Animagazin 6. Sz. (2016. November 23.)
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2010-EPIC-Conference-Proceedings
EPIC Board of Directors ken anderson, Intel Corporation, President Tracey Lovejoy, Microsoft Corporation, Secretary Ed Liebow, Battelle Memorial Institute, Treasurer Melissa Cefkin, IBM, President-elect EPIC Advisory Committee Jacob Buur, U Copenhagen Christina Wasson, U North Texas Chris Miller, Savannah College of Art and Design Donna Flynn, Microsoft Elizabeth Anderson Kempe, Artemis By Design Jeanette Blomberg, IBM Alexandra Mack, Pitney Bowes Tony Salvador, Intel Rick E. Robinson, HLB Martha Cotton, gravitytank The National Association for the Practice of Anthropology (NAPA) is pleased to welcome you to this 6th annual Ethnographic Praxis in Industry Conference. NAPA is a section of the American Anthropological Association and supports the work of practicing anthropology by helping practitioners refine their skills, develop their careers, and market their services, www.practicinganthropology.org Mary Odell Butler – President Kalfani Ture – Governing Council Dennis Wiedman – Past President Eve Pinsker – Evaluation Anthropology Interest Group Tim Wallace – President-Elect Gelya Frank - Occupational Therapy Interest Group Christine Miller – Secretary Lenora Bohren – Evaluation Task Force John Massad – Treasurer Christine Miller – Design Anthro Interest Group Cathleen Crain – Governing Council Ellen Puccia – Local Practitioner Organizations Sabrina Scott – Governing Council David Himmelgreen and Satish Kedia, NAPA Bulletin Editors The American Anthropological Association, the primary professional society of anthropologists in the United -
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time. -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
Staffordshire Community Safety Partnership
One Staffordshire Information Sharing Protocol Document control: Version 9.0 August 2020 Contents Executive summary ................................................................................................... 1 1. Purpose ................................................................................................................. 2 2. Powers .................................................................................................................. 3 3. Partners ................................................................................................................ 4 4. Process for Sharing ............................................................................................... 5 5. Review ................................................................................................................ 10 Appendix A Signatories and Designated Officers Appendix B Legislation Summary Appendix C Conditions of Consent Appendix D Information Sharing Agreement Appendix E Information Sharing Health and Social Care Data Appendix F Fair Processing Appendix G Individual Information Sharing Agreements Appendix H Information Sharing Templates Executive summary The ‘One Staffordshire Information Sharing Protocol’ deals with the emerging issues surrounding information sharing between agencies and organisations that are delivering services for the social, economic and environmental wellbeing of the community. Promoting and achieving wellbeing is only likely to be successful where organisations work together to ensure that -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
The Grand Old Man and the Great Tradition Adriana Boscaro with a Bun 'Ya Ningyo, Island of Sado, 1971
The Grand Old Man and the Great Tradition Adriana Boscaro with a Bun 'ya ningyo, Island of Sado, 1971. The Grand Old Man and the Great Tradition Essays on Tanizaki Jun'ichiro in Honor of Adriana Boscaro EDITED BY LUISA BLENATI AND BONAVENTURA RUPERTI CENTER FOR JAPANESE STUDIES THE UNIVERSITY OF MICHIGAN ANN ARBOR 2009 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 2009 by The Regents of the University of Michigan "On Translating The Tale ofGenji into Modern Japanese" (1938) and "Some Malicious Remarks" (1965) Copyright © Chuokoron-Shinsha, Inc. Published by the Center for Japanese Studies, The University of Michigan 1007 E. Huron St. Ann Arbor, MI 48104-1690 Library of Congress Cataloging-in-Publication Data The grand old man and the great tradition : essays on Tanizaki Jun'ichiro in honor of Adriana Boscaro / edited by Luisa Bienati and Bonaventura Ruperti. p. cm. Includes bibliographical references. ISBN 978-1-929280-55-1 (pbk.: alk. paper) 1. Tanizaki, Jun'ichiro, 1886-1965—Criticism and interpretation. I. Boscaro, Adriana. II. Bienati, Luisa. III. Ruperti, Bonaventura, 1959- IV. Title. PL839.A7Z626 2010 895.6344—dc22 2009041181 This book was set in Times New Roman. Kanji set in Hiragino Mincho Pro W3. This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in Libraries and Archives (Z39.48—1992). Printed in the United States of America ISBN 978-1-92-928055-1 (paper) ISBN 978-0-47-212766-5 (ebook) ISBN 978-0-47-290161-6 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Acknowledgments vii Introduction 1 Luisa Bienati Adriana Boscaro: A Biography 9 Luisa Bienati The Modern Murasaki 13 Edward Seidensticker The "Tanizaki GenjF: Inception, Process, and Afterthoughts 25 Ibuki Kazuko and G. -
6/14/2016 KCC Church Library 1 2 3 4 5
6/14/2016 KCC Church Library A B C D E F 1 KCC Ruth Cole Library Catalog Author List rev. 061416 2 3 Author - Last Author - First Title Date Section Acc. # 4 5 Abernathy Bob, et al. Life of Meaning, The 2007 ESSAYS 6443 6 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 10, Corinthians, Galatians & Ephesians 1952 BIBLICAL REFERENCE 873 7 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 9, Acts and Romans 1952 BIBLICAL REFERENCE 866 8 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 1 … Genesis, Exodus 1952 BIBLICAL REFERENCE 1255 9 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 11, Phillipians, Collosians, etc. 1955 BIBLICAL REFERENCE 1261 10 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 12, James, Peter, John, Jude, etc. 1957 BIBLICAL REFERENCE 1262 11 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 2, Leviticus, Numbers, Deuteronomy, etc. 1953 BIBLICAL REFERENCE 1256 12 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 3, Kings, Chronicles, Ezra, etc. 1954 BIBLICAL REFERENCE 1257 13 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 4, Psalms, Proverbs 1955 BIBLICAL REFERENCE 1258 14 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 5, Ecclesiastes, Isaiah, etc. 1956 BIBLICAL REFERENCE 1259 15 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 6, Lamentations, Ezekial, Daniel, etc. 1957 BIBLICAL REFERENCE 1260 16 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 7, Matthew and Mark 1952 BIBLICAL REFERENCE 864 17 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 8, Luke and John 1952 BIBLICAL REFERENCE 865 18 Abrams Richard L. -
Novinky V Anime 2014/5 II Arian a Nya-Chan Akame Ga Kill!
Novinky v anime 2014/5 II Arian a Nya-chan Akame ga Kill! 24 dílů Premiéra: 7. 7. 2014 Studio: White Fox Režie: Tomoki Kobayashi Žánr: akční drama Akame ga Kill! Akame ga Kill! ● odvážná adaptace známé předlohy vyvolala kontroverze ● kromě akce se nebojí klást nepříjemné otázky a dělat současně nestoudný humor Akame ga Kill! Gekkan Shoujo Nozaki-kun 12 dílů Premiéra: 7. 7. 2014 Studio: Doga Kobo Režie: Mitsue Yamazaki Žánr: komedie Gekkan Shoujo Nozaki-kun Gekkan Shoujo Nozaki-kun ● kvalitní romantická(?) komedie ● skromný, ale propracovaný okruh postav ● opět si dělá legraci primárně ze zaběhlých klišé, tentokrát hlavně shoujo mangy Gekkan Shoujo Nozaki-kun Barakamon 12 dílů Premiéra: 29. 6. 2014 Studio: Kinema Citrus Režie: Masaki Tachibana Žánr: slice of life Barakamon Barakamon ● “vesnické” slice of life s nosným příběhem ● energii kypící dětské postavy podány věrohodně ● nářečí silně odchylné od standardní japonštiny Barakamon Rokujouma no Shinryakusha!? 12 dílů Premiéra: 12. 7. 2014 Studio: Silver Link Režie: Shin Oonuma Žánr: rabukome Rokujouma no Shinryakusha!? Rokujouma no Shinryakusha!? ● invaze do šesti tatami (10 metrů čtverečních) ● klasická z nějklasičtějších rabukome, kde nové dívky přibývají jako houby po dešti Rokujouma no Shinryakusha!? Sanzoku no Musume Ronja 26 dílů Premiéra: 11. 10. 2014 Studio: Polygon Pictures, Ghibli Režie: Gorou Miyazaki Žánr: dětský dobrodružný Sanzoku no Musume Ronja Sanzoku no Musume Ronja ● Ghibli dělá konečně seriál ● adaptace dětské dobrodružné knížky ze staré školy ● počítačově animované postavy ještě nedokonalé ● vynikající nalmuvení hlavní hrdinky hodně pomáhá Sanzoku no Musume Ronja Ore, Twintail ni Narimasu. 12 dílů Premiéra: 10. 10. 2014 Studio: Production IMS Režie: Hiroyuki Kanbe Žánr: ztřeštěná komedie Ore, Twintail ni Narimasu. -
Download The
On the Dramatic Tradition in Kagura A study of the medieval Kehi songs as recorded in the Jotokubon By G e r h il d E n d r ess B o c h u m , G e r m a n y 1 Popular kagura，1 as it can be seen today all over Japan, is rich in varieties of obviously different age and origin, For the purpose of systematic description, specialists in the field used to differentiate between five groups, which had been established by Honda Yasuji.2 They were based upon distinctive features, allowing also for some standard combinations, and may be defined as follows:3 (1) kagura performed by miko^ (young supplementary priestesses at shrines), a nowadays rather ceremonial kagura dancing which is traditionally under stood to bring about the miko's possession by the gods. (2) kagura of the Izumo tradition,5 i.e. kagura stemming from the bipartite form which is said to have been created at the Sada Shrine6 in the old pro vince of Izumo, and which consists of (a) torimono1 dances followed by 1 . 神楽• 2 . 本田安次，*1906. 3. The aennitions are based upon Honda's own condensations oi his views. See for example Waseda daigaku Tsubouchi-hakase kinen engeki hakubutsukan 早稲 田大学坪内博士記念演劇博物館，ed_，Engeki hyakka daijite n演劇百科大事典，1，To kyo : Heibonsha，1960，pp. 557-559; Honda Yasuji, Kagura 神楽，T6ky6: Mokujisha, 1966 (Nihon-no minzoku geino 日本の民俗芸能. 1)，pp. 28-148. However, in Honda’s contribution to Geinoshi kenkyukai 芸能史研究会, ed., Kagura. Kodai-no utamai-to matsuri 神楽. 古代の歌舞とまつり，T okyo: Heibonsha, 1969 {Nihon-no koten geino 曰本の古典芸能. -
Social Conformity and Nationalism in Japan
SOCIAL CONFORMITY AND NATIONALISM IN JAPAN by Chie Muroga Jex B.A., The University of West Florida, 2005 A thesis submitted to the Department of Anthropology College of Arts and Sciences The University of West Florida In partial fulfillment of the requirements for the degree of Master of Anthropology 2009 The thesis of Chie Muroga Jex is approved: ____________________________________________ _________________ Rosalind A. Fisher, M.A., Committee Member Date ____________________________________________ _________________ Terry J. Prewitt, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean of Graduate Studies Date ACKNOWLEDGMENTS I would like to express my deep appreciation to Dr. Terry J. Prewitt, Dr. Robert Philen, and Ms. Rosalind Fisher for their willingness to be my thesis committee members. My fellow anthropology graduate student, Trey Bond, also gave me many helpful suggestions. They have inspired and sustained me with insightful comments, patience and encouragement. I also wish to especially thank my bilingual husband, Timothy T. Jex for always taking time, and patiently proofreading and correcting my English grammar despite his busy schedule. Without these professional and generous supporters, -
Animagazin 3. Sz. (2020. Március 18.)
Tavaszi szezon 2020 Összeállította: Hirotaka Anime szezon 019 A3! Season Spring & Summer Appare-Ranman! Arte játék alapján original manga alapján Stúdió: Stúdió: Stúdió: 3Hz, P.A. Works P.A. Works Seven Arcs Műfaj: Műfaj: Műfaj: zene történelmi történelmi, seinen Seiyuuk: Seiyuuk: Seiyuuk: Asanuma Shintarou, Yamashita Seiichirou, Komatsu Mikako, Igarashi Masashi, Hanae Natsuki, Enoki Junya, Mao Nishiyama Koutarou Saitou Souma Leírás Ajánló Leírás Ajánló Leírás Ajánló Tokióban van egy Színész fiúk a főszereplők, A XIX. század végén, Történelmi és még Arte arisztokrata csa- Szintén egy izgalmas hely, amit úgy hívnak Velu- szóval idolokról van szó, a hölgy- egy zseniális, de társadalom- vadnyugatos is. Igazán érde- ládba született a XVI. száza- helyszín és kor. A reneszánsz de Way. Előadóművészek és rajongók örülni fognak. A P.A. ban kudarcot valló mérnök, kes helyszínválasztás. Régen di Firenzében. A művészetek Itália nekem nagyon a szí- színházcsoportok negyede. Works és a 3Hz közösen dolgozik Sorano Appare és a ravasz, volt már ilyen, így már csak iránti hatalmas érdeklődése vem csücske, így nézős lesz. Tachibana Izumi, aki egykor rajta. Egyik sem a téma mestere, de gyáva szamuráj, Isshiki ezért is érdekes. Ha nem miatt Arte felhagy neme- Remélhetőleg remekül be- színész volt, megérkezik egy de jó kis stúdiók. Előbbi a Shiro- Kosame Japánból Ameriká- shouneneskedik el, akkor si életmódjával, csak, hogy mutatja a kort és a művésze- levéllel, melyben az áll: „Tel- bakóval és a Fairy Gone-nal hó- ba hajóznak. Meg akarják még izgalmas is lehet. De művész legyen. tet. A manga egészen rég- jes tartozás, nulla ügyfél! dít, míg a másik a Princess Prin- nyerni a Trans-America Wild talán bízhatunk a P.A Works- óta, 2013 óta fut. -
COX-DISSERTATION-2018.Pdf (5.765Mb)
Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance.