The Mule-Bone: a Comedy of Negro Life in Three Acts
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Daniel Deronda 20 Sarah E
palaver e /p ‘læv r/e n. A talk, a discussion, a dialogue; (spec. in early use) a conference between African tribes-people and traders or travellers. v. To praise over-highly, flatter; to ca- jole. To persuade (a person) to do some- thing; to talk (a person) out of or into something; to win (a person) over with palaver. To hold a colloquy or conference; to parley or converse with. Masthead | Table of Contents | Fall 2013 Fall 2013 Founding Editors We the People of Walmart 4 Finance Students Performance in the United Sarah E. Bode Lauren B. Evans States and Spain: Contrasts and Similarities Ashley Hudson 51 Coney Island Dreaming 7 Charles Wolfe Melanie Whithaus Executive Editor Chief Copy Editor A Systematic Evaluation of Empathy in Dr. Patricia Turrisi Jamie Joyner Been to Hell and Now I’m Back Again: Contemporary Society 58 The Songwriting of Steve Earle 11 Gregory Hankinson Contributing Editors Copy Editors Brian Caskey Michelle Bliss Lauren B. Evans What Would Aristotle Say About Bill Caporales 16 Clinton? Or Why We Excuse Moral Dr. Theodore Burgh Katja Huru Doctorcitos 17 Weakness 64 Dr. Carole Fink Megan Slater Bolivia 18 Rob Wells Ashley Hudson Charlene Eckels Courtney Johnson Staff Readers Exiled from Truth: An Interview with Dr. Marlon Moore Amanda Coffman Gwendolen Harleth: The Extraordinary Dmitry Borshch 68 Dr. Diana Pasulka Michael Combs Heroine of George Eliot’s Daniel Deronda 20 Sarah E. Bode Kathryn Bateman Dr. Alex Porco Lauren B. Evans Alignment and Argument: Karen Head Dr. Michelle Scatton-Tessier Shanon Gentry Active Heroines: When a Heroine is Both Responds to Poems by Dickey and Chappell Amy Schlag Katja Huru Real and Symbolic 27 74 Erin Sroka Jamie Joyner Rachel Jo Smyer Brian Caskey Dr. -
YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
Finding Aid to the Historymakers ® Video Oral History with Dianne Mcintyre
Finding Aid to The HistoryMakers ® Video Oral History with Dianne McIntyre Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: McIntyre, Dianne Title: The HistoryMakers® Video Oral History Interview with Dianne McIntyre, Dates: June 18, 2004 Bulk Dates: 2004 Physical 7 Betacame SP videocasettes (3:23:08). Description: Abstract: Choreographer and dancer Dianne McIntyre (1946 - ) founded her own dance company, Sounds in Motion, which was active during the 1970s and 1980s. McIntyre's special interest in history and culture as it relates to dance had led to many projects for her in the areas of concert dance, theatre, film and television. McIntyre was interviewed by The HistoryMakers® on June 18, 2004, in Cleveland, Ohio. This collection is comprised of the original video footage of the interview. Identification: A2004_085 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Choreographer, dancer, and director Dianne McIntyre was born in 1946 in Cleveland, Ohio to Dorothy Layne McIntyre and Francis Benjamin McIntyre. She attended Cleveland Public Schools and graduated from John Adams High School in 1964. As a child, she studied ballet with Elaine Gibbs and modern dance with Virginia Dryansky and earned a BFA degree in dance from The Ohio State University. Following her move to New York City in 1970, McIntyre founded her own company, Sounds in Motion, in 1972. McIntyre and her company toured and performed in concert with Olu Dara, Lester Bowie, Cecil Taylor, Max Roach, Butch Morris, David Murray, Hamiet Bluiett, Ahmed Abdullah, Don Pullen, Anthony Davis, Abbey Lincoln, Sweet Honey in the rock, Hannibal, Oliver Lake, and countless others musicians until 1988, when she closed it to have more time to explore new areas of creative expression. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Enacting Cultural Identity : Time and Memory in 20Th-Century African-American Theater by Female Playwrights
Enacting Cultural Identity: Time and Memory in 20th-Century African-American Theater by Female Playwrights Dissertation zur Erlangung des akademischen Grades des Doktors der Philosophie (Dr. phil.) vorgelegt von Simone Friederike Paulun an der Geisteswissenschaftliche Sektion Fachbereich Literaturwissenschaft Tag der mündlichen Prüfung: 13. Februar 2012 Referentin: Prof. Dr. Dr. h.c. Aleida Assmann Referentin: PD Dr. Monika Reif-Hülser Konstanzer Online-Publikations-System (KOPS) URL: http://nbn-resolving.de/urn:nbn:de:bsz:352-0-269861 Acknowledgements 1 Acknowledgements This dissertation would not have been possible without the guidance and support of several individuals who in one way or another contributed to the writing and completion of this study. It gives me a great pleasure to acknowledge the help of my supervisor Prof Dr. Aleida Assmann who has supported me throughout my thesis and whose knowledge, guidance, and encouragement undoubtedly highly benefited my project. I would also like to thank PD Dr. Monika Reif-Hülser for her sustained interest in my work. The feedback that I received from her and the other members of Prof. Assmann’s research colloquium was a very fruitful source of inspiration for my work. The seeds for this study were first planted by Prof. David Krasner’s course on African- American Theater, Drama, and Performance that I attended while I was an exchange student at Yale University, USA, in 2005/2006. I am immensely grateful to him for introducing me to this fascinating field of study and for sharing his expert knowledge when we met again in December 2010. A further semester of residence as a visiting scholar at the African American Department at Yale University in 2010 enabled me to receive invaluable advice from Prof. -
The Fire That Genius Brings - Concept 1
The Fire That Genius Brings - Concept 1. Running Head: THE FIRE THAT GENIUS BRINGS – CONCEPT Concept Paper The Fire That Genius Brings: Creativity and the Unhealed Companionship Between Zora Neale Hurston and Langston Hughes Sharon D. Johnson P.O. Box 491179, Los Angeles, CA 90049 [email protected] 646.401.3833 DP 932C Dissertation Development III Track K-III Dr. Jennifer Leigh Selig Spring 2008 April 30, 2008 The Fire That Genius Brings - Concept 2. Concept Paper The Fire That Genius Brings: Creativity and the Unhealed Companionship Between Zora Neale Hurston and Langston Hughes Introduction Autobiographical Interest My interest in writing my dissertation on the dynamic of the relationship between Harlem Renaissance writers Zora Neale Hurston and Langston Hughes has grown out of what seems like a lifetime of interests and experiences. I began kindergarten in Brooklyn, New York in 1969, two years after Hughes’s death, and his image and his writing were very present in the hallways and classrooms. Hughes seemed larger than life. Especially in those early childhood elementary grades, the poetry of Langston Hughes was a favorite to read and to emulate as I wrote poetry of my own. Even during my non- school time, I enjoyed writing poems and stories. Without my knowing, my teacher sent some of my poetry to a publisher compiling a volume of children’s writings on their experiences living in the inner city, titled I am Somebody (Ohenewaa, 1970). My work, in the end, was more optimistic in tone than the volume was intended to be. Still, I was given a copy of the book, in which the editor of the Ladies Home Journal wrote me a note affirming that, “You, Sharon, are not only somebody, you’re a poet and a writer.” That I might actually be a poet and a writer like my favorites, Gwendolyn Brooks and Langston Hughes, was pretty cool in my young mind. -
Nation Join in Farewell to Queen of Soul
THE FLORIDA STAR, NORTHEAST FLORIDA’S OLDEST, LARGEST, MOST READ AFRICAN AMERICAN OWNED NEWSPAPER The Florida Star Presorted Standard P. O. Box 40629 U.S. Postage Paid Jaguars beat the Jacksonville, FL 32203 Jacksonville, FL Permit No. 3617 Buccaneers 25-10 in preseason finale Can’t Get to the Store? Story, 8 Have The Star Delivered! Read The Florida THE FLORIDA and Georgia Star STAR Newspapers. The only media thefloridastar.com to receive the Listen to IMPACT Jacksonville Sheriff’s Radio Talk Show. Office Eagle The people’s choice Award for being “The Most Factual.” SEPTEMBER 8 - SEPTEMBER 14, 2018 VOLUME 68, NUMBER 21 $1.00 Ayanna Pressley Will Become Florida Mom Charged With Murder First Black Congresswoman In Case Of Missing 2-Year-Old Son In Massachusetts A Florida mother Jordan after giving them a has been arrested for ride on Saturday night in Last week, a stunning political murdering her two-year- the Tampa Bay area. victory came out of Florida with old son after his body was Jordan Belliveau’s body Tallahassee Mayor Andrew discovered more than two was found in woodland in Gillum’s unforeseen win in days after he was reported Largo, Florida. Stinson, the Democratic gubernatorial missing. told police that a man had primary. This week, a political Charisse Stinson attacked her, knocking her surprise arrived out of Boston. reported the boy missing out. At-large Boston City Council early Sunday, according She later admitted member, Ayanna Pressley, 44, has stunned political prognosticators and to police in Largo, Florida. injuring the boy and Charisse Stinson allegedly struck the toddler uncon- defeated longtime Congressman Mike Capuano in the Democratic primary A statewide Amber Alert leaving him to die, police scious and left him to die. -
Making a Way out of No Way: Zora
ABSTRACT “‘Making a Way Out of No Way’: Zora Neale Hurston’s Hidden Discourse of Resistance” explores how Hurston used techniques she derived from the trickster tradition of African American folk culture in her narratives in order to resist and undermine the racism of the dominant discourse found in popular literature published during her lifetime. Critics have condemned her perceived willingness to use racist stereotypes in her work in order to pander to a white reading audience. This project asserts that Hurston did, indeed, don a “mask of minstrelsy” to play into her reading public’s often racist expectations in order to succeed as an academic and as a creative writer. At the same time, however, she crafted her narratives in a way that destabilized those expectations through use of sometimes subtle and sometimes blatant points of resistance. In this way, she was able to participate in a system that was rigged against her, as a woman and as an African American, by playing into the expectations of her audiences for economic and professional advantages while simultaneously undermining aspects of those expectations through rhetorical “winks,” exaggeration, sarcasm, and other forms of humor that enabled her to stay true to her personal values. While other scholars have examined Hurston’s discourse of resistance, this project takes a different approach by placing Hurston’s material in relation to the publishing climate at the time. Chapter One examines Mules and Men in the context of the revisions Hurston made to her scholarly work to transform her collection of folktales into a cohesive book marketed to a popular reading audience. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Student's Summer Crash Death Ruled a Homicide
Eastern Illinois University The Keep September 2003 9-12-2003 Daily Eastern News: September 12, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 12, 2003" (2003). September. 9. http://thekeep.eiu.edu/den_2003_sep/9 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. September 12, 2003 N “Tell the truth FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 15 THEDAILYEASTERNNEWS.COM Do Panthers stand a chance? Football heads to Mizzou for possible slaughter. Page 12 SPORTS Student’s summer crash death ruled a homicide N Driver in one-car tem.” Freezeland said Jones told him, collision tested positive Bill Fabian, Champaign County “I’ve got to go.” for alcohol, cocaine Deputy Coroner, said Henson was He then saw Henson in the back pronounced dead at 7:05 a.m. June seat. By Carly Mullady 21 at Carle Hospital in Champaign. “What I observed was, Miss CITY EDITOR He cited the cause of death as Henson was ejected from the pas- “traumatic head injuries.” senger seat, laying in the rear of A Champaign jury ruled the Freezeland, who was also pres- the vehicle with her feet toward summer car accident death of ent at the scene, testified in place the door at an angle,” Freezeland Eastern student Sheila Sue Henson of Deputy Thomas Williamson, said. -
The Harlem Renaissance
Salem State University Digital Commons at Salem State University Honors Theses Student Scholarship 2018-01-01 The Harlem Renaissance Jordan Hill Salem State University Follow this and additional works at: https://digitalcommons.salemstate.edu/honors_theses Part of the Cultural History Commons Recommended Citation Hill, Jordan, "The Harlem Renaissance" (2018). Honors Theses. 174. https://digitalcommons.salemstate.edu/honors_theses/174 This Thesis is brought to you for free and open access by the Student Scholarship at Digital Commons at Salem State University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons at Salem State University. The Harlem Renaissance Honors Thesis Presented in Partial Fulfillment of the Requirements For the Degree of Minor of History In the School of History at Salem State University By Jordan A. Hill Dr. Jamie Wilson Faculty Advisor Department of History *** Commonwealth Honors Program Salem State University 2018 Table of Contents Acknowledgements…………………………... ……………………………..ii Abstract………………………………………. ……………………………..iv Chronology…………………………………... ……………………………..1 Narrative……………………………………... ……………………………..3 Biographies…………………………………... ……………………………..12 James Weldon Johnson…………………… ……………………………..12 Langston Hughes…………………………. ……………………………..15 Document Excerpts…………………………... ……………………………..18 The Mule Bone- by Langston Hughes and... ……………………………..18 s Zora Neale Hurston Meet The Mama- by Zora Neale Hurston.... ……………………………..20 Further Reading (bibliography)……………… ……………………………..29 Side-Bar 1……………………………………. ……………………………..30 i Acknowledgements “I must never write when I do not want to write”-Langston Hughes One of the first lessons that I learned from a very young age was to say “Thank You,” for seemingly everything. At first, as a 6 year-old, I had no time to express such thanks. Imaginary adventures called. “I’ll say ‘Thank You’ after I defeat this villain,” I would say to myself. -
Labor Resistance Poetry of Depression-Era Autoworkers
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2016 Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers Rebecca S. Griffin University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Literature Commons, American Popular Culture Commons, Labor History Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Griffin, Rebecca S., "Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers" (2016). Doctoral Dissertations. 838. https://doi.org/10.7275/8808502.0 https://scholarworks.umass.edu/dissertations_2/838 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. PROTEST LYRICS AT WORK: LABOR RESISTANCE POETRY OF DEPRESSION-ERA AUTOWORKERS A Dissertation Presented by REBECCA S. GRIFFIN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 2016 English © Copyright by Rebecca S. Griffin 2016 All Rights Reserved PROTEST LYRICS AT WORK: LABOR RESISTANCE POETRY OF DEPRESSION-ERA AUTOWORKERS A Dissertation Presented by REBECCA S. GRIFFIN Approved as to style and content by: _______________________________________ Ruth Jennison, Chair _______________________________________ Nicholas Bromell, Member _______________________________________ Eve Weinbaum, Member ____________________________________ Jenny Spencer, Chair English Department DEDICATION To Mike “Rise Above” ACKNOWLEDGMENTS Thank you to my advisor, Ruth Jennison, for supporting me throughout this process and offering me invaluable suggestions and insight.