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Regional Concerns During the Age of Imperialism. Marshall E
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 The outhS and American Foreign Policy, 1894-1904: Regional Concerns During the Age of Imperialism. Marshall E. Schott Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Schott, Marshall E., "The outhS and American Foreign Policy, 1894-1904: Regional Concerns During the Age of Imperialism." (1995). LSU Historical Dissertations and Theses. 6134. https://digitalcommons.lsu.edu/gradschool_disstheses/6134 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master.UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
A M S M S TOP COUNTRY MUSIC GAY DANCE BAR "DEVIU HERD Seloonu 853 VALENCIA STREET DANCE CLASSES Call for Dates Arki Times of Our Dance Classes
APRIL 2. 1981 Issue 120 3Fran n sr0 C ru sa iip r GAYS JOIN PROTEST AGAINST THE ATLANTA MURDERS FRIDAY, APRIL 17th PROTEST IN FRONT OF FEDERAL BUILDING TO PROTEST KKK AND THE MURDERS OF THE ATLANTA CHILDREN! On April 17th, on the steps of the U.S. Some of the sponsors are the Committee Federal Building, 450 Golden Gate Ave Against Racist Violence; Bay Area Ecu nue, from Noon til 3 PM, there will be a menical Pastors' Conference; the Gay L i Go(^ Friday Service to protest the mur beration Alliance (G LA ); Women's In der of at least 21 Black children in the ternational League for Peace & Freedom; city of Atlanta, Gerogia, as well as to the Christ Chapel (Orthodox Episcopal protest the attacks by dw Ku Klux Klan Church of God); Bethel A.M.E. Church; on minority peoples across the nation. the S F Crusader; and numerous others too Those joining the protest are urged to numerous to mention. wear a green ribbon in the shape of a V The Good Friday Protest will be aimed upside down. Sponsors for the Protest at the Ku Klux Klan as well, in particu demand that Atlanta, Georgia, be declar lar the attacks on Black homes in Con ed a State of Emergency, therefore pro tra Costa County, and the establishment viding all necessary funds and manpower of K K K military training camps in the to gurantee the immediate capture and nation. prosecution of the murderer(s) of .the And please, don't forget to wear your Black children in Atlanta, Georgia. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod. -
G.O.P. Forces on Wet Plank
./^Viite, r». - * ‘"■^1'if 'WU' u r*. 1 (TWELVE PAOIbS) PRICE THESE CENTS VOL. U ., NO. 218. i# ** S p i ^ mXN(^ TUESDAY; JUNE 14. 1^ . THE BIG SHOW OPENS AT' GHIGAGO k* At G.O.P. m H i M E r A r a w n w w W o n u ' Posbnaster Writes To Hosphal'Here Demamir FORCES ON WET PLANK ■ g DeaA Certfficate FLOORCONTESr Change To Wipe Ont Blot. ISCERTAIN ON BOOM FOR DAWES . Grindnal action will be instituted by Lawrence Huntley of Long- CHAU SEEMS SPREADING* meadow, Rhode Ldand, according to DRYLAWPLANK FESS a letter received at the Mandiester Memorial hospital, charging falsifi cation of the death certificate of Platform Builders Work Opening of Convention Ometest In Years — Keynoter Lawrence L. Huntley, late of Dob- sonvUle, Vernon, which has been Until Midnight To Get Dodges Prohibition Issue— Bnrst of Cheering At Men filed in the town clerk’s office here Huntley died at the hospital May 2 and was buried in Elmwood ceme Plank In Final Form But tion of Hoover’s Name— Calm and Harmonious As Del tery, Vernon, May 4. The death certificate filed in the town clerk’s office shows one “Veronica Huntley’’ B ad e Has Not Yet Begun. egates Seemed There Were Indications Worries Smoul to be the wife of the deceased and is so recorded. The death certificate dered Beneath the Surface— Real Work Begins Late is signed by Dr. Chester F. Hogsm, Cadcugo, J ^ e 14.— ( A P ) — W o rk resident physician of Memorial hos in g -'iMUdfist -time, administration pital. -
Corporate Political Speech, Political Extortion, and the Competition for Corporate Charters
Corporate Political Speech, Political Extortion, and the Competition for Corporate Charters The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Robert H. Sitkoff, Corporate Political Speech, Political Extortion, and the Competition for Corporate Charters, 69 U. Chi. L. Rev. 1103 (2002). Published Version http://www.jstor.org/stable/1600642 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:15038460 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Corporate Political Speech, Political Extortion, and the Competition for Corporate Charters Robert H. Sitkofff This Article explores the policy bases for, and the political economy of, the law's long- standing discriminationagainst corporatepolitical speech. This Article also explores the relevance of state law regulation of corporatepolitical speech to the competition between the states for cor- poratecharters The underlying aim of this Article is to bring to bearon the relevant policy debates a shift in focus from the shareholder/manageragency relationshipto the agency relationshipbe- tween lawmakers and society. The Article draws on the contractarian view of the firm, the eco- nomic theory of regulation,and the study of public choice. INTRODUcTION With the passage of the Tillman Act in 1907, Congress made it a crime for corporations to make financial contributions to candidates for federal office. In its present form, 2 USC § 441b, the Act bars not only direct corporate "contributions" to the campaigns of federal po- litical candidates, but also corporate "independent expenditures" on their behal 2 Analogous restrictions appear in the election codes of t Assistant Professor of Law, Northwestern University. -
Cambridge University Press 978-1-107-15843-6 — Republican Party Politics and the American South, 1865–1968 Boris Heersink , Jeffery A
Cambridge University Press 978-1-107-15843-6 — Republican Party Politics and the American South, 1865–1968 Boris Heersink , Jeffery A. Jenkins Index More Information Index 38th Congress (1863–65), 69 gradual takeover, 243, 252 39th Congress (1865–67), 69 takeover, 214 45th Congress (1877–79), 8 Theodore Roosevelt’s lack of support, 46th Congress (1879–81), 108 251 47th Congress (1881–83), 8 Populist Party, 1890s, 250 48th Congress (1883–85), 113 Rapier and Haralson split, 249 51st Congress (1889–91), 8 removal of white suffrage restrictions, 52nd Congress (1891–93), 123 246 54th Congress (1895–97), 8 Republican strength at federal and state 55th Congress (1897–99), 8 levels, 1868–2012, 244 56th Congress (1899–1901), 8 state election 70th Congress (1927–29), 155 1868, 246 71st Congress (1929–31), 155 1872, 247 72nd Congress (1931–33), 164 1874, 248 1876, 249 Ackerman, Kenneth D., 109 Alcorn, James, 322–23 Afro–American Council, 241 Aldrich, John, 341 Agricultural Wheel, 261 Alger, Russell A., 119 Alabama Allison, William, 130, 231 1868 state election, 244 all-white primary, 317 1901 constitution, 251 American Independent Party, 186 Black-and-Tans Ames, Adelbert, 93, 322 Theodore Roosevelt’s intervention, 252 Anderson, Eric Henry, 238 descriptive Republican success, 1865–1968, Arkansas 244 1868 constitutional convention, 258 GOP black belt success, 1870s, 247 1874 constitutional convention, 260 GOP control of federal patronage from 1875, 1874 state election, 260 249 1916 state convention, 264 GOP failure to compete in state elections, 250 Agricultural Wheel, 261 GOP support from white voters, 251 Black-and-Tans, 257 GOP uniqueness, 252 no presence at 1920 Republican National Ku Klux Klan violence, 246 Convention, 264 Lily-Whites Powell Clayton control over, 263 347 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-15843-6 — Republican Party Politics and the American South, 1865–1968 Boris Heersink , Jeffery A. -
Songs by Artist
YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
PONDER REVIEW Volume 2 • Issue 2 Fall 2018 PONDER REVIEW
PONDER REVIEW Volume 2 • Issue 2 Fall 2018 PONDER REVIEW Editors Jacqueline Clowney, Madelain Garcia, Elizabeth Hines, William Kessler, Lauren Ostrander, Daniel Putney, Lauren Rhoades, Thomas Richardson, Bailey Hammond Robertson, Maggie Sanderson Advisor Brandy Wilson Ponder Review is published bi-annually by the low-residency MFA program in creative writing at Mississippi University for Women. The views expressed herein are those of the writers, not the editors or Mississippi University for Women. Ponder Review considers new media, visual art, creative nonfiction, fiction, flash fiction, and poetry twice a year from December 15 – March 15 and June 15 – September 15. No previously published material will be accepted. See our website for full submission guidelines: PonderReview.com Single copies are $12 and subscriptions are $20 per year for addresses within the United States. Foreign postage is additional. For submissions and subscriptions use Submittable: ponderreview.submittable.com All rights revert to the authors after publication; however, we reserve the right to reprint online and in anthologies of the magazine. For the rights to perform plays or to reprint any work published in Ponder Review, please contact the author. As a courtesy, the editors are willing to assist in establishing contact whenever possible. We request Ponder Review be credited with initial publication. Queries or other correspondence may be emailed to: [email protected]. Queries and subscriptions sent by mail should be addressed to: The Editors, Ponder Review, MFA Creative Writing, 1100 College St., W-1634, Columbus, MS 39701. ISSN 2572-6455 (print) ISSN 2572-6463 (online) Copyright © 2018 Mississippi University for Women Cover Art by Seungkyung Oh • “Cactus Woman” A Note to Readers As we at Ponder Review close out our second year of publishing thought-provoking pieces of literature, art, and new media, we continue to discuss our identity as a magazine. -
Modern Campaigning Origins Gleaves Whitney Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Ask Gleaves Hauenstein Center for Presidential Studies 6-4-2004 Modern Campaigning Origins Gleaves Whitney Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/ask_gleaves Recommended Citation Whitney, Gleaves, "Modern Campaigning Origins" (2004). Ask Gleaves. Paper 91. http://scholarworks.gvsu.edu/ask_gleaves/91 This Article is brought to you for free and open access by the Hauenstein Center for Presidential Studies at ScholarWorks@GVSU. It has been accepted for inclusion in Ask Gleaves by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Modern Campaigning Origins - Hauenstein Center for Presidential Studies - Grand Valley... Page 1 of 3 Modern Campaigning Origins When was the first modern political campaign? This is the question that Karl Rove, the chief political advisor to President George W. Bush, asked himself when he masterminded the campaign strategy that would help Bush become Texas governor (1994, 1998) and U.S. president (2000, 2004). As you will see below, one campaign in particular fascinated Rove and became a model for the modern campaign. IN THE BEGINNING, CANDIDATES DID NOT CAMPAIGN It's hard to imagine nowadays, but there was a time when it was considered poor form for a candidate to campaign openly for the presidency. They did not even attend their own nominating conventions. Historian Alan Brinkley explains how, in the nineteenth century, "The public aloofness of most presidential candidates gave an aura of nonpartisan dignity to the election process and kept alive the vision of the nation's founders of a political world free of parties and factions." Indeed, As late as 1900, when William McKinley ran for reelection as president, it was possible for a candidate to remain almost entirely out of view during the national campaign and allow other party leaders to do virtually all the work of mobilizing voters.