ArtH 2257 19th Century Art German Romanticism: The Nazarenes
Friedrich Overbeck: Portrait of Franz Pforr, 1810 Franz Pforr: Entry of Emperor Rudolf into Basel in 1273, 1808-10 Friedrich Overbeck: Italia and Germania, 1811-28 “Le juste milieu” in France - 1830-1850 Eugene Delacroix: Death of J.A.D. Ingres: Vow of Sardanapalus, 1827 Louis XIII, 1824 Paul Delaroche: The Execution of Lady Jane Grey, 1833 Paul Delaroche: The Execution Victoria Hall: After Delaroche, 2010 of Lady Jane Grey, 1833 Paul Delaroche: Napoleon Crossing the Alps, 1848 Theodore Chasseriau: The Two Sisters of the Artist, 1843 Theodore Chasseriau: The Toilet of Esther, 1841 Eugene Delacroix: J.A.D. Ingres: Grande Odalisque, 1814 Women of Algiers, 1834 J.A.D. Ingres: Grande Odalisque, 1814
James Pradier: Odalisque, 1843 Aspects of American Art 1830-1850 Caspar David Friedrich: Traveler overlooking a sea of fog, 1818
Asher B. Durand: Kindred Spirits, 1849 Asher B. Durand: Kindred Spirits, 1849 Thomas Cole: Expulsion from Paradise, 1828 Thomas Cole: Expulsion from Paradise, 1828 Thomas Cole: Expulsion from Paradise, 1828 Thomas Cole: Expulsion from Paradise, 1828 Thomas Cole: View of Oxbow from Mt. Holyoke, 1836 Thomas Cole: The Cross and the World, c. 1848 Caspar David Friedrich: The Cross in the Mountains, 1808 Frederick Church: Icebergs, 1861 Frederick Church: Icebergs, 1861 Caspar David Friedrich: Arctic Ice, 1823 Frederick Church and Calvert Vaux: Church house, Olana, NY, 1871 Frederick Church and Calvert Vaux: Church house, Olana, NY, 1871 Hiram Powers: The Greek Slave, 1843-44 Hiram Powers: “The Slave has been taken from one of the Greek Islands by the Turks, in the time of the Greek revolution, the history of which is familiar to all. Her father and mother, and perhaps all her kindred, have been destroyed by her foes, and she alone preserved as a treasure too valuable to be thrown away. She is now among barbarian strangers, under the pressure of a full recollection of the calamitous events which have brought her to her present state; and she stands exposed to the gaze of the people she abhors, and awaits her fate with intense anxiety, tempered indeed by the support of her reliance upon the goodness Hiram Powers: of God. Gather all these afflictions together, The Greek and add to them the fortitude and Slave, 1843- resignation of a Christian, and no room will 44 be left for shame.” Hiram Powers: The Greek Slave, 1843-44 Hiram Powers: The Greek Slave, 1843-44 Hiram Powers: The Greek Slave, 1843-44
Eugene Delacroix: Greece at Missalonghi, 1827 Hiram Powers: The Greek Slave at the Crystal Palace exhibition, London, 1851 Towards Realism in France 1830-1850
I. Caricature II. Social critique Poster for the journal La Caricature, 1831 Charles Philipon, Les Poires, in La Caricature, 1831 Louis Philippe, King of France
Charles Philipon, Les Poires, 1831 Daumier: The Pear Hanged in Effigy, 1831 Louis Philippe, King of France
Daumier: Gargantua, 1831 Honore Daumier: Rue Transnonain, 1834 Satires on Neoclassicism and Academic Art Honore Daumier: Menelaus and Helen of Troy, 1847 Honore Daumier: Narcissus, 1847 Social Realism – the plight of the poor Honore Daumier: Third Class Carriage, c. 1862 Honore Daumier: Third Class Carriage, c. 1862
Honore Daumier: The Heavy Burden, 1850-53 Paul Gavarni: Hunger? William Adolphe Bouguereau: Laziness!, 1847 Indigent Family, 1861 “miserabilisme”
Octave Tassaert: The Unfortunate Family, or The Suicide, 1852 G.F. Watts: Found Drowned, 1849-50 The Decadence of the Romans and Modern Times Thomas Couture: The Romans of the Decadence, 1847 Thomas Couture: The Romans of the Decadence, 1847 Thomas Couture: The Romans of the Decadence, 1847 Thomas Couture: The Romans of the Decadence, 1847