A Reflection on Russia's Existential Nihilism from Dostoevsky's Crime
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
Dostoevsky's Ideal
Student Publications Student Scholarship Fall 2015 Dostoevsky’s Ideal Man Paul A. Eppler Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Philosophy Commons Share feedback about the accessibility of this item. Eppler, Paul A., "Dostoevsky’s Ideal Man" (2015). Student Publications. 395. https://cupola.gettysburg.edu/student_scholarship/395 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 395 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Dostoevsky’s Ideal Man Abstract This paper aimed to provide a comprehensive examination of the "ideal" Dostoevsky human being. Through comparison of various characters and concepts found in his texts, a kenotic individual, one who is undifferentiated in their love for all of God's creation, was found to be the ultimate to which Dostoevsky believed man could ascend. Keywords Dostoevsky, Christianity, Kenoticism Disciplines Philosophy Comments This paper was written for Professor Vernon Cisney's course, PHIL 368: Reading- Dostoevsky, Fall 2015. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/395 Dostoevsky’s Ideal Man Paul Eppler Professor Vernon Cisney Reading Dostoevsky I affirm that I have upheld the highest principles of honesty and integrity in my academic work and have not witnessed a violation of the Honor Code. -
Nietzschean Types in the Brothers Karamazov 139817 –Dr
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Patrick Durkin Nietzschean Types in The Brothers Karamazov 139817 –Dr. William Angus th 11 February 2019 For the Masters of Arts, English Durkin 1 Abstract Nietzsche and Dostoevsky were contemporaries, and Nietzsche especially was known to admire Dostoevsky’s work. Both authors were interested in the study of the basis for human morality, and the search for a redirection of human morality; one in which the problems they saw with the current understanding of acceptable behaviour according to laws, religion and might is right, could be melded in with their own beliefs and struggles with their own mortality and morality. Although Nietzsche’s collection of essays The Genealogy of Morals, (1887) was written 7 years after Dostoevsky’s The Brothers Karamazov (1880), it is interesting to note that the main character types that Nietzsche believed created hierarchies that developed and sustained the morality of his time, appear in the form of the main characters in The Brothers Karamazov. This thesis will be looking at the The Brothers Karamazov through the different character ‘types’ and the resulting psychomachia of the three legitimate brothers, the older brothers Dmitri and Ivan, and especially that of Alyosha, the youngest brother. The thesis will focus on both elder brothers’ evolution of thought and action through the progress of the novel, and, importantly, on each brothers’ interactions with Alyosha and the turbulent state of mind they regularly leave their younger sibling in. -
King-Salter2020.Pdf (1.693Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Dostoevsky’s Storm and Stress Notes from Underground and the Psychological Foundations of Utopia John Luke King-Salter PhD Comparative Literature University of Edinburgh 2019 Lay Summary The goal of this dissertation is to combine philosophical and literary scholarship to arrive at a new interpretation of Dostoevsky’s Notes from Underground. In this novel, Dostoevsky argues against the Russian socialists of the early 1860s, and attacks their ideal of a socialist utopia in particular. Dostoevsky’s argument is obscure and difficult to understand, but it seems to depend upon the way he understands the interaction between psychology and politics, or, in other words, the way in which he thinks the health of a society depends upon the psychological health of its members. It is usually thought that Dostoevsky’s problem with socialism is that it curtails individual liber- ties to an unacceptable degree, and that the citizens of a socialist utopia would be frustrated by the lack of freedom. -
The Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship@Western Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2012 12:00 AM Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin Natalya Domina The University of Western Ontario Supervisor Professor Calin-Andrei Mihailescu The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Natalya Domina 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons Recommended Citation Domina, Natalya, "Burying Dystopia: the Cases of Venedikt Erofeev, Kurt Vonnegut, and Victor Pelevin" (2012). Electronic Thesis and Dissertation Repository. 834. https://ir.lib.uwo.ca/etd/834 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. BURYING DYSTOPIA: THE CASES OF VENEDIKT EROFEEV, KURT VONNEGUT, AND VICTOR PELEVIN (Spine Title: BURYING DYSTOPIA) (Thesis Format: Monograph) by Natalya Domina Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada Natalya Domina 2012 THE UNIVERSITY OF WESTERN ONTARIO THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ____________________________ ________________________________ Prof. -
Samuel Beckett and Fyodor Dostoevsky
Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky PhD English Literature Ekaterina Gosteva May 2019 I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. ABSTRACT This thesis investigates the connection between Beckett’s comedy and Dostoevsky’s novels in the light of René Girard’s theory of metaphysical desire. While focusing on Beckett’s prose of the 1930s, this study begins with the typology of laughter in Watt. With the help of this passage (employed as a critical tool), the subject of Beckett’s comedy is preliminarily defined as ‘The Unhappy Consciousness’. In Hegel’s Phenomenology of Spirit, this term is stated with regards to the functions of laughter as a negative response to a threat from a hostile phenomenal world. ‘The risus purus’, which Beckett celebrates as ‘the laugh of laughs’, reveals itself as a satirical attack at Kant’s rational cosmology and Hegel’s phenomenology. A further investigation into this structure provides a link between the genre of comedy in general, Beckett’s comic form and Girard’s theory of mimetic desire, based on the works of Cervantes, Flaubert, Stendhal, Proust and Dostoevsky. The works of these novelists allowed René Girard to articulate a concrete theorization of desire, which binds together literary and anthropological questions. Beckett’s engagement with Dostoevsky remains a blind spot in Beckett studies. Although as early as Proust, Beckett attempted to link Proust and Dostoevsky as the writers whose technique he defined as ‘negative and comic’, the scarcity of his critical comments on Dostoevsky has been an obstacle for scholars trying to identify and analyse their relationship. -
PDF Download Resurrection from the Underground: Feodor
RESURRECTION FROM THE UNDERGROUND: FEODOR DOSTOEVSKY PDF, EPUB, EBOOK Andrew B Hammond Professor of French Language Literature and Civilization Rene Girard,James G Williams | 120 pages | 15 Feb 2012 | Michigan State University Press | 9781611860375 | English | East Lansing, MI, United States Resurrection from the Underground: Feodor Dostoevsky PDF Book Coming "from above" the Swiss mountains , he physically resembles common depictions of Jesus Christ : slightly larger than average, with thick, blond hair, sunken cheeks and a thin, almost entirely white goatee. Learn More. Important Quotations Explained. On 14 April , they began a delayed honeymoon in Germany with the money gained from the sale. Russian author. Dostoevsky disliked the academy, primarily because of his lack of interest in science, mathematics and military engineering and his preference for drawing and architecture. Ivan, however, has stated that he is against Christ. On the following day, Dostoevsky suffered a pulmonary haemorrhage. The Grand Inquisitor Anthropocentric. Anyone interested in Dostoevsky will profit from grappling with Girard's take. Main article: Poor Folk. Ci tengo a precisare che il saggio - per sua natura - contiene spoiler di tutti i romanzi, ergo andrebbe letto a seguito del recupero dell'opera omnia. XXII, Nos. Some critics, such as Nikolay Dobrolyubov , Ivan Bunin and Vladimir Nabokov , viewed his writing as excessively psychological and philosophical rather than artistic. Resurrection from the Underground: Feodor Dostoevsky pp. Minihan, Michael A. See templates for discussion to help reach a consensus. LOG IN. Arshad Khan says: Reply December 17, at pm. C-1 Download Save contents. This aspect leads the narrator into doing wrong things. Yale University Press. -
By Fyodor Dostoevsky
“The Problem of Evil ” by Fyodor Dostoevsky Dostoevsky, (detail) portrait by Vasily Perov, The State Tretyakov Gallery About the author.. The novelist Fyodor Dostoevsky (1821-1881) spent four years in a Siberian prison and four more years in the army as punish- ment for his role in a clandestine Utopian-socialist discussion group. He became scornful of the rise of humanistic science in the West and chron- icled its threat to human freedom. Dostoevsky’s writings challenged the notion of the essential rationality of human beings and anticipated many ideas in existential psychoanalysis. For Dostoevsky, the essence of being human is freedom. About the work. In the The Brothers Karamazov,1 Dostoevsky reveals deep psychological insight into the nature of human morality. In this, his greatest work, he expresses the destructive aspects of human freedom which can only be bound by God. In Chapter 4 of that work, the death of an innocent child is seen to be an inescapable objection to God’s good- ness. In this chapter Alyosha is the religious foil to Ivan, his intellectual older brother. 1. Fyodor Dostoevsky. “Rebellion” in the The Brothers Karamazov (1879). Trans. by Constance Garnett. 1 “The Problem of Evil ” by Fyodor Dostoevsky From the reading. “But then there is the children, and what am I to do about them? That’s a question I can’t answer.” Ideas of Interest from The Brothers Karamazov 1. Why does Ivan think that children are innocent and adults are not? Why does he think we can love children when they are close, but we can only love our neighbor abstractly? 2. -
PDF Download Notes from Underground and the Double 1St
NOTES FROM UNDERGROUND AND THE DOUBLE 1ST EDITION PDF, EPUB, EBOOK Fyodor Dostoyevsky | 9780140455120 | | | | | Notes from Underground and the Double 1st edition PDF Book Published by Oxford University Press I have a lot of Dostoyevsky left to explore. The narrator observes that utopian society removes suffering and pain, but man desires both things and needs them to be happy. Halfway through it, the dialogue picked up. Dostoevsky, in a letter to his brother Mikhail at the age of Apropos of the spite, what can I say about Notes from underground? They become friends and the man falls in love with her as she d There were multiple stories in this volume and unless you really like Dostoevsky, you could probably let this one pass. Light edge and corner wear with an uncreased spine; no interior markings. When I heard people say Dostoevsky is difficult to read, I always assumed it might be because of complex language and storyline, or long Russian names that are hard to keep up with. I think I preferred the first part of this text, just because I found it that more interesting in terms of philosophy, yet it still had the witty narration in it. Trade Paperback. Told through first person narrative, this book unearths in my opinion one of the most unlikeable characters I've ever come across - a complete anti-hero. How all these characters interact with each other is however beyond me, and here is where most of my problems with Dostoyevsky lies. Main Ideas Here's where you'll find analysis about the book as a whole. -
Vinogradov I.A. 2018-2.Indd
ПРОБЛЕМЫ ИСТОРИЧЕСКОЙ ПОЭТИКИ 2018 Том 16 № 2 DOI 10.15393/j9.art.2018.5181 УД К 821.161.1.09“18” Игорь Алексеевич Виноградов Институт мировой литературы им. А. М. Горького Российской академии наук (Москва, Российская Федерация) [email protected] ЛИТЕРАТУРНАЯ ПРОПОВЕДЬ Н. В. ГОГОЛЯ: PRO ET CONTRA Аннотация. Статья посвящена изучению противоречивого отношения к наследию Н. В. Гоголя в последующей русской литературе. Анализиру- ется конфликт между содержанием творчества писателя и пафосом его ближайших «продолжателей», представителей так называемой «натураль- ной школы», объединившей литераторов западнического направления, во главе с В. Г. Белинским и Н. А. Некрасовым. Обозначена роль П. В. Аннен- кова, В. П. Боткина, И. С. Тургенева, Н. Г. Чернышевского и др. в антиго- голевской кампании, развернутой в 1847 г. Белинским по поводу выхода в свет «Выбранных мест из переписки с друзьями». Подробно рассматри- вается особое отношение к гоголевским традициям Ф. М. Достоевского. Детально освещена история статьи Тургенева о смерти Гоголя 1852 г. Уточняются истоки известного сатирического выпада тургеневского героя Базарова в адрес Гоголя в «Отцах и детях». Представлена объективная картина гоголевских оценок произведений Тургенева. Впервые изложена история возникновения и развития «литературоцентризма» отечественной культуры XIX–XX вв. Ключевые слова: Н. В. Гоголь, творчество, интерпретация, традиции, профетизм, литературоцентризм, проповедь, «Выбранные места из пере- писки с друзьями», западничество, славянофильство, полемика, пародия *** аследование Н. В. Гоголю в русской литературе имеет Ндолгую и плодотворную традицию, но начинается с кон- фликта. Конфликт заключается в глубоком противоречии между содержанием творчества Гоголя и пафосом его бли- жайших «продолжателей», представителей так называемой «натуральной школы», объединившей литераторов западни- ческого направления, во главе с В. Г. Белинским и Н. А. -
“Viper Will Eat Viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood
III “Viper will eat viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood Anna A. Berman As Darwinian thought took root across Europe and Russia in the 1860s after the publication of On the Origin of Species (1859), intellectuals wrestled with the troubling implications the “struggle for existence” held for human harmony and love. How could people be expected to “love their neighbors” if that love ran counter to science? Was that love even commendable if it counteracted the perfection of the human race through the process of natural selection? And if Darwinian struggle was supposed to be most intense among those who were closest and had the most shared resources to compete for, what hope did this hold for the family? Darwin’s Russian contemporaries were particularly averse the idea that members of the same species were in competition. As Daniel Todes, James Rogers, and Alexander Vucinich have argued, Russian thinkers attempted to reject the Malthusian side of Darwin’s theory.1 Situated in the harsh, vast expanses of Russia, rather than on the crowded, verdant British Isles, they 1 Daniel Todes, Darwin without Malthus: The Struggle for Existence in Russian Evolutionary Thought (Oxford: Oxford University Press, 1989); James Allen Rogers, “The Russian Populists’ Response to Darwin,” Slavic Review 22, no. 3 (1963): 456–68; Alexander Vucinich, Darwin in Russian Thought (Berkeley: University of California Press, 1988). 84 Anna A. Berman argued that of the three struggles Darwin included under the umbrella of “struggle for existence”—(1) -
3. Knowing the Skeptic: the Underground and the Everyday
CONVERSATIONS 8 3. Knowing the Skeptic: The Underground and the Everyday MICHAEL MCCREARY Descartes may have produced the paradigmatic image of modern philosophy when he donned his winter dressing gown, settled into his favorite armchair by the fire, and began a private meditation by wondering whether the flame in front of him were anything more than a dream. Like most skeptical recitals, the force of Descartes’ method arises through the mobilization of best cases for knowing; that is, through casting doubt on something so certain that one begins to question one’s ability to know anything at all. By impugning precisely those axioms we held most assured, Descartes demonstrates philosophy’s propensity to challenge our most fundamental assumptions, yet he simultaneously leverages the significance of the philosophical enterprise against more everyday or ordinary claims to knowledge, that of course the fire really burns. In doing so, Descartes opens up the possibility that a critic of skepti- cism will be more inclined to doubt the sanity of philosophical inquiry than to admit that the flame, or the greater external world, may be nothing more than a dream, or the conjuring of an evil demon. So the profundity or inanity of philosophy seems to turn on the whim of human temperament, and in particular, on my reaction to the idea that I may be mistaken about everything I claim to know. In an early essay on “Knowing and Acknowledging,” Stanley Cavell takes a deeply Wittgensteinian position with respect to the apparently competing claims of philosophy and the everyday. Cavell is specifically concerned with the temptation to (or the interpretation that Wittgenstein wishes to) dismiss the skeptic on the ground that his doubts are not ordinary—i.e., do not arise in the course of everyday life outside of philosophy—and therefore that the skeptic cannot possibly mean what he says when he confesses his inability to know.