationality commensurate with Christian Humanism, which served to justify expropriation of Indigenous lands. I further locate contemporary Indigenous critical theoretical interventions into longstanding scholarly theories of nation and peoplehood. I argue that Indigenous critical theory, literary studies, and works of Indigenous speculative fiction serve an immanent critique to the settler utopian traditions of Canada and the US, which both reflect and further the naturalization of settler colonialism as an enduring force which frames the contemporary experience of globalization. This immanent critique is also applied to contemporary utopian studies discourses, including emergent discussions of “Non-Western” and “postcolonial” utopias. I proceed to an exploration of contemporary speculative narratives of Indigenous, racialized non-Native, and white settler peoples concerned with varying notions of indigneity. I argue such narratives propose desirable social change in ways that further naturalize or resist settler colonialism in their respective envisages of the future. ii Acknowledgements I am deeply grateful to all of my family, friends, teachers, and colleagues who have challenged and supported me throughout my time as a doctoral student, especially my supervisor, Scott Morgensen. -
Basque Mythology
Center for Basque Studies Basque Classics Series, No. 3 Selected Writings of José Miguel de Barandiarán: Basque Prehistory and Ethnography Compiled and with an Introduction by Jesús Altuna Translated by Frederick H. Fornoff, Linda White, and Carys Evans-Corrales Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © by the Center for Basque Studies All rights reserved. Printed in the United States of America. Cover and series design © by Jose Luis Agote. Cover illustration: Josetxo Marin Library of Congress Cataloging-in-Publication Data Barandiarán, José Miguel de. [Selections. English. ] Selected writings of Jose Miguel de Barandiaran : Basque prehistory and ethnography / compiled and with an introduction by Jesus Altuna ; transla- tion by Frederick H. Fornoff, Linda White, and Carys Evans-Corrales. p. cm. -- (Basque classics series / Center for Basque Studies ; no. ) Summary: “Extracts from works by Basque ethnographer Barandiaran on Basque prehistory, mythology, magical beliefs, rural life, gender roles, and life events such as birth, marriage, and death, gleaned from interviews and excavations conducted in the rural Basque Country in the early to mid-twentieth century. Introduction includes biographical information on Barandiaran”--Provided by publisher. Includes bibliographical references and index. ISBN ---- (pbk.) -- ISBN ---- (hardcover) . Basques--Folklore. Mythology, Basque. Basques--Social life and cus- toms. -
Every Creation Story
Every Creation Story Creation from chaos Chaos (cosmogony) Enûma Eliš (Babylonian creation myth) Genesis creation myth (Judaism, Christianity and Islam) Greek cosmogonical myth Jamshid Korean creation narratives Kumulipo Leviathan (Book of Job 38–41 creation myth) Mandé creation myth Pangu Raven in Creation Serer creation myth Sumerian creation myth Tungusic creation myth Unkulunkulu Väinämöinen Viracocha Earth diver Earth-diver Ainu creation myth Cherokee creation myth Iroquois creation myth Väinämöinen Yoruba creation myth Ob-Ugric creation myth Emergence Emergence Hopi creation myth Maya creation of the world myth Diné Bahaneʼ (Navajo) Zuni creation myth ( creation of self ) Ex nihilo Debate between sheep and grain Barton cylinder Ancient Egyptian creation myths Kabezya-Mpungu Māori myths Mbombo Ngai Popol Vuh World parent World parent Coatlicue Enûma Eliš Greek cosmogonical myth Greek cosmogonical myth Heliopolis creation myth Hiranyagarbha creation myth Kumulipo Rangi and Papa Völuspá Divine twins Divine twins Proto-Indo-European creation myths Regional Africa Ancient Egyptian creation myths Fon creation myth Kaang creation story (Bushmen) Kintu myth (Bugandan) Mandé creation myth Mbombo (Kuba, Bakuba or Bushongo/Boshongo) Ngai (Kamba, Kikuyu and Maasai ) Serer creation myth (cosmogony of the Serer people of Senegal, the Gambia and Mauritania) Unkulunkulu (Zulu) Yoruba creation Americas Mesoamerica Coatlicue (Aztec) Maya creation of the world myth Popol Vuh (Quiché Mayan) Mid North America Anishinaabeg creation stories Cherokee creation -
THE BASQUE COUNTRY a Varied and San Sebastián Seductive Region
1 Bilbao San Sebastián Vitoria-Gasteiz All of the TOP experiences detailed in TOP in this catalogue are subject to change and EXPE may be updated. Therefore, we advise you RIEN to check the website for the most up to date CE prices before you book your trip. www.basquecountrytourism.net 22 14 32 40 City break getaways 6 6 Bilbao 14 San Sebastián 22 Vitoria-Gasteiz 32 Gastronomy 40 Wine Tourism 44 50 44 The Basque Coast 50 Active Nature 56 Culture 60 Unmissable experiences 56 62 Practical information Bilbao San Sebastián Vitoria- Gasteiz 4 THE BASQUE COUNTRY a varied and San Sebastián seductive region You are about to embark on an adventure If you explore the history of the figures with many attractions: a varied landscape, who have marked the personality of these a mild climate, ancient culture, renowned communities, you will discover how their gastronomy... These are the nuances maritime, industrial and agricultural that make the Basque Country a tourist character, always diverse and enterprising, destination you will be delighted to has been bred. discover. And if you find the coastal and inland Two colours will accompany you on your villages interesting, you will be fascinated journey through the Basque Country: the by the three capitals. Bilbao will surprise green of the mountains and valleys, and you with its transformation from the blue of the sea. an industrial city to an avant garde metropolis, that brings together the You will discover that the Basque people world's best architects. San Sebastián, maintain strong links with the natural exquisite and unique, will seduce you with resources of the land and the sea. -
What Follows Is a Discussion of the Popular Music Genre of Death Metal
Basque Pagan Metal: View to a primordial past Author Weston, Donna Published 2011 Journal Title European Journal of Cultural Studies DOI https://doi.org/10.1177/1367549410368898 Copyright Statement © 2011 SAGE Publications. This is the author-manuscript version of the paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/42446 Griffith Research Online https://research-repository.griffith.edu.au Title: Basque Pagan Metal: View to a Primordial Past Name: Dr Donna Weston Address: Queensland Conservatorium, Griffith University, Gold Coast Campus PMB 50, Gold Coast Mail Centre QLD, Australia, 4222 Phone: (617) 5552 9007 Email: [email protected] 1 Pagan Metal Pagan Metal and Basque Identity Pagan Metal, a genre within the Extreme Metal scene, blends local traditional ethnic instrumentation and melodic material with Black Metal musical elements, the lyrics focusing on localised pagan themes. While generally expressing an extreme anti-Christian sentiment embedded in themes of oppression and a glorified pagan past, it tends to distance itself from the neo-Nazi and Satanist elements that have come to be associated with its predecessor - Black Metal. While there are sometimes significant discrepancies across various websites as to whether such bands are Pagan, Folk, Black or otherwise, the constants are Black Metal musical style combined with local folk-style music and instrumentation, with lyrics referencing local Pagan legends and communicating a strong sense of local identity. This article explores Pagan Metal from the Basque Country, with the aim of defining what kind of identity it represents, and where that identity is situated within the context of a continuum of Basque identities. -
An Introduction to the Folklore of the Boise Basques and Its Contribution
The College of Wooster Libraries Open Works Senior Independent Study Theses 2016 Euskaldunak or Amerikanuak: An Introduction to the Folklore of the Boise Basques and its Contribution to the Basque-American Identity Leah Zavaleta The College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the Basque Studies Commons Recommended Citation Zavaleta, Leah, "Euskaldunak or Amerikanuak: An Introduction to the Folklore of the Boise Basques and its Contribution to the Basque-American Identity" (2016). Senior Independent Study Theses. Paper 7244. https://openworks.wooster.edu/independentstudy/7244 This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2016 Leah Zavaleta The College of Wooster Euskaldunak or Amerikanuak: An Introduction to the Folklore of the Boise Basques and its Contribution to the Basque-American Identity By Leah Zavaleta Presented in Partial Fulfillment of the Requirements of Senior Independent Study Thesis Supervised by: Pamela Frese and Joseph Aguilar Department of Sociology and Anthropology Department of English 18 March 2016 Table of Contents Acknowledgements……………………………………………………………………i Abstract………………………………………………………………………………..ii Chapter One: Introduction and Methods……………………………………………...1 Methods…………………………………………………………………….....6 -
Before Babel: a History of Basque Literatures
Before Babel: A History of Basque Literatures Joseba Gabilondo BαRβaπoaK © 2016 Barbaroak. All rights reserved Printed in the United States of America on acid-free paper. Design: Joseba Gabilondo. Photographs: Wikimedia commons. ISBN: 978-1530868322 Library of Congress Cataloging Data: PH5281 .G33 2014 Barbaroak, LLC. www.barbaroak.com Only Basques preserve, to our days, their vulgar and barbarian language, which does not show any elegance, and is very different from the rest of languages and the most ancient of Spain, […] it is said that the whole Spain made use of the Basque language before the Romans entered these provinces and, with their arms, spread their language. It is also said that, because these Basque people were vulgar, ferocious, and wild […] and the mountains they inhabited were inaccessible, they never fell completely under the yoke of the foreign empire, or they shook it swiftly. Juan de Mariana, General History of Spain, (1601). What are we waiting for while congregated in the forum? The barbarians are expected to arrive today. Why is there such lack of action in the senate? Why are the senators sitting still and do not legislate? Because the barbarians will arrive today. … Why are the streets and public squares becoming empty? And everybody is going home with skeptical thoughts? Because night has fallen and the barbarians did not arrive. Some people came from the border And reported that the barbarians do not exist anymore. Now what are we going to do without barbarians? These people were after all a kind of solution. Constantine P. Cavafy. “Waiting for the Barbarians.” (1904; translation by Konstantinos Karpozilos). -
Goazen Mendira! (Let's Go to the Mountains!). Hill Walking and Basque Identity
Przegląd Narodowościowy / Review of Nationalities • nr 9/2019 • Sports as the expression of nation issues ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2019-0006 Katarzyna Mirgos* University of Gdańsk, Gdańsk, Poland https://orcid.org/0000-0003-4596-5028 Goazen mendira! (Let’s go to the mountains!). Hill walking and Basque identity** Introduction My Basque interlocutors have often tried to convince me that hiking in the mountains is Basques’ favourite way of spending free time, especially of those Basque-speaking (euskaldunak). I remember one trip to the mountains during which my Basque com- panion would listen closely to every group that passed by, counting those who spoke Basque, thus wanting to prove that it is Basque speakers that prevail in the mountains. The subject of this article is a discussion on the role of the landscape (mountains)1 and specific activity associated with it (hiking in the mountains, climbing) in the pro- cess of creating Basque identity. For this purpose, the importance of the mountains in Basque mythology and national ideology will be introduced, and the historical context of the relationship between hiking in the mountains and nationalism (e.g. mendigoxale meaning “movement”) will be presented. Attention will also be paid to mountain hiking as an element of the specific Basque lifestyle. At the same time, the starting point will be to show the specificity and importance of physical activity and sport (including tradi- tional Basque sports) in the Basque region and their role in building the Basque identi- ty. They also constitute an important space in which national and cultural separateness is expressed. -
IROQUOIS MASKS and MASKMAKING at ONONDAGA by JEAN HENDRY
SMITHSONIAN INSTITUTION Bureau of American Ethnology Bulletin 191 Anthropological Papers, No. 74 IROQUOIS MASKS AND MASKMAKING AT ONONDAGA By JEAN HENDRY 349 682-611—64 ^28 CONTENTS PAGE Introduction 353 Patterns of art in Iroquois culture 356 Masks in Iroquois culture 362 Origin and antiquity 362 The False Face Society 365 Style 368 Mask carving at Onondaga Reservation 373 The community 373 The carvers 377 Economics of mask carving 380 Religious aspects of maskmaking , 384 Learning and motivation 387 Technical and esthetic processes 390 Standards of taste 396 Concluding remarks 403 Bibliography 406 ILLUSTRATIONS PLATES (All plates follow page 410) 91. Onondaga Reservation Council House and Community center. 92. Onondaga Reservation maskmakers. 93. Onondaga Reservation residences. 94. Spoon-lipped masks. 95. Crooked-mouth mask and smiling masks. 96. Straight-lipped mask and crooked-mouth masks. 97. Blowing masks and smiling mask. 98. Blowing mask and straight-lipped masks. 99. Straight-lipped mask and crooked-mouth mask. 100. Crooked-mouth mask and tongue-protruding mask. 101. Crooked-mouth masks. 102. Onondaga 1888 DeCost Smith tongue-protruding masks. 103. Straight-lipped wooden mask and Husk Face Society mask. 104. Maskette carved by Allison Thomas. 351 IROQUOIS MASKS AND MASKMAKING AT ONONDAGA By Jean Hendry INTKODUCTION Few features of Iroquois culture have aroused a more sustained interest on the part of observers than the wooden masks or false faces. From the middle of the 17th century, when these carvings first caught the attention of the early travelers and missionaries, down to the present day, masks and the rituals associated with them have been a favorite topic of both amateur and professional ethnographers.