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Tell Tale Signs
I don't know anybody who's made a record that sounds decent in the past 20 years, really. You listen to these modern records, they're atrocious, they have sound all over them. There's no definition of nothing, no vocal, no nothing,… remember when that Napster guy came up across, it was like, ‘Everybody’s gettin’ music for free.’ I was like, ‘Well, why not? It ain’t worth nothing anyway. Bob Dylan 2006 A compilation of bits and Bobs from last 30 years? That'll be $129.99. Sony 2008 --- Introduction: I wrote this very soon after the release of Tell Tale Signs. Although I was presuming ISIS would be delayed in order to allow a more considered take on the release, my own work commitments demanded an early response in any case. I have presented it as a dialogue that highlights – if not exaggerates – trends I have felt in myself and in discussions amongst Dylan fans at large. I have taken the liberty of framing the dialogue in a setting plagiarised brazenly from a classic as Bob does with many an out of copyright source as Dylan Cynic would say or, if you are aligned to Dylan Enthusiast rather than Dylan Cynic, the framework of the dialogue alludes intriguingly to a past literary master in much the same way Dylan binds his own work artistically to Ovid in Modern Times. I won’t mention the play it comes from as the fun is surely always in the searching and then deciding if it is just rip-off or a deeply thought allusion that adds to the whole. -
From the Inside: Getting Down to Business
the WEB EXCLUSIVE: Check thebreeze. org this weekend for Justin Thurmond's next movie review BreezeJames Madison University's Student Newspaper Volume 84, Issue 54 1 Thursday. April 24, 2008 From the Inside: Getting Down to Business BY AMY PASSAKEni Ihtitmt After whal fell like the most dit ticult semester of their lives, th- 1 BY TIM CHAPMAN members of Key Free Security ean Iht tmit walk away with a sense of ■ccoru plishment. a prestigious a Ward and most notably. $6,ooo. At about ±:'SO in the morning last Friday, an unlikely fig- This team ofsh business mtjoi ure toted a ratty old broom and dustpan through the V.I.P. won the sixth annual ('()B {on Bud lounge of the Rorktnwn Bar and Grill. ness Plan Competition. Sponsored With his hulking 6-foot-2, 240-pound-frame, Lov^H by JMU's College of Business and pears a bit out of place with the cleaning materials. I*t ir» the Executive Ad\isor> Council, tin just another "perk" to being the head of security ,it Harri- competition provides an opportu sonburg's hottest spot on Thursday nights. nit\ to win more than $25,000 in "It's peaceful now at least," JMU senior Drew I.oy says scholarships between each of th after releasing a long sigh. "Cleanup takes awhile, hut it feels top live teams. Nearly 150 poesfl>l like nothing compared to dealing with the people." teams, from over three Mm can be nominated or submit their The people, JMU students, age 21 or older, have left what own proposals for review. -
Loses at the Core of the Self and the Merits of “Portable Families” 1
International Journal of Brief Therapy and Family Science 2011, Vol. 1, No.1, 57-67 <Invited Paper> LOSES AT THE CORE OF THE SELF AND THE MERITS OF “PORTABLE FAMILIES” 1 Carlos E. Sluzki1) 1) Department of Global and Community Health, George Mason University ABSTRACT. The treatment of a patient who was referred due to hallucinations reveals a world of “magic realism” that is far from infrequent in elderly people with a small and dwindling social network –especially if coming from cultures where the boundaries between the inner and the outer world world are fuzzy. Respecting these traits allow for the development of treatment approaches that can evolve satisfactorily without disrupting the patient’s inscription in this dual world. KEY WORDS: self boundaries, family, hallucinations, culture Introduction after his death, reeling with the vacuum of Our beloved talking cat, an agile acrobat his loss, I still quasi-hallucinate him: I have and tender social being who would jump the sense every now and again that I see his onto my desk whenever I was there and shadow outside my studio window wanting to managed to create a space to lie down be allowed into the house after one of his –pushing away whatever paper, pen or escapades; or I experience him rushing by stapler was in his way and purr until falling me in or out when I enter the house. Slowly asleep--, who would climb into the vane of and steadily, however, at his own pace and the window outside my studio and look at me mine, he is erasing himself from the world of while calling imperiously until I would open the present and into the bittersweet world of the door, who would follow my wife and I to the memories of the loved ones. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Michel Montecrossa Sings Bob Dylan and Related Artists
ETERNAL CIRLCE CD-PLUS AUDIO-TRACKS: 1. Eternal Circle 4:09 2. Knockinʻ On Heavenʻs Door 3:58 3. Sitting On A Barbed Wire Fence 6:59 4. Blowinʻ In The Wind 6:35 5. Mixed Up Confusion 4:25 6. Tomorrow Is A Long Time 4:58 7. Love Minus Zero / No Limit 4:19 8. On The Road Again 4:33 9. All Along The Watchtower 4:17 10. Bob Dylanʻs Dream 5:22 11. Couple More Years (From the movie Hearts of Fire) 1:53 MPEG-VIDEO 1. Quinn, The Eskimo (The Mighty Quinn) 4:14 (All songs Bob Dylan except Track 11) PICTURE-EVENTS INTERNETDATA P 1998 © Mira Sound Germany / MCD-266 BORN IN TIME CD-PLUS AUDIO-TRACKS: 1. Born In Time 5:41 2. The Groomʻs Still Waiting At The Altar 3:52 3. Quinn, The Eskimo (The Mighty Quinn) 3:48 4. Forever Young 2:55 5. Paths Of Victory 4:04 6. I And I 4:36 7. Dark Eyes 2:59 8. Political World 3:19 9. Can You Please Crawl Out Of Your Window 4:12 10. Angelina 3:58 11. Donʻt Think Twice Itʻs All Right 2:23 12. Like A Rolling Stone 5:50 13. Most Of The Time 3:28 14. Man In The Long Black Coat 3:55 15. Series Of Dreams 5:54 16. Lone Pilgrim (Traditional) 2:29 17. Abandoned Love 2:54 MPEG-VIDEO: 1. I Shall Be Released 2:43 (All songs Bob Dylan except Track 16) PICTURE-EVENTS INTERNETDATA P 1999 © Mira Sound Germany / MCD-301 Michel Montecrossa sings other Artists / Bob Dylan and related Artists – 1 E1 JET PILOT CD-PLUS AUDIO-TRACKS: 1. -
Christopher Ricks
Judas! from Inside A Prune Hello again folks and welcome to issue 7. Seasons come and seasons go, years pass, decades even; a millennium date change has even happened by and still the not-to-be- called-never-ending-tour, never ending tour rolls by. When this issue hits your door- mats Bob will be mid-European tour. We at Judas! central are off to see two shows in Sweden and participate in the Stockholm convention - and hope to see as many of you there as possible - before the UK tour starts, a set of dates made much more attractive by the later additions of Hammersmith and Brixton. Ah, what memories to be rekindled and hopefully new ones to savour too. Inside these pages we bring you another collection of articles that we trust you will enjoy. Again we have aimed for a balance between well known names and newcomers or relative newcomers. This is something we can only maintain if new writers keep coming forward. There’s a plea elsewhere in these pages for photographs, the same goes for new material. A few out there (you know who you are) have started articles, please keep at them, the more new writing blood in the Dylan fanzine world the better as far as I am concerned. Issue Eight will hopefully feature one or more of these, plus articles by established names. Manuel Vardavas’s bootleg column will be back again (presuming something worthy of discussion is released, that is) and it is quite likely we will be taking an in- depth look at SACD and bootleg DVDs from a ‘technology-and-its-impact-on-your- Dylan-entertainment’ standpoint. -
City Council Candidates Face Off in Historic Debate
Tribe perfect in senior’s finale Make it work In her final home match, standout Megan Moulton-Levy Student designers craft innovative and creative fashions leads College to sweep out Richmond. for models from the College. See TENNIS page 8 See FASHION page 6 The twice-weekly student newspaper of the College of William and Mary F Est. 1911 VOL.97, NO.44 FRIDAY, APRIL 11, 2008 FLATHATNEWS.COM CLASS OF 2012 Admit pool City Council candidates the most face off in historic debate Six candidates discuss diverse ever three-person rule Applications jump nearly 7%, By NANCY BLANFORD The Flat Hat admit rate flat at 33% The six Williamsburg City Council candidates By BRIAN MAHONEY faced off last night in the Great Hall of the Wren Build- Flat Hat Chief Staff Writer ing during an historic debate about student issues. The event was the first city council debate on campus. The College Admissions department may have ended Over 100 students listened to the candidates dis- a three-year rise in its admission rate, accepting about 33 cuss student-related issues, including town-gown NANCY BLANford — THE FLAT HAT percent of applicants from its largest and most diverse pool relations and public transportation. The six candidates for Williamsburg City Council debated last night in the Great Hall of Wren. ever, a slight decrease from last year’s rate. “I was excited we could have an open forum,” The College accepted 3,800 students from 11,622 appli- organizer Sarah Rojas ’10 said. ebb and flows over the years,” Haulman said. -
Keep on Keepin' On
KEEP ON KEEPIN ’ ON BOB DYLAN 1994 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , RELEASES , TAPES & BOOKS . © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Keep On Keepin’ On — Bob Dylan 1994 CONTENTS 1 A SHORT SUBJECTIVE RETROSPECTIVE ................................................................................ 4 2 THE YEAR AT A GLANCE .............................................................................................................. 4 3 CALENDAR ......................................................................................................................................... 5 4 RECORDINGS..................................................................................................................................... 9 5 NEW TAPES ........................................................................................................................................ 9 5.1 GENUINE BOOTLEG SERIES ............................................................................................................. 9 5.2 INFIDELS SESSIONS .......................................................................................................................... 9 6 THE NEVER-ENDING TOUR CONTINUES ............................................................................... 11 6.1 INTRODUCTION ............................................................................................................................ -
Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character
Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character Amber Boardman A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Art and Design Faculty of Art and Design October 2018 Thesis/Dissertation Sheet Surname Boardman Given Name Amber Degree PhD Faculty Art and Design School Art and Design Thesis Title Laughing at Our Inadequacies: Contemporary Cartoonish Painting, Internet Culture and the Tragicomic Character Abstract This practice-based project examines ‘cartoonish painting’, an emerging trend of contemporary figurative painting which draws on links between cartoons, humour, narrative, character and bodily transformation. In my practice, cartoonish painting depicts and comments on the endless desire to transform body and self as promoted by Internet culture and social media. This thesis argues that the social media driven desire for self-improvement—bodily alteration and transformations of the self—creates a tragicomic effect that unfolds through the devices of narrative and character. I examine the still influential, Romantic theory of character developed by William James. James articulated well-rounded characters evolve over time through a series of identifications with external others. This thesis proposes that James’s formulations about character retain currency, as people identify with depictions of idealised bodies, high-performing and socially sanctioned selves disseminated through the Internet. This thesis argues, however, that this aspirational selfhood and identifying with idealised others creates feelings of inadequacy. The ideology of a striving, perfected self in search of the ‘American Dream’ will be analysed through Henri Bergson’s theory of the comic. Bergson argued that the failure of machine-like pursuits uncontrolled by consciousness can be manifested through comic depictions of the human body. -
JUST a SONG and DANCE MAN BOB DYLAN 1998 Olof Björner
Just A Song and Dance Man — Bob Dylan 1998 page 1 of 87 JUST A SONG AND DANCE MAN BOB DYLAN 1998 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , TAPES & BOOKS . © 1999 by Olof Bjorner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. © Olof Björner July 1, 1999 Just A Song and Dance Man — Bob Dylan 1998 page 2 of 87 CONTENTS: 1 INTRODUCTION ........................................................................................................................................................ 4 2 THE YEAR AT A GLANCE ....................................................................................................................................... 4 3 CALENDAR ................................................................................................................................................................. 5 4 NEW RELEASES AND RECORDINGS.................................................................................................................... 8 4.1 LIVE ´96 ..................................................................................................................................................................... 8 4.2 NOT DARK YET SINGLE .............................................................................................................................................. 9 4.3 CLINCH MOUNTAIN COUNTRY ................................................................................................................................... -
The Sum of Us
The Sum of Us The Sum Of Us | 1 4 | The Sum Of Us Jeanneret The Sum Of Us | 5 Janneret Jeannerat Jeannerot Jeannotat, Jeannottat Jeanneney Jeannenez Jeannesson, Jonneret Johannot Johannes Jeanneret- Gris Jeanneret-Grosjean Jeanjean Jeanpierre Jampierre Jeanperrin Jeangirard Jeanjaquet Jeanhenry Jeanclaude Jeanrenaud Jean-Gueninn Jeanguenin Jeanguenat Jean-Richard JeanRichard Jeanrichard Jean-Mairet Jeanmairet Jeanneret Jeanmonod Jeanmonnot Jeangros Jeangroz Jeanningros Grosjean Grandjean Petitjean Jean-Cartier Jean-Quartier Jeanquartier Jeanbourquin Jeanbourgquin Jean- Prêtre Jeanmaire Jeanclerc Jeancier Jeanfavre Jeandrevin Jeanbrun Jeandroz Jeandupeux Jeanloz Jehanneret Jonerey Jennerick Generette Jeneret Genrett Janerette 6 | The Sum Of Us HISTORY OF THE FAMILY JEANNERET ORIGINATING FROM LE LOCLE SWITZERLAND Genealogical search, or more exactly the search of the surname can hardly be made beyond the 15th century. At that time the shortage of personnel, the shortage of documentation and the lack of their text do not make it possible to establish with certainty affiliation. One must be often satisfied with probability and limited data. During the 14th Century, amongst subjects of the Princes of Valangin we find in year 1350, the name of Yermin which becomes Small Jehan then Jehanneret then Jeanneret. In 1447, the population of valley-I-Ruz becoming more numerous, the lord of Valangin supports the colonists who from there in the High Jura will call themselves as clearer- ploughman. At the 14th Century they are established in Segue, with the Between-two-Mounts, Locle the Lime of Bottoms. A family of the name of Jeanneret is installed with the hamlet of Crozot on Locle, an official letter going back to 1612, addressed to Jean-Jacques Jeanneret, Bourgois of Valangin.