Brigade Lop Squad Makes It Three in a Row by Stigt
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Center for Pacific War Studies Fredericksburg, Texas an Interview
THE NATIONAL MUSEUM OF THE PACIFIC WAR (ADMIRAL NIMITZ MUSEUM) Center for Pacific War Studies Fredericksburg, Texas An Interview with Chester E. Reese Green Valley, Arizona 3rd Pearl Harbor Survivor MCO Battalion, Marines 2 Marine Division Guadalcanal - Battlefield Commission February 28, 2004 My name is Richard Misenhimer and today is February 28, 2004. I am interviewing Mr. C. E. Reese by telephone. His home address is 1051 West Calledel Vencejo, Green Valley, Arizona, 85614. His phone number is area code 520-625-6348. This interview is in support of the National Museum of Pacific Wars, Center for Pacific War Studies, for the preservation of historical information related to World War 11. Mr. Misenhimer Mr. Reese, I want to thank you for taking time to do this interview today. The first thing I need to do is read to you this agreement with the Nimitz Museum. ‘Agreement read.” Also, may we use excerpts from your interview in our publication, The Nimitz News? Mr. Reese Sure, I don’t mind. Mr. Misenhimer What is your birth date? Mr. Reese August 20, 1916. Mr. Misenhimer Where were you born? Mi. Reese I was born in Oklahoma. Mr. Misenhimer What town? Mr. Reese It was near Taloga. Mr. Misenhimer Where did you go to high school? Mr. Reese I went to high school in Canton, Oklahoma. I was a high school drop out. Mr. Misenhimer What was your last year? Mr. Reese Let me think. I can’t remember Mr. Misenhimer What was your father’s occupation? Mr. Reese My father was a carpenter. -
Communication and Culture Dissertation
“THIS IS FOR FIGHTING, THIS IS FOR FUN”: POPULAR HOLLYWOOD COMBAT (WAR) FILMS FROM THE FIRST GULF WAR TO THE PRESENT (1990-2015) by Andrea Marie Schofield Master of Arts, University of Western Ontario, London, Ontario, 2009 Master of Arts, University of Toronto, Toronto, Ontario, 2008 Honours Bachelor of Arts, University of Western Ontario, London, Ontario, 2007 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctorate of Philosophy in the Program of Communication and Culture Toronto, Ontario, Canada, 2016 © Andrea Schofield 2016 Author’s Declaration for Electronic Submission of a Dissertation: I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract: “This is for Fighting, This is for Fun”: Popular Hollywood Combat (War) Films from the First Gulf War to the Present (1990-2015) Andrea Marie Schofield Doctor of Philosophy in Communication and Culture, 2016 Ryerson University and York University Hollywood has been making war movies since it began making movies. Widely credited as the first ‘Blockbuster,’ and one of the first films to establish Hollywood narrative techniques and conventions, D.W. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Lineage Book, National Society of the Daughters of the American Revolution
0041312 (^cnealostcal ^otietp of ^tal) l.ifjrarj> j^Q 15838 Nov, 1933 Date. LINEAGE BOOK National Society OF THE Daughter? of the American Ke volution VOLUME CXXXjV IlIIrDt — I ]40>Oa 19J7 Amy Cftr.ss^viLLL Lun-ni: //f.Oorrin \VASffIN-GTON\ D. C. FAMILY HISTORY LIBRARY 35 NORTH WEST TEMPLE ST SALT LAKE CITY, UT 84150 : ; o DAUGHTERS OE THE AMERICAN REVOLUTION, John Rowe (1737-1801) served as captain and major in the Massa- chusetts troops, under Colonels James Collins and Ebenezer Bridges. He was born in Gloucester, Mass. ; died at Ballston Spa, N. Y. Also No. 94847. MRS. JULIA FINLAYSON PETERS. 133003 Born in Jefferson County, Fla. Wife of Charles A. Peters. Descendant of John Gilmer, as follows; 1. John Finlayson (1854-1907) m. 1876 Elizabeth Hines (b. 1853). 2. Whitson J. Hines (1811-75) rn- 1834 Julia Christian (1812-83). 3. Gabriel Christian (b. 1774) m. 1808 Harrison Gilmer (1776-1854). 4. John Gilmer m. 1771 Mildred Thornton Meriwether (T 1826). John Gilmer (1748-93) was an officer under Marquis de Lafayette at the siege of Yorktown. He was born in Williamsburg, Va. died ; at Broad River, Ga. Also No. 129499. MRS. ADELINE HUFF ROSENBLATT. 133004 Born in Cocke County, Tenn. Wife of W. L. F. Rosenblatt. Descendant of John Huff, as follows 1. James T. Huff (b. 1839) m. 1868 Jane Stokely (1842-1902). 2. Jehu Stokely (1814-85) m. 1836 Adeline Burnett (1820-82). 3. John Stokely (1786-1823) m. 1808 Mary Huff (1787-1821). 4. John Huff m. 1784 Mary Corder (1766-1842). John Huff (1758-1843) - served as private in Capt. -
Eight National Championships
EIGHT NATIONAL CHAMPIONSHIPS Rank SEPT 26 Fort Knox W 59-0 OCT 03 Indiana W 32-21 10 Southern California W 28-12 1 17 Purdue W 26-0 1 24 at Northwestern W 20-6 1 31 at #6 Wisconsin L 7-17 6 NOV 07 Pittsburgh W 59-19 10 14 vs. #13 Illinois W 44-20 5 21 #4 Michigan W 21-7 3 28 Iowa Seahawks W 41-12 1942 NATIONAL CHAMPIONS – ASSOCIATED PRESS Front Row: William Durtschi, Robert Frye, Les Horvath, Thomas James, Lindell Houston, Wilbur Schneider, Richard Palmer, William Hackett, George Lynn, Martin Amling, Warren McDonald, Cyril Lipaj, Loren Staker, Charles Csuri, Paul Sarringhaus, Carmen Naples, Ernie Biggs. Second Row: William Dye, Frederick Mackey, Caroll Widdoes, Hal Dean, Thomas Antenucci, George Slusser, Thomas Cleary, Paul Selby, William Vickroy, Jack Roe, Robert Jabbusch, Gordon Appleby, Paul Priday, Paul Matus, Robert McCormick, Phillip Drake, Ernie Godfrey. Third Row: Paul Brown (Head Coach), Hugh McGranahan, Paul Bixler, Cecil Souders, Kenneth Coleman, James Rees, Tim Taylor, William Willis, William Sedor, John White, Kenneth Eichwald, Robert Shaw, Donald McCafferty, John Dugger, Donald Steinberg, Dante Lavelli, Eugene Fekete. Though World War II loomed over the nation, Ohio State football fans reveled in one of the most glorious seasons ever. The Buckeyes captured the school’s first national championship as well as a Big Ten title, finishing the year 9-1 and ranked No. 1 in the Associated Press poll. Led by a star-studded backfield that included Les Horvath, Paul Sarringhaus and Gene Fekete, OSU rolled to 337 points, a record that stood until 1969. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Students Enrolled in Literature and Cinema From: Mrs. Mcvcrry Re: Summer Viewing Requirement
To: Students Enrolled in Literature and Cinema From: Mrs. McVcrry Re: Summer Viewing Requirement Welcome to Literature and Cinema! This letter is to inform you of the viewing requirements for our semester course. In addition, you will find explicit instructions for an assignment that is due the first day of regular classes. You are required to view two films over the summer. One film MUST be a foreign film; the other film is from the genre (i.e, action/parody/drama) of your choice. For the films that may be unfamiliar to you, I have included a very brief synopsis. HORROR: The Shining (19S0): Directed by Swnky Kurbrkk Eased upon the novel by Stephen King. Follows one man's destructive descent into madness in a haunted Coiarado hotel. A modem aJlegorv for the effects of alcoholism on the family dynamic, .4n .American Haunting (2005): Starring Sissy Spacek and Donald Sutherland. Twin stories, one set in colonial times the other set in the present, interrwine in the tradition of American Romanticism. A young woman is relentlessly attacked by an evil spirit, but the explanation for the haunting may have more human origins. Scream (1996): Written and directed by Kevin Williamson. The "horror" movie that challenged the conventions of the American horror genre. .Also starring Neve Campbell, Counney Cox .Arquette, and David .Arquette. Brief cameo by Drew Barrymore. The Others (2001).- Produced by Tom Cruise and starring Nicole Kidman. Inspired by European Gothic storyielling, one woman contends with the seemingly supernatural possession of her children and home; a haunting, she feels, may be the work of the estate's staff Poltergeist (1982); Starring Tom Skerriit: The film that inn-oduced the poltergeist phenomenon to the American public. -
T-Negative 12
T-Negative 12 -3- T-Negative 12, October 1971, comes from Ruth Berman, 5620 Edge water Boulevard, Minneapolis Minnesota 55417. CONTENTS: Cover: by Connie Reich Faddis A Dealer'in Kevas -- Ruth Berman.................... ........... 4 Spock's Argument (Part 1 of two) — Jacqueline Lichtenberg..... 8 Prologues -- Pat Kienly..................... .. ......... 35 Review Dept........................................................ 39 T-Waves: Letters...................................................42 Old Time Reviews: The Lieutenant................................. 46 bacover: Alan Andres Illos: Rosalind Oberdieck, pp. 4, 6, 14, 18, 25, 41; Connie Reich Faddis, p. 10; D.C. Roberts, p. 23; Rae Ladore, p. 31; Anthony Tollin, pp. 35, 38, 48; David Lomazoff, p. 37; Greg Jeln, p. 44; Karen Flanery, opposite p. 45. This issue materialized in your baliwick for at least one of the following reasons: felt like sending it to you. ') You contributed _ /You like Organlacly-grown fruits and vegetables 62^' There is a graven image of you in here You paid money at the rate of 50^ for one or $2 for five -- and your subscription just ran out. Back Issues are available for 75^ for one or $2 for three; at present, #'s 2,3, 4, 10, and 11 are available. Also available: copies of "The Star Trek Songbook." (containing words and music to songs from various episodes, plus the texts of scenes discussing Federation music including some from early drafts of episodes), 500/copy: r r ■ _ nt.'- ' " -L • i 1V -I ..I: ... it OC' 1. -'r' ' 1. t : ■ -j < . -4- A U l~ A L i' . \ / f\i £ va ; by Ruth Berman In Gene L. Coon's "Errand of Mercy/' Spock was disguised as a Vulcan dealer in "kevas and trillium," a fascinating phrase, combining as it does a non-English (presumably Vulcan) -5- word and an English word as a description of a Vulcan trader's plausible-enough-to-fool-Klingons stock-in-trade. -
The Offshore Environmental Studies Program (1973 - 1989)
OCS Report MMS 91-0028 The Offshore Environmental Studies Program (1973 - 1989) A Summary of Minerals Management SeMce Research Conducted on the U.S. Outer Continental Shelf U.S. Department of the Interior Minerals Management Servioe Environmental Policy and Programs Division OCS Report MMS 91-0028 The Offshore Environmental Studies Program (1973 - 1989) A Summary of Minerals Management Service Research Conducted on the U.S. Outer Continental ShetF U.S. Department of the Interior Minerals Management Setvice Environmental Polioy and Programs Dwision I Copies of this report available from: Environmental Studies Program Headquarters (703) 787-1723 (FTS) 393-1723 Technical Publication Unit Headquarters (703) 787-1080 I (FTS) 393-7080 ii List of Contributors November 1988 MMS Draft Project Coordinator: Barry Drucker Production Editor: Norman Hurwitz Contributing Staff: Headquarters Gulf of Mexico Region Robert Miller Thomas Ahlfeld Judith Wilson Robert Avent Don Aurand* Murray Brown James Cimato Alaska Reaion Rick Defenbaugh* Rosalind Cohen Kevin Banks Norman Froomer Barry Drucker William Benjey Robert Rogers Norman Hurwitz Don Callaway Mark Rouse William Lang Cleveland Cowles Pacific Region Nancy Prolman Karen Gibson Frederick Sieber Joy Geiselman Gary Brewer Hawley Thomas Joel Hubbard Thomas Chico Neville Chow Atlantic Region Jerry Imm’ Toni Johnson Rey Farve Colleen Benner Dale Kenney Marty Golden Keith Good Fred King Dirk Herkof Fred Gray* Harry Luton Sigurd Larson James Lane* Robert Meyer Fred Piltz* John Martin Jerome Montague Gordon Reetz Robert Middleton Stephen Treaty December 1990 Revised Report Technical Editor: William Lang Production Editor: Norman Hutwitz Assisting Staff: Thomas Ahlfeld Paulene Cross Harry Luton Don Aurand* Spencer Dean Robert Middleton Arlene Bajusz Barry Drucker Robett Rogers Colleen Benner Carol Fairfield Catherine Sevila James Bennett David Johnson Melanie Stright Natalie Barrington Robert Labelle* Hawley Thomas James Cimato Jackson Lewis Michele Tetley * Branch or Saotion Chief . -
TV Omnibus Vol
FSMCD Vol. 13, No. 13 TV Omnibus Vol. 1, 1962–1976 Supplemental Liner Notes Contents The Eleventh Hour 1 The Phantom of Hollywood 3 The Deadly Tower 5 Assignment: Vienna 6 Shirts/Skins 7 Then Came Bronson 9 Earth II 9 High Risk 11 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Eleventh Hour, The Phantom of Hollywood, The Deadly Tower, Assignment: Vienna, Shirts/Skins, Then Came Bronson, Earth II and High Risk ©1963–1976 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 13, No. 13 • TV Omnibus Vol. 1, 1962–1976 • Supplemental Liner Notes The Eleventh Hour From 1961 until 1966, two medical dramas battled Hour, they turned to Sukman to score that program as it out in prime time: Dr. Kildare on NBC and Ben Casey well and asked Sukman to provide a theme. Several on ABC. Each starred a handsome, young title charac- artists recorded instrumental versions of the melody ter (Richard Chamberlain as Kildare, Vince Edwards as and it achieved a measure of popularity. For the Febru- Casey) with an older, more experienced mentor (Ray- ary 13, 1963, Eleventh Hour episode “Like a Diamond in mond Massey as Kildare’s Dr. Leonard Gillespie, Sam the Sky,” guest star Julie London, who played a trou- Jaffe as Casey’s Dr. David Zorba). Each series also bled torch singer, recorded a vocal version of the series spawned a spinoff focused on psychological matters: theme, with lyrics by producer Sam Rolfe and associate for Casey it was Breaking Point (1963–1964); for Kildare, producer Irving Elman. -
Pictorial Article with Captions
NOTES ON JEFFREY HUNTER AND HIS FILMS by Jim Meyer "Jeffrey Hunter is beautiful!" a girl friend gurgled to me some 15 years ago. And indeed he was, as any man not envious of Hunter's impressive 6' 1" height and blue-eyed, brown-haired handsomeness must admit. As is well enough known, many film actors have little more to offer audiences than handsomeness. But far too many critics (men and women alike) too quickly tabbed the exceptionally hand- some actor "beautiful but bland." But teen-age girls didn't mind. Many didn't care whether he could act. In Jeffrey Hunter they saw (or thought they saw) a dream prince, a husky young god, who could fulfill their most imaginative fantasies. Less dazzled male viewers saw something else: a man who was handsome enough for them to resent, largely, one suspects, because many of them wished that his good looks belonged to them, and, not being able to measure up, consoled themselves by insisting that he couldn't act and wouldn't last long in films. Obviously, Hunter had to work twice as hard as many another actor of his type to prove he was a good actor. I believe he succeeded although he never became a superstar. Did Hunter's good looks make him arrogant, overbearing, and hard to work with? Possibly not, when one recalls that Jean Peters, a co-star of his, once went out of her way to observe that his courtesy toward and consideration for her would be remarkable anywhere but especially in Hollywood.