GUMBO a Full-Length Musical
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
1 the ERROL BUDDLE STORY (PART TWO) by Eric
THE ERROL BUDDLE STORY (PART TWO) by Eric Myers ______________________________________________________________ [The following appeared in two editions of Jazz Magazine, January/February, 1983 and May/June 1983.] At the conclusion of The Errol Buddle Story (Part One), Buddle was in the United States in 1954, leading his own quintet at Klein’s jazz club, Detroit. Other than Buddle the group included Barry Harris (piano), Pepper Adams (baritone sax), Major Holley (bass), and Elvin Jones (drums). On Saturday nights, Billy Mitchell (tenor sax) was booked for a three-way battle of the saxes. NOW READ ON… e used to get a lot of people sitting in at Klein’s,” Errol remembers , “Stan Getz used to come in some times. An unknown bass player, a young guy, used to “W come in and stand up in front of the bandstand, almost begging to sit in. His name was Paul Chambers [who later made historic recordings with Miles Davis.] I think he’d only been playing several months at that time.” Buddle remembers meeting Miles Davis himself when the trumpeter was at the Blue Bird Lounge, one of Detroit’s jazz clubs. Miles invited Errol and Don Varella up to his room, where the two Australians were fascinated to see about 40 paperbacks — all Westerns — lining the mantelpiece. They asked Miles why he liked cowboy stories. He replied: “Man, I love horses”, and explained that his father had bred horses on a ranch in the South. This was shortly before Miles Davis, in a supreme act of self-will, kicked the heroin habit. “Miles told us how he was really hooked on drugs”, says Errol, “that he didn’t dig heroin, and wanted to get off it.” One night Buddle had a choice between hearing the Stan Kenton band with Zoot Sims on tenor, or Charlie Parker, who was in Detroit for one night playing at a black dance. -
Fire Chief Takes Flight with Thunderbirds by Michael Golembesky 21St Space Wing Public Affairs Staff Writer
COMMANDER’S CORNER: TACKLING CHALLENGES - PAGE 3 Peterson Air Force Base, Colorado Thursday, May 29, 2014 Vol. 58 No. 20 Fire chief takes flight with Thunderbirds By Michael Golembesky 21st Space Wing Public Affairs staff writer PETERSON AIR FORCE BASE, Colo. — Flight physical: check. Safety brief: check. Preflight checks: complete. Next up: a 400 mph ride with the U.S. Air Force Air Demonstration Squadron, better known as the Thunderbirds. The Thunderbirds landed at Peterson May 26 in preparation for the Air Force Academy graduation ceremony May 28. As part of their community outreach program, the squadron provides selected community figures with a once-in-a-lifetime chance to ride in the backseat of one of the Thunderbirds aircraft. “I was very surprised at first when I received the phone call,” said Chief Christopher Riley, Colorado Springs Fire Department chief and selected guest Thunderbirds passenger. “I am very honored and excited about the oppor- tunity to fly with the Thunderbirds.” Riley was one of two VIPs selected to fly with the world-famous Thunderbirds. The other was local TV personality and meteo- rologist, Rachael Plath of KRDO News. “I am not nervous, these people (the Thunderbird squadron) are complete pro- fessionals and have a lot of experience with handling guests like myself,” said Riley. “I did a little research, but from watching TV, the news and movies, I have a pretty good idea about what I am getting myself into.” (U.S. Air Force photo/Michael Golembesky) The individuals selected for this unique PETERSON AIR FORCE BASE, Colo. – Chief Christopher Riley, with the Colorado Springs Fire Department, fastens his restraint harness after putting on a gravity-suit opportunity are selected from a handful of May 27, in preparation for a ride in an F-16 Fighting Falcon, the aircraft flown by the U.S. -
Congressional Record-House. April 24
5476 CONGRESSIONAL RECORD-HOUSE. APRIL 24, By Mr. WILSON of lllinois: A bill (H. R. 15397) granting a. HOUSE OF REPRESENTATIVES. pension to Carl Traver-to the Committee on Invalid Pensions. Also, a bill (H. R. 15398) to remove the charge of desertion from SUNDAY, .April24, 190.4-. the military record of GeorgeS. Green-to the Committee on Mil The House met at 12 o'clock m. itary Affairs. The following prayer was offered by the Chaplain, Rev. H.E..--rn.Y N. COUDEN, D. D.: PETITIONS, ETC. Eternal and everliving God, our Heavenly Father, we thank Thee for that deep and ever-abiding faith which Thou hast im Under clause 1 of Rn1e XXII, the following petitions and papers planted in the hearts of men, and which has inspired the true, the were laid on the Clerk's desk and referred as follows: noble, the brave of every age with patriotic zeal and fervor, bring By Mr. BRADLEY: Petition of Montgomery Grange, of Mont gomery, N.Y., and others, in favor of the passage of bill H. R. ing light out of darkness, order out of chaos, liberty out of bond 9302-to the Committee on Ways and Means. age, and thus contributing here a. little, there a. little, to the By Mr. CALDERHEAD: Petition of Lamar Methodist Episco splendid civilization of our age. Especially do we thank Thee for pal Church, of Lamar Kans., in favor of the Hepburn-Dolliver that long line of illustrious men who lived and wrought, suffered bill-to the Committee on the Judiciary. -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
Michael Jackson the Man and the Message
Michael Jackson The Man and the Message Getting to know his greatest concerns through his own words “I really do wish people could understand me some day.” Michael Jackson The following text consists of quotes that are taken from radio and TV interviews, speeches and public statements, poems and reflections, song lyrics, handwritten notes and letters. The earliest quote is from 1972, the latest from 2009. Since the media rather concentrated on questions in terms of gossip and scandal, this compilation should provide an opportunity to get a more complete impression of Michael Jackson's message and his most important concerns... L O V E There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music [...] is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That is the sweet sound of love. Human knowledge consists not only of libraries of parchment and ink – it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engraved on the human psyche. Food is something we all need physically, but so is love, the deeper nourishment, that turns us into who we are. -
311 ~ the Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM
311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM Home Reviews Photo Photo Ancient Interviews Contests Videos About Contact 31 Jul Login 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 Tags: Review by Cliff Lummus, Photos by Lucas Armstrong 311, atlanta, concert There are three constants in an ever-changing world that the people of Atlanta can look forward to photography, every summer: sunny skies, Braves baseball, and 311. Georgia, Live Music, The Rolling in fresh off a set at the House of Blues in Myrtle Beach, South Carolina, 311 changed Tabernacle things up for their Atlanta fans quite a bit for their summer tour. permalink Over 90 percent of 311’s Atlanta concerts in the past decade have been at Aaron’s Amphitheater at Lakewood. For the 2014 tour, 311 dropped the humid, summer sundown setting of a 19,000 occupancy, sprawling, generic venue sellout for two packed-house back-to-back nights on Thursday http://jamsplus.com/311-the-tabernacle-atlanta-ga-724-252014/ Page 1 of 6 311 ~ The Tabernacle ~ Atlanta, GA ~ 7/24-25/2014 » 7/31/14 11:33 AM and Friday at The Tabernacle, one of Atlanta’s most intimate and distinctive concert venues. With a scant capacity of 2,600, tickets for either show were a hot commodity, with the Friday date selling out several weeks in advance and Thursday following quickly. The lucky 311 faithful that were able to snag tickets for either date got the chance to swap their usual mile-away lawn space for the up-close-and-personal experience that is The Tabernacle. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
1 Ext. the Empty Street of a City - Day
DAY OF THE DEAD (The original script) by George A. Romero FADE IN: 1 EXT. THE EMPTY STREET OF A CITY - DAY No people. A FEW CARS AND TRUCKS are parked at odd angles, abandoned. A TITLE FADES IN, one phrase at a time. FIVE YEARS... SINCE THE DEAD FIRST WALKED. 2 EXT. THE CITY - DAY We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the streets. A LARGE ALLIGATOR slithers into frame, stops and looks around. MONTAGE: as MORE GATORS explore the empty streets, knocking over GARBAGE CANS, upsetting the MANNEQUINS in A DEPARTMENT STORE WINDOW. A GATOR crawls out through the open doors of AN ABANDONED BANK. LOOSE BILLS are dragged along under the animal's tail. They flutter away on the WIND. 3 EXT. THE CITY - DAY GATORS crawl over A '79 CADELLIC. A FEMALE SKELETON sits slumped over the steering wheel. In the back a BABY'S BONES are strapped into AN INFANT'S SAFETY SEAT. One of the gators THUMPS its tail maddeningly against the windshield. ANOTHER TITLE APPEAR: FLORIDA - 1987 4 EXT. THE CITY - DAY CLOSE ON A SECTION OF PAVEMENT as we hear THE SOUND OF SLUGGISH FOOTSTEPS approaching. A SHADOW appears at the bottom of the frame. It gets longer and takes on the shape of a man. TIGHT ON THE AFTERNOON SUN, blinding us. Into the FOREGROUND lurches THE FIGURE which cast the shadow. Glare obscures all facial detail until the head jogs into position directly in front of the fiery ball in the sky. Then we see its hideous, dead eyes, its blue-grey colour, the blackened wound where a large portion of jaw has been ripped away. -
A Creed to Live by Don't Undermine Your Worth by Comparing Yourself
A Creed To Live By A Hundred Years From Now Don't undermine your worth by comparing yourself A hundred years from now it will not matter what my with others. bank account was, the sort of house I lived in, or the It is because we are different that each of us is kind of car I drove but the world may be different special. because I was important in the life of a child. Don't set your goals by what other people deem A Man important. Only you know what is best for you. A man that made an impression on strangers and friends. Don't take for granted the things closest to your heart. Quiet but firm and even more stern. Cling to them as you would your life, for without Strength and courage I have learned from you, them life is meaningless. but being without you is hard to do. Don't let your life slip through your fingers by living A man with pride in every step he made. in the past or for the future. A man with vigor in every phrase. By living your life one day at a time, you live all the days of your life. The tears I’ve shed cannot surpass the smiles and the laughs we had with you. Don't give up when you still have something to give. To feel your pain I could not do, Nothing is really over until the moment you stop to feel your joy I cannot explain, trying. but being without you is hard to do. -
Gene Ammons Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
Gene Ammons 音樂專輯 串行 (专辑 & 时间表) Velvet Soul https://zh.listvote.com/lists/music/albums/velvet-soul-7919419/songs Funky https://zh.listvote.com/lists/music/albums/funky-5509284/songs All Star Sessions https://zh.listvote.com/lists/music/albums/all-star-sessions-4729674/songs Soul Summit Vol. 2 https://zh.listvote.com/lists/music/albums/soul-summit-vol.-2-15818440/songs Sock! https://zh.listvote.com/lists/music/albums/sock%21-15814227/songs Big Bad Jug https://zh.listvote.com/lists/music/albums/big-bad-jug-4904975/songs Got My Own https://zh.listvote.com/lists/music/albums/got-my-own-5587667/songs You Talk That Talk! https://zh.listvote.com/lists/music/albums/you-talk-that-talk%21-8057541/songs Soul Summit https://zh.listvote.com/lists/music/albums/soul-summit-7564331/songs Free Again https://zh.listvote.com/lists/music/albums/free-again-5499729/songs Twisting the Jug https://zh.listvote.com/lists/music/albums/twisting-the-jug-7858586/songs The Boss Is Back! https://zh.listvote.com/lists/music/albums/the-boss-is-back%21-7719440/songs My Way https://zh.listvote.com/lists/music/albums/my-way-6946594/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-gene-ammons- The Soulful Moods of Gene Ammons 7765379/songs Brasswind https://zh.listvote.com/lists/music/albums/brasswind-4957970/songs The Black Cat! https://zh.listvote.com/lists/music/albums/the-black-cat%21-7718275/songs Brother Jug! https://zh.listvote.com/lists/music/albums/brother-jug%21-4975523/songs Boss Soul! https://zh.listvote.com/lists/music/albums/boss-soul%21-4947520/songs