Accesshe-UKADIA Creative HE Apply Guide, the Follow up to the Accesshe Creative HE Apply Guide Released in July 2018
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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
Student Non-Academic Misconduct Policy and Procedures
Conservatoire for Dance & Drama Student Non-Academic Misconduct Policy & Procedures Student Non-Academic Misconduct Policy and Procedures Contents Section of Policy Contents of Section See Page No Introduction 4 1. Scope and Non-academic misconduct 5 Definitions of Professional Conduct Student Misconduct relating to admissions Misconduct Absence and withdrawal/non-engagement relating to this including: process Misconduct and School Rules, Regulations and Obligations Misconduct which is also a criminal offence 2. Definitions and Presumption of Innocence 10 Policies Burden of Proof Legal Context Anonymous Allegations Confidentiality Emergency Powers Complaints regarding the Misconduct Procedures Impact of misconduct procedures on academic studies Timescales Failure to comply with decisions 3. Misconduct Informal procedures 13 Procedures Informal warnings Formal Procedures Suspected Misconduct Concerns: Preliminary Enquiry Preliminary Enquiry Procedure Preliminary Enquiry Interview Process Preliminary Enquiry Findings and Outcomes o Preliminary Enquiry Findings o Preliminary Enquiry Outcomes 4. Misconduct Proceedings of Panel Hearings 17 proceedings: o Representation and Accompaniment; Witnesses General o Evidence Provisions o Adjournment 1 Conservatoire for Dance & Drama Student Non-Academic Misconduct Policy & Procedures 5. Misconduct Terms of Reference 18 Panel What the School will send to the student o Misconduct Panel Misconduct Panel Hearing Procedure Misconduct Panel Outcomes o Outcome Procedure o Finding(s) -
LABAN THEATRELABAN Trinity Laban Conservatoire of Music & Dance
LABAN TRINITY Laban CONSERVatOIRE OF MUSIC & DANCE THEATRE MUSICAL THEATRE STUDENTS PRESENT: FRI 2 & SAT 3 DEC 14.30h & 19.30h THE CLOCKMAKer’S DAUGHTER An original faerytale musical by Michael Webborn and Daniel Finn PROGRAMME £3 THE CLOCKMAKER’S DAUGHTER Presented by Trinity Laban final year Musical Theatre students. This production is presented by special arrangement with Webborn and Finn. Director Michael Howcroft Musical Director Tony Castro Choreographer Jenny Arnold Set and Costume Designer Amy Yardley Lighting Designer Chloe Kenward The Clockmaker’s Daughter was originally produced by Theatrica Limited at the Landor Theatre. Directed by Robert McWhir Choreographed by Robbie O’Reilly Designed by David Shields Lighting by Richard Lambert Executive Producer Clive Chenery SYNOPSIS Spindlewood, like most towns of age, has its traditions. But no practice, custom, or Old Wives Warning is so firmly adhered to as ‘The Turning of the Key’. Every year, on the last night of winter, as the first day of spring unfolds, the townsfolk gather to take part in a strange ritual. They meet in the centre of the town square, where a statue bearing the likeness of a young girl stands, poised and still, one hand raised as if to toast the sky. Constance has stood in the square for as long as any can remember. And she is never more lifelike than tonight. CREATIVE TEAM BAND Director Lighting Designer Piano/Musical Director Michael Howcroft Chloe Kenward Tony Castro Musical Director Costume Supervisor Violin Tony Castro Cristiano Casimiro Rosie Judge Choreographer -
Read the Summary Report
THAMES ESTUARY PRODUCTION CORRIDOR FROM VISION TO ACTION 1 THAMES ESTUARY PRODUCTION CORRIDOR FROM VISION TO ACTION This report provides a summary of the strategy to unlock and maximise the potential of the Thames Estuary Production Corridor. It marks the culmination of a year-long programme of activity in 2018-2019 which included consultation with over 200 partners and stakeholders and granular research into baseline conditions across the Estuary. This research was undertaken before the COVID-19 pandemic hit the UK and the world, and recognises projected impacts on the South East. Despite the devastating impacts of the pandemic, the cultural and creative industries will be integral to accelerating the UK’s economic and social recovery. Researched and written by Hatch Regeneris, We Made That and In partnership with: Tom Fleming Creative Consultancy. Design by Maddison Graphic. Commissioned by the Greater London Authority and the South East LEP, in partnership with the Royal Docks team and the London Boroughs of Bexley and Lewisham. Published June 2019 Updated July 2020 2 VISION Page 1 WHAT IS THE THAMES ESTUARY PRODUCTION CORRIDOR? Page 5 FOUNDATIONS AND MOMENTUM Page 7 THE OPPORTUNITY FOR GROWTH Page 9 FROM VISION TO ACTION Page 15 WHAT’S NEXT Page 19 3 Royal Opera House, Bob and Tamar Manoukian Production Workshop at High House Production Park, Thurrock Nicholas Hare Architects © Hufton & Crow Photography 4 5 Lewisham: Globally Significant Knowledge, Talent and Research – Goldsmiths, University of London has long anchored creative activity in London, supporting the development of some of the world’s great creative talent. Today, alongside Trinity Laban, the University supports a thriving graduate community as well as high quality research in augmented reality and digital art. -
2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training. -
Members of the Quality Assurance Agency for Higher Education (QAA) 2019-20
Members of the Quality Assurance Agency for Higher Education (QAA) 2019-20 The following institutions are members of QAA for 2019-20. To find out more about QAA membership, visit www.qaa.ac.uk/membership List correct at time of publication – 18 June 2020 Aberystwyth University Activate Learning AECC University College Al-Maktoum College of Higher Education Amity Global Education Limited Anglia Ruskin University Anglo American Educational Services Ltd Arden University Limited Arts University Bournemouth Ashridge Askham Bryan College Assemblies of God Incorporated Aston University Aylesbury College Bangor University Barnsley College Bath College Bath Spa University Bellerbys Educational Services Ltd (Study Group) Bexhill College Birkbeck, University of London Birmingham City University Birmingham Metropolitan College Bishop Grosseteste University Blackburn College Blackpool and The Fylde College Bolton College Bournemouth University BPP University Limited Bradford College Brockenhurst College Buckinghamshire New University Burnley College Burton & South Derbyshire College 1 Bury College Cambridge Regional College Canterbury Christ Church University Cardiff and Vale College Cardiff Metropolitan University Cardiff University CEG UFP Ltd Central Bedfordshire College Cheshire College South and West Chichester College Group Christ the Redeemer College City College Plymouth City of Bristol College City, University of London Colchester Institute Coleg Cambria Cornwall College Coventry University Cranfield University David Game College De Montfort -
Student Fd/Ba Handbook 2020-2021
STUDENT FD/BA HANDBOOK 2020-2021 STUDENT HANDBOOK 2020-21 INTRODUCTION RAMBERT SCHOOL OF BALLET & CONTEMPORARY DANCE CLIFTON LODGE ST MARGARETS ROAD TWICKENHAM TW1 1QN TEL: 020 8892 8090 EMAIL: [email protected] WEB: www.rambertschool.org.uk INFORMATION RELATING TO THE COVID-19 PANDEMIC From March 2020 all Conservatoire Member Schools were required to close their physical sites as a result of emergency measures imposed by the UK government in response to the Covid19 pandemic. Since this time, the Conservatoire central office has liaised closely with all of its Member Schools to ensure students are not unduly disadvantaged by measures taken, to guarantee that support and good practice can be shared across all Schools, and ensure that the Conservatoire is meeting its obligations with regard to the Office for Students’ requirements. The Covid19 pandemic has required all of our Schools to take emergency measures to deliver the courses of study online. As government restrictions ease, Schools may resume on-site delivery partially and/or fully, depending on the requirements they must fulfil to ensure the safety of all students and staff. However, should the government re-impose a more severe level of restrictions, this may force Schools to adjust their delivery again, meaning the delivery of your course may need to partially or fully be online. Changes to how Conservatoire courses of study have previously been delivered in Member Schools prior to March 2020 are rigorously consulted upon and reviewed by the Conservatoire Learning, Teaching and Quality Assurance Committee, and by the External Examiner for each course. These bodies ensure that the quality of delivery meets the appropriate standards and that there is independent oversight of proposed changes. -
BRIT School Year 13 Destinations 2019 University Destinations – 44.7
BRIT School Year 13 Destinations 2019 University Destinations – 44.7% Top 5 Universities by Acceptances University of the Arts London Goldsmiths, University of London Rose Bruford College Bath Spa University University of Greenwich Employment and Apprenticeship 22% Students have gained apprenticeships across a diverse range of sectors from: Teaching Assistant, Digital Marketing at Warner Music, Financial Law apprenticeship with East Sussex Council, Mechanical Engineering at CBre Partnership, Community Education at The Globe Theatre. Students have also gained employment across diverse sectors including: Dance Teaching, freelance photographer, Full-time events programmer and Sound Engineer at Laylow, Working FOH and learning stage crew at Above the Stag Theatre, Further Education Destinations 9% Top 5 Further Education Destinations Further Education (Full and part-time foundation courses) Mountview Camberwell College of Arts ALRA Chickenshed Bird College Vocational Schools 7% Top 5 Vocational School Destinations Vocational School/Conservatoires (Degree and Diplomas) Guildhall School of Music & Drama Creative Academy Performers College Trinity Laban Laine Theatre Arts Northern School of Contemporary Dance Apprendix 1 University Destinations Number of students at Higher Education (Degree programmes) institution Abertay University 1 Academy of Contemporary Music 2 ACM 2 Anglia Ruskin University, Urdang 2 Arts University Bournemouth 3 Bath Spa University 7 BIMM 6 Birmingham City University 1 Bournemouth University 3 Bristol University West of -
HARUKA KURODA Representation by Caroline De Wolfe
20 OLD COMPTON STREET, SOHO, LONDON, W1D 4TW TEL: +44 (0) 207 242-5066 EMAIL: [email protected] HARUKA KURODA Representation by Caroline de Wolfe ABOUT Haruka Kuroda is a fight movement choreographer and a dramatic combat instructor. She has taught in various drama schools, universities and workshops in the UK and Europe. Haruka runs workshops and tailors courses to suit the needs of various youth theatre groups, schools and individuals. She has also built up a reputable career as a fight director and enjoys working with professional actors as well as young performers. SKILLS 18th Century Smallsword, Rapier, Rapier& Dagger, Rapier & Buckler, Case of Rapiers, Rapiers & Cloak, Broadsword, Sword and Shield, Knife, Quarterstaff, Unarmed, Wire/Ariel work, Motion Capture TRAINING Guildford School of Acting 3 year Musical Theatre British Academy of Dramatic Combat (BADC) teacher’s training Teaching Drama at City Lit Upswing Step-Up Aerial two week intensive TEACHING As a guest tutor: · RC-Annie Ltd (www.rc-annie.com) · Young Blood (www.youngblood.co.uk) · Cut & Thrust (www.cutandthrust.co.uk) · True Edge (www.trueedge.co.uk) · West End Workshop (www.westendworkshop.biz) · Simply Theatre (www.simplytheatre.com) · Mountview Academy · ALRA · Rose Bruford · EAST 15 · The Brit School · York University · ASSITEJ festival in Cakovec, Croatia in Oct 2013 As a regular tutor: · Musical Theatre Academy (the MTA) Haruka is also a senior instructor of Sanjuro Martial Arts (www.sanjuromartialarts.com) since 2008. CREDITS PINK SARI REVOLUTION Curve Theatre -
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Presentation Title Lorem ipsum dolor sit amet, NEXTconsectetur STEPSadipiscing elit. CAT AUDITION TOOLKIT 2020 We will cover: • Careers in dance • Where can I study? • The difference between University and Vocational/Conservatoire training • How to apply • How to write a personal statement • Fee Waivers • CAT Audition Toolkit Information 2 What jobs are there in Dance? • Performer • Choreographer • Dance Teaching - Schools sector / Private Dance Schools / Community Dance Practitioner / Dance Lecturer or Academic Researcher • Dance Project Co-ordinator or Administrator • Dance/Arts Officer • Lighting Designer/Technical Production • Costume / Set Designer • Dance Producer • Dance Photographer / Film Maker / Journalist • Composer for Dance • Dance Scientist • Dance Movement Therapist • Physiotherapy / Osteopathy • Health & Fitness e.g. Pilates, Yoga, Personal Trainer 3 University Undergraduate Degree Courses E.g. Middlesex, Roehampton, Chichester • A very wide range • Some offer Dance as a single subject • Some combined with another subject (Dance and Drama / Dance and Art) You can search on the UCAS website: http://www.ucas.com/ 4 Performing Arts Vocational Training School Often offer a wider range of dance styles, musical theatre focus, ballet focus… • E.g. London Studio Centre, • Bird College • Laine Theatre Arts, • Urdang Academy, • Central School of Ballet, • Arts Ed…. 5 Conservatoires Conservatoires UK is an umbrella The Conservatoire for Dance and Drama organisation for 11 specialist music, comprises 6 specialist schools performing -
Prospectus 2020/21 Contents
Sixth Form Prospectus 2020/21 Contents 03 / Welcome 05 / Our Ethos 06 / Six Pillars 08 / Nurturing Promise 09 / A Broad Education 10 / Destinations Sixth Form Options BTEC Extended Diploma 12 / BTEC Extended Diploma 14 / BTEC Acting 16 / BTEC Musical Theatre 18 / BTEC Dance 22 / A Levels 28 / Performance Opportunities 29 / Enrichment Programme 30 / Admissions 32 / Shaping The Future ArtsEd Youth Dance Company Governance Welcome I am delighted that you have chosen to find out more about ArtsEd Sixth Form, a national centre of excellence for the study of the performing arts. Founded 100 years ago by two ground- breaking educationalists, Grace Cone and Olive Ripman, our ethos remains true to their vision, to provide a broad and balanced education, stretching students to achieve their academic as well as their artistic potential. Adrian Blake The most recent review of ArtsEd by the Independent Schools Headteacher Inspectorate, in November 2019, judged the quality of students’ academic, vocational and personal development as excellent. Our combination of expert teachers meeting young talented minds creates a truly dynamic environment for teaching and learning. Constructive learning relationships, built by dedicated staff with a strong ethos of nurture and individualism, enables each student to flourish as a person, as a learner, and as a performer. This successful blend of outstanding vocational training, excellent academic tuition and focused pastoral care instils in our students a deep-seated confidence and a broad range of skills, giving them the scope at 18+, to pursue a path that’s right for them. For over 100 years, ArtsEd alumni have significantly influenced creative industries and beyond on a global scale. -
Urdang-Academy Prospectus.Pdf
Study at URDANG theurdang.london Challenging and Nurturing A Message From Our Patrons Our high-calibre courses and versatility of training More Info “It has been so exciting over the “I can’t count the means our graduates are highly versatile, well-rounded years to watch the Urdang School huge number of performers. This is why our graduates are in constant theurdang.london from being born, through to their dancers I have amtc.uk.com demand for West End and International destinations. becoming a major force in the worked with, they education of our young performers definitely are what Our tailored courses and ongoing relationships with Directors and now turning out some of our I call ‘The Thinking world-class professionals offer our students invaluable top musical artists.” exposure to leading industry figures and keep Urdang at Solange Urdang Dancers’” CEO Anthony Van Laast MBE the forefront of the performing arts industry. A high level Arlene Phillips CBE of expectation and discipline is teamed with relevant Craig Phillips support and advice, ensuring our students reach their full Managing Director potential. Rob Archibald Co-Principal (Musical Theatre) We spot true performers and give them a “training environment that develops and Lynsey McDougall refines their technique and performance Co-Principal skills. “ (Dance) Solange Urdang, CEO Yvette Curtin “I have been associated with Urdang and its Co-Principal students for the past 20 years. Urdang has (Education & always been committed to giving exceptional In a continued effort to tackle diversity and quality Advancement) vocational training and we constantly see this of training in the performing arts, Urdang is proud to in the graduating students and all the talented announce their collaboration in 2018 with four others ex-students we have cast in our shows over UK’s leading musical theatre conservatoires to form the many years.” Alliance of Musical Theatre Conservatoires (AMTC).