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Brigade Lop Squad Makes It Three in a Row by Stigt
Brigade lop Squad Makes It Three in a Row By Stigt. Jim The most coveted titiso est Squad in the United States Marine Corps" ha. been won by a 14-man Brigade infantry team for the third year in a row. It was bestowed on the I -3 I squad by Gen. Davi&M. Shoup. Commandantnamdant of the Marine Corps, during a -dor- moonlight parade at Marine Barracks, Washington, last Friday. In addressing spectators, Gen. Slump remarked: VOL. 12-No. 39 Marine Corps Air Station, Kaneohe Bay, Hawaii September 27, 1963 -You hare seen our garrison Marines at 8th & I per- form?' their precision drill out on the parade field. 'VOW yon see a different type of Marine who trains for the hell of it." Task Force His reference lilts to the Brigade's "best" as it was brought front and center by Squad Leader James B. Can- non. The 4: ttttt mandant had prey' sly IL. d a squad from Sails Today the 3d Re g" nt as third place w rs and one from the 2d Regiment as runner -up in the contest. Gen. Shoup then presented Sgt. Lannon the win- ner's trophy and made individual awards to squad For members. Molokai The Quantico competit was divided two phases Thousands of battle-ready and consisted of a night rye aissance patrol and a two- First Brigade Marines will sail hour daylight assault on a fortified position. today for Molokai and Opera- Upon arriving at Quantico the squad was billeted, had tion "Dull Knife." their rifles inspected, drew blanket rolls and were briefed The landing force, under b officials c lusting the contest. -
Ranching Catalogue
Catalogue Ten –Part Four THE RANCHING CATALOGUE VOLUME TWO D-G Dorothy Sloan – Rare Books box 4825 ◆ austin, texas 78765-4825 Dorothy Sloan-Rare Books, Inc. Box 4825, Austin, Texas 78765-4825 Phone: (512) 477-8442 Fax: (512) 477-8602 Email: [email protected] www.sloanrarebooks.com All items are guaranteed to be in the described condition, authentic, and of clear title, and may be returned within two weeks for any reason. Purchases are shipped at custom- er’s expense. New customers are asked to provide payment with order, or to supply appropriate references. Institutions may receive deferred billing upon request. Residents of Texas will be charged appropriate state sales tax. Texas dealers must have a tax certificate on file. Catalogue edited by Dorothy Sloan and Jasmine Star Catalogue preparation assisted by Christine Gilbert, Manola de la Madrid (of the Autry Museum of Western Heritage), Peter L. Oliver, Aaron Russell, Anthony V. Sloan, Jason Star, Skye Thomsen & many others Typesetting by Aaron Russell Offset lithography by David Holman at Wind River Press Letterpress cover and book design by Bradley Hutchinson at Digital Letterpress Photography by Peter Oliver and Third Eye Photography INTRODUCTION here is a general belief that trail driving of cattle over long distances to market had its Tstart in Texas of post-Civil War days, when Tejanos were long on longhorns and short on cash, except for the worthless Confederate article. Like so many well-entrenched, traditional as- sumptions, this one is unwarranted. J. Evetts Haley, in editing one of the extremely rare accounts of the cattle drives to Califor- nia which preceded the Texas-to-Kansas experiment by a decade and a half, slapped the blame for this misunderstanding squarely on the writings of Emerson Hough. -
1810 1830 1820 1850 the Plains 1840 1860 the Horse the Buffalo
GCSE History Knowledge Organiser: The Plains & The Sioux Indians roam freely on the Plains Limited violence between settlers & Indians 1810 1820 1824 Bureau of Indian Affairs 1830 1840 1850 1860 Indian hunting grounds 1830 Indian 1851 Indian Removal Act Appropriations Act The Plains The Buffalo Society Warfare Before a hunt, the Women were highly valued as they created the future of Indian warriors carried out Sioux would stage a the band. Children didn’t go to school but learned skills raids to seek revenge, or steal Buffalo Dance. Here, from extended family. The survival of the band was more horses. It usually only they would important than any individual. happened in summer. Scalping communicate with was a common practice. Wakan Tanka to ask Most marriages took place for love. Men went to live with for a good hunt. his wife’s family. Rich men were allowed to have more than Warriors believed that without Warrior Societies one wife. This was because there were usually more your whole body, you couldn’t would plan the hunts women than men, and polygamy ensured the future of the go to the Happy Hunting so as not to scare the band. Ground so scalping became a buffalo. Two or three At least once a year, all bands would meet as a nation. trophy so your enemy wouldn’t The Plains were desert-land – a mix of grass and flowing rivers hunts a year were Chiefs achieved their power through prestige and bravery. meet you there. They also with the Black Hills, heavily wooded, in the North. -
The American West C1835-C1895
Ecclesfield School History Department The American West c1835-c1895 History GCSE (9-1) Revision Booklet This topic is tested on Paper 2, with the Elizabeth topic The exam lasts for 1 hour and 45 minutes There are 32 marks for American West (Section A) You should spend 50 minutes on this section Paper 2 1h45: American West and Elizabeth (8th June, PM) Name:________________________ History Teacher: ________________ 1 The American West, c1835-c1895 What do I need to know for this topic? Key Details Red Amber Green topic (Need to (Nearly (Nailed revise a there) it) lot) • Plains Indians: beliefs and way of life (survival, land and war) • The Permanent Indian Frontier (Indian Removal Act 1830) and the Indian Appropriations Act (1851) • Migration: Oregon Trail (1836 onwards), California Gold Rush (1849) • Migration: Donner Party and Mormons (1846-7) • The development and problems of white settlement farming • Reasons for conflict and tension between settlers and Indians – the Fort Laramie 62 Treaty (1851) - The early settlement of the West, of the settlement early The • Problems of lawlessness and attempts to tackle this 1. 1. c1835 • Significance of the Civil War and post-war reconstruction (Homestead Act 1862, Pacific Railroad Act 1862, First Transcontinental Railroad 1869) • Homesteaders’ solutions to problems: new technology, the Timber Culture Act 1873 and spread of the railroad • Continued problems of law and order • The cattle industry (Iliff, McCoy, 76 - Goodnight, the significance of Abilene) • The impact of changes in ranching -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
The Bald Knobbers of Southwest Missouri, 1885-1889: a Study of Vigilante Justice in the Ozarks
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 "The aldB Knobbers of Southwest Missouri, 1885-1889: A Study of Vigilante Justice in the Ozarks." Matthew aJ mes Hernando Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Hernando, Matthew James, ""The aldB Knobbers of Southwest Missouri, 1885-1889: A Study of Vigilante Justice in the Ozarks."" (2011). LSU Doctoral Dissertations. 3884. https://digitalcommons.lsu.edu/gradschool_dissertations/3884 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE BALD KNOBBERS OF SOUTHWEST MISSOURI, 1885-1889: A STUDY OF VIGILANTE JUSTICE IN THE OZARKS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Matthew J. Hernando B.A., Evangel University, 2002 M.A., Assemblies of God Theological Seminary, 2003 M.A., Louisiana Tech University, 2005 May 2011 for my parents, James and Moira Hernando ii ACKNOWLEDGEMENTS Anyone who completes a project of this nature quickly accumulates a list of both personal and professional debts so long that mentioning them all becomes impossible. The people mentioned here, therefore, do not constitute an exhaustive list of all the people who have helped me along the way towards completing this dissertation. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Lineage Book, National Society of the Daughters of the American Revolution
0041312 (^cnealostcal ^otietp of ^tal) l.ifjrarj> j^Q 15838 Nov, 1933 Date. LINEAGE BOOK National Society OF THE Daughter? of the American Ke volution VOLUME CXXXjV IlIIrDt — I ]40>Oa 19J7 Amy Cftr.ss^viLLL Lun-ni: //f.Oorrin \VASffIN-GTON\ D. C. FAMILY HISTORY LIBRARY 35 NORTH WEST TEMPLE ST SALT LAKE CITY, UT 84150 : ; o DAUGHTERS OE THE AMERICAN REVOLUTION, John Rowe (1737-1801) served as captain and major in the Massa- chusetts troops, under Colonels James Collins and Ebenezer Bridges. He was born in Gloucester, Mass. ; died at Ballston Spa, N. Y. Also No. 94847. MRS. JULIA FINLAYSON PETERS. 133003 Born in Jefferson County, Fla. Wife of Charles A. Peters. Descendant of John Gilmer, as follows; 1. John Finlayson (1854-1907) m. 1876 Elizabeth Hines (b. 1853). 2. Whitson J. Hines (1811-75) rn- 1834 Julia Christian (1812-83). 3. Gabriel Christian (b. 1774) m. 1808 Harrison Gilmer (1776-1854). 4. John Gilmer m. 1771 Mildred Thornton Meriwether (T 1826). John Gilmer (1748-93) was an officer under Marquis de Lafayette at the siege of Yorktown. He was born in Williamsburg, Va. died ; at Broad River, Ga. Also No. 129499. MRS. ADELINE HUFF ROSENBLATT. 133004 Born in Cocke County, Tenn. Wife of W. L. F. Rosenblatt. Descendant of John Huff, as follows 1. James T. Huff (b. 1839) m. 1868 Jane Stokely (1842-1902). 2. Jehu Stokely (1814-85) m. 1836 Adeline Burnett (1820-82). 3. John Stokely (1786-1823) m. 1808 Mary Huff (1787-1821). 4. John Huff m. 1784 Mary Corder (1766-1842). John Huff (1758-1843) - served as private in Capt.