Indentured Labor in Suriname In
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in this edition : THE 3 Joris Ivens on DVD The release in Europe 6 Joris Ivens 110 Tom Gunning MAGAZINE 9 Politics of Documen- tary Nr 14-15 | July 2009 European Foundation Joris Ivens Michael Chanan ar ers y Jo iv r 16 - Ivens, Goldberg & n is n I a v the Kinamo e h n t Michael Buckland s 0 1 1 s110 e p u ecial iss 40 - Ma vie balagan Marceline Loridan-Ivens 22 - Ivens & the Limbourg Brothers Nijmegen artists 34 - Ivens & Antonioni Jie Li 30 - Ivens & Capa Rixt Bosma July 2009 | 14-15 1 The films of MAGAZINE Joris Ivens COLOPHON Table of contents European Foundation Joris Ivens after a thorough digital restoration Europese Stichting Joris Ivens Fondation Européenne Joris Ivens Europäische Stiftung Joris Ivens 3 The release of the Ivens DVD-box set The European DVD-box set release André Stufkens Office 6 Joris Ivens 110 Visiting adress Tom Gunning Arsenaalpoort 12, 6511 PN Nijmegen Mail 9 Politics of Documentary Pb 606 NL – 6500 AP Nijmegen Michael Chanan Telephone +31 (0)24 38 88 77 4 11 Art on Ivens Fax Anthony Freestone +31 (0)24 38 88 77 6 E-mail 12 Joris Ivens 110 in Beijing [email protected] Sun Hongyung / Sun Jinyi Homepage www.ivens.nl 14 The Foundation update Consultation archives: Het Archief, Centrum voor Stads-en Streekhistorie Nijmegen / Municipal 16 Joris Ivens, Emanuel Goldberg & the Archives Nijmegen Mariënburg 27, by appointment Kinamo Movie Machine Board Michael Buckland Marceline Loridan-Ivens, president Claude Brunel, vice-president 21 Revisit Films: José Manuel Costa, member Tineke de Vaal, member - Chile: Ivens research -
Michiel Van Kempens Grote Albert Helman Biografie ‘Elk Verhaal Snijdt Pas Hout Als Het Op Ethos Berust’ Door Wim Rutgers
Michiel van Kempens grote Albert Helman biografie ‘Elk verhaal snijdt pas hout als het op ethos berust’ door Wim Rutgers “Ik heb het allemaal eerst in mijn hoofd, dat is het creatieve werk, en schrijf het vervolgens op, dat is koeliewerk.” (Albert Helman) Dat de verreweg productiefste Surinaamse auteur - Albert Helman (1903- 1996) - nu in een biografie is beschreven door de actiefste en meest betrokken chroniqueur van de Surinaamse literatuur - Michiel van Kempen - heeft een interessante ontmoeting opgeleverd. De titel van deze biografie ‘Rusteloos en overal’ slaat op ‘het leven van Albert Helman’, maar kan evengoed op de auteur van deze biografie Michiel van Kempen zélf slaan. Wie Albert Helman op zijn levenspad wil volgen is voortdurend op reis en dat heeft Van Kempen in Helmans voetsporen kennelijk gedaan. De veelzijdige kosmopolitet Helman brengt een biograaf zowel naar verre geografische streken als onvoorziene oorden van de menselijke geest. Helman was een zwerver over nagenoeg de hele aardbol. Hij woonde onder meer in Suriname, Nederland, in Spanje tijdens de Burgeroorlog, in Mexico, opnieuw in Nederland tijdens de Tweede Wereldoorlog, daarna in Suriname waar hij minister van Onderwijs en Volksgezondheid werd en voorzitter van de Rekenkamer, vervolgens onder meer in Washington en op Tobago. Hij reisde, was ‘rusteloos en overal’ op plaatsen van zijn interesse of waar zijn talrijke diplomatieke en culturele functies hem riepen. Waar Helman was gebeurde er wat. Hij was niet alleen een groot organisator en initiator, maar ook leider bij de uitvoering en verwezenlijking van zijn ideeënstromen, die hij onvermoeibaar aan het papier toevertrouwde in zijn kleine maar regelmatige handschrift. -
Wikipedia Over Albert Helman
>> UITGEVERIJ SCHOKLAND • DOSSIER Albert Helman/1 Wikipedia: Albert Helman BRON: http://nl.wikipedia.org/wiki/Albert_Helman Albert Helman tegen de fascisten van Generaal Francisco Franco. Lodewijk Alphonsus Maria (Lou) Lichtveld, die later Nadat Franco in 1938 had gewonnen, vluchtte Hel- vooral onder zijn pseudoniem Albert Helman bekend man eerst naar Noord-Afrika en van daaruit naar zou worden was afkomstig uit de gekleurde elite Mexico, maar in 1939 keerde hij terug in Nederland. van Suriname en was gedeeltelijke van Indiaanse af- Hier trok hij zich het lot van de joodse vluchtelin- komst. Hij kwam als jongen van twaalf naar Neder- gen aan die vanuit Duitsland naar Nederland ko- land om aan het internaat Rolduc van het Klein Se- men. In opdracht van het Comité voor Bijzondere minarie te Roermond de priesteropleiding te gaan Joodse Belangen schreef hij het boek Millioenen-leed. volgen maar hield hier al spoedig mee op en ging teruggekeerd in Suriname een muziekopleiding Helman dook aan het begin van de oorlog onder volgen waarna hij werkzaam was als organist en omdat hij zo bekend was als antifascist dat hij niet componist. In 1922 kwam hij weer naar Nederland langer in het openbaar kon verschijnen. Actief in waar hij de kweekschool volgde en daarna musico- het verzet vervalste hij persoonsbewijzen, publi- logie studeerde. Hierna werd hij journalist en mu- ceerde verzetsverzen en protesteerde bij rijkscom- ziek recensent en sloot zich aan bij een groep jonge missaris Seyss-Inquart tegen de oprichting van de katholieken rond het tijdschrift De Gemeenschap, zogenaamde Cultuurkamer waar kunstenaars lid waar hij van 1925-1931 redacteur van was. -
Annotations 1963-2005
The Anthropological Caribbeana: Annotations 1963-2005 Lambros Comitas CIFAS Author Title Description Annotation Subject Headings 1977. Les Protestants de la Guadeloupe et la Les Protestants de la Guadeloupe et Author deals with origin of Protestants in Guadeloupe, their social situation, problem of property, and communauté réformée de Capesterre sous Abénon, Lucien la communauté réformée de maintenance of the religion into 18th century. Rather than a history of Protestantism in Guadeloupe, this is an GUADELOUPE. L'Ancien Régime. Bulletin de la Société Capesterre sous L'Ancien Régime. essay on its importance in the religiou d'Histoire de la Guadeloupe 32 (2):25-62. 1993. Caught in the Shift: The Impact of Industrialization on Female-Headed Caught in the Shift: The Impact of Households in Curaçao, Netherlands Antilles. Industrialization on Female-Headed Changes in the social position of women (specifically as reflected in marriage rates and percentages of Abraham, Eva In Where Did All the Men Go? Female- CURAÇAO. Households in Curaçao, Netherlands children born to unmarried mothers) are linked to major changes in the economy of Curaçao. Headed/Female-Supported Households in Antilles Cross-Cultural Perspective. Joan P. Mencher and Anne Okongwu 1976. The West Indian Tea Meeting: An With specific reference to "tea meetings" on Nevis and St. Vincent, author provides a thorough review of the The West Indian Tea Meeting: An Essay in Civilization. In Old Roots in New NEVIS. ST. VINCENT. Abrahams, Roger history and the development of this institution in the British Caribbean. Introduced by Methodist missionaries Essay in Civilization. Lands. Ann M. Pescatello, ed. Pp. 173-208. -
S. Price Patchwork History : Tracing Artworlds in the African Diaspora Essay on Interpretations of Visual Art in Societies of the African Diaspora
S. Price Patchwork history : tracing artworlds in the African diaspora Essay on interpretations of visual art in societies of the African diaspora. Author relates this to recent shifts in anthropology and art history/criticism toward an increasing combining of art and anthropology and integration of art with social and cultural developments, and the impact of these shifts on Afro-American studies. To exemplify this, she focuses on clothing (among Maroons in the Guianas), quilts, and gallery art. She emphasizes the role of developments in America in these fabrics, apart from just the African origins. In: New West Indian Guide/ Nieuwe West-Indische Gids 75 (2001), no: 1/2, Leiden, 5-34 This PDF-file was downloaded from http://www.kitlv-journals.nl SALLY PRICE PATCHWORK HISTORY: TRACING ARTWORLDS IN THE AFRICAN DIASPORA This paper considers interpretations of visual art in societies of the African diaspora, setting them within the context of recent theoretical shifts in the dis- ciplines of anthropology and art history/criticism. I will be arguing for the relevance to Afro-American studies of these broader disciplinary changes, which have fundamentally reoriented scholarship on arts that, for the most part, fall outside of what Joseph Alsop (1982) has dubbed "The Great Tradi- tions." Toward that end, I begin with a general assessment of these theoretical shifts (Part 1: Anthropology and Art History Shake Hands) before moving into an exploration of their impact on Afro-American studies (Part 2: Mapping the African-American Artworld). I then -
Creole Drum. an Anthology of Creole Literature in Surinam
Creole drum An Anthology of Creole Literature in Surinam Jan Voorhoeve en Ursy M. Lichtveld bron Jan Voorhoeve en Ursy M. Lichtveld, Creole drum. An Anthology of Creole Literature in Surinam. Yale University Press, Londen 1975 Zie voor verantwoording: http://www.dbnl.org/tekst/voor007creo01_01/colofon.htm © 2006 dbnl / erven Jan Voorhoeve & erven Ursy M. Lichtveld vii Preface Surinam Creole (called Negro-English, Taki-Taki, and Nengre or more recently also Sranan and Sranan tongo) has had a remarkable history. It is a young language, which did not exist before 1651. It served as a contact language between slaves and masters and also between slaves from different African backgrounds and became within a short time the mother tongue of the Surinam slaves. After emancipation in 1863 it remained the mother tongue of lower-class Creoles (people of slave ancestry), but it served also as a contact language or lingua franca between Creoles and Asian immigrants. It gradually became a despised language, an obvious mark of low social status and lack of proper schooling. After 1946, on the eve of independence, it became more respected (and respectable) within a very short time, owing to the great achievements of Creole poets: Cinderella kissed by the prince. In this anthology we wish to give a picture of the rise and glory of the former slave language. The introduction sketches the history of Surinam Creole in its broad outlines, starting from the first published text in 1718. The texts are presented in nine chronologically ordered chapters starting from the oral literature, which is strongly reminiscent of the times of slavery, and ending with modern poetry and prose. -
'Eldorado Foltert Terug'
'Eldorado foltert terug' Een interview met Albert Helman Michael Stamatiou en Geert de Vries Lodewijk (Lou) A.M. Lichtveld is in 1903 in Paramaribo, Suriname geboren. Zijn Indiaanse afstamming en vroom-katholieke opvoeding bepalen in belangrijke mate de thematiek van de boeken die hij onder het pseudoniem Albert Helman schrijft. In 1922 laat Helman Suriname voor wat het is - een achterlijke kolonie - en steekt de oceaan over naar Nederland. Hij weet zich daar in culturele kringen een opvallen• de plaats te verwerven. Niet alleen als literator, maar ook als uitvoe• rend musicus en muziekcriticus. Tot 1931 maakt hij deel uit van de redactie van het katholieke tijdschrift De Gemeenschap. Daarna vertrekt hij naar Spanje, waar hij correspondent is van de Nieuwe Rotterdamsche Courant en medewer• ker blijft van De Groene Amsterdammer. Als gevolg van zijn bemoeie• nis met de strijd tegen Franco moet hij Spanje in 1938 verlaten. Na een kort verblijf in Mexico komt hij nog op tijd in Nederland aan om de Tweede Wereldoorlog mee te maken. Hij is actief in het 'kunste• naarsverzet', waarbij hij onder anderen samenwerkt met Gerrit-Jan van der Veen. Na de oorlog houdt Helman Nederland voor gezien en wordt hij op uitnodiging van de latere premier Cesar de Miranda minister van Onderwijs en Volksgezondheid in Suriname. Zijn duidelijke en vast• houdende manier van optreden maakt hem niet populair - hij krijgt zelfs de bijnaam Adolf Hitier. Na twee jaar treedt hij af en is vervolgens zeven jaar voorzitter van de Rekenkamer. Hierna wordt hij benoemd tot gevolmachtigd minister van het Koninkrijk in Washington en gedelegeerde bij de Verenigde Naties. -
East Indies/West Indies: Comparative Archipelagoes David A
Anthropological Forum Vol. 16, No. 3, November 2006, 219–227 East Indies/West Indies: Comparative Archipelagoes David A. B. Murray, Tom Boellstorff & Kathryn Robinson A series of debates in anthropology and other disciplines since the 1980s has raised questions of area studies, comparison, and ‘the field’ in relation to the production of ethnographic knowledge. In search of a concrete framework within which to extend these debates, participants in this special issue of Anthropological Forum bring together research on Southeast Asia and the Caribbean: the ‘East Indies’ and the ‘West Indies’. This introductory paper examines how such a novel paradigm for ethnographic analysis might contribute to new geographic imaginaries in anthropology. Keywords: East Indies; West Indies; Comparison; Area Studies; Anthropology Why compare the East Indies and West Indies? Indeed, can we even consider each of these entities as single geographical units? What is to be gained from such a project? At first glance, these regions appear to share nothing more than nomenclature, geographical form and general historical contours—two sets of islands located in big oceans (often with some associated ‘mainland’ regions), both (mis)named by European explorers, that have been powerfully shaped by colonialism, capitalism and globalisation. The contemporary political and economic contours of these two areas add to the appearance of distinct and non-comparable cultural regions: in the West Indies we find a mix of independent nation-states and ‘neo’ colonies or dependencies maintaining various degrees of political and/or economic affiliation with their former colonisers, whereas most of the East Indies has become one large nation-state (Indonesia). -
Lisa K. Grund Phd Thesis
AASENÎKON! MAKUSHI TRAVELOGUES FROM THE BORDERLANDS OF SOUTHERN GUYANA Lisa Katharina Grund A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/12167 This item is protected by original copyright This item is licensed under a Creative Commons Licence Aasenîkon! Makushi Travelogues from the Borderlands of Southern Guyana Lisa Katharina Grund Abstract This ethnographic account focuses on the conceptions and practices of movement, as narrated by the Makushi people who live along the triple frontier of southern Guyana. The journeys - individual experiences, in particular of women – depict visits to other Makushi communities, to their neighbours and cities in Guyana, Brazil and Venezuela. The travelogues disclose Makushi premises on knowledge and its acquisition: gender, age, temporality and alterity. Exploring these concepts in practice, the ethnography points out the value the Makushi attribute to their encounters with others, situations in which risk and unpredictability are creatively incorporated as part of their sociality. 3 Contents Acknowledgements 10 Introduction 12 Mobility in the Guianas 15 On Movement 18 Feminine voices 23 Fieldwork 24 The terminology of travel 26 Outline of chapters 28 Chapter 1 – Roads and Crossings: Experiences of Movement 30 The road 31 A line between poles 31 Through a line of -
Caribbean Anthropology ANTH 290C MWF: 12:30 Pm to 1:30 Pm JSC 161 Fall 2013
Caribbean Anthropology ANTH 290C MWF: 12:30 pm to 1:30 pm JSC 161 Fall 2013 Professor: Gillian Richards-Greaves Office Hours: Fridays, 4pm-5pm Email:[email protected] and by appointment Office: Asbury Hall 307 Office Telephone: (765) 658-6309 ____________________________________________________________________________ COURSE DESCRIPTION: The Caribbean region is comprised of islands, such as Bahamas and Trinidad, and continental regions, including Belize, Suriname, and Guyana. The Caribbean is culturally diverse, comprising of peoples from various regions of the world, including China, India, and West Africa. This course explores the history, development, and “culture” of the Caribbean by interrogating how the intersections of various forces—including slavery, colonialism, politics, music, and migration—shaped the region. COURSE GOALS: 1. Understand the historical factors that gave rise to the diversity of the Caribbean region 2. Identify the role of CARICOM in shaper intra-Caribbean relationships and identities 3. Articulate the positive and negative roles of tourism in shaping national identities 4. Use anthropological theories and methods as a framework for examining practices and themes in the Caribbean that are common to most societies, including subsistence, politics and power, class, family and kinship, religion, ritual, race and ethnicity. 5. Utilize fundamental anthropological research methods to conduct ethnographic research 6. Identify the ways that politics, religion, music, and other cultural values and expressions are reinterpreted in transnational contexts 7. Identify how anthropological perspectives are applied to solve real life problems. Required Book/Materials Knight, Franklin W. and Colin A. Palmer, Eds. 1989. The Modern Caribbean. Chapel Hill: The University of North Carolina Press. Manuel, Peter. 2006. -
P. Hulme Making Sense of the Native Caribbean Critique of Recent Attempts to Make Sense of the History and Anthropology of the Native Caribbean
P. Hulme Making sense of the native Caribbean Critique of recent attempts to make sense of the history and anthropology of the native Caribbean. These works are based on the writings of Columbus and his companions and assume that there were 2 tribes: the Arawaks and Caribs. Author argues however that much work is needed to untangle the complex imbrication of native Caribbean and European colonial history. In: New West Indian Guide/ Nieuwe West-Indische Gids 67 (1993), no: 3/4, Leiden, 189-220 This PDF-file was downloaded from http://www.kitlv-journals.nl PETER HULME MAKING SENSE OF THE NATIVE CARIBBEAN The quincentenary of the discovery by Caribbean islanders of a Genoese sailor in the service of Spain who thought he was off the coast of China has served to refocus attention on a part of the world whose native history has been little studied. Christopher Columbus eventually made some sense of the Caribbean, at least to his own satisfaction: one of his most lasting, if least recognized, achievements was to divide the native population of the Carib- bean into two quite separate peoples, a division that has marked percep- tions of the area now for five hundred years. This essay focuses on some recent attempts to make sense of the history and anthropology of the native Caribbean, and argues that much work is yet needed to untangle their com- plex imbrication with European colonial history.1 THE NOVEL An outline of the pre-Columbian history of the Caribbean occupies the first chapter of James Michener's block-busting 672-page historical novel, Caribbean, published in 1989, a useful source of popular conceptions about the native populations of the area. -
In and out of Suriname Caribbean Series
In and Out of Suriname Caribbean Series Series Editors Rosemarijn Hoefte (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) Gert Oostindie (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) Editorial Board J. Michael Dash (New York University) Ada Ferrer (New York University) Richard Price (em. College of William & Mary) Kate Ramsey (University of Miami) VOLUME 34 The titles published in this series are listed at brill.com/cs In and Out of Suriname Language, Mobility and Identity Edited by Eithne B. Carlin, Isabelle Léglise, Bettina Migge, and Paul B. Tjon Sie Fat LEIDEN | BOSTON This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of KITLV (Royal Netherlands Institute of Southeast Asian and Caribbean Studies). Cover illustration: On the road. Photo by Isabelle Léglise. This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface issn 0921-9781 isbn 978-90-04-28011-3 (hardback) isbn 978-90-04-28012-0 (e-book) Copyright 2015 by the Editors and Authors. This work is published by Koninklijke Brill NV. Koninklijke Brill NV incorporates the imprints Brill, Brill Nijhoff and Hotei Publishing. Koninklijke Brill NV reserves the right to protect the publication against unauthorized use and to authorize dissemination by means of offprints, legitimate photocopies, microform editions, reprints, translations, and secondary information sources, such as abstracting and indexing services including databases.