DOCSLIB.ORG

Novinky V Anime 2014/5 II Arian a Nya-Chan Akame Ga Kill!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Novinky V Anime 2014/5 II Arian a Nya-Chan Akame Ga Kill! Novinky v anime 2014/5 II Arian a Nya-chan Akame ga Kill! 24 dílů Premiéra: 7. 7. 2014 Studio: White Fox Režie: Tomoki Kobayashi Žánr: akční drama Akame ga Kill! Akame ga Kill! ● odvážná adaptace známé předlohy vyvolala kontroverze ● kromě akce se nebojí klást nepříjemné otázky a dělat současně nestoudný humor Akame ga Kill! Gekkan Shoujo Nozaki-kun 12 dílů Premiéra: 7. 7. 2014 Studio: Doga Kobo Režie: Mitsue Yamazaki Žánr: komedie Gekkan Shoujo Nozaki-kun Gekkan Shoujo Nozaki-kun ● kvalitní romantická(?) komedie ● skromný, ale propracovaný okruh postav ● opět si dělá legraci primárně ze zaběhlých klišé, tentokrát hlavně shoujo mangy Gekkan Shoujo Nozaki-kun Barakamon 12 dílů Premiéra: 29. 6. 2014 Studio: Kinema Citrus Režie: Masaki Tachibana Žánr: slice of life Barakamon Barakamon ● “vesnické” slice of life s nosným příběhem ● energii kypící dětské postavy podány věrohodně ● nářečí silně odchylné od standardní japonštiny Barakamon Rokujouma no Shinryakusha!? 12 dílů Premiéra: 12. 7. 2014 Studio: Silver Link Režie: Shin Oonuma Žánr: rabukome Rokujouma no Shinryakusha!? Rokujouma no Shinryakusha!? ● invaze do šesti tatami (10 metrů čtverečních) ● klasická z nějklasičtějších rabukome, kde nové dívky přibývají jako houby po dešti Rokujouma no Shinryakusha!? Sanzoku no Musume Ronja 26 dílů Premiéra: 11. 10. 2014 Studio: Polygon Pictures, Ghibli Režie: Gorou Miyazaki Žánr: dětský dobrodružný Sanzoku no Musume Ronja Sanzoku no Musume Ronja ● Ghibli dělá konečně seriál ● adaptace dětské dobrodružné knížky ze staré školy ● počítačově animované postavy ještě nedokonalé ● vynikající nalmuvení hlavní hrdinky hodně pomáhá Sanzoku no Musume Ronja Ore, Twintail ni Narimasu. 12 dílů Premiéra: 10. 10. 2014 Studio: Production IMS Režie: Hiroyuki Kanbe Žánr: ztřeštěná komedie Ore, Twintail ni Narimasu. Ore, Twintail ni Narimasu. ● mahou shounen braný výrazně seriózně ● fetiš na - ne moc překvapivě - culíky ● nevážně brané anime se záporákem týdne Ore, Twintail ni Narimasu. Tribe Cool Crew 50 dílů Premiéra: 28. 9. 2014 Studio: Sunrise Režie: Masaya Fujimori Žánr: sportovní Tribe Cool Crew Tribe Cool Crew ● úžasně pozitivní a hravá nálada seriálu se lehce přenese na diváka ● poctivě vyprávěný příběh není ve vleku merchandisu ● taneční čísla se špičkovou 3D animací Tribe Cool Crew Kyoukai no Kanata: I’ll Be Here 2x90 minut Premiéra: 14. 3. 2015 Studio: Kyoto Animation Režie: Taichi Ishidate Žánr: romance Kyoukai no Kanata: I’ll Be Here Omoide no Marnie 105 minut Premiéra: 19. 7. 2014 Studio: Ghibli Režie: Hiromasa Yonebayashi Žánr: drama Omoide no Marnie Yurikuma Arashi 12 dílů Premiéra: 6. 1. 2015 Studio: Silver Link Režie: Kunihiko Ikuhara Žánr: mindfuck Yurikuma Arashi Yurikuma Arashi ● subtext ● náznaky ● yuri ● nadtext ● kritika ● dualita člověka ● UMĚNÍ, NEASI! Yurikuma Arashi Junketsu no Maria 12 dílů Premiéra: 4. 1. 2015 Studio: Production I.G Režie: Gorou Taniguchi Žánr: drama Junketsu no Maria Junketsu no Maria ● vyprávění s velkými ambicemi, které se povedlo naplnit ● i zde se úspěšně mísí vážná témata a nestoudný humor ● velký návrat zhrzeného režiséra Junketsu no Maria Koufuku Graffiti 12 dílů Premiéra: 9. 1. 2015 Studio: SHAFT Režie: Naoyuki Tatsuwa, Akiyuki Shinbou Žánr: SHAFT slice of life Koufuku Graffiti Koufuku Graffiti ● další jídelní orgie tohoto roku ● více slice of life, občas i tak až srovnatelně erotické ● hlavním hdrinkám chybí motivace, nám ne Koufuku Graffiti Arslan Senki 25 dílů (bude druhá sezóna) Premiéra: 5. 4. 2015 Studio: Sanzigen, Liden Films Režie: Noriyuki Abe Žánr: válečné drama Arslan Senki Arslan Senki ● známá manga se konečně dočkala pořádné adaptace ● životní cesta mladého hrdiny podána s patřičnou výpravností ● hodně je znát nízký rozpočet animace Arslan Senki Ore Monogatari!! 24 dílů Premiéra: 9. 4. 2015 Studio: Madhouse Režie: Morio Asaka Žánr: romance Ore Monogatari!! Ore Monogatari!! ● něžný romantický příběh s nečekanými, ale uvěřitelnými hrdiny, říznutý “tak akorát” množstvím dramatu a komedie pro velmi snadné pokoukání Ore Monogatari!! Mahou Shoujo Lyrical Nanoha Vivid 12 dílů Premiéra: 3. 4. 2015 Studio: A-1 Pictures Režie: Yuuki Itou Žánr: akční mahou shoujo Mahou Shoujo Lyrical Nanoha Vivid Mahou Shoujo Lyrical Nanoha Vivid ● nečekaný pokus o oživení zabité frančízy ● původní postavy jen asistují a nerozbíjí příběh, který není o nich ● hodně je znát ostudně nízký rozpočet všeho Mahou Shoujo Lyrical Nanoha Vivid Punch Line 12 dílů Premiéra: 10. 4. 2015 Studio: MAPPA Režie: Yutaka Uemura Žánr: všechno možné :) Punch Line Punch Line ● anime, které pod nevážnou premisou skrývá až překvapivě hluboký děj ● dlouho nedává smysl - vyděržaj, pajoněr! Punch Line Děkujeme za pozornost~ ● těšíme se na shledání na příštím Akiconu u dalšího ročníku anime novinek!.
Load more

Recommended publications
  • La Complejidad Narrativa En Los Cuentos De Brujas Del Anime Contemporáneo: Autoconsciencia Y Cognoscibilidad En Kurozuka Y Madoka Magica1
    B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.627 Research Journal on the Fantastic Vol. VIII, n.º 2 (otoño/autumn 2020), pp. 183-205, ISSN: 2014-7910 LA COMPLEJIDAD NARRATIVA EN LOS CUENTOS DE BRUJAS DEL ANIME CONTEMPORÁNEO: AUTOCONSCIENCIA Y COGNOSCIBILIDAD EN KUROZUKA Y MADOKA MAGICA1 ANTONIO LORIGUIllO-LÓPEZ Universitat Jaume I [email protected] Recibido: 30-09-2019 Aceptado: 27-07-2020 RESUMEN El fantástico es uno de los principales marcos temáticos de las producciones de la ani- mación comercial japonesa. Dentro de este género, las diversas adaptaciones y reelabo- raciones de mitos y cuentos tradicionales suponen recursos fértiles con los que cubrir las demandas de una industria extremadamente prolífica. Sin embargo, pese a su po- pularidad como objeto de estudio, las exploraciones textuales sobre anime fantástico rara vez se aventuran más allá de las coordenadas temáticas o históricas de sus argu- mentos. El presente artículo persigue atender a la relación entre la intricada narración de dos series televisivas significativas dentro del fantástico en el anime —Kurozuka y Madoka Magica— y la representación de las brujas que las protagonizan. Mediante el uso de las categorías narratológicas de la autoconsciencia y de la cognoscibilidad inda- 1 El autor quiere hacer constar el apoyo de las fuentes de financiación de esta investigación: Conselle- ria d’Educació, Investigació, Cultura i Esport de la Generalitat Valenciana y Fondo Social Europeo de la Unión Europea (ref. APOSTD/2019/067). Universitat Jaume I, proyectos «Análisis de identidades en la era de la posverdad.
    [Show full text]
  • Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
    Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time.
    [Show full text]
  • Ebook Download the Heroic Legend of Arslan 3 Kindle
    THE HEROIC LEGEND OF ARSLAN 3 PDF, EPUB, EBOOK Hiromu Arakawa | 192 pages | 14 May 2015 | Kodansha America, Inc | 9781612629742 | English | New York, United States The Heroic Legend of Arslan 3 PDF Book In the second part, Arslan, now king of Pars, divides himself between defending his country against several external threats, including Silvermask, who is still at large, seeking to claim the throne for himself, and addressing the needs and hopes of his subjects. He is also familiar with Persian history, which Arslan Senki is based on. Perhaps I will give the anime a try after I read the last volume that I own the fourth. These novels were illustrated by manga artist and character-designer Yoshitaka Amano whose other works include the character design for several Final Fantasy games and for Vampire Hunter D. The first episode was released in , and the last in The thirteen-volume manga was written by Tanaka and illustrated by Chisato Nakamura. However, this does not confirm that the series would not return. Ultra Super Pictures Bushiroad. Reportedly,Good Doctor Season 4 have recently released a trailer for the show. Unsourced material may be challenged and removed. I'd also love to hear what Edward Said thinks of this series the Orient orientalizing the Orient? It feels like things need to slow down a bit so I can properly get 3. Hence, Arslan Senki Season 3 does not have any source material to promote. Additional information Networks Anime. My guess is no, but it's not entirely impossible. Please help improve this article by adding citations to reliable sources.
    [Show full text]
  • Top Japanese Talent to Headline C3 Charaexpo 2016 in Singapore
    L-R: Showcase emcee, Misa; NJPW Pro Wrestler, Tetsuya Naito,, Sora Tokui and Bushiroad's CEO, Takaaki Kidani May 18, 2016 22:13 +08 Top Japanese talent to headline C3 CharaExpo 2016 in Singapore Over 30,000 visitors anticipated to attend one of the largest anime conventions in Southeast Asia Singapore – The C3 CharaExpo committee that comprises Bushiroad Inc., ASATSU-DK INC., SOTSU CO., LTD. and Amuse Entertainment Singapore Pte Ltd, has announced an impressive lineup of events and multiple guest appearances that will occur at the C3 CharaExpo 2016, to be held on 9-10 July 2016 at Hall 7 of the Singapore EXPO. The organisers are expecting to attract some 30,000 visitors to one of the largest anime conventions in the region. C3 CharaExpo 2016 will feature leading names from the Japanese manga, anime, music, games and cosplay industry. Luminaries include illustrator Asuka Nishi (Shiyoko) and Na-Ga (Little Busters, Angel Beats); game designerSatoshi Nakamura (Weiss Schwarz and Cardfight!! Vanguard); voice talents such as Mark Ishii (Chrono Shindou in Cardfight!! Vanguard); Yui Makino (Tsubasa: Reservoir Chronicle) and Sora Tokui (Nero Yuzurizaki, Nizo Yazawa) as well as musical talent such as marina; STARMARIE and The World Standard, who will make their debut appearance at the C3 CharaExpo. Bushiroad Inc’s President and Chief Executive Officer, Takaaki Kidani would like the convention to accomplish two things: “Our goals for C3 Chara Expo 2016 are twofold; to ensure that fans get the best experience with the cream of Japanese anime talent from Bushiroad and our partners at Bandai Namco Entertainment, Doga Kobo and Nippon Animation as well as to create more opportunities and expand the reach between creators in Japan and our partners throughout region." Highlights of C3 CharaExpo include • Cos☆Stage: The highly anticipated stage returns this year and cosplay fans can compete to win an exclusive, all-expenses paid, invitation to the Cosplay Collection Night at Tokyo Game Show this year.
    [Show full text]
  • Animagazin 5. Sz. (2013. Szeptember 16.)
    Őszi anime premierek (a kimaradt TV soro- Sato Junichi és az zatok a későbbi olda- Amazing Twins lakon kerülnek bemu- Hírek AniMagazin Sato Junichi a Sailor Moon, Ka- tatásra): // leido Star stb alkotója új animével jelentkezik. A címe Zetsumetsu Kigu Szeptember: Shōjo Amazing Twins. Satónak 10 4-én: Hazai hírek Watanabe Shinichiro év óta ez az első saját munkája. Mari - Genshiken Nidaime új animéje Okada (Ano Hana) fogja írni a for- Special (BD) gatókönyvet és segédkezik a törté- 5-én: Rendezvények A Cowboy Bebop és a Samu- netben is, Takehito Harada pedig a - Tamagotchi! Miracle rai Champloo rendezője új anime karakter dizájnért felel. A főhős To- Friends (TV) Íme itt vannak a következő tv-sorozatot készít, melynek címe doroki Amane egy őszinte, érzékeny, Space Dandy. A főszereplő Dandy ám kissé buta lány és minden helyzet- 7-én: hónapokban megrendezésre kerülő ☆ robotjával és macskájával Meow-val ben igyekszik teljes erővel küzdeni. - Captain Harlock (Film) conok időpontjai. Cosplayer Expo: 2013. 09. 21. karöltve átszelik az univerzumot ed- 11-én: (tehát ehét szombat), helyszín: Mil- dig felfedezetlen földönkívüli fajok ANN - Free! Special (BD) lenáris után kutatva. A műfaját tekintve 13-án: Őszi Mondocon: 2013. 10. 5.-6., vígjáték lesz. Az anime 2014 január- - Chihayafuru (OAD) helyszín: Hungexpo jában startol, az animációs stúdió a - Terra e… Film Extra Bones lesz. (BD) ANN 14-én: - Code Geass: Boukoku no Akito 2 – Hikisaka- Anime reshi Yokuryuu (Film) - Takanashi Rikka Kai: Chuunibyou demo Koi Monogatari folytatás ga Shitai! (Film) 19-én: A monogatari történetek újabb - Yahari Ore no Seishun darabja a Hanamonogatari jövőre Love Comedy wa Machi- kerül a tv képernyőkre.
    [Show full text]
  • Concordia University Presents
    ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country.
    [Show full text]
  • Staffordshire Community Safety Partnership
    One Staffordshire Information Sharing Protocol Document control: Version 9.0 August 2020 Contents Executive summary ................................................................................................... 1 1. Purpose ................................................................................................................. 2 2. Powers .................................................................................................................. 3 3. Partners ................................................................................................................ 4 4. Process for Sharing ............................................................................................... 5 5. Review ................................................................................................................ 10 Appendix A Signatories and Designated Officers Appendix B Legislation Summary Appendix C Conditions of Consent Appendix D Information Sharing Agreement Appendix E Information Sharing Health and Social Care Data Appendix F Fair Processing Appendix G Individual Information Sharing Agreements Appendix H Information Sharing Templates Executive summary The ‘One Staffordshire Information Sharing Protocol’ deals with the emerging issues surrounding information sharing between agencies and organisations that are delivering services for the social, economic and environmental wellbeing of the community. Promoting and achieving wellbeing is only likely to be successful where organisations work together to ensure that
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • 6/14/2016 KCC Church Library 1 2 3 4 5
    6/14/2016 KCC Church Library A B C D E F 1 KCC Ruth Cole Library Catalog Author List rev. 061416 2 3 Author - Last Author - First Title Date Section Acc. # 4 5 Abernathy Bob, et al. Life of Meaning, The 2007 ESSAYS 6443 6 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 10, Corinthians, Galatians & Ephesians 1952 BIBLICAL REFERENCE 873 7 Abingdon Press Editorial Board Interpreter's Bible, The, Vol. 9, Acts and Romans 1952 BIBLICAL REFERENCE 866 8 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 1 … Genesis, Exodus 1952 BIBLICAL REFERENCE 1255 9 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 11, Phillipians, Collosians, etc. 1955 BIBLICAL REFERENCE 1261 10 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 12, James, Peter, John, Jude, etc. 1957 BIBLICAL REFERENCE 1262 11 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 2, Leviticus, Numbers, Deuteronomy, etc. 1953 BIBLICAL REFERENCE 1256 12 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 3, Kings, Chronicles, Ezra, etc. 1954 BIBLICAL REFERENCE 1257 13 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 4, Psalms, Proverbs 1955 BIBLICAL REFERENCE 1258 14 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 5, Ecclesiastes, Isaiah, etc. 1956 BIBLICAL REFERENCE 1259 15 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 6, Lamentations, Ezekial, Daniel, etc. 1957 BIBLICAL REFERENCE 1260 16 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 7, Matthew and Mark 1952 BIBLICAL REFERENCE 864 17 Abingdon Press Editorial Board Interpreter's Bible, The. Vol. 8, Luke and John 1952 BIBLICAL REFERENCE 865 18 Abrams Richard L.
    [Show full text]
  • Tesi Completa
    Corso di Laurea magistrale in Lingue, economie e istituzioni dell’Asia e dell’Africa Mediterranea Tesi di Laurea L’animazione giapponese e le dinamiche internazionali Relatrice Ch.ma Prof.ssa Marcella Maria Mariotti Correlatore Prof. Hirofumi Utsumi Laureando Matteo Germani Matricola 988564 Anno Accademico 2020 / 2021 INDICE AVVERTENZE ............................................................................................................ III ABSTRACT .................................................................................................................. IV 要旨 ................................................................................................................................. VI INTRODUZIONE ..................................................................................................... VIII Capitolo I: Gli anime come fenomeno mondiale .......................................................... 1 I.1 Anime e manga ......................................................................................................... 1 I.2 L’evoluzione dell’industria degli anime ................................................................... 3 I.3 Il merchandising ..................................................................................................... 14 I.4 Anime Boom in Giappone ...................................................................................... 19 I.5 Il successo dell’animazione giapponese in Europa e in America ........................... 24 I.6 Anime Boom negli Stati Uniti ...............................................................................
    [Show full text]
  • Global Design from Kobe 2019-2020
    Global Design from Kobe 2019- 2020 Kobe Design University As an international air and sea gateway, Kobe City has accepted various different cultures from around the world. In this cosmopolitan city of Kobe, Kobe Design University (Kobe DU) fosters creators who can play important roles in society, as a venue for learning technology, Arts and Design. New expressions and visions will carve out a new future. We propose global design from Kobe— Greeting from the President "What is Arts and Design?" "Arts and Design" is a field of study based on human activities, history and culture, integrating Science and Technology with Art and Culture through art and design -related academic activities. The field of "Arts and Design" originated in Japan in 1968, aiming at the "humanization of technology" as a response to the various problems of pollution and human alienation observed during Japan’s high economic growth period. Today, more than five decades later, new issues— such as rapid progress in information technologies, the globalization of information networks, changes in the Takahito SAIKI urban and rural environments, disasters and changes in natural environments caused by global warming, widening economic disparities, economic stagnation, and the surge in the aging population—have joined the universal challenges that academic activities related to Arts and Design are The "Arts and Design Revolution" of expected to address. To resolve these new universal challenges, Arts and Design Kobe Design University seeks to express the living environment, living space, and the venues of information inherent in these, in order to enrich people, the society that they create, and the —Inspiring people through art, and environment surrounding them, on the theme of promoting education and research in arts, design and media.
    [Show full text]
  • Gakusen Toshi Asterisk 45
    Herbstseason 2015 Lance N' Heavy Object Young Black Jack Kagewani One Punch Man Masques J.C. Staff Tezuka Productions Directions Studio Gokumi Madhouse --- --- Crunchyroll --- Kazé / Daisuki Rakudai Kishi no Shingeki! K yojin Gakusen Toshi Monster Strike Itoshi no Muuco Cavalry Chuugakkou Asterisk Production I.G. Studio Hibari, Silver Link Ultra Super Pictures DLE A-1 Pictures --- Kazé --- Crunchyroll Peppermint Anime Taimadou Gakuen Peeping Life TV: Tantei Team KZ: Subete ga F ni Naru: Valkyrie Drive: 35 Shiken Shoutai Season 1?? Jiken Note The Perfect Insider Mermaid Silver Link CoMix Wave Signal MD A-1 Pictures Arms --- --- Crunchyroll Crunchyroll --- Hacka Doll: The Garo: Guren no Comet Lucifer Osomatsu-san Kowabon Animation Tsuki 8bit Trigger Studio Pierrot ILCA MAPPA --- Crunchyroll / Daisuki Crunchyroll --- --- 2 Sakurako -san no Komori-san wa Brave Beats JK Meshi! Ashimoto ni wa Shitai Hidan no Aria AA ga Umatteiru Kotowarenai! BN-Pictures Kyoutoma Troyca Doga Kobo Artland --- Crunchyroll Kazé Crunchyroll Crunchyroll Dance with Fushigi na Ore ga Ojou-sama Gakkou Concrete Revolutio: Kidou Senshi Gundam: ni "Shomin Sample" Toshite Tekketsu no Orphans Devils Somera-chan Gets-sareta Ken Choujin Gensou Brain’s Base Dream Creation Silver Link Bones Sunrise --- Crunchyroll Kazé Daisuki Crunchyroll / Daisuki Utawarerumono: Onsen Yousei Kamisama Minarai: Anitore! EX Digimon Tri Himitsu no Cocotama Itsuwari no Kamen Hakone-chan OLM Rising Force Toei Animation White Fox Asahi Production / Production Reed --- --- Animax --- Crunchyroll High School Star Musical C-Station --- 3 TOP LISTE Top 10 # Titel Bewertung 1. One Punch Man 8,52222222 2. Osomatsu -san 6,44500000 3. Sakurako -san no Ashimoto ni wa Shitai ga Umatteiru 6,31666667 4.
    [Show full text]