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Dost-Muhammad Preface to the Bahram Mirza Album
Dost-Muhammad Preface to the Bahram Mirza Album Dost-Muhammad (fl. 938-72/1531-64) of Gawashwan, a village near Herat, prepared in 951/1544 for Bahram Mirza (1517-1549), brother of the Safavid Shah Tahmasp (r. 1524- 76) and patron of the arts, an album of calligraphic specimens and paintings that is now in Istanbul, Topkapi Sarayi Miizesi (H.2154). In the florid preface he wrote for the album he traces the history of calligraphy, master-pupil relationships in the calligraphic art, the his- tory of painting and painters, and inventories the scribes and artists who were employed in Shah Tahmasp's studio. Dost-Muhammad's "Preface," Qazi Ahmad's Gulistan-i hunar (Garden of art) and Mustafa Ali's Manaqib-i hunarwaran (Virtues of artists) are the main sixteenth-century .sources for the history of the arts of the book.! * The noblest rescript with which the what would be until Doomsday,"? the scribes of the workshop of prayer adorn coalesced forms and dispersed shapes of the album of composition and novelty, the archetypes were hidden in the re- and the most subtle picture with which cesses of the unseen in accordance with the depictors of the gallery of intrinsic the dictum, "I was a hidden treasure." meaning decorate the assemblies of cre- Then, in accordance with the words, "I ativity and invention, is praise of the Cre- wanted to be known, so I created creation ator, by whose pen are scriven sublime in order to be known,"3 he snatched with letters and exalted forms, In accordance the fingers of destiny the veil of non-ex- with the dictum, "The pen dried up with istence from the countenance of being, and with the hand of mercy and the pen, which was "the first thing God created.l'" he painted [them] masterfully on the can- vas of being. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
Bulgarian Revival Culture - an Axiological Perspective in the Texts of Januarius Macgahan and Stanislas St
English Studies at NBU, 2015 ISSN 2367-5705 (Print) Vol. 1, Issue 2, 41-54 www.esnbu.org BULGARIAN REVIVAL CULTURE - AN AXIOLOGICAL PERSPECTIVE IN THE TEXTS OF JANUARIUS MACGAHAN AND STANISLAS ST. CLAIR Zhivko Hristov New Bulgarian University, Sofia, Bulgaria Abstract Analyzing the vocabulary and the stylistic techniques in the works of the two authors, dedicated to Bulgaria, the article aims to contribute to a change of the two seemingly contrasting attitudes in their Bulgarian reception. The first is the implicit attitude to MacGahan as a "dangerous" author whose work is not even published with its true title - "The Turkish atrocities in Bulgaria". The focus of the analysis are the passages that deal with the Bulgarian material culture and education, as well as their axiological charge. The second is the negative value-based perception of the Bulgaro-phobic texts of St. Clair, an author obviously considered ineligible for translating into Bulgarian. However, his work might be a valuable source of knowledge about the culture of the Bulgarian national revival, provided that our reception remains neutral and unaffected by his derogatory language. Key words: translation equivalence, connotation, axiology, irony, value-oriented motivation Article history: Received: 24 April 2015; Reviewed: 23 November 2015; Revised: 26 November 2015; Accepted: 21 December 2015; Published: 31 December 2015 Zhivko Hristov has an MA in Philosophy with a minor in English from St Kliment Ohridski University of Sofia, Bulgaria. In 2001 – 2013, he taught English for International Relations and Psychology at Varna Free University. In 2014, he started his doctoral studies in Linguistics and Theory of Translation at New Bulgarian University. -
ROCCO-CUAJ-PDF.Compressed.Pdf
The career of Timur (1336-1405) as Amir its construction is evidence of a building of Central Asia was marked by an campaign carried out first and foremost in ambitious quest for power and legitimacy pursuit of competition in traditional terms within two traditions: the Chaghataytid, with past examples: the subsequent Turco-Mongol one, and the Islamic.1 residences Timur erected were gardens Scholars have long agreed that a part of studded with pavilions which therefore this enterprise of legitimisation was preserved a nomadic flavour, tents for pursued by means of architectural accommodation being erected and the patronage.2 Others have posited that delights of nature fully enjoyed.4 Timur’s choice to establish Samarqand as A ruined monumental ayvan – a a capital city was evidence of him giving span of some twenty-two meters and a up the Mongol nomadic principle of height of over thirty metres, the largest mobility and his recognition of the extant Islamic ayvan – is all that has importance of sedentariness to imperial survived from the Aq Saray (Fig. 1A, 1B rule.3 In the city of Shahrisabz or Kesh, and 2A, 2B). By definition, an ayvan is a an important centre already under the large vaulted hall which may be walled ancient Sogdians (sixth to eleventh on three sides and opening directly on century BC) and close to his birthplace, the outside on the fourth. The side Timur built the Aq Saray (literally, “White opposite to the one opening to the Palace”, probably denoting its noble, outside can present, like it seems it was royal nature). -
The Dhimmi Narrative a Comparison Between the Historical and the Actual in the Context of Christian-Muslim Relations in Egypt Today
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Calhoun, Institutional Archive of the Naval Postgraduate School Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis Collection 2009-12 The Dhimmi narrative a comparison between the historical and the actual in the context of Christian-Muslim relations in Egypt today Martin, Gianstefano C. Monterey, California. Naval Postgraduate School http://hdl.handle.net/10945/4488 NAVAL POSTGRADUATE SCHOOL MONTEREY, CALIFORNIA THESIS THE DHIMMI NARRATIVE: A COMPARISON BETWEEN THE HISTORICAL AND THE ACTUAL IN THE CONTEXT OF CHRISTIAN-MUSLIM RELATIONS IN MODERN EGYPT by Gianstefano C. Martin December 2009 Thesis Advisor: Mohammed Hafez Thesis Co-Advisor: Abbas Kadhim Approved for public release; distribution is unlimited i THIS PAGE INTENTIONALLY LEFT BLANK ii REPORT DOCUMENTATION PAGE Form Approved OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington DC 20503. 1. AGENCY USE ONLY (Leave blank) 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED December 2009 Master’s Thesis 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS The Dhimmi Narrative: A Comparison Between the Historical and the Actual in the Context of Christian-Muslim Relations in Modern Egypt 6. -
Mathematics and Meaning in the Structure and Composition of Timurid Miniature Painting
PERSICA XIX, 2003 MATHEMATICS AND MEANING IN THE STRUCTURE AND COMPOSITION OF TIMURID MINIATURE PAINTING Sarah Chapman University of Edinburgh INTRODUCTION Even at first glance many Timurid miniature paintings reveal a strong sense of pattern and organization on which much of their overall dynamism depends. One can see the repetition of geometric shapes created by the figures, the very static and linear nature of much of the architecture, and the feeling of proportion and harmony in their composition. The obvious deliberation in their structure suggests that they may have been precisely planned and may even adhere to some kind of mathematical formula. The formal qualities of Persian miniature painting have been remarked on many times, and many techniques and conventions have been identified by scholars. Of particular rel- evance to this investigation are the studies of Guest,1 Zain,2 Adle,3 and Stchoukine.4 Guest identifies the importance of text panels in the calculation of important measurements and relationships within Persian painting, and discusses the repetition of certain measurements and distances as “a kind of counterpoint throughout the design.”5 Zain further investigates the relationship between text and painting, identifies certain formulaic tendencies in the building of Timurid compositions, and discusses the presence of a “hidden structural line” in many paintings which “guide” our experience as a viewer.6 Adle and Stchoukine both investigate the ‘mathematical’ nature of Persian painting in some detail: Adle finds, like Guest, the repetition of certain measurements and goes on to describe a modular system for the organization of hunting and sporting scenes especially. -
Studies and Sources in Islamic Art and Architecture
STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. -
Front Matter
Cambridge University Press ̆ 978-1-107-05424-0 - Intellectual Networks in Timurid Iran: Sharaf al-Dīn Alī Yazdī and the Islamicate Republic of Letters İlker Evrim Binbaş Frontmatter More information Intellectual Networks in Timurid Iran By focusing on the works and intellectual network of the Timurid historian Sharaf al Dın ʿ Alı Yazdı (d. 1454), this book presents a holistic view of intellectual life in fifteenth-century Iran. Ilker- Evrim Binbas ̧ argues that the intellectuals in this period developed informal networks which transcended political and linguistic boundaries, and spanned an area from the western fringes of the Ottoman state to bustling late medieval metropolises such as Cairo, Shiraz, and Samarkand. Among many others, the network included an Ottoman revolutionary, a Mamluk prophet, a Timurid occultist, as well as physicians, astronomers, devotees of the secret sciences, and those political figures who believed that the network was a force to be taken seriously. Also discussing the formation of an early modern Islamicate republic of letters, this book offers fresh insights into the study of intellectual history beyond the limitations imposed by nationalist methodologies, established genres, and recognized literary traditions. I - lker Evrim Binbas ̧ is a lecturer in Early Modern Asian Empires in the Department of History at Royal Holloway, University of London. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press ̆ 978-1-107-05424-0 - Intellectual Networks in Timurid Iran: Sharaf al-Dīn Alī Yazdī and the Islamicate Republic of Letters İlker Evrim Binbaş Frontmatter More information Cambridge Studies in Islamic Civilization Editorial Board Chase F. -
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Schluessel, Eric T. 2016. The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493602 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 A dissertation presented by Eric Tanner Schluessel to The Committee on History and East Asian Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History and East Asian Languages Harvard University Cambridge, Massachusetts April, 2016 © 2016 – Eric Schluessel All rights reserved. Dissertation Advisor: Mark C. Elliott Eric Tanner Schluessel The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 Abstract This dissertation concerns the ways in which a Chinese civilizing project intervened powerfully in cultural and social change in the Muslim-majority region of Xinjiang from the 1870s through the 1930s. I demonstrate that the efforts of officials following an ideology of domination and transformation rooted in the Chinese Classics changed the ways that people associated with each other and defined themselves and how Muslims understood their place in history and in global space. -
Sources on Timurid History and Art
A Century of Princes Sources on Timurid History-and Art -- -- -- --- ---- -- ---- - -- --------- -- -- -.: -=..::. ----- Selected and Translated by W. M. Thackston ------------ --- ~-=- ---=-=- A CENTURY OF PRINCES "Bibi Khanim" Mosque, Samarqand. Peter M. Brenner © 1988. A Century of Prince~/ Sources on Timurid History and Art Selected and Translated by w. M. Thackston * Published in Conjunction with the Exhibition "Timur and the Princely Vision," Washington, D.C. and Los Angeles, 1989 * The Aga Khan Program for Islamic Architecture Cambridge, Massachusetts 1989 · - n -_I ,I The Aga Khan Program for Islamic Architecture at HarvardUniversity and the Massachusetts Institute of Technology. Copyright © 1989 M.I.T. LIBRARIES ISBN 0-922673-11-X JUN 2 198~ RECEIVED as.=-- __ .\ Contents MAPS vii GENEALOGICAL CHARTS x INTRODUCTION 1 HISTORY AND HISTORIOGRAPHY History: Retrospective on the Timurid Years Mir Dawlatshah Samarqandi's Tadhkirat al-shu'ara ll Sharafuddin Ali Yazdi's Zafarnama 63 Khwandamir's Habib al-siyar l01 Synopsis of the House of Timur 237 Autobiography: From Within the Ruling House Babur Mirza's Baburnama: A Visit to Herat.. 247 Observations of the Outside Ghiyathuddin Naqqash's Report on a Timurid Mission to China 279 Kamaluddin Abdul-Razzaq Samarqandi's Mission to Calicut and Vijayanagar 299 THE ARTS Artistic Production Arzadasht 323 Miscellaneous Documents 329 Calligraphers and Artists -\ Dost-Muhammad's Introduction to the Bahram Mirza Album 335 Malik Daylami's Introduction to the Amir Husayn Beg Album 351 v CONTENTS Mir Sayyid-Ahmad's Introduction to the Amir Ghayb Beg Album 353 Mirza Muhammad-Haydar Dughlat's Tarikh-i Rashidi 357 Literary Conceits: Self-Images Sultan-Husayn Mirza's "Apologia" 363 Mir Ali-Sher Nawa'i's Preface to His First Divan .373 GLOSSARY OF TI1l.ES AND TERMS ..........................•....•......•...................................... -
Naqshbandi Sufi, Persian Poet
ABD AL-RAHMAN JAMI: “NAQSHBANDI SUFI, PERSIAN POET A Dissertation Presented in Partial Fulfillment of the Requirement for The Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Farah Fatima Golparvaran Shadchehr, M.A. The Ohio State University 2008 Approved by Professor Stephen Dale, Advisor Professor Dick Davis Professor Joseph Zeidan ____________________ Advisor Graduate Program in History Copyright by Farah Shadchehr 2008 ABSTRACT The era of the Timurids, the dynasty that ruled Transoxiana, Iran, and Afghanistan from 1370 to 1506 had a profound cultural and artistic impact on the history of Central Asia, the Ottoman Empire, and Mughal India in the early modern era. While Timurid fine art such as miniature painting has been extensively studied, the literary production of the era has not been fully explored. Abd al-Rahman Jami (817/1414- 898/1492), the most renowned poet of the Timurids, is among those Timurid poets who have not been methodically studied in Iran and the West. Although, Jami was recognized by his contemporaries as a major authority in several disciplines, such as science, philosophy, astronomy, music, art, and most important of all poetry, he has yet not been entirely acknowledged in the post Timurid era. This dissertation highlights the significant contribution of Jami, the great poet and Sufi thinker of the fifteenth century, who is regarded as the last great classical poet of Persian literature. It discusses his influence on Persian literature, his central role in the Naqshbandi Order, and his input in clarifying Ibn Arabi's thought. Jami spent most of his life in Herat, the main center for artistic ability and aptitude in the fifteenth century; the city where Jami grew up, studied, flourished and produced a variety of prose and poetry. -
THE MAKING of the ARTIST in LATE TIMURID PAINTING Edinburgh Studies in Islamic Art Series Editor: Professor Robert Hillenbrand
EDINBURGH STUDIES IN ISLAMIC A RT EDINBURGH STUDIES IN ISLAMIC A RT S E RIES E DITOR:ROBE RT HILLE NBRAND Painting Timurid late in Artist the of Making The S E RIES E DITOR:ROBE RT HILLE NBRAND This series offers readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are academic monographs of intellectual distinction that mark a significant advance in the field. Isfahan and its Palaces Statecraft, Shi ’ ism and the Architecture of Conviviality in Early Modern Iran Sussan Babaie This beautifully illustrated history of Safavid Isfahan (1501–1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early modern and Perso-Shi ’ i practice of kingship. An immense building campaign, initiated in 1590/1, transformed Isfahan from a provincial, medieval and largely Sunni city into an urban-centered representation of the first Imami Shi ’ i empire in the history of Islam. The historical process of Shi ’ ification of Safavid Iran, and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household, informs Sussan Babaie’s study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin. Babaie argues that, since the Safavid claim presumed the inheritance both of the charisma of the Shi ’ i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting.