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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
C Smurfs III 12.Fdx Script
SMURFS 3 by Karey Kirkpatrick & Chris Poché current revisions by Jay Scherick & David Ronn Weinstock Marc Aug. 16 2013 c smurf III 12 EXT. SMURF VILLAGE - DAY (SHORTLY AFTER SMURFS 2 ENDS) A big banner reads “Welcome Vexy and Hackus!” Like an Amish barn raising, the entire village of Smurfs is busy building TWO NEW MUSHROOMS for the new arrivals. NARRATOR (O.S.) For years and years it was just Papa and his 99 Smurfs. Then came Smurfette to make it an even 100. And now, two new Smurfs, rescued from the evil clutches of Gargamel, have joined the fold. The CAMERA finds NARRATOR SMURF walking through the village. NARRATOR The whole village has gathered to build them homes of their own - except me of course - because I’m the “vocal talent”. He passes by the construction site of Vexy’s new mushroom. VEXY is there with BRAINY - who stands underneath the overhang holding BLUEPRINTS. VEXY I get that it’s supposed to look like a mushroom, Brainy - but isn’t that too much overhang? BRAINYWeinstock Nonsense. According to my calculations, there’s more than enough structural buttressing here to support... WHAM! - the overhang drops, CRASHING on Brainy - covering him in a pile Marcof rubble. VEXY (calling into rubble) I’m sorry. I can’t hear you from under all that “buttressing”. OVER BY HACKUS’ MUSHROOM - HANDY is discussing design with Hackus. HANDY So what’re you thinkin’, Hackus? Shitake style? Or more of a traditional Portobello? scherick & ronn 2. Hackus has no idea. Just then JOKEY comes up and offers his hand to shake. -
The Influence of Media on Views of Gender
Article 7 Gendered Media: The Influence of Media on Views of Gender Julia T. Wood Department of Communication, University of North times more often than ones about women (“Study Re- Carolina at Chapel Hill ports Sex Bias,” 1989), media misrepresent actual pro- portions of men and women in the population. This constant distortion tempts us to believe that there really THEMES IN MEDIA are more men than women and, further, that men are the cultural standard. Of the many influences on how we view men and women, media are the most pervasive and one of the most powerful. Woven throughout our daily lives, media insinuate their messages into our consciousness at every MEDIA’S MISREPRESENTATION OF turn. All forms of media communicate images of the sexes, many of which perpetuate unrealistic, stereotypi- AMERICAN LIFE cal, and limiting perceptions. Three themes describe how media represent gender. First, women are underrepre- The media present a distorted version of cultural life sented, which falsely implies that men are the cultural in our country. According to media portrayals: standard and women are unimportant or invisible. Sec- ond, men and women are portrayed in stereotypical White males make up two-thirds of the popula- ways that reflect and sustain socially endorsed views of tion. The women are less in number, perhaps be- cause fewer than 10% live beyond 35. Those who gender. Third, depictions of relationships between men do, like their younger and male counterparts, are and women emphasize traditional roles and normalize nearly all white and heterosexual. In addition to violence against women. We will consider each of these being young, the majority of women are beauti- themes in this section. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Faculty Accomplishments 2019
FACULTY ACCOMPLISHMENTS 2018-2019 July 1, 2018 through June 30, 2019 Clayton State University 2018-2019 Faculty Accomplishments TABLE OF CONTENTS College of Arts & Sciences .................................................................................................................................. 3 College of Health ............................................................................................................................................... 23 College of Information and Mathematical Sciences ............................................................................................ 29 Library Services ................................................................................................................................................ 33 Page 2 Clayton State University 2018-2019 Faculty Accomplishments College of Arts & Sciences BOOKS Allen, J. (May 2019). The East End. Park Row Books/ HarperCollins. Favors, J. M. (2019). Shelter in a Time of Storm: How Black Colleges Fostered Generations of Leadership and Activism. University of North Carolina Press. Lal, S. (2019). Gandhi's Thought and Liberal Democracy. Lexington Books. Lamb, M. R. and Parrott, J., Eds. (2019). Digital Reading and Writing in Composition Studies. Routledge. Tate, A. L. (2018). Catholics' Lost Cause: South Carolina Catholics and the American South, 1820-1861. University of Notre Dame Press. SCHOLARLY ARTICLES Allen, A., & Jacques, S. (December 2018). “He did that because I was Black”: Black college students perceive municipal police, -
Smurf Pattern
Smurf pattern Materials needed: Blue & white yarn of your choice for basic Smurf Blue & white yarn for Papa Smurf, white yarn suitable to brush to make it fuzzy looking for the Papa’s beard Blue & white yarn for Smurfette, yellow yarn for hair Felt or paint for eyes (to make them look like ones I made) or use 1cm oval black safety eyes. Embroidery thread for mouth. Hook – adjusted size for the yarn used Half to one size bigger hook when making Smurfette’s hat. Size smaller hook for fingers making. Needle for sewing Smurfette’s hair) Abbreviations: Ch _ chain Sc _ single crochet St(s) _ stitch(es) Dec _ decrease (I used invisible decrease) Blo _ back loops only (stitch only to the back loop of each stitch) Copyright by AmigurumiBB © Vanja Grundmann 2013 1 Instructions: Head R1 Sc6 in magic ring R2 Inc6 (12 sts) R3 *Inc1, sc1* x6 (18 sts) R4 *inc1, sc2* x6 (24 sts) R5 *inc1, sc3* x6 (30 sts) R6 *inc1, sc4* x6 (36 sts) R7 *inc1, sc5* x6 (42 sts) R8-R12 sc42 R13 inc12, sc30 (54 sts) R14-R16 sc54 R17 *dec1, sc7* x6 (48 sts) R18 sc48 R19 *dec1, sc4* x8 (40 sts) R20 *dec1, sc2* x10 (30 sts) R21 *dec1, sc1* x10 (20 sts) R22 dec8, sc4 (12 sts) At this point stuff the head best you can. Stuff it firmly to fill all the gaps around R13- 17. There should be no empty spaces. R22 dec8, sc4 (12 sts) Tie off. Stuff more if needed. Feet, legs and body Start with white yarn Ch6 R1 sc4, 3 sc in one st, sc3, 2 sc in one st (12 sts) R2 inc1, sc3, inc3, sc3,inc2 (18 sts) R3 sc1, inc1, sc4, inc1, sc1, inc1, sc1, inc1 sc4, inc1, sc1, inc1 (24 sts) R4-R10 sc24 sts R11 sc4 ch1 turn From now on we are working on turn rows R12 sc20 ch1 turn – repeat for next 6 rows until R18 From the inside, fold the last shoe part in half and stitch across. -
|||GET||| the Smurfs #12: Smurf Versus Smurf 1St Edition
THE SMURFS #12: SMURF VERSUS SMURF 1ST EDITION DOWNLOAD FREE Peyo | 9781597073202 | | | | | PDF Download Inan advertisement featuring The Smurfs was aired in Belgium in which the Smurf village is annihilated by warplanes. Retrieved September 13, The Smurfs. Season 3 [39] and Season 4 [40] released October 5, Smurf BBS. He has tried several ways to fly in the air: sticking feathers on his arms, using a hot-air balloon, even eating a yeast mixture. Family Entertainment released the complete first season on DVD in a two-volume set in He wears light brown overalls, a straw hat, and is always barefoot similar to some depictions of hillbillies. The Smurfs had a commercial in the s for the Mexican snack cake company Marinela Submarinos with a rare version of Smurfette Pitufina dressed in a red dress and her hair done in pigtails. Unlike the other male Smurfs, Papa Smurf's trousers and hat are red instead of white. And in this manner, they met a tiny, blue-skinned humanoid creature in white clothing called a "Schtroumpf," followed by his numerous peers who looked just like him, with an elderly leader who wore red clothing and had a white beard called Papa Smurf. The Smurfs frequently replace both nouns and verbs in everyday speech with the word "smurf": "We're going smurfing The Smurfs #12: Smurf versus Smurf 1st edition the River Smurf today. After a run-in with a fish and Gargamel, it was converted to land use with wheels. The Smurfs and the Magic Flute. Papa appoints Hefty as the leader of the Smurfs in season 3: Handy's Kite. -
Smurfs: the Lost Village Popcorn ELT Reader
Popcorn ELT Readers Teacher’s Notes Welcome to the Popcorn ELT Readers series, a graded readers series for low-level learners of English. These free teacher’s notes will help you and your classes get the most from your Smurfs: The Lost Village Popcorn ELT Reader. Level 3 Popcorn ELT Readers level 3 is for students who are reading confidently in English, based on a 300 headword list. Basic knowledge of the simple past tense is built upon at this level. Smurfs: The Lost Village has a total story wordcount of 1146 words. Smurfs: The Lost Village – synopsis Smurfs: The Lost Many years ago, Gargamel the evil wizard made Smurfette out of Village – the film clay. He sent her to Smurf Village to catch the Smurfs. But Papa Released: 2017 Smurf saw the good in Smurfette and she became friends with all Genre: animated comedy the Smurfs. But she didn't always feel like a ‘real’ Smurf. Suitable for: all children Smurfette and her friends Brainy, Clumsy and Hefty (Team Smurf) are Actors: Demi Lovato (voice of playing near the dangerous Enchanted Forest. Suddenly, Smurfette Smurfette), Rainn Wilson (voice sees an unfamiliar Smurf. It drops its hat as it runs into the forest. of Gargamel), Joe Manganiello Gargamel has spotted Team Smurf and sends his vulture (Monty) to (voice of Hefty Smurf) catch them. Monty flies off with Smurfette and the hat. Gargamel Other Smurf films: The Smurfs finds out from his cauldron that the hat belongs to a Smurf from (2011), The Smurfs 2 (2013) a lost village – called Smurfy Grove – in the Enchanted Forest. -
The Smurfs” Animated Series Soon on Tfou
“THE SMURFS” ANIMATED SERIES SOON ON TFOU The SMURFS’ fans will soon be thrilled. TFOU, TF1’s children’s slot, is working with Dupuis Edition & Audiovisuel and Peyo Productions on a 3D-CGI animated series (11’ format) designed for kids from 5 to 10 years old, and based on Peyo’s creation. “We are proud and delighted to welcome The Smurfs on TFOU for exciting new adventures, each one funnier than the last. This adventure comedy series fits very well within our programming schedule. The universe of the little blue fellows, with their unique way of talking, perfectly matches TFOU’s playful and mischievous tone » explains Yann Labasque, Head of Youth Programmes for TF1. « Ultimately, we wish to give the series a coherent and powerful exposure on all of our platforms. By doing so, the TF1 group acts as a unique and strong sounding board serving the franchise, whose license is already managed, on the French market, by our subsidiary TF1 Licences. “ According to Léon Perahia, Administrator and Deputy Managing Director of Dupuis Edition & Audiovisuel: « Our collaboration with Peyo, creator of these characters, goes back to the first publication of their stories in Spirou magazine, 60 years ago. Hanna Barbera's production of a TV series followed with several highly successful seasons. For this reason, we're excited to continue this great adventure by co-producing new episodes adapted from this wonderful universe ». Véronique Culliford, president & founder of Peyo Productions and I.M.P.S (Distribution Company) and Peyo’s daughter adds "I am very happy to once again be able to continue my father's work by co-producing a new TV series about the Smurfs, almost 40 years after the universally known series. -
The Passage of the Comic Book to the Animated Film: the Case of The
THE PASSAGE OF THE COMIC BOOK TO THE ANIMATED FILM: THE CASE OF THE SMURFS Frances Novier Baldwin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Marie-Christine Koop, Major Professor and Chair of the Department of Foreign Languages and Literatures Christophe Chaguinian, Committee Member Lawrence Williams, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Baldwin, Frances Novier. The Passage of the Comic Book to the Animated Film: The Case of the Smurfs. Master of Arts (French), August 2011, 56 pp., bibliography, 31 titles. The purpose of this study is to explore the influence of history and culture on the passage of the comic book to the animated film. Although the comic book has both historical and cultural components, the latter often undergoes a cultural shift in the animation process. Using the Smurfs as a case study, this investigation first reviews existing literature pertaining to the comic book as an art form, the influence of history and culture on Smurf story plots, and the translation of the comic book into a moving picture. This study then utilizes authentic documents and interviews to analyze the perceptions of success and failure in the transformation of the Smurf comic book into animation: concluding that original meaning is often altered in the translation to meet the criteria of cultural relevance for the new audiences. Copyright 2011 By Frances Novier Baldwin ii ACKNOWLEDGMENTS I am particularly grateful to Dr. Marie-Christine Koop for suggesting the topic for my thesis. For their instruction and guidance, I am also obliged to Drs. -
PRESS KIT Since
since PRESS KIT The work of Once upon a time … PRESS KIT It all began on 23 October 1958, in the pages of the Belgian magazine Spirou. Johan and Peewit were the heroes of a then eight-episode comic strip set in the Middle Ages. While illustrating the ninth story, a small voice piped up: “Can’t you be careful where you’re putting your smurfs? You almost smurfed me!” Then, a little blue-skinned imp appeared along with the word “end” on the final page. But the public’s enthusiasm from behind a stone. Others came to join decided otherwise and Peyo went on to give them their very own him, one of whom had a white beard and adventures, firstly in small short stories, then in a series of comic books, a red hat: Papa Smurf, their leader. the success of which would steadily grow. The Smurfs had entered Peyo’s world. No one could have had the slightest inkling that this fairly low-key appear- Did you smurf? ance would mark the beginning of a Smurf language came about before the Smurfs did. The idea goes veritable legend! back to a relaxed dinner with the comic book artist Franquin. Pointing to the salt, Peyo said to him: “Pass me the … the … Smurf!” As secondary characters in the comic And Franquin answered: “Once you’ve finished smurfing, smurf it to me.” book “The Smurfs and the Magic Flute”, they could have simply disappeared Peyo, gifted creator PRESS KIT Pierre Culliford (known as Peyo) was born in Brussels in 1928. -
The World of Smurfs Free
FREE THE WORLD OF SMURFS PDF Matt Murray | 128 pages | 01 Aug 2011 | Abrams | 9781419700729 | English | New York, United States 40+ Best The World of Smurfs images | smurfs, schleich, toy collection Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — The World of Smurfs by Matt. The World of Smurfs A Copy. Hardcoverpages. More Details Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The World of Smurfsplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Jul 13, Rebecca McNutt rated it it was amazing Shelves: non-fictionhistoryartpop-culture. I'm not exactly what you might call a huge Smurfs fan, but since my mom and sister have been watching the 's cartoon episodes online, it's gotten me to wondering more about the history of these characters and why they became so popular over the years. This large coffee table book was surprisingly interesting and well put together, containing lots of info and photos looking behind-the-scenes and the artists, voice actors and companies that helped bring everything to life. There was a lot of g I'm not exactly what you might call a huge Smurfs fan, but since my mom and sister have been watching the 's cartoon episodes online, it's gotten me to wondering more about the history of these characters and why they became so popular over the years.