Copyright by John Philip Rode Schaefer 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dylan Jack Quartet, the Tale of the Twelve-Foot
befo<e the band enters and Leva establishes a powerful presence with his bow. The Xing or Five Agents series (following up Book of Water) . Sabatini, who pl ayed on Book of uu,npet is muted, Hofbauer's guitar close-miked with a tactile intimacy. When Leva water as well as numerous releases by the Eric Hofbauer Qu intet , comes to th is album switches to pizzicato the piece begins to groove, at a floating yet perceptible tem po. with overlapping associations as well , shoring up the feeling of a community of players THE MUSIC OF THF. IJI.Mf IACK QUAHTF.T is sufficiently Sabatini and Hofbauer alternate in the spotlight, with short composed breaks signalin 9 on a shared mission. ml:mU,'llimalea!ife ill2t ac:bangi! al instrumentation doesn't alter the group's core unexpected transition s to duo, trio and full quartet interplay. on "The Epitaph ' we reach the point where the Twelve -Fool Man dies or Is somehow i:!ellalJ - mfact, iil rl!Yellfsnewf2cets. Jade released Diagrams, the Quartet's debut, •The Twelve-Foot Man" might be termed co nscience, or subjectivity, that looming transcended. Jack's melodic source material for the A sec tion is lhe Seikllos Epitaph, 11 20fl. willl Todd enmel an darinet. bass clarinet and soprano saxophone. On The and unshakable presence of the self: sometimes a hindrance, sometimes simply an the oldest-known piece of notated mu sic, an ancient Greek melody carved into a We cfd:e T'll!We-fcot Man, tile group retIJms with trumpeter Jerry Sabatini instead as existential fact Parts I & II of this piece evoke the Man's presence in differing way s, cylindrical stele In the first or secon d century AD . -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Never-Ending Reformism from Above and Dissatisfaction from Below
Discussion Paper 16/2020 Never-Ending Reformism from Above and Dissatisfaction from Below The Paradox of Moroccan Post-Spring Politics Francesco Cavatorta Fabio Merone Never-ending reformism from above and dissatisfaction from below The paradox of Moroccan post-Spring politics Francesco Cavatorta Fabio Merone Bonn 2020 Discussion Paper / Deutsches Institut für Entwicklungspolitik ISSN (Print) 1860-0441 ISSN (Online) 2512-8698 Except as otherwise noted this publication is licensed under Creative Commons Attribution (CC BY 4.0). You are free to copy, communicate and adapt this work, as long as you attribute the German Development Institute / Deutsches Institut für Entwicklungspolitik (DIE) and the authors. Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the Internet at http://dnb.d-nb.de. ISBN 978-3-96021-127-3 (printed edition) DOI:10.23661/dp16.2020 Printed on eco-friendly, certified paper Francesco Cavatorta is professor of political science and director of the Centre Interdisciplinaire de Recherche sur l’Afrique et le Moyen Orient (CIRAM) at Laval University, Quebec, Canada. His research focuses on the dynamics of authoritarianism and democratisation in the Middle East and North Africa. His current research projects deal with party politics and the role of political parties in the region. E-Mail: [email protected] Fabio Merone is a political scientist currently working as an independent consultant. His focus is on the Middle East and North Africa, with a specific interest in Political Islam, Salafism, Jihadism, and contentious politics. -
Reform in Morocco:Layout 1.Qxd
WWW.IPPR.ORG ReforminMorocco TheroleofpoliticalIslamists ByAlexGlennieandDavidMepham September2007 ©ippr2007 InstituteforPublicPolicyResearch Challengingideas– Changingpolicy 2 ippr|ReforminMorocco:TheroleofpoliticalIslamists Contents Aboutippr.................................................................................................................................................................................. 3 Aboutippr’sinternationalprogramme ...................................................................................................................................... 3 Acknowledgements.................................................................................................................................................................... 3 Abouttheauthors ..................................................................................................................................................................... 3 Abbreviationsanddefinitions.................................................................................................................................................... 4 1.Introduction ............................................................................................................................................................................ 5 2.RecentpoliticalhistoryofMorocco....................................................................................................................................... 6 3.IslamistpartiesandmovementsinMorocco ........................................................................................................................ -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
JGI V. 14, N. 2
Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 1 11-15-2019 Full Issue - JGI v. 14, n. 2 Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation (2019) "Full Issue - JGI v. 14, n. 2," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 1. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Multicultural Morocco JOURNAL of GLOBAL INITIATIVES POLICY, PEDAGOGY, PERSPECTIVE 2019 VOLUME 14 NUMBER 2 Journal of global Initiatives Vol. 14, No. 2, 2019, pp.1-28. The Year of Morocco: An Introduction Dan Paracka Marking the 35th anniversary of Kennesaw State University’s award-winning Annual Country Study Program, the 2018-19 academic year focused on Morocco and consisted of 22 distinct educational events, with over 1,700 people in attendance. It also featured an interdisciplinary team-taught Year of Morocco (YoM) course that included a study abroad experience to Morocco (March 28-April 7, 2019), an academic conference on “Gender, Identity, and Youth Empowerment in Morocco” (March 15-16, 2019), and this dedicated special issue of the Journal of Global Initiatives. Most events were organized through six different College Spotlights titled: The Taste of Morocco; Experiencing Moroccan Visual Arts; Multiple Literacies in Morocco; Conflict Management, Peacebuilding, and Development Challenges in Morocco, Moroccan Cultural Festival; and Moroccan Solar Tree. -
Hiv Modes of Transmission Analysis in Morocco
Kingdom of Morocco Ministry of Health Department of Epidemiology and Disease Control National STI/AIDS Programme HIV MODES OF TRANSMISSION ANALYSIS IN MOROCCO August 2010 The HIV Modes of Transmission Analysis in Morocco project was sponsored and led by the Morocco Ministry of Health to identify the key modes of exposure to HIV infection among the Moroccan population. The project was funded by the Joint United Nations Programme on HIV/AIDS through a grant designated for undertaking MoT analyses in the Middle East and North Africa. The scientific study was conducted through a joint collaborative partnership between the Infectious Disease Epidemiology Group at the Weill Cornell Medical College in Qatar, the Morocco Ministry of Health and the Joint United Nations Programme on HIV/AIDS. Ministère de la santé, DELM/PNLS Morocco UNAIDS Joint United Nations Programme on HIV/AIDS HIV Surveillance Unit & Morocco Country Office Geneva, Switzerland & Rabat, Morocco Infectious Disease Epidemiology Group Weill Cornell Medical College - Qatar, Cornell University Education City - Qatar Foundation Doha, Qatar Keywords: Epidemiology; HIV/AIDS; incidence; mathematical model; Mode of Transmission; Morocco; prevalence; prevention; risk behavior; synthesis. ii Ghina Mumtaz,1 Nahla Hilmi,2 Ahmed Zidouh,3 Houssine El Rhilani,4 Kamal Alami,4 Aziza Bennani,5 Eleanor Gouws,6 Peter Ghys,6 and Laith Abu- Raddad1,7,8 1 Infectious Disease Epidemiology Research Group, Weill Cornell Medical College - Qatar, Cornell University, Qatar Foundation - Education City, Doha, -
Artsmart AZA Press Release 2015-16
TANDY BEAL & COMPANY • tandybeal.com• [email protected] FOR IMMEDIATE RELEASE: December 2015 MEDIA CONTACT: Jennifer Radakovich (734) 775-0269 AZA – Music of Morocco! Saturday, Dec 12th Dec 12, 2015 Tandy Beal & Company’s ArtSmart Family Concert Series continues with highly acclaimed musical group…AZA! Introduce your family to the Arts! Tandy Beal & Company's ArtSmart Family Concert Series features award-winning artists in circus, music and dance and offers high-quality, interactive and affordable monthly concerts for families in downtown Santa Cruz! For December’s ArtSmart concert, we feature highly acclaimed musical group, AZA! AZA unites traditional Tamazight (Berber) music, indigenous to the Atlas Mountains of Morocco, with the global influences of its diverse members. Evocative of Saharan- African blues, yet with an original style that truly defies categorization, AZA’s stirring performances feature deep, danceable rhythms, intricate string melodies, and soaring, soulful vocals. Visually dynamic and engaging performers, AZA has been inspiring international audiences for nearly seven years. Founding members Fattah Abbou and Mohamed Aoualou are Berbers native to the High Atlas mountain region of Morocco, where they played and studied music for over twenty- five years, and are recognized as master musicians. Mohamed plays guitar, oud, percussion and is a prolific songwriter with a gripping vocal style that helps define the dynamic energy of AZA. Fattah began playing at the age of seven and now plays banjo, lotar, oud, sintir, ribab, percussion and sings. He has received multiple grant awards for traditional arts and the preservation of indigenous culture. AZA’s endeavors are not limited to music. -
Oakland Folkharmonic & Teslim
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, February 24, 2013, 11am & 3pm oakland folkharmonic founder of Class V Music, an ensemble dedicat- Wheeler Auditorium ed to providing music on river rafting trips. She The Oakland Folkharmonic is Shira Kammen has performed and taught in the United States, and Kaila Flexer’s new string ensemble featur- Canada, Mexico, Europe, Israel, Morocco, First Stage for Families ing the two of them plus Kyla Danysh and sis- Latvia, Russia, and Japan, and on the Colorado, ters Rachel and Danielle Taylor on a variety of Rogue, Green, Grande Ronde, East Carson, and stringed instruments, including violin, viola, vi- Klamath rivers. elle, and tarhui. The repertoire of this ensemble Oakland Folkharmonic & Teslim ranges from traditional modal music of Greece, Violinist Kyla Danysh, a Turkey, and the Middle East to medieval mu- Berkeley native, is a litera- sic and original compositions by Ms. Flexer, cy teacher and musician Ms. Kammen, Ross Daly, and Kelly Thoma. who has been playing the violin since she was four. Kaila Flexer (violin, tarhui) is a violinist, com- She studied classical and poser, and music educator. In addition to per- Klezmer music through- forming and recording with Teslim, Ms. Flexer out her childhood and ad- also performs with Shira Kammen and three olescence, and was a mem- other fiddlers in the Oakland Folkharmonic. ber of the University Ms. Flexer founded and produced Klezmer Opera and Orchestra at Mania!, a much-loved annual Bay Area event UC Santa Cruz. As an adult, Ms. Danysh has for over ten years (1989–2002), and currently explored her passion for improvisation with the produces Pomegranates & Figs: A Feast of Jewish Son Jarocho and Son Huasteco traditions of Music. -
The Persistence of the Andalusian Identity in Rabat, Morocco
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1995 The Persistence of the Andalusian Identity in Rabat, Morocco Beebe Bahrami University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ethnic Studies Commons, European History Commons, Islamic World and Near East History Commons, Social and Cultural Anthropology Commons, and the Sociology Commons Recommended Citation Bahrami, Beebe, "The Persistence of the Andalusian Identity in Rabat, Morocco" (1995). Publicly Accessible Penn Dissertations. 1176. https://repository.upenn.edu/edissertations/1176 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1176 For more information, please contact [email protected]. The Persistence of the Andalusian Identity in Rabat, Morocco Abstract This thesis investigates the problem of how an historical identity persists within a community in Rabat, Morocco, that traces its ancestry to Spain. Called Andalusians, these Moroccans are descended from Spanish Muslims who were first forced to convert to Christianity after 1492, and were expelled from the Iberian peninsula in the early seventeenth century. I conducted both ethnographic and historical archival research among Rabati Andalusian families. There are four main reasons for the persistence of the Andalusian identity in spite of the strong acculturative forces of religion, language, and culture in Moroccan society. First, the presence of a strong historical continuity of the Andalusian heritage in North Africa has provided a dominant history into which the exiled communities could integrate themselves. Second, the predominant practice of endogamy, as well as other social practices, reinforces an intergenerational continuity among Rabati Andalusians. Third, the Andalusian identity is a single identity that has a complex range of sociocultural contexts in which it is both meaningful and flexible. -
Demobilization in Morocco: the Case of the February 20 Movement by © 2018 Sammy Zeyad Badran
Demobilization in Morocco: The Case of The February 20 Movement By © 2018 Sammy Zeyad Badran Submitted to the graduate degree program in Political Science and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson: Dr. Hannah E. Britton Co-Chairperson: Dr. Gail Buttorff Dr. Gary M. Reich Dr. Nazli Avdan Dr. Alesha E. Doan Date Defended: 31 May 2018 ii The dissertation committee for Sammy Zeyad Badran certifies that this is the approved version of the following dissertation: Demobilization in Morocco: The Case of The February 20 Movement Chairperson: Dr. Hannah E. Britton Co-Chairperson: Dr. Gail Buttorff Date Approved: 31 May 2018 iii Abstract This dissertation aims to understand why protests lessen when they do by investigating how and why social movements demobilize. I do this by questioning the causal link between consistent state polices (concessions or repression) and social movement demobilization. My interviews with the February 20 Movement, the main organizer of mass protests in Morocco during the Arab Spring, reveals how ideological differences between leftist and Islamist participants led to the group’s eventual halt of protests. During my fieldwork, I conducted 46 semi-structured elite interviews with civil society activists, political party leaders, MPs, and independent activists throughout Morocco. My interviews demonstrate that the February 20 Movement was initially united, but that this incrementally changed following the King’s mixed-policy of concessions and repression. The King’s concessionary policies convinced society that demands were being met and therefore led to the perception that the February 20 Movement was no longer needed, while repression highlighted internal divides.