Until Death Do Us Part: Post-Mortem Privacy Rights for the Ante-Mortem
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Theory Discussion
02 Theory discussion 16 2.1 Introduction Corpse Disposal Methods This thesis aims to design a burial site, which practices sustainable corpse disposal, prevents placelessness through locally grounding, and focuses on the experience of the living user. This theory chapter is divided into two sections: 1. Sustainable corpse disposal 2. Placelessness and user experience In the first section current corpse disposal methods as well as the influence of culture on selecting how to dispose of a loved one’s corpse is discussed. Following this, sustainable and appropriate corpse disposal methods for this thesis is selected and explained. Section two is a theoretical discussion on the loss of identity and increased placelessness of cemeteries, as well as how the experience of the user can be made meaningful through a narrated landscape. Section 1: Sustainable corpse disposal 2.2 Unsustainable burial practice Figure 7. Current corpse disposal methods (Author 2015). Johannesburg’s Cemeteries are quickly filling up and the city is rapidly running out of burial space (SAPA 2010). This calls for a change in the long established conventional burial, is the placing of a corpse underground in a casket or coffin custom of traditional burial. A less land intensive and more sustainable corpse (Leuta & Green 2011). The grave is traditionally marked with a tombstone to disposal method is required. Cremation and traditional burial are the only legal commemorate the deceased. body disposal methods in South Africa, however many other methods are used internationally; Figure 7 illustrates some of these methods. The coffin is lowered two meter into the soil and covered with the backfill soil. -
Architecture of Afterlife: Future Cemetery in Metropolis
ARCHITECTURE OF AFTERLIFE: FUTURE CEMETERY IN METROPOLIS A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE MAY 2017 BY SHIYU SONG DArch Committee: Joyce Noe, Chairperson William Chapman Brian Takahashi Key Words: Conventional Cemetery, Contemporary Cemetery, Future Cemetery, High-technology Innovation Architecture of Afterlife: Future Cemetery in Metropolis Shiyu Song April 2017 We certify that we have read this Doctorate Project and that, in our opinion, it is satisfactory in scope and quality in partial fulfillment for the degree of Doctor of Architecture in the School of Architecture, University of Hawai‘i at Mānoa. Doctorate Project Committee ___________________________________ Joyce Noe ___________________________________ William Chapman ___________________________________ Brian Takahashi Acknowledgments I dedicate this thesis to everyone in my life. I would like to express my deepest appreciation to my committee chair, Professor Joyce Noe, for her support, guidance and insight throughout this doctoral project. Many thanks to my wonderful committee members William Chapman and Brian Takahashi for their precious and valuable guidance and support. Salute to my dear professor Spencer Leineweber who inspires me in spirit and work ethic. Thanks to all the professors for your teaching and encouragement imparted on me throughout my years of study. After all these years of study, finally, I understand why we need to study and how important education is. Overall, this dissertation is an emotional research product. As an idealist, I choose this topic as a lesson for myself to understand life through death. The more I delve into the notion of death, the better I appreciate life itself, and knowing every individual human being is a bless; everyday is a present is my best learning outcome. -
Reclaiming Your Right to Rest in the Earth: Educating for and Creating a Green Jewish Cemetery
Reclaiming Your Right to Rest in the Earth: Educating for and Creating a Green Jewish Cemetery “…Until you return to the ground - For from it you were taken, For dust you are, And to dust you shall return.” Bere’shit 3:19 Jews traditionally bury their dead. This method of disposing of a dead body is based on the text, Deuteronomy 34:6, in which God is said to bury Moses. (1) A Talmudic text, Sota 14a, makes it clear that we are to follow this example:”. as [God] buried the dead, so must you bury the dead.” (2) A second text cited to support burial as the proper means of disposing of a dead body is Deuteronomy 21:22-23, which states that even the body of a capital criminal, put to death on a stake, must be taken down and buried before nightfall in order not to cause “an affront to God” and not to “defile the land.”(3) Great leader or criminal, a Jew was to be buried after death. The stories of the Patriarchs and Matriarchs teach us that the dead were buried in caves. Abraham acquired “the cave in the field of Machpelah” specifically to serve as the burial place of Sarah.(4) Later texts teach us that this involved leaving a body to decompose in the cave and then collecting the bones together a year later. Sometimes the bones of all family members were mingled together in a pit, a true gathering of the deceased to the ancestors. This practice is known as ossilegium.(5) It is probably the case that there was an understanding that the decomposing of the body served as an atonement for an individual’s sins and left the soul ready to be with God.(6)That this normally happened in a year’s time coincides with the later practice of reciting kaddish for a year, cut short to eleven months out of concern that no parent should be publicly thought to need the full twelve months of time to atone for misdeeds By no means was the fleshy body to be preserved or protected from decomposition. -
1. Introduction
1. Introduction Life has many seasons. Nature functions according to these seasons. Seasons bring change, not only the change in the weather, but also physical change. The cycle of life is analogous to a tree: it grows and withers and the cycle of life repeats itself with death, never achieving finality. Death becomes an event in the cycle of life, contributing to it. The cycle of life refers to a developmental process, to generations that transcend the single lifetime of one individual (O’Rand & Krecker, 1990: 241). Bachelard (1994) explains life, with reference to human life, in the light of Minkowski’s “Vers une Cosmologie”, that the essence of life is not a “feeling of being, of existence,” but a feeling of participation, necessarily expressed in terms of time and secondarily expressed in terms of space. It can be understood that the cycle of life or the very sense of life is quite different from the temporality or participation of human life (McNeill, 2006: 2). The distinction between human life and the cycle of life is evident when exploring the physical world we live in. Our cities were established centuries ago and are still functioning. Since 2007 urban environments have provided sustenance to more than half the world population (Burdett & Judjic, 2007: 8). 1 Unfortunately, death and life do not receive the same level of acknowledgement in our urban environments. To protect ourselves, we have removed death from our everyday life by relegating it to mass horizontal cemeteries on the periphery of our manmade landscapes (Harries, 1998: 294). The hurt and suffering brought on by the loss of life has been shunned from our everyday life (Kubler- Ross, 1981: 11). -
Escape to Victory : John Huston
Escape to Victory : John Huston Autor(en): Walder, Martin Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 23 (1981) Heft 122 PDF erstellt am: 23.09.2021 Persistenter Link: http://doi.org/10.5169/seals-867531 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch ESCAPE TO VICTORY Regie: John Huston Künstlerische Berg- und Talfahrten: pfeift gegen die Mannschaft der das ist für den 75jährigen Gefangenen, die denn auch mit John Huston kein Schimpfwort, er erklecklichem Rückstand in die Pause hat sich nie darauf getrimmt, nur geht. Was aber keine Rolle zu Meisterwerke zu hinterlassen, spielen bräuchte, weil just bei Pleiten sind bei dieser Spielernatur Halbzeit tapfere Männer der Rë- stets inbegriffen. -
ALTERNATIVE KEVURA METHODS Jeremy Kalmanofsky
Kalmanofsky, Spring 2017 Alternative Kevura Methods ALTERNATIVE KEVURA METHODS Jeremy Kalmanofsky This teshuvah was adopted by the CJLS on June 7, 2017, by a vote of 10 in favor, 7 opposed, and 3 abstaining. Members voting in favor: Rabbis Aaron Alexander, Pamela Barmash, Noah Bickart, Elliot Dorff, Joshua Heller, Jeremy Kalmanofsky, Amy Levin, Daniel Nevins, Micah Peltz, Avram Reisner and David Schuck. Members opposed: Rabbis Baruch Frydman-Kohl, Reuven Hammer, David Hoffman, Gail Labovitz, Jonathan Lubliner, and Paul Plotkin. Members abstaining: Rabbis Susan Grossman, Jan Kaufman, and Iscah Waldman, Question: Contemporary Jews sometimes seek alternative mortuary methods in order to be more ecologically sustainable and economical. Can Jews utilize alternative methods or is burial required? What does Halakhic tradition demand for how Jews treat dead bodies? Answer: The Torah’s very first chapters assert that human remains should decompose in the earth. Describing human mortality, God tells Adam [Genesis 3.19]: “You are dust and to dust you will return.” -Jewish treatment for human remains has always been in [לכתחילה] In this spirit, the optimal ground burial. The Torah legislates this norm at Deuteronomy 21:22-23:1 לֹא-תָלִין נִבְ לָתֹו עַל-הָעֵץ, כִ י-קָ בֹור תִ קְבְרֶ ּנּו בַּיֹום הַהּוא The Committee on Jewish Law and Standards of the Rabbinical Assembly provides guidance in matters of halkhhah for the Conservative movement. The individual rabbi, however, is the authority for the interpretation and application of all matters of halakhah. 1 This commandment comes in the context of the rules for executing criminals. It might seem off-putting to base the treatment of all bodies upon this unfortunate paradigm. -
Jude Gang – Jude Kick-Off
page 12 // Feature The beautiful game? A special report into racism and antisemitism in Polish and Ukrainian football Wisla Krakow display a violent banner at the start of their local derby against Cracovia HOPE NOT HATE // May-June 2012 The beautiful game? // page 13 The beautiful game? A special report into racism and antisemitism in Polish and Ukrainian football Next month Poland and the Ukraine co-host here was still over four hours the 2012 European Championship finals. It is to kick-off but already the the premier football competition in Europe and away supporters were out in Tforce. Men with red and white striped UEFA is hoping that it will act as a catalyst to shirts filled the main square in Krakow, develop football in Eastern Europe. But with enjoying the sun and chatting amicably. racism and antisemitism rife within Polish and There was not a sip of alcohol in sight but Ukrainian football, Nick Lowles investigates rather a determination of what lay ahead. All around the square riot police, whether Europe’s pre-eminent competition will backed by dogs and a water cannon, be overshadowed by trouble or will the hosting watched on. At 3pm, with the game still many hours of the tournament be used to rid the game of away, the Cracovia fans began to group this problem. together. The threat of violence meant that they had only been allocated 1,000 tickets and all of those lucky recipients appeared to be here. Suddenly, out of the crowd, people emerged carrying large black binbags out of which they distributed free scarves to everyone. -
How to Cite Complete Issue More Information About This Article
Vibrant: Virtual Brazilian Anthropology ISSN: 1809-4341 Associação Brasileira de Antropologia (ABA) Oliveira, José Hildo de Sports migrants in ‘Central’ and ‘Eastern’ Europe: beyond the existing narratives Vibrant: Virtual Brazilian Anthropology, vol. 17, 2020 Associação Brasileira de Antropologia (ABA) DOI: 10.1590/1809-43412020v17d704 Available in: http://www.redalyc.org/articulo.oa?id=406964062030 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Dossier Flows, Circulations and their Opposites: Ethnographic Perspectives and Theoretical-Methodological Challenges Bodies and (in) flows Sports migrants in ‘Central’ and ‘Eastern’ Europe: beyond the existing narratives José Hildo de Oliveira Filho 1 1 Charles University in Prague, CUNI, Czech Republic Abstract Outside of Europe’s top football leagues, migrant athletes are often subjected to short-term contracts, poor housing conditions, isolation and the ever-present risk of premature career termination due to injuries. This paper is part of a current multi-sited ethnography on Brazilian futsal and football migrants in Central and Eastern Europe. It is based on life-history interviews with migrant players and uses transnational lenses to approach sports migrants’ movements in these regions. The study conceptualises futsal and football as an ethnographic continuum. Football and futsal players participate in similar processes of early professionalisation. However, at the ages of 16 or 17, athletes become professionals in either football or futsal, seeking specialisation. The role that borders, families, injuries and emotions play in the lives of sports migrants are also analysed. -
SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO TORINO 28 the BANG BANG CLUB SILVER Steven (1° Film) South Africa
SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO SILVER Steven South TORINO 28 THE BANG BANG CLUB 2010 (1° film) Africa/Canada MORRIS Chris (1° TORINO 28 FOUR LIONS UK 2010 film) STEVER Isabelle TORINO 28 GLÜCKLICHE FÜGUNG / BLESSED EVENTS GERMANY 2010 (3° film) PIVA Alessandro TORINO 28 HENRY Italy 2010 (3° film) GRAVAYAT TORINO 28 LES HOMMES DEBOUT / MEN STANDING FRANCE 2010 Jérémy APPIGNANESI TORINO 28 THE INFIDEL / Tit.it.: INFEDELE PER CASO UK 2010 Josh (2° film) TORINO 28 LAST CHESTNUTS YE Zhao Japan 2010 HERNÁNDEZ LAS MARIMBAS DEL INFIERNO / MARIMBAS FROM Guatemala/Franc TORINO 28 CORDÓn Julio (2° 2010 HELL e/Mexico film) BERNERI Anahí TORINO 28 POR TU CULPA / IT'S YOUR FAULT Argentina/France 2010 (3° film) POPESCU PORTRETUL LUPTATORULUI LA TINERETE / PORTRAIT TORINO 28 Constantin (1° Romania 2010 OF THE FIGHTER AS A YOUNG MAN film) DERASPE Sophie TORINO 28 LES SIGNES VITAUX / VITAL SIGNS Canada 2009 (2° film) GASS-DONNELLY TORINO 28 SMALL TOWN MURDER SONGS Canada 2010 Ed MARCUS Shimmy TORINO 28 SOULBOY UK 2010 (2° film) LANNOO Vincent TORINO 28 VAMPIRES Belgium 2010 (3° film) GRAY John (3° TORINO 28 WHITE IRISH DRINKERS USA 2010 film) GRANIK Debra TORINO 28 WINTER'S BONE USA 2010 (2° film) FESTA DELIVERANCE / Tit.it.: UN TRANQUILLO WEEKEND DI MOBILE/JOHN BOORMAN John USA 1972 PAURA BOORMAN FESTA MOBILE / BOYLE Danny (9° FIGURE NEL 127 HOURS USA/UK 2010 film) PAESAGGIO FESTA MOBILE / JEON Kyuhwan FIGURE NEL ANIMAL TOWN South Korea 2009 (2° film) PAESAGGIO FESTA MOBILE / HAJDU Szabolcs Hungary/ FIGURE NEL BIBLIOTHÈQUE PASCAL 2010 (4° film) Germany PAESAGGIO FESTA MOBILE / ANTIN Steve (2° FIGURE NEL BURLESQUE / Tit.it.: BURLESQUE USA 2010 film) PAESAGGIO FESTA MOBILE / THOMPSON FIGURE NEL BUS PALLADIUM Christopher (1° France 2010 PAESAGGIO film) FESTA MOBILE / FIGURE NEL CATERPILLAR WAKAMATSU Koji Japan 2010 PAESAGGIO FESTA MOBILE / DOILLON Lola (2° FIGURE NEL CONTRE TOI / IN YOUR HANDS France 2010 film) PAESAGGIO FESTA MOBILE / DUPLASS Jay / FIGURE NEL CYRUS DUPLASS Mark USA 2010 PAESAGGIO (3° film) SEZIONE TIT. -
A National Background on Alkaline Hydrolysis and What Texas Should Know About Regulating Liquid
CHOOSING TO BE FLUSHED AWAY: A NATIONAL BACKGROUND ON ALKALINE HYDROLYSIS AND WHAT TEXAS SHOULD KNOW ABOUT REGULATING "LIQUID CREMATION" I. INTRODUCTION .................................. ...... 145 II. Six FEET UNDER OR UP IN FLAMES: BURIAL AND CREMATION IN WESTERN SOCIETY ............................... ..... 147 III. AN ENVIRONMENTALLY FRIENDLY ALTERNATIVE: ALKALINE HYDROLYSIS ................................... ...... 150 IV. PIONEER STATES APPROVE OF ALKALINE HYDROLYSIS.................153 A. Minnesota ......................... ...... ....... 154 B. Florida ................................. ...... 1 56 C. Maine .............................................. 156 D. Oregon ............................................. 157 E. Kansas .................................. ..... 157 F. Maryland...................... ............... 157 G. Colorado ..................................... 158 V. NOT WITHOUT A FIGHT: OBJECTIONS TO ALKALINE HYDROLYSIS ............................................... 158 A. Ohio............................................. 158 B. New Hampshire........................... 159 VI. A WORK IN PROGRESS: STATES WITH PENDING LEGISLATION.......160 A. Washington. ............................... ..... 160 B. California ........................................... 161 VII. CORPSE DISPOSAL IN TEXAS ....................................162 A. CurrentLaws................................. 163 B. What Texas Should Know .................... ...... 166 C. ProposedChanges ............................... 168 VIII. CONCLUSION ........................ -
Types of Alternative Funeral Services
Ecological funeral An ecological funeral, also known as promession, is a method for allowing the body of the deceased to decompose in an environmentally-friendly way. It was invented and patented in 1999 by the Swedish biologist Susanne Wiigh-Mäsak. The following three steps characterize the method: 1. Reducing the body of the deceased to a fine powder, thereby allowing later decomposition to be aerobic. This is achieved by submerging the body in liquid nitrogen, which makes the remains so brittle that it shatters as the result of a slight vibration. The remains are then dried, reducing them to around 30% of the original body weight. 2. Removal and recycling of metals. 3. Depositing the powder shallowly in a biodegradable casket. The first facility for ecological funerals, known as a promatorium, should be ready in 2007 in a pilot installation in Stockholm, Sweden. The volume of remains left by this procedure is about three times that left by a cremation, but the claimed advantages include the avoidance of the release of pollutants into the atmosphere, such as mercury vapour from dental fillings, and the rapid degradation of the remains after the procedure (6-12 months). The procedure was developed in response to new European Union pollution laws. Burial at Sea Burial at sea describes the procedure of disposing of human remains in the ocean. Two reasons for burial at sea are if the deceased died while at sea and it is impractical to return the remains to shore, or if the deceased died on land but a burial at sea is requested for private or cultural reasons. -
Future Cemetery Survey 2020 Summary
— DeathTech Research Team [Identifier-second line] The Future Cemetery Survey 2020 Executive Summary March 2020 DeathTech Research Team | The Future Cemetery Survey 2020 Page 1 of 12 Introduction This document summarises the results of the first annual survey for The Future Cemetery research project, conducted by the DeathTech Research Team at The University of Melbourne. It contains an explanation of the method, followed by a high-level overview that calls out some of the most notable findings from this first wave of research. The full detailed results of the survey are available in the separate spreadsheet file, entitled Future Cemetery Survey 2020 Results. The DeathTech Team The DeathTech Research Team is a multi-disciplinary group of scholars at the University of Melbourne who research and teach the sociology of technology, cultural and material anthropology, media and communications studies, and information and interactive systems design. Over the past decade, the team has worKed across a number of major projects funded by the Australian Research Council Grant Scheme that examine death and technology. The team’s first major project, ‘Digital Commemoration’ (DP140101871), explored how the internet is changing the ways we approach death and commemoration. The second major project, ‘Death and Disposal: Beyond Burial and Cremation’ (DP180103148), investigates innovative and scalable alternatives to body disposal, and elaborations on conventional burial and cremation. In 2019, the team commenced a third major project in partnership with the Greater Metropolitan Cemeteries Trust (hereafter ‘GMCT’), entitled 'The Future Cemetery' (LP180100757), which will run over three years. The Future Cemetery The contemporary Western cemetery, dedicated to the dead and their memorials, has become more than a pervasive urban landmark.