Mythical Creatures Mysteries, Legends, and Unexplained Phenomena
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Chupacabra Mystery
SI May June 11 CUT_SI new design masters 3/25/11 11:29 AM Page 45 Slaying the Vampire Solving the Chupacabra Mystery The mysterious vampire beast el chupacabra is said to have terrorized people around the world since at least 1995. A five-year skeptical investigation reveals the surprising origin of this monster, finding that there’s more to this vampire than meets the eye. BENJAMIN RADFORD approximately four-feet tall that had igfoot, the mysterious creature said to roam the thin arms and legs with three fingers or North American wilderness, is named after what it toes at the end of each (Corrales 1997). leaves behind: big footprints. Bigfoot’s Hispanic It had no ears or nose but instead two B small airholes and long spikes down its cousin, el chupacabra, is also known for what it leaves behind: back (see figure 1). When the beast was dead animals mysteriously drained of blood. Goats are said later reported in other countries, it took to be its favorite prey (chupacabra means goat sucker in Span- on a very different form (see figure 2). A few were found dead (for example, in ish), and it is the world’s third best-known mystery creature Nicaragua and Texas), and the carcasses (after Bigfoot and the Loch Ness monster). turned out to be small four-legged an- imals from the Canidae family (such as El chupacabra first appeared in 1995 mense confusion and contradiction” dogs and coyotes). after Madelyne Tolentino, an eyewit- surrounding el chupacabra, making it The next step was identifying and ness in Puerto Rico, provided a detailed “almost impossible to distinguish fact analyzing the central claims about el description of the bloodsucker. -
R2 C1 C2 C1 Beasts
BEA S T S CREATURE ST TO AG INT WP FEL A/C/E WOUND S STAN C E BOAR 5 (4) 6 (2) 3 (1) 1 4 1 6/0/1 15 R2 S TAT CO C KATR ic E 4 (4) 4 (2) 5 (2) 2 3 1 3/3/2 12 C1 6 X S I 5 (4) 4 ∆ (3) 2 (2) 1 3 1 4/0/1 14 C1 COLD ONE END pp A DRAGON 7 ∆ (8) 8 (3) 5 (2) 8 7 ∆ 6 8/6/6 40 C2 REATURE C FEN B EA S T 6 ∆ (5) 5 ∆ (2) 2 (1) 1 3 1 5/0/1 18 C1 BEA S T Abi L I TY FEN B EA S T Abi L I T I E S Instinctive: Beasts may use Willpower instead of Intelligence Terrifying: A fenbeast has Terror 2. when attempting Observation checks. Fenwalker: A fenbeast may ignore terrain-based manoeuvre penal- BOAR Abi L I T I E S ties and up to two ∆∆ misfortune dice penalties to movement and Fast: Boars require only 1 manoeuvre to move between medium actions performed while in marshy terrain. range and long range, and 2 manoeuvres to move between long and extreme range. Regeneration: A fenbeast in marshy terrain recovers 1 normal wound at the end of each of its End of Turn phases. Regeneration CO C KATR ic E Abi L I T I E S does not work during a round when the fenbeast is wounded by fire. Flight: A cockatrice does not need to perform a manoeuvre to No Will: If a fenbeast is not within extreme range of a controlling disengage from opponents before moving. -
Dragonewts: a Guide to the Eravssarr
Credits and Contents DRAGONEWTS A GUIDE TO THE ERAVSSARR Credits Contents Author Interior Illustrations Credits & Contents 1 Lawrence Whitaker Nathan Furman, Claudio Pozas, Phil Renne Introduction 2 Editor Nick Robinson Publications Manager Essence of Dragonewts 4 Ian Belcher Cover Art Myths 14 Tony Parker Playtesting Dragonewts in the World 23 Lucas MacKay Cover Design Dragonewt Characters 54 Bob Cram, Dan Howard & Jeff Special Thanks Koch Carl Pates, Jeff Richard, Jeff Kyer, Dragonewt Cults 71 Dan Barker, Shannon Appelcline, RuneQuest Logo Colin Driver, Roderick Robertson & Dragonewt Magic 84 Anne Stokes Greg Stafford Dinosaurs & Dream Dragons 100 Proofreading ‘The Six Dragons and the War Against Scribendi Chaos’ written by Greg Stafford and Dragonewt Voices 111 reproduced by kind permission. Index 116 Copyright Information Eravssarr: A Guide to Dragonewts ©2007 Mongoose Publishing. All rights reserved. Reproduction of of this work by any means without the written permission of the publisher is expressly forbidden. All significant characters, names, places, items, art and text herein are copyrighted by Mongoose Publishing subject to its licence from Issaries, Inc. This game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Game License, please go to www.mongoosepublishing.com. This material is protected under the copyright laws of the United Kingdom. This product is a work of fiction. Any similarity to actual people, organisations, places or events is purely coincidental. RuneQuest is a trademark (TM) of Issaries, Inc. Produced under license from Issaries. All rights reserved. Printed in the UK. 1 INTRODUCTION understand their place in Time and they understand their destinies with absolute clarity. -
Confounding Castle Pages 27-28
As you enter the next room, you hear a rustling in the dark, followed by a hiss. Four eyes peer out of the shadows, watching you. You stand perfectly still, making sure not to move, as a creature steps out into the light and looks you over. At first, it just seems like an odd looking, out of place chicken – perhaps a little bit bigger than other chickens you might have seen, but other than that, just a regular bird. But something about it seems off, and after a moment, you realize what it is – this bird doesn’t have a tail. Then, you realize that you’re wrong. It does have a tail, but its tail is a living snake, a second pair of eyes that stare at you. “What are you doing in my larder?” the creature squawks at you. You explain that you’re just trying to find your way to the Griffin’s tower, and it calms down considerably. “Oh, okay then. I don’t like people poking around in here, but if you’re just passing through it’s no problem. The ladder up into the Clock tower is right over there.” You are ready to leave, but curiosity overtakes you, and you ask the creature what it is. “I shall answer your question,” it hisses, “with a song.” Then, it throws back its bird head and begins to crow. I am the mighty cockatrice I like to eat up grains of rice But I also enjoy munching mice I do not like the cold or ice I’ve said it once and I will say it thrice I am the Cockactrice! I am the Cockatrice! “Myself, along with the Griffin, the Dragon, and a few others, all came to live here with the Wizard. -
Daphne & Talia, Part II: the Manticore's Misadventure
Daphne & Talia, Part II: The Manticore's Misadventure by Doombeez, Forget everything that you think you know about myths and monsters. ...No, that sounds horribly grandiose. I need to dial it back a little. There comes a time in every person’s life when they see their path set forward for them, illuminated by a glorious light of… glory… No. That isn’t better. Take heed and bear witness, mortals, for you are about to behold a tale like no other! A tale of tragedy, romance, and… um… Oh, hells with it. My name is Talia. I am a manticore and this is the story of how I met the love of my life. Somewhere in all of the world, we manticores have our Prey, the one we are destined to hunt. We do not know how they are chosen or where they come from, but that has always been the way of things. Typically a human—though I did have a cousin who bonded with one of Fae heritage. I’m not sure how different it was; we don’t talk much. I hope she’s doing okay. I’m getting side-tracked, though. I’m trying to collect my thoughts here, and sometimes I just have too many of them! There is no way of knowing when or where you will find your Prey. It will happen when the fates decree that it’s time for you to cross paths. That’s what my mother always told me. My sire was her Prey ages ago, just as it was with her mother and sire, and so on and so forth. -
Crows and Ravens Wildlife Notes
12. Crows & Ravens Crows and ravens belong to the large family Corvidae, along with more than 200 other species including jays, nutcrackers and magpies. These less-than-melodious birds, you may be surprised to learn, are classified as songbirds. raven American Crow insects, grain, fruit, the eggs and young of other birds, Crows are some of the most conspicuous and best known organic garbage and just about anything that they can find of all birds. They are intelligent, wary and adapt well to or overpower. Crows also feed on the carcasses of winter – human activity. As with most other wildlife species, crows and road-killed animals. are considered to have “good” points and “bad” ones— value judgements made strictly by humans. They are found Crows have extremely keen senses of sight and hearing. in all 50 states and parts of Canada and Mexico. They are wary and usually post sentries while they feed. Sentry birds watch for danger, ready to alert the feeding birds with a sharp alarm caw. Once aloft, crows fly at 25 Biology to 30 mph. If a strong tail wind is present, they can hit 60 Also known as the common crow, an adult American mph. These skillful fliers have a large repertoire of moves crow weighs about 20 ounces. Its body length is 15 to 18 designed to throw off airborne predators. inches and its wings span up to three feet. Both males Crows are relatively gregarious. Throughout most of the and females are black from their beaks to the tips of their year, they flock in groups ranging from family units to tails. -
The Unicorn, the Gorgon the Manticore La Boheme
UNIVERSITY OF WASHINGTON OPERA THEATRE PRESENTS gian . .. carlo ~ ~ . menotti THE UNICORN, THE GORGON and " ."" . THE MANTICORE or The Three Sundays of A Poet (A Madrigal Fable) giacomo (third act only) puccini LA BOHEME (in commemoration of the centennial of the composers birth) Jun 3 4, 1958 • 8:00 p.m. • Meany H.II R-III (/2 77) 2< K # 2- (If 7g) The Unicorn, The Gorgon and The Manticore OR THE THREE SUNDAYS OF A POET (A Madrigal Fable for Chorus, Dancers and Nine Instruments) Music and Libretto by Gian Carlo Menotti Choreography by Martha Nishi/ani THE SCHOOL OF MUSIC OPERA STAFF DANCERS: Conductor and Director." . " Stanley Chappie The Count and Countess" ,. .. Louis Roedel and Carolyn Peterson Stage Director" Ralph Rosinbwn Their Son.. .. ... , .. ,. Susan L),) Choreographer "" " ,Martha Nishitani The Mayor and His Wife, ",Linden Chlarson and Barbara Lacy Stage Manager. , '" ,,, Howa,rd Nelson The Doctor and His Wife.. ,William Sohns and Marjorie Carrigan Repeoteur "" ... , ., Bill Clarke Man in the Castle (The Poet). , ,.,. , John P. Stipanela The Virgin ",.'., . Midge Bowman The Unicorn. '" ,Ron Galbreath The Gorgon, ",. ,.Robert Kingston THE SCHOOL OF DRAMA PRODUCTION STAFF The Manticore. .. .. '. .. .. Midge Bowman Courtesy of Glenn Hughes, Executive Director The Dwarf ..Carol Lynn Chong Art Director and Tem.nica1 Supervisor" ... ...... , .. ".John Ashby Conway The Nursemaids and Pages , ,Mary Capps and Irene Johnston Assistant Art Director". """""'"'' " "" .. " .. ".. .. ""." "",, ""..Alanson Davis Technical Director,." .... , ......... " .. " " ,Warren C. Lounsbury Costumier Crider CHAMBER CHOIR DIRECTED BY MIRIAM TERRY • Assistant Costumier, . " .. .Larry Zirkle Wayne Aller W jJliam Marvin Properties , , .... ,,, .,,. Don Adams Lora Lee Brown Donald Moynan Electrician ,Norman Boulanger Gloria Bryson Vera Neufeld Scene Technicians . -
Hunting Deer in California
HUNTING DEER IN CALIFORNIA We hope this guide will help deer hunters by encouraging a greater understanding of the various subspecies of mule deer found in California and explaining effective hunting techniques for various situations and conditions encountered throughout the state during general and special deer seasons. Second Edition August 2002 STATE OF CALIFORNIA Arnold Schwarzenegger, Governor DEPARTMENT OF FISH AND GAME L. Ryan Broddrick, Director WILDLIFE PROGRAMS BRANCH David S. Zezulak, Ph.D., Chief Written by John Higley Technical Advisors: Don Koch; Eric Loft, Ph.D.; Terry M. Mansfield; Kenneth Mayer; Sonke Mastrup; Russell C. Mohr; David O. Smith; Thomas B. Stone Graphic Design and Layout: Lorna Bernard and Dana Lis Cover Photo: Steve Guill Funded by the Deer Herd Management Plan Implementation Program TABLE OF CON T EN T S INTRODUCT I ON ................................................................................................................................................5 CHAPTER 1: THE DEER OF CAL I FORN I A .........................................................................................................7 Columbian black-tailed deer ....................................................................................................................8 California mule deer ................................................................................................................................8 Rocky Mountain mule deer .....................................................................................................................9 -
The Last of the Dinosaurs
020063_TimeMachine22.qxd 8/7/01 3:26 PM Page 1 020063_TimeMachine22.qxd 8/7/01 3:26 PM Page 2 This book is your passport into time. Can you survive in the Age of Dinosaurs? Turn the page to find out. 020063_TimeMachine22.qxd 8/7/01 3:26 PM Page 3 The Last of the Dinosaurs by Peter Lerangis illustrated by Doug Henderson A Byron Preiss Book 020063_TimeMachine22.qxd 8/7/01 3:26 PM Page 4 To Peter G. Hayes, for his friendship, interest, and help Copyright @ 1988, 2001 by Byron Preiss Visual Publications “Time Machine” is a registered trademark of Byron Preiss Visual Publications, Inc. Registered in the U.S. Patent and Trademark office. Cover painting by Mark Hallett Cover design by Alex Jay An ipicturebooks.com ebook ipicturebooks.com 24 West 25th St., 11th fl. NY, NY 10010 The ipicturebooks World Wide Web Site Address is: http://www.ipicturebooks.com Original ISBN: 0-553-27007-9 eISBN: 1-59019-087-4 This Text Converted to eBook Format for the Microsoft® Reader. 020063_TimeMachine22.qxd 8/7/01 3:26 PM Page 5 ATTENTION TIME TRAVELER! This book is your time machine. Do not read it through from beginning to end. In a moment you will receive a mission, a special task that will take you to another time period. As you face the dan- gers of history, the Time Machine often will give you options of where to go or what to do. This book also contains a Data Bank to tell you about the age you are going to visit. -
Global Archive UAP-Study and UFO-Identification Глобальный Архив НЛО-Отождествления И ААЯ-Исследования
Global archive UAP-study and UFO-identification Глобальный архив НЛО-отождествления и ААЯ-исследования Version 1.5 Period of work (Период работ) 1.0: 30.01.2011-14.07.2012 (+65,4gb) Period of work (Период работ) 1.1: 23.07.2012-23.08.2012 (+26,9gb) Period of work (Период работ) 1.2: 01.10.2012-06.10.2012 (+01,6gb) Period of work (Период работ) 1.3: 03.01.2013-25.01.2013 (+14,2gb) Period of work (Период работ) 1.4: 23.04.2013-07.05.2013 (+08,5gb) Period of work (Период работ) 1.5: 03.07.2013-10.07.2013 (+03,5gb) This was achieved by back-breaking work, spending all free time working day by day, moving toward the goal with aspiration - for the future of mankind. History of UFO identification and UAP research is also our history, of each of us and all mankind, which is worth of paying attention. We remember - it was, it can't be deleted, it's memory which needs to be protected. Yours sincerelly, Igor Kalytyuk Этого удалось достичь непосильным трудом, тратя на это все свое свободное время, работая над этим день за днем, устремленно двигаясь к поставленной цели – ради будущего человечества. История НЛО-отождествления и ААЯ-исследования, это тоже наша история, как каждого из нас, так и всего человечества, которая стоит чтобы этому уделяли внимание, мы помним – это было, это не вычеркнешь, это память, что нуждается в защите. С уважением, искренне Ваш Игорь Калытюк Creators Kalytyuk Igor - Born 25.10.1987 in Ukraine. He have a two honors diploma in economics and computer science. -
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
Exploring the Social, Moral, and Temporal Qualities of Pre-Service
Exploring the Social, Moral, and Temporal Qualities of Pre-Service Teachers’ Narratives of Evolution Deirdre Hahn Division of Psychology in Education, College of Education, Arizona State University, PO Box 878409, Tempe, Arizona 85287 [email protected] Sarah K Brem Division of Psychology in Education, College of Education, Arizona State University, PO Box 870611, Tempe, Arizona 85287 [email protected] Steven Semken Department of Geological Sciences, Arizona State University, PO Box 871404, Tempe, Arizona 85287 [email protected] ABSTRACT consequences of accepting evolutionary theory. That is, both evolutionists and creationists tend to believe that Elementary, middle, and secondary school teachers may accepting evolutionary theory will result in a greater experience considerable unease when teaching evolution ability to justify or engage in racist or selfish behavior, in the context of the Earth or life sciences (Griffith and and will reduce people's sense of purpose and Brem, in press). Many factors may contribute to their self-determination. Further, Griffith and Brem (in press) discomfort, including personal conceptualizations of the found that in-service science teachers frequently share evolutionary process - especially human evolution, the these same beliefs and to avoid controversy in the most controversial aspect of evolutionary theory. classroom, the teachers created their own boundaries in Knowing more about the mental representations of an curriculum and teaching practices. evolutionary process could help researchers to There is a historical precedent for uneasiness around understand the challenges educators face in addressing evolutionary theory, particularly given its use to explain scientific principles. These insights could inform and justify actions performed in the name of science.