Smurf Samplers
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The Smurfs 2, We’Re Bringing You the ‘They Do It for Injury Prevention Replaced with Classical Renditions of Perfect Gift
MEDIA PROMOTION COVERAGE Pre-Promote Coverage 14 DAILY STAR, Friday, December 6, 2013 DAILY STAR, Friday, December 6, 2013 15 £400 A MONTH TO CLEAN SILVER Don’t miss tomorrow’s BUT TV NIGELLA ONLY HOSTED... FREE 2 dinner SMURF TOY parties in FOR EVERY READER one year! ■ by PAUL ROBINS Pictures: HUMPHREY NEMAR NIGELLA Lawson GRAB YOURS told a court yes- terday Charles AT YOUR LOCAL Saatchi let her hold dinner parties just twice a year at the most. PLUS The TV chef said the couple’s£37millionman- sion had a room full of silverware that cost £400 a month to clean. But they rarely held din- ner parties at home in Eaton Square in London’s posh Belgravia because Saatchi, 70, did not like them. The Domestic Goddess, £5 OFF 53, was giving evidence for a second day in the SHOPPING AT £700,000 fraud trial of the FOR EVERY READER CONTROL: Saatchi WHEN YOU SPEND £40 IN STORE now-divorced couple’s two former assistants, sisters Elisabetta, 41, and Franc- esca Grillo, 35. Nigella told the jury: “We had dinner parties only once or twice a year in Eaton Square. I was not very happy about that. PREM STAR IS HIT “I can hardly remember a dinner party in Eaton Square. In all my time there, there were very, very few.” And in a reference to the WITH DRIVE BAN restaurant where her hus- FOOTBALL star Hatem Ben Arfa has been banned from band was pictured in June driving for six months and fined £2,680 after admitting grabbing her neck, Nigella driving offences. -
CINERAMAX STRATO ATMOS LIST Incomplete.Pdf
Collection: Dolby Atmos 32 Movies Title Genre Rating Lead Actor Director Year Type Duration The Amazing SpiderMan 2 Action PG13 Andrew Garfield Marc Webb 2014 4K 141 mins HDR Elysium SciFi R Matt Damon Neill Blomkamp 2013 4K 109 mins HDR Ghostbusters 2 Comedy PG Bill Murray Ivan Reitman 1989 4K 102 mins HDR Hancock Action NRR Will Smith Peter Berg 2008 4K 102 mins HDR In the Heart of the Sea Adventure PG13 Chris Hemsworth Ron Howard 2015 4K 122 mins HDR Inferno Mystery PG13 Tom Hanks Ron Howard 2016 4K 121 mins HDR Pride + Prejudice + Zombies Action PG13 Lily James Burr Steers 2016 4K 107 mins HDR Risen Drama PG13 Joseph Fiennes Kevin Reynolds 2016 4K 108 mins HDR Sausage Party Animated R Seth Rogen Greg Tiernan 2016 4K 89 mins HDR The Smurfs 2 Comedy PG Neil Patrick Harris Raja Gosnell 2013 4K 105 mins HDR Bram Stoker's Dracula Horror R Gary Oldman Francis Ford Coppola 1992 4K 128 mins Ultra HD Léon, the Professional Action R Jean Reno Luc Besson 1994 4K 133 mins Ultra HD American Sniper Drama R Bradley Cooper Clint Eastwood 2014 Blu 134 mins ray quality Batman v Superman: Dawn of Action PG13 Ben Affleck Zack Snyder 2016 Blu 151 mins Justice ray quality The Divergent Series: Allegiant SciFi PG13 Shailene Woodley Robert Schwentke 2016 Blu 121 mins ray quality The Divergent Series: Insurgent SciFi PG13 Shailene Woodley Robert Schwentke 2015 Blu 119 mins ray quality Everest Action PG13 Jason Clarke Baltasar Kormákur 2015 Blu 122 mins ray quality The Fifth Element SciFi PG13 Bruce Willis Luc Besson 1997 Blu 126 mins ray quality Gravity Drama PG13 Sandra Bullock Alfonso Cuarón 2013 Blu 91 mins ray quality The Gunman Thriller R Sean Penn Pierre Morel 2015 Blu 116 mins ray quality The Hunger Games: Mockingjay Drama PG13 Jennifer Lawrence Francis Lawrence 2014 Blu 122 mins (Part 1) ray quality The Hunger Games: Mockingjay Drama PG13 Jennifer Lawrence Francis Lawrence 2015 Blu 136 mins (Part 2) ray quality John Wick Action R Keanu Reeves Chad Stahelski 2014 Blu 101 mins ray quality The Man from U.N.C.L.E. -
CATALOGUE 18 the of a WORLDWIDE PHENOMENON the Smurfs Began Life in 1958 As Comic Book Characters Created by Pierre OH, THERE! Culliford (Peyo)
CATALOGUE 18 THE OF A WORLDWIDE PHENOMENON The Smurfs began life in 1958 as comic book characters created by Pierre OH, THERE! Culliford (Peyo). A film version of this first comic book was made in 1975, entitled “The Smurfs and the Magic Flute”. In 1981 the Smurf stories were adapted for the silver screen by Hanna-Barbera, a run that lasted for 9 seasons. After the THE SMURFS first showing on NBC, a worldwide roll-out of the classic cartoon series made NEW TV SERIES the Smurfs famous all over the globe. In 2011 the Smurfs went on to conquer 2 · 3 the big screen, with a first3D movie produced by Sony Pictures. This success story has been documented in a film, From“ the world of Peyo to Planet Smurf” (2011), and led to the release of a second blockbuster movie in 2013. 2017 set the THE SMURFS scene for a new era in the history of Smurfs with the fully animated CGI movie CLASSIC TV SERIES 4 5 “Smurfs: The Lost Village”, a brand new take on the universe of Peyo. And there’s · more smurfiness to come with anew TV series currently in production! IMPS, the company founded by Peyo’s daughter, Véronique Culliford, handles THE SMURFS AND THE MAGIC FLUTE the worldwide licensing of the Smurf character, and distributes the classic FEATURE FILM series, the first feature film and the documentary. 6 The continuing success of the Smurfs is due to its broad appeal across cultural, age and gender demographics. The timeless stories with universal values continue to enchant children every day all over the world. -
Cartman Will Not Be Silenced in an All-New Episode of 'South Park' Premiering on Wednesday, November 11 at 10:00 P.M
Cartman Will Not Be Silenced in an All-New Episode of 'South Park' Premiering on Wednesday, November 11 at 10:00 p.m. on COMEDY CENTRAL(R) NEW YORK, Nov 09, 2009 -- Cartman has a daily forum for his agenda when he is chosen to do the morning announcements at school in an all-new "South Park" titled, "Dances with Smurfs," premiering on Wednesday, November 11 at 10:00 p.m. on COMEDY CENTRAL. Eric Cartman seizes the opportunity to become the voice of change at the school when he takes over the morning announcements. His target is South Park Elementary's Student Body President, Wendy Testaburger. Cartman is asking the tough questions and gaining followers. Launched in 1997, "South Park," now in its 13th season, remains the highest-rated series on COMEDY CENTRAL. "South Park" repeats Wednesdays at 12:00 a.m., Thursdays at 10:00 p.m. and 12:00 a.m. and Sundays at 11:00 p.m. and 2:00 a.m. Co-creators Trey Parker and Matt Stone are executive producers, along with Anne Garefino, of the Emmy® and Peabody® Award-winning "South Park." Frank C. Agnone II is the supervising producer. Eric Stough, Adrien Beard, Bruce Howell, Vernon Chatman and Erica Rivinoja are producers. "South Park's" Web site is www.southparkstudios.com. COMEDY CENTRAL, the only all-comedy network, currently is seen in more than 95 million homes nationwide. COMEDY CENTRAL is owned by, and is a registered trademark of, Comedy Partners, a wholly-owned division of Viacom Inc.'s (NYSE: VIA and VIA.B) MTV Networks. -
The Influence of Media on Views of Gender
Article 7 Gendered Media: The Influence of Media on Views of Gender Julia T. Wood Department of Communication, University of North times more often than ones about women (“Study Re- Carolina at Chapel Hill ports Sex Bias,” 1989), media misrepresent actual pro- portions of men and women in the population. This constant distortion tempts us to believe that there really THEMES IN MEDIA are more men than women and, further, that men are the cultural standard. Of the many influences on how we view men and women, media are the most pervasive and one of the most powerful. Woven throughout our daily lives, media insinuate their messages into our consciousness at every MEDIA’S MISREPRESENTATION OF turn. All forms of media communicate images of the sexes, many of which perpetuate unrealistic, stereotypi- AMERICAN LIFE cal, and limiting perceptions. Three themes describe how media represent gender. First, women are underrepre- The media present a distorted version of cultural life sented, which falsely implies that men are the cultural in our country. According to media portrayals: standard and women are unimportant or invisible. Sec- ond, men and women are portrayed in stereotypical White males make up two-thirds of the popula- ways that reflect and sustain socially endorsed views of tion. The women are less in number, perhaps be- cause fewer than 10% live beyond 35. Those who gender. Third, depictions of relationships between men do, like their younger and male counterparts, are and women emphasize traditional roles and normalize nearly all white and heterosexual. In addition to violence against women. We will consider each of these being young, the majority of women are beauti- themes in this section. -
Views, We Study How Preregistration Has Been Used from Its 2005 Inception to the End of 2012
COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005–2012 * ** Dotan Oliar & Nicholas Matich In 2005 Congress created a new copyright formality: preregistration. Preregistration addresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu of remedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistration has been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations. Most preregistrations are of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistered a great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. Most preregistrations were made by individual, small-entity, or other one-time users. The Article recommends that: (1) the duration of preregistrations should be limited; and (2) preregistration (and other copyright) fees should vary with entity size. It offers lessons for formalities and copyright reform: (1) Digital-age formalities may not give rise to the distributional concerns that characterized old formalities; (2) newly minted formalities may limit, rather than expand, access to expressive works; (3) the rates of subsequent registration of preregistered works vary across categories and can inform copyright lawmaking; and (4) the Copyright Office’s views may be affected by its institutional interest. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
The Smurfs Were Communists! by Dave Morgan Okay, I Know It
The Smurfs Were Communists! By Dave Morgan Okay, I know it sounds crazy. I didn't believe it myself at first. Then I started thinking about it, and it starts getting scary. First of all, you must put aside all the media-programmed, propaganda-driven thoughts or irrational fears you might already have about communists. Forget all that big bad Russian stuff that the 80's taught us, that doesn't exist anymore. Think of communism as just a way of life, a social order, an economic standpoint, a lifestyle choice. Take all the visions of sickles and hammers and tanks out of your head for awhile, and then you will be able to see it clearly. First of all, the Smurfs shared everything. The food in the Smurf village was stored away in those mushrooms the minute it was harvested and then equally distributed to all the Smurfs throughout the year. No one "farmer Smurf" sold his crop to a "consumer Smurf," or saw his labor exploited by another. It was understood that the crop was for the entire Smurf population, not for the sale or profit of one Smurf alone. Then there were those jobs each Smurf held. There was Handy Smurf, and Painter Smurf, and Brainy Smurf, etc... Each Smurf had his own specific job and was not allowed to try his hand at any other Smurf's assigned task. There actually was an episode where each Smurf tried to do another one's job, and failed. The moral of the story was apparently "Stick to what you do Best" or to put it another way, stick to what the society has chosen for you, or maybe just "You'll get what you get and like it!" Handy Smurf was always building. -
Hiehle, Yml?;Yb
Is South Park Republican? Social and Political Attitudes in South Park Item Type text; Electronic Thesis Authors Hiehle, Yachi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 02:48:43 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/146213 The University of Arizona Electronic Theses and Dissertations Reproduction and Distribution Rights Form Name (Last, First, Middle) Hiehle, yml?;yb yDegree title (eg BA, BS, BSE, BSB, BFA): Bk Date thesis submitted to Honors College: 5 3 ,1 0 Title of Honors thesis: ~5 SOW PA/IC Rep~vb~:cav\ ? socia I and P~I;~COIAA~de5 ;n Sou* PA& :The University of I hereby grant to the University of Arizona Library the nonexclusi ve Arizona Library Release worldwide right to reproduce and distribure my dissertation or thesis ancl abstract (herein. the "licensedmateriaIsM), in whole or in part, in any and all media of distribution and in my format in existence now or developed in the future. I represent and warrant to the University of Arizona that the licensed materials are my original work, that E am the sole owner of all rights in and to the Iicensed materials, and that none of the licensed materials infringe or violate the rights of others. I fi~rtl~errepresent that I have obtained all necessary rights to pe t-n~it the University of Arizona Library to reproduce and distrtrj bute any nonpublic third party software necessary to access, display, run or print my dissertation or thesis. -
Faculty Accomplishments 2019
FACULTY ACCOMPLISHMENTS 2018-2019 July 1, 2018 through June 30, 2019 Clayton State University 2018-2019 Faculty Accomplishments TABLE OF CONTENTS College of Arts & Sciences .................................................................................................................................. 3 College of Health ............................................................................................................................................... 23 College of Information and Mathematical Sciences ............................................................................................ 29 Library Services ................................................................................................................................................ 33 Page 2 Clayton State University 2018-2019 Faculty Accomplishments College of Arts & Sciences BOOKS Allen, J. (May 2019). The East End. Park Row Books/ HarperCollins. Favors, J. M. (2019). Shelter in a Time of Storm: How Black Colleges Fostered Generations of Leadership and Activism. University of North Carolina Press. Lal, S. (2019). Gandhi's Thought and Liberal Democracy. Lexington Books. Lamb, M. R. and Parrott, J., Eds. (2019). Digital Reading and Writing in Composition Studies. Routledge. Tate, A. L. (2018). Catholics' Lost Cause: South Carolina Catholics and the American South, 1820-1861. University of Notre Dame Press. SCHOLARLY ARTICLES Allen, A., & Jacques, S. (December 2018). “He did that because I was Black”: Black college students perceive municipal police, -
Smurf Pattern
Smurf pattern Materials needed: Blue & white yarn of your choice for basic Smurf Blue & white yarn for Papa Smurf, white yarn suitable to brush to make it fuzzy looking for the Papa’s beard Blue & white yarn for Smurfette, yellow yarn for hair Felt or paint for eyes (to make them look like ones I made) or use 1cm oval black safety eyes. Embroidery thread for mouth. Hook – adjusted size for the yarn used Half to one size bigger hook when making Smurfette’s hat. Size smaller hook for fingers making. Needle for sewing Smurfette’s hair) Abbreviations: Ch _ chain Sc _ single crochet St(s) _ stitch(es) Dec _ decrease (I used invisible decrease) Blo _ back loops only (stitch only to the back loop of each stitch) Copyright by AmigurumiBB © Vanja Grundmann 2013 1 Instructions: Head R1 Sc6 in magic ring R2 Inc6 (12 sts) R3 *Inc1, sc1* x6 (18 sts) R4 *inc1, sc2* x6 (24 sts) R5 *inc1, sc3* x6 (30 sts) R6 *inc1, sc4* x6 (36 sts) R7 *inc1, sc5* x6 (42 sts) R8-R12 sc42 R13 inc12, sc30 (54 sts) R14-R16 sc54 R17 *dec1, sc7* x6 (48 sts) R18 sc48 R19 *dec1, sc4* x8 (40 sts) R20 *dec1, sc2* x10 (30 sts) R21 *dec1, sc1* x10 (20 sts) R22 dec8, sc4 (12 sts) At this point stuff the head best you can. Stuff it firmly to fill all the gaps around R13- 17. There should be no empty spaces. R22 dec8, sc4 (12 sts) Tie off. Stuff more if needed. Feet, legs and body Start with white yarn Ch6 R1 sc4, 3 sc in one st, sc3, 2 sc in one st (12 sts) R2 inc1, sc3, inc3, sc3,inc2 (18 sts) R3 sc1, inc1, sc4, inc1, sc1, inc1, sc1, inc1 sc4, inc1, sc1, inc1 (24 sts) R4-R10 sc24 sts R11 sc4 ch1 turn From now on we are working on turn rows R12 sc20 ch1 turn – repeat for next 6 rows until R18 From the inside, fold the last shoe part in half and stitch across. -
SOUTH PARK -TV-SARJA POLIITTISENA KUVANA Sisällönanalyyttinen Ja Kuvatutkimuksellinen Tulkinta Fiktiivisen Ohjelman Sisältämistä Poliittisista Representaatioista
Tampereen yliopisto Johtamiskorkeakoulu TONI LATVAMÄKI SOUTH PARK -TV-SARJA POLIITTISENA KUVANA Sisällönanalyyttinen ja kuvatutkimuksellinen tulkinta fiktiivisen ohjelman sisältämistä poliittisista representaatioista Pro gradu -tutkielma Valtio-oppi Maaliskuu 2012 Tampereen yliopisto Johtamiskorkeakoulu LATVAMÄKI, TONI: South Park -tv-sarja poliittisena kuvana. Sisällönanalyyttinen ja kuvatutkimuksellinen tulkinta fiktiivisen ohjelman sisältämistä poliittisista representaatioista Pro gradu -tutkielma, 115 s., 4 liites. Valtio-oppi Maaliskuu 2012 ___________________________________________________________ Tässä tutkielmassa tarkastelen yhdysvaltalaisen South Park -tv-sarjan tapaa esittää poliittisia aiheita ja politiikan toimijoita. Tulkitsen kahdeksaa sarjan jaksoa sisällönanalyyttisin ja kuvatutkimuksellisin keinoin. Muodostan yksittäisissä jaksoissa esitetyistä kuvista ja tekstisisällöstä induktiivisen päätelmän, johon kokoan yhtenäisen näkemyksen sarjan tavasta esittää ja kehystää politiikkoja, poliittista toimintaa sekä asiakysymyksiä jaksoissa. Tutkimuksen pääaineiston jaksoissa esiintyy useita erilaisia aiheita ja teemoja, joita on mahdoton asettaa yhden kokoavan temaattisen tulkinnan alle. Työni kannalta on johdonmukaisempaa analysoida ja tulkita kulloinkin käsiteltävänä olevan jakson sisällössä esitettävää kokonaisnäkemystä etenkin liberaali–konservatiiviasettelun ja toisaalta puoluepoliittisen demokraatti–republikaani-dikotomian kautta. Analyysistäni selvisi, että South Park kritisoi niin demokraatteja kuin republikaanejakin.