Calendar of Events August 2016 Notes: 1
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Traditional Festival As a Tourism Event- Stakeholders' Influence On
Traditional Festival as a Tourism Event: Stakeholders’ Influence on the Dynamics of the Sendai Tanabata Festival in Japan YUJIE SHEN JAP4693 - Master’s Thesis in Modern Japan Master’s programme 30 credits Autumn 2020 Department of Culture Studies and Oriental Languages (IKOS) University of Oslo December 15, 2020 Summary A new method of analyzing traditional Japanese festivals (matsuri) based on event studies is presented. Stakeholders’ influence and their interactions redefine narratives of tradition. In Japan, the urbanization of society has transformed matsuri into tourism-oriented events. However, the influence of touristification on tradition has not yet been fully explored. This paper offers a close examination of a case study about the dynamics of the Sendai Tanabata Festival. Local newspaper archives were used as the primary source and adopted the stake- holder theory and social exchange theory from event studies to examine stakeholders’ power and interests, as well as their relationships. The results discovered that it is the conflicts of festival stakeholders throughout the years that shaped the Sendai Tanabata Festival to what it is like today. Although festival organizers and local residents are key players, both domestic and foreign tourists’ influence should also not be neglected. The inheritance of traditional cul- ture depends on its original community i.e. local residents. Depopulation and aging social problems have shifted the weight of festival ownership to tourists, as they contribute to the economic revitalization and regional development. As a result, festival organizers tend to tai- lor the festival to tourists’ tastes, which often leads to change or loss of tradition’s original festive meaning or the invention of a new tradition. -
SHINTŌ: EL CAMINO DEL CORAZÓN ‘Conciencia Mítica En El Japón Contemporáneo’
UNIVERSIDAD DE CHILE Facultad de Filosofía y Humanidades Departamento de Ciencias Históricas SHINTŌ: EL CAMINO DEL CORAZÓN ‘Conciencia Mítica en el Japón Contemporáneo’ Informe de Seminario de Grado: Mito, Religión y Cultura para optar al grado de Licenciada en Historia : ISABEL MARGARITA CABAÑA ROJAS PROFESOR GUÍA: JAIME MORENO GARRIDO Santiago, Chile 2008 AGRADECIMIENTOS . 4 I.-INTRODUCCIÓN . 5 Marco Teórico . 6 II.-DESARROLLO . 12 1. Conciencia Mítica y Shintō. 12 a) Conciencia Mítica según Georges Gusdorf . 12 b) Características Generales del Shintō . 14 c) Shintō y Mito . 18 2. Período Pre-Meiji . 24 a) Japón, Cultura agrícola . 24 b) Cultura China y Budismo . 27 c) Contactos con Occidente . 30 3. Período Post-Meiji . 32 a) La Apertura Económica . 33 b) El Shintō Estatal . 34 c) Después de 1945 . 36 III. CONCLUSIONES . 41 BIBLIOGRAFÍA . 43 LIBROS . 43 ARTÍCULOS . 44 ANEXO 1: MAPAS . 46 ANEXO 2: EJEMPLOS DE MATSURI . 48 ANEXO 3 : SANTUARIO DE ISE . 50 ANEXO 4 : JŌMON . 52 ANEXO 5 : KOFUN . 55 ANEXO 6 :KAN-NAME-SAI . 57 ANEXO 7 :HŌNEN MATSURI . 58 SHINTŌ: EL CAMINO DEL CORAZÓN AGRADECIMIENTOS En primer lugar, quisiera agradecer a mis padres, Carlos y María Elena. El tema de este informe llegó a mí muy similar a una epifanía. El marco general estaba, pero no podía encontrar aquello que hiciera sentido en mí como esperaba que sucediera, hasta que vi en el Mito lo que faltaba al rompecabezas. La libertad que sentí de poder darme el tiempo de buscar lo que anhelaba como objeto de estudio, de haber podido estudiar lo que quería, y de cultivar esta inquietud que ya me acompaña desde hace diez años, y que con paciencia entendieron, se los debo a ellos. -
Yasukuni and the Aesthetics and Ideology of Kobayashi Yoshinori's
Volume 11 | Issue 47 | Number 7 | Article ID 4031 | Nov 22, 2013 The Asia-Pacific Journal | Japan Focus Revisioning a Japanese Spiritual Recovery through Manga: Yasukuni and the Aesthetics and Ideology of Kobayashi Yoshinori’s “Gomanism” James Shields – Kato Etsuro, “Shin rinen manga no giho” (Techniques for a New Manga), 1942 Send to Kindle Yasukuni Shrine is the final stronghold in defence of the history, spirit, and culture of Japan. Summary – Kobayashi Yoshinori, Yasukuniron, 2005 This essay provides a critical analysis of the aesthetic ideology of “Gomanism” in the manga In 1992, just as Japan’s economic bubble was in of Kobayashi Yoshinori (b. 1953), particularly process of bursting, a series of manga began to Yasukuniron (On Yasukuni, 2005) and Tennoron appear in the weekly Japanese tabloidSPA! (On the Emperor, 2009), in order to flesh out under the title Gomanism sengen (Haughtiness the implications of the author’s “revisionist” or Insolence Manifesto).2 Authored by approach to Japanese religion, politics and Kobayashi Yoshinori (b. 1953), this series history blurred the line between manga and graphic novel to engage in forthright social and political commentary with an unabashedly nationalistic slant. Over the following two decades, Kobayashi and his works have become a publishing phenomenon. As of 2013, there are over thirty volumes of Gomanism (and Neo- Gomanism) manga, including several “special editions”—such as the best-sellingShin gomanizumu sengen special: Sensoron(Neo- Gomanism Manifesto Special: On War, 1998) and, more recently,Gomanizumu sengen special: Tennoron (Gomanism Manifesto Special: On the Emperor, 2009)—that have caused controversy and even international criticism for their revisionist portrayal of [Figure 1] modern Japanese history. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Izu Peninsula Geopark Promotion Council
Contents A. Identification of the Area ........................................................................................................................................................... 1 A.1 Name of the Proposed Geopark ........................................................................................................................................... 1 A.2 Location of the Proposed Geopark ....................................................................................................................................... 1 A.3 Surface Area, Physical and Human Geographical Characteristics ....................................................................................... 1 A.3.1 Physical Geographical Characteristics .......................................................................................................................... 1 A.3.2 Human Geographical Charactersitics ........................................................................................................................... 3 A.4 Organization in charge and Management Structure ............................................................................................................. 5 A.4.1 Izu Peninsula Geopark Promotion Council ................................................................................................................... 5 A.4.2 Structure of the Management Organization .................................................................................................................. 6 A.4.3 Supporting Units/ Members -
Nord-Honshū (Tōhoku)
TM Nord-Honshū (Tōhoku) Tōhoku Vorwort Selbst Besuchern, die schon in Japan waren, ist die Region Tōhoku, die den nördlichen Teil der Hauptinsel Honshū umfasst, oft gänzlich unbekannt. Dabei findet man hier all das, was Japan so faszinierend macht, und zudem ohne Besuchermassen. Bis vor kurzem war der Norden Honshūs tatsächlich schwierig zu bereisen – die öffentlichen Verkehrsmittel waren nicht so gut ausgebaut wie im südlichen Teil von Honshū, und auch die englisch- sprachige Ausschilderung ließ noch zu wünschen übrig. Dies alles ist nun im Vorfeld der Olympischen Sommerspiele in Tokio 2020 in Angriff genommen worden. Tōhoku begeistert mit großartigen Landschaften wie den Heiligen Drei Bergen Dewa San- zan in Yamagata, der berühmten Bucht von Matsushima nahe der Stadt Sendai, oder mit der Mondlandschaft um den Vulkan Osorezan. Für kulturell Interessierte bieten die UNESCO Weltkulturerbe-Stätten von Hiraizumi einen Einblick in vergangene Feudalzei- ten. Zahlreiche Feste wie das berühmte Nebuta Matsuri in Aomori oder das Reiter-Festi- val Soma Nomaoi locken jedes Jahr zigtausende Besucher in die Region. FASZINIEREND — BUNT — JAPAN Kurz: es gibt hier Vieles zu entdecken in einer bisher wenig besuchten Region Japans. Das findet inzwischen auch Lonely Planet: für das Jahr 2020 steht Tōhoku an dritter Stelle WIR FLIEGEN SIE HIN! unter den vom Lonely Planet an Top 10 gesetzten Regionen weltweit. Mit diesem Booklet möchten wir Ihren Appetit wecken – schauen Sie selbst, was Tōhoku Ihnen alles zu bieten GOEntdecken Sie Japans viele Facetten und tauchen Sie hat! ein in unvergessliche Erlebnisse. Viel Freude beim Entdecken wünscht Ihnen das JNTO Frankfurt-Team! Erleben Sie Japan bereits bei uns an Bord — 4x täglich und nonstop mit ANA von Deutschland nach Tokio und darüber hinaus. -
Object Labels
OBJECT LABELS CONTEMPLATIVE SPACE SECTION 4 SECTION 3 SECTION 1 SECTION 2 PLAN OF THE GALLERY SECTION 1 Travel Utagawa Hiroshige Procession of children passing Mount Fuji 1830s Hiroshige playfully imitates with children a procession of a daimyo passing Mt Fuji. A popular subject for artists, a daimyo and his entourage could make for a lively scene. During Edo, daimyo were required to travel to Edo City every other year and live there under the alternate attendance (sankin- kōtai) system. Hundreds of retainers would transport weapons, ceremonial items, and personal effects that signal the daimyo’s military and financial might. Some would be mounted on horses; the daimyo and members of his family carried in palanquins. Cat. 5 Tōshūsai Sharaku Actor Arashi Ryūzō II as the Moneylender Ishibe Kinkichi 1794 Kabuki actor portraits were one of the most popular types of ukiyo-e prints. Audiences flocked to see their favourite kabuki performers, and avidly collected images of them. Actors were stars, celebrities much like the idols of today. Sharaku was able to brilliantly capture an actor’s performance in his expressive portrayals. This image illustrates a scene from a kabuki play about a moneylender enforcing payment of a debt owed by a sick and impoverished ronin and his wife. The couple give their daughter over to him, into a life of prostitution. Playing a repulsive figure, the actor Ryūzō II made the moneylender more complex: hard-hearted, gesturing like a bully – but his eyes reveal his lack of confidence. The character is meant to be disliked by the audience, but also somewhat comical. -
Cycle Train in Service! Rental Cycle Izu Vélo Shuzenji Station L G *The Required Time Shown Is the Estimated Time for an Electrical Assist Bicycle
Required time: about 4hours and 20minutes (not including sightseeing/rest time) Mishima Station Exploring in Mishima City - Hakone Pass - Numazu Station Atami Station Challenging Cyc Daiba Station course - Jukkoku Pass - Daiba Station Course START o lin Cycle Train in Service! Rental Cycle izu vélo Shuzenji Station l g *The required time shown is the estimated time for an electrical assist bicycle. é Izuhakone Railway 28 minutes Izuhakone Railway v M Izu-Nagaoka Station Cycle Train Service Zone JR Ito Line Izu City will host the cycling competition Mishima-Futsukamachi Station *Can be done in the opposite direction a Japan Cycle at the Olympic and Paralympic Games Tokyo 2020 ↑Ashinoko Lake u Sports Center About 1.3 km ( Track Race and Mountain Bicycle ) Hakone Pass z p Mishima Taisha Shrine i Hakone Ashinoko-guchi ◇Track Race Venue: Izu Velodrome ★ Minami Ito Line Izu City Susono About 2.2 km ★ ly the Heda Shuzenji Station Mountain Bicycle Venue: Izu Mountain Bicycle Course Grand Fields On ◇ p Country Club a i Nishikida Ichirizuka Historic Site z est u St b Nakaizu M u Toi Port Yugashima Gotemba Line nn Kannami Primeval Forest About 13.5 km v ing ♪ g s Izu Kogen Station é The train is National Historic Site: n V l i seat Joren Falls i ews! Hakone Pass o Enjoy the Izu l Mishima-Hagi Juka Mishima Skywalk Yamanaka Castle Ruins c n now departing! Lover’s Cape Ex ★ Izu Peninsula p About 8.7 km y Find the re C s bicycle that a s Children’s Forest Park Izukyu Express w Jukkoku Pass Rest House to the fullest! best for a Kannami Golf Club Tokai -
Makie Masterpieces of My Choice by Kazumi MUROSE
JAPANESE CRAFT & ART 1 Urushi in Japanese Culture (2) Makie Masterpieces of My Choice By Kazumi MUROSE Trends in the style of makie (a traditional way of decorating In 1996, I was made a leader of a team responsible for making urushi ware comparable to gold-relief lacquer painting) can be a replica of this tebako, and spent two years closely examining broadly divided into two groups – the traditional style that has the box, down to its smallest detail. The project involved not just continued from the Heian period (794-1192) to this day, and the making a replica, but employing as closely as possible the mate- diversified style that flourished in the periods of Azuchi- rials and methods that were used in making the original. It was a Momoyama (1568-1603) and Edo (1603-1867). I would like to process that enabled me to look squarely at the art of craftsmen introduce in this article four masterpieces in line with these in the Kamakura era (1192-1333), and I learned a lot. When I trends. actually restored the methods of that period, I found that despite using almost excessively sophisticated techniques, the crafts- “Ume Makie Tebako”: Flowering Traditional Style men did not make an ostentatious show of them, giving the box a deceptively simple, graceful look. This was an eye-opener for Of many masterpieces from the medieval period, one item I me. “Ume Makie Tebako” shows the traditional style of the early have a special feeling for is “Ume Makie Tebako” (box with plum period at its best, a style that has been seamlessly handed on. -
Japan Event Calendar
Feature TOURISM IN JAPAN AOI MATSURI HAKATA GION YAMAKASA FESTIVAL JAPAN EVENT Some five hundred people wearing Men carrying yamakasa—large floats, each CALENDAR splendid ancient costumes and weighting about a ton, elaborately decorated Now that you are in Japan, be sure to go traditional makeup parade through for this festival—race through the streets of beyond the usual tourist destinations and the main streets of Kyoto during this Hakata at full speed. The sight of the men take part in some of the fascinating festivals festival, which got its name because aoi focusing all their strength and energy on the and events held locally all over the country. (hollyhock) leaves are used as ornaments floats captivates the hearts of spectators, who There are many unique events going on not only on the people’s costumes, but number as many as a million people. throughout the year, so you’ll have no even on cows and horses. Hakata-ku, Fukuoka City July 1 to 15 shortage of chances and options. Shimogamo-jinja Shrine and Kamigamo-jinja Shrine, Kyoto City May 15 August April MIYAJIMA KANGENSAI FESTIVAL YAYOI FESTIVAL Kangen is Japanese court music played on The Yayoi Festival signals the arrival of various flutes, drums and Japanese stringed spring in Nikko, which has temples and instruments. In the ancient capital, nobles shrines registered as World Heritage sites. used to enjoy the graceful orchestra festival by The main attraction takes place on April playing kangen instruments on boats floating 17: a parade of a dozen beautifully adorned on ponds and rivers. -
Matsuri Time! Feel the Heat of Summer Excitement in Japan with the “Great Festivals of Tohoku” Plus a Taste of Tokyo- Tour #2
Matsuri Time! Feel the Heat of Summer Excitement in Japan with the “Great Festivals of Tohoku” plus a taste of Tokyo- Tour #2 Tohoku’s Summer Festivals Rice Paddy Art Fields August 1st – 12th, 2019 with 10 nights/12 days from: $4995 double/triple $5595 single When the snow completely melts, and the summer heat turns up, Tohoku becomes the liveliest region in Japan. Summer festivals in Japan are incredibly fun, some of the best, passed down from long ago. Every festival has its own distinct charm and attraction. They dance, they shout, they cheer, they rule! Come along, meet, and join the people behind these energetic and vibrant festivities-the soul of Tohoku summer festivals. This unique tour takes in the “Three Great Summer Festivals “of Tohoku, The Nebuta Festival in Amori, Akita Kanto Festival and the Sendai Tanabata Festival. But, this is only the beginning as we have also included Yamagata Hanagasa Matsuri, where over 10,000 city residents participate and a stop at Inakadate Village to view the “Field of Dreams”, dramatic scenes among the rice fields created by local villagers. They attract thousands of visitors each summer. It’s still not over as we have included night tour on the Hakodate Ropeway, 2 hands-on experiences, sake brewery visit and Matsushima Bay cruise. Not so quick, as there’s 3 nights in Tokyo for that big city feel. Here we will be visiting a few of the more popular spots, Tsukiji Market, Ameyoko, Asakusa and Tokyo Tower. Shopping, yes, enough free time to shop your heart out! Also experience the bullet train, not once, but twice! Itinerary/Details Day 1 – August 1st, 2019 Thursday – Depart from Honolulu Hawaiian Airlines #441 Departs Honolulu 1:40 pm – Arrive Chitose 5:00 pm + 1 International check in begins 3 hours prior to the departure time.