It the Whatever
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
XLI Mostra Internazionale Del Cinema Libero Fondazione Cineteca Di Bologna
XLI Mostra Internazionale del Cinema Libero Fondazione Cineteca di Bologna “Il cinema è l’istituzione più democratica e più internazionale... Apre spazio alla fantasia creativa degli spettatori [...] costretti e autorizzati a dare loro stessi un’anima a quei corpi in movimento; detto altrimenti: a scriversi il proprio testo per il film” “Cinema is the most democratic and most international of institutions... Provides space for the viewer’s creative imagination [...] compelled and enabled to give a soul to those moving bodies – or, to put it more simply, to write their own text for the pictures” Viktor Klemperer, 1912 “Procediamo con disordine. Il disordine dà qualche speranza, l’ordine nessuna” “Let’s start with disorder. Disorder gives you some hope, order none” Marcello Marchesi, 1963 Promosso da / Promoted by: FONDAZIONE CINETECA DI BOLOGNA Coordinator: Sara Mastrodomenico Fondazione Cineteca di Bologna Presidente / President: Carlo Mazzacurati Coordinamento Cinema Lumière 1 / Cinema Ente Mostra Internazionale del Cinema Libero Direttore / Director: Gian Luca Farinelli Lumière 1 coordinator: Andrea Peraro Consiglio di amministrazione / Board of Coordinamento Cinema Lumière 2 / Cinema Con il sostegno di / With the support of: Directors: Carlo Mazzacurati (Presidente), Lumière 2 coordinator: Nicola Di Battista Comune di Bologna Alina Marazzi, Valerio De Paolis Coordinamento Piazza Maggiore / Piazza Ministero per i Beni e le Attività Culturali - Maggiore coordinator: Silvia Fessia con Direzione Generale per il Cinema Ente Mostra Internazionale -
Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Books Owned by F Scott Fitzgerald
Books owned by F. Scott Fitzgerald 1. Aces; A collection of short stories. New York, G.P. Putnam sons, 1924. FSF$$ (Ex)3740.8.3267 2. Adams, Franklin P., and Harry Hansen. Answer This One : Questions for Everybody. New York: Edward J. Clode, 1927. Call Number: Rare Books (Ex) 4294.114 Notes: compiled by Franklin P. Adams (F. P. A.) and Harry Hansen. Romance and chivalry -- The 'nineties -- Music -- Books and authors -- Gilbert and Sullivan -- Popular songs since 1900 -- How long is your memory? -- Golf -- Pugilism -- In little old New York -- Familiar misquotations -- Bible -- Answers -- Lorelei's questionnaire. F. Scott Fitzgerald's copy. Markings and notations. 3. Aeschylus, and E. D. A. Morshead. The House of Atreus; Being the Agamemnon, Libation-Bearers, and Æschylus. Golden Treasury Series. London, Macmillan, 1911. Call Number: Rare Books (Ex) 2559.319.911 Notes: Tr. into English verse by E.D.A. Morshead ... F. Scott Fitzgerald's copy. "First edition 1901. Reprinted 1904, 1911." Inscribed by FSF on front flyleaf. 4. Allen, Frederick Lewis. Only Yesterday; an Informal History of the Nineteen-Twenties. New York, London, Harper & brothers, 1931. Rare Books (Ex) 1088.1195.2 Notes: by Frederick Lewis Allen. "Second printing." "Sources and obligations": p. 358-361. Copy 2-5 Imprint varies. Cop. 4. imperfect. 2 . wanting. 21 cm. Ex copy is "Twenty-ninth printing." [1931]. F. Scott Fitzgerald's copy with his ms. annotations. Notation on front flyleaf: “Pps 11, 90, 91, 226, 234 [referring to mention or quotation of FSF.]” 5. Anderson, Margaret My thirty years’ war; An autobiography. New York, Covici, Friede, 1930. -
Sunday Morning Grid 7/20/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 7/20/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program NewsRadio Paid Program 4 NBC News Å Meet the Press (N) Å Conference Paid Action Sports (N) Å Auto Racing Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Exped. Wild The Open Today 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program The Benchwarmers › 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Local Local Local Local Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Cooking Kitchen Lidia 28 KCET Hi-5 Space Travel-Kids Biz Kid$ News LinkAsia Special (TVG) 30 ION Jeremiah Youssef In Touch Hour of Power Paid Program Married Mad Max Beyond Thunderdome (1985) 34 KMEX Conexión En contacto República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Harvest In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Paid Fórmula 1 Fórmula 1 Gran Premio de Alemania. (N) Daddy Day Care ›› (2003) Eddie Murphy. (PG) Firewall ›› (2006) 50 KOCE Peg Dinosaur Suze Orman’s Financial Solutions for You (TVG) Healing ADD With-Amen Favorites The Civil War Å 52 KVEA Paid Program Jet Plane Noodle Chica LazyTown Paid Program Enfoque Enfoque (N) 56 KDOC Perry Stone In Search Lift Up J. -
UNIVERSITY of CALIFORNIA Los Angeles Black Mexico's Sites of Struggles Across Borders
UNIVERSITY OF CALIFORNIA Los Angeles Black Mexico’s Sites of Struggles across Borders: The Problem of the Color Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Christian Yanaí Bermúdez-Castro 2018 © Copyright by Christian Yanaí Bermúdez-Castro 2018 ABSTRACT OF THE DISSERTATION Black Mexico’s Sites of Struggles across Borders: The Problem of The Color Line by Christian Yanaí Bermúdez-Castro Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2018 Professor Héctor V. Calderón, Chair This dissertation studies the socio-cultural connections of the United States and Mexico’s Pan-African selected twentieth- and twenty-first century sites of struggle through literature, film, and music. Novels and movies such as La negra Angustias (1948/1950), Imitation of Life (1933/1959), Angelitos negros (1948/1970), Como agua para chocolate saga (1989, 2016, 2017), and film (1992), as well as music of racial activism by Mexican and Afro-Latino artists such as Negro José and Afro-Chicano band Third Root, are all key elements of my project to study the formation and understanding what of Mexico’s Tercera Raíz entails historically, politically, and culturally. I focus my study on the development of black racial consciousness in twentieth-century Mexican cultural life, and I consequently explore the manner in which Mexican writers, filmmakers and artists have managed the relationship between Afro-Mexicans and majority ii populations of white and mestizo Mexicans, as well as the racial bridge existent between the United States’ black history, and Mexico’s Third Root. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
Zora Neale Hurston Daryl Cumber Dance University of Richmond, [email protected]
University of Richmond UR Scholarship Repository English Faculty Publications English 1983 Zora Neale Hurston Daryl Cumber Dance University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the African American Studies Commons, American Literature Commons, Caribbean Languages and Societies Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, and the Women's Studies Commons Recommended Citation Dance, Daryl Cumber. "Zora Neale Hurston." In American Women Writers: Bibliographical Essays, edited by Maurice Duke, Jackson R. Bryer, and M. Thomas Inge, 321-51. Westport: Greenwood Press, 1983. This Book Chapter is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 12 DARYL C. DANCE Zora Neale Hurston She was flamboyant and yet vulnerable, self-centered and yet kind, a Republican conservative and yet an early black nationalist. Robert Hemenway, Zora Neale Hurston. Urbana: University of Illinois Press, 1977 There is certainly no more controversial figure in American literature than Zora Neale Hurston. Even the most common details, easily ascertainable for most people, have been variously interpreted or have remained un resolved issues in her case: When was she born? Was her name spelled Neal, Neale, or Neil? Whom did she marry? How many times was she married? What happened to her after she wrote Seraph on the Suwanee? Even so immediately observable a physical quality as her complexion sparks con troversy, as is illustrated by Mary Helen Washington in "Zora Neale Hurston: A Woman Half in Shadow," Introduction to I Love Myself When I Am Laughing . -
The Other Side of Willa Cather
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: The Other Side of Willa Cather Full Citation: Marilyn Arnold, “The Other Side of Willa Cather,” Nebraska History 68 (1987): 74-82 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1987WCather.pdf Date: 10/18/2013 Article Summary: Cather biographies emphasize that she was often difficult and inaccessible. Her personal friends and many who knew her casually remembered her more positively. Cataloging Information: Cather Biographers: John H Randall III, Paul Horgan, E K Brown, James Woodress, Mildred R Bennett, L K Ingersoll, Marion Marsh Brown, Ruth Crone, Elizabeth Moorhead Vermorcken Cather Acquaintances: Alfred A Knopf, Edith Lewis, Elizabeth Sergeant, George Seibel, Fanny Butcher, Elmer Alonzo Thomas, Phyllis Martin Hutchinson, Fannie Hurst, Lorna R F Birtwell, Frank Swinnerton, Marion King, Truman Capote, Mary Ellen Chase, Evaline Rolofson, Eleanor -
Pouce, Town E Get Pay Retur 215 Seniors, First Half-Tie
r 7 TO PLACE A WANT-AD M T SUBURBAN THE INDEPENDENT- NEWSPAPER PHONE AD-TAKER— WOODBRIDGE 8-1710 IN THE COUNTY VOL. XIX, No. 18 WOODBRIDGE, N. J., FRIDAY, JUNE 18, 1937 THREE CENTS CLUBWOMEN Honors Record Class POUCE, TOWN E CLOSE THEIR YEAR 215 SENIORS, FIRST HALF-TIE CLASS, GET PAY RETUR AT A DINNER-DANCE ARE GRADUATED BY WOODBRIDGE HIGH Symposium By Students On Administration To Fulfill Doctor of Philosophy Annual Event At School No. Promise But Stand Of 14 Tomorrow Night Michael Joseph Trainer -Heaves Past, Present, Future Of The Township Perth Amboy which got all coy School Board Not Last Of Season about fighting- the proposal of the \ A Vast Sigh, Blows Smoke Rings Is A Feature gas company to raise the rates of Yet Certain MRS. LARSOfTCATERER WOODBRIDGE—Michael Joseph Trainer, Tax Collector de the smaller consumers finally cap- 5 SALARIElTOFFICERS FORDS—The Fords Wom- RAIN SHREWDLY TIMED itulated and added its magnificent luxe, breathed deeply, settled back in his swivel chair and blew an's Club will climax its smoke rings toward the ceiling. BETWEEN BROCESSIOMS presence to the defense inaugurat- WON'T GETJMCREASE year's activities with the an- In his right hand he held a little sheet of note-paper bearing WOODBRIDGE-—-R a i n , ed by Woodbridge and Carteret WOODBRIDGE — In ac- nual dinner-dance to be held an engraved imprint: "Law Offices of David T. Wilentz" etc., when hearings on the petition cordance with its agree- tomorrow evening at School etc. He would set it down and pick it up alternately as if to •hrewdly timed between the opened before the Board of Public No. -
Guide to Jewish Studies Resources at UT Austin
the SCHUSTERMAN CENTER for JEWISH STUDIES presents A GUIDE TO THE COLLECTIONS JEWISH STUDIES RESOURCES at THE UNIVERSITY OF TEXAS AT AUSTIN table of CONTENTS I. A Message from the Director ............................................... 2 II. The Architecture and Planning Library ..................................... 4 III. The Fine Arts Library ........................,............................... 5 IV. The Perry-Castañeda Library .............................................. 6 V. The Tarlton Law Library ..................................................... 7 VI. The Nettie Lee Benson Latin American Collection . 8 VII. The Harry Ransom Center ............................................... 10 VIII. The Dolph Briscoe Center for American History . 20 a message from THE DIRECTOR ONE OF THE founding goals of the Schusterman Center for Jewish Studies at The University of Texas at Austin was to become a crossroads for the study of Jews and Jewish culture in all its aspects, with particular focus on Jewish life in the Americas. A crucial piece of this vision has been to make more visible to an international audience the rich research collections concerning Jews in the vari- ous archives and libraries on the Austin campus. We have prepared this guide to promote the use of these resources by both students and scholars based not only in Austin, but also elsewhere in the United States and around the world. Someone not familiar with the University of Texas may find astonishing the depth, breadth, and importance of these materials. Available for research are resources like the papers of Jewish writers, including Isaac Bashevis Singer, Arthur Miller, and Nor- man Mailer, local history collections of the Texas Jewish Historical Society, exten- ROBERT H. ABZUG, DIRECTOR sive holdings in Yiddish and Hebrew, and rare and unusual examples of Judaica.