SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO TORINO 28 the BANG BANG CLUB SILVER Steven (1° Film) South Africa

Total Page:16

File Type:pdf, Size:1020Kb

SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO TORINO 28 the BANG BANG CLUB SILVER Steven (1° Film) South Africa SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO SILVER Steven South TORINO 28 THE BANG BANG CLUB 2010 (1° film) Africa/Canada MORRIS Chris (1° TORINO 28 FOUR LIONS UK 2010 film) STEVER Isabelle TORINO 28 GLÜCKLICHE FÜGUNG / BLESSED EVENTS GERMANY 2010 (3° film) PIVA Alessandro TORINO 28 HENRY Italy 2010 (3° film) GRAVAYAT TORINO 28 LES HOMMES DEBOUT / MEN STANDING FRANCE 2010 Jérémy APPIGNANESI TORINO 28 THE INFIDEL / Tit.it.: INFEDELE PER CASO UK 2010 Josh (2° film) TORINO 28 LAST CHESTNUTS YE Zhao Japan 2010 HERNÁNDEZ LAS MARIMBAS DEL INFIERNO / MARIMBAS FROM Guatemala/Franc TORINO 28 CORDÓn Julio (2° 2010 HELL e/Mexico film) BERNERI Anahí TORINO 28 POR TU CULPA / IT'S YOUR FAULT Argentina/France 2010 (3° film) POPESCU PORTRETUL LUPTATORULUI LA TINERETE / PORTRAIT TORINO 28 Constantin (1° Romania 2010 OF THE FIGHTER AS A YOUNG MAN film) DERASPE Sophie TORINO 28 LES SIGNES VITAUX / VITAL SIGNS Canada 2009 (2° film) GASS-DONNELLY TORINO 28 SMALL TOWN MURDER SONGS Canada 2010 Ed MARCUS Shimmy TORINO 28 SOULBOY UK 2010 (2° film) LANNOO Vincent TORINO 28 VAMPIRES Belgium 2010 (3° film) GRAY John (3° TORINO 28 WHITE IRISH DRINKERS USA 2010 film) GRANIK Debra TORINO 28 WINTER'S BONE USA 2010 (2° film) FESTA DELIVERANCE / Tit.it.: UN TRANQUILLO WEEKEND DI MOBILE/JOHN BOORMAN John USA 1972 PAURA BOORMAN FESTA MOBILE / BOYLE Danny (9° FIGURE NEL 127 HOURS USA/UK 2010 film) PAESAGGIO FESTA MOBILE / JEON Kyuhwan FIGURE NEL ANIMAL TOWN South Korea 2009 (2° film) PAESAGGIO FESTA MOBILE / HAJDU Szabolcs Hungary/ FIGURE NEL BIBLIOTHÈQUE PASCAL 2010 (4° film) Germany PAESAGGIO FESTA MOBILE / ANTIN Steve (2° FIGURE NEL BURLESQUE / Tit.it.: BURLESQUE USA 2010 film) PAESAGGIO FESTA MOBILE / THOMPSON FIGURE NEL BUS PALLADIUM Christopher (1° France 2010 PAESAGGIO film) FESTA MOBILE / FIGURE NEL CATERPILLAR WAKAMATSU Koji Japan 2010 PAESAGGIO FESTA MOBILE / DOILLON Lola (2° FIGURE NEL CONTRE TOI / IN YOUR HANDS France 2010 film) PAESAGGIO FESTA MOBILE / DUPLASS Jay / FIGURE NEL CYRUS DUPLASS Mark USA 2010 PAESAGGIO (3° film) SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO FESTA MOBILE / FIGURE NEL HEREAFTER EASTWOOD Clint USA 2010 PAESAGGIO FESTA MOBILE / HONORÉ FIGURE NEL HOMME AU BAIN / MAN AT BATH Christophe (5° France 2010 PAESAGGIO film) FESTA MOBILE / EDER Barbara (1° FIGURE NEL INSIDE AMERICA AUSTRIA 2010 film) PAESAGGIO FESTA MOBILE / HOFFMAN Philip FIGURE NEL JACK GOES BOATING USA 2010 Seymour (1° film) PAESAGGIO FESTA MOBILE / ARAKI Gregg (8° FIGURE NEL KABOOM USA/France 2010 film) PAESAGGIO FESTA MOBILE / OTT Mike (2° FIGURE NEL LiTTLEROCK USA 2010 film) PAESAGGIO FESTA MOBILE / FIGURE NEL MISTÉRIOS DE LISBOA / MYSTERIES OF LISBON RUIZ Raúl Portugal/France 2010 PAESAGGIO FESTA MOBILE / VILA Agustí (2° FIGURE NEL LA MOSQUITERA SPAIN 2010 film) PAESAGGIO FESTA MOBILE / ROSE Bernard (8° FIGURE NEL MR. NICE UK /Spain 2009 film) PAESAGGIO FESTA MOBILE / MITCHELL David FIGURE NEL THE MYTH OF THE AMERICAN SLEEPOVER USA 2010 Robert (1° film) PAESAGGIO FESTA MOBILE / FIGURE NEL NAPOLI 24 AA.VV. ITALIA 2010 PAESAGGIO FESTA MOBILE / MULLAN Peter (3° FIGURE NEL NEDS UK/France/Italy 2010 film) PAESAGGIO FESTA MOBILE / NYMAN Michael FIGURE NEL NYMAN WITH A MOVIE CAMERA UK 2010 (1° film) PAESAGGIO FESTA MOBILE / FIGURE NEL WITNESS I NYMAN Michael UK 2008 PAESAGGIO FESTA MOBILE / FIGURE NEL WITNESS II NYMAN Michael UK 2008 PAESAGGIO FESTA MOBILE / FIGURE NEL GUNS 'N' DOLLS NYMAN Michael UK 2003 PAESAGGIO FESTA MOBILE / FIGURE NEL WHISTLE WHILE YOU WORK NYMAN Michael UK 2000 PAESAGGIO FESTA MOBILE / FIGURE NEL ICE TANGO NYMAN Michael UK 2004 PAESAGGIO FESTA MOBILE / BYRNE Darragh FIGURE NEL PARKED Ireland/Finland 2010 (1° film) PAESAGGIO FESTA MOBILE / FIGURE NEL IL PEZZO MANCANTE PIPERNO Giovanni Italy 2010 PAESAGGIO FESTA MOBILE / CARBONI FIGURE NEL RCL - RIDOTTE CAPACITÀ LAVORATIVE ITALIA 2010 Massimiliano PAESAGGIO SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO FESTA MOBILE / HUGHES Patrick FIGURE NEL RED HILL Australia 2010 (1° film) PAESAGGIO FESTA MOBILE / PITTS Rafi (4° FIGURE NEL SHEKARCHI / THE HUNTER Germany/Iran 2010 film) PAESAGGIO FESTA MOBILE / LEE Changdong FIGURE NEL SHI / POETRY South Korea 2010 (5° film) PAESAGGIO FESTA MOBILE / THE SPECIAL RELATIONSHIP / Tit.it.: I DUE LONCRAINE FIGURE NEL UK/USA 2010 PRESIDENTI Richard PAESAGGIO FESTA MOBILE / GUNN James (2° FIGURE NEL SUPER USA 2010 film) PAESAGGIO FESTA MOBILE / DALTON Hattie FIGURE NEL THIRD STAR UK 2010 (1° film) PAESAGGIO FESTA MOBILE / FIGURE NEL THIS MOVIE IS BROKEN MCDONALD Bruce Canada 2010 PAESAGGIO FESTA MOBILE / AMALRIC Mathieu FIGURE NEL TOURNÉE / ON TOUR France 2010 (3° film) PAESAGGIO FESTA MOBILE / LUCAS Ben C. (1° FIGURE NEL WASTED ON THE YOUNG Australia 2010 film) PAESAGGIO FESTA DE SOUSA DIAS MOBILE/PAESAG 48 Portugal 2009 Susana GIO CON FIGURE FESTA MOBILE / ANG NINANAIS / REFRAINS HAPPEN LIKE PAESAGGIO CON TORRES John Philippines 2010 REVOLUTIONS IN A SONG FIGURE FESTA MOBILE / AUTOBIOGRAFIA LUI NICOLAE CEAUSEŞCU / THE PAESAGGIO CON UJICĂ Andrei Romania 2010 AUTOBIOGRAPHY OF NICOLAE CEAUESEŞCU FIGURE FESTA MOBILE / CASAS, Carlos / 2009/20 PAESAGGIO CON AVALANCHE Spain/USA NIBLOCK Phill 10 FIGURE FESTA MOBILE / PAESAGGIO CON CASTAIC LAKE MCCAFFREY Brigid USA 2010 FIGURE FESTA MOBILE / DANSE DES HABITANTS INVISIBLES DE LA PAESAGGIO CON LE PORT Vincent France/Argentina 2010 CASUALIDAD FIGURE FESTA MOBILE / PAESAGGIO CON DEMAIN / TOMORROW HARASH Carmit Israel / France 2010 FIGURE FESTA MOBILE / PAESAGGIO CON FILM DE GUERRE / WAR MOVIE HARASH Carmit Israel / France 2007 FIGURE FESTA MOBILE / PAESAGGIO CON LET EACH ONE GO WHERE HE MAY RUSSELL Ben USA 2009 FIGURE Palestine / FESTA MOBILE / Germany / PAESAGGIO CON MINAA ELZAKIRA / PORT OF MEMORY ALJAFARI Kamal 2009 France / United FIGURE Arab Emirates FESTA MOBILE / BRUNNER-SUNG PAESAGGIO CON MINONG, I SLEPT USA 2010 Vera FIGURE SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO FESTA MOBILE / PAESAGGIO CON MÜRNERS UNIVERSUM MEIER Jonas Switzerland 2010 FIGURE FESTA MOBILE / QU'ILS REPOSENT EN RÉVOLTE (DES FIGURES DE PAESAGGIO CON GEORGE Sylvain France 2010 GUERRES) FIGURE FESTA MOBILE / PAESAGGIO CON ¿REQUIEM FOR DETROIT? TEMPLE Julien ???? 2010 FIGURE FESTA MOBILE / PAESAGGIO CON SALAAM ISFAHAN AZARI Sanaz Belgium 2010 FIGURE FESTA MOBILE / PAESAGGIO CON SEM COMPANHIA / NO COMPANY TRABULO João Portugal 2010 FIGURE FESTA MOBILE / STRATMAN PAESAGGIO CON SHRIMP CHICKEN FISH USA 2010 Deborah FIGURE FESTA MOBILE / RECENT ANTHROPOLOGIES: BLACK AND WHITE PAESAGGIO CON RUSSELL Ben USA 2007 TRYPPS NUMBER THREE FIGURE FESTA MOBILE / RECENT ANTHROPOLOGIES: WORKERS LEAVING THE PAESAGGIO CON RUSSELL Ben USA 2008 FACTORY (DUBAI) FIGURE FESTA MOBILE / PAESAGGIO CON RECENT ANTHROPOLOGIES: DAUMË RUSSELL Ben USA 2000 FIGURE FESTA MOBILE / PAESAGGIO CON RECENT ANTHROPOLOGIES: TERRA INCOGNITA RUSSELL Ben USA 2002 FIGURE FESTA MOBILE / RECENT ANTHROPOLOGIES: THE RED AND THE BLUE PAESAGGIO CON RUSSELL Ben USA 2005 GODS FIGURE FESTA MOBILE / PAESAGGIO CON RECENT ANTHROPOLOGIES: TRYPPS #5 (DUBAI) RUSSELL Ben USA 2008 FIGURE FESTA MOBILE / RECENT ANTHROPOLOGIES: BLACK AND WHITE PAESAGGIO CON RUSSELL Ben USA 2008 TRYPPS NUMBER FOUR FIGURE FESTA MOBILE / PAESAGGIO CON RECENT ANTHROPOLOGIES: LAST DAYS RUSSELL Ben USA 2004 FIGURE FESTA MOBILE / PAESAGGIO CON RECENT ANTHROPOLOGIES: TRYPPS #7 (BADLANDS) RUSSELL Ben USA 2010 FIGURE RAPPORTO KIM Jee-woon (6° AKMA-REUL BO-AT-DA / I SAW THE DEVIL South Korea 2010 CONFIDENZIALE film) RAPPORTO ANDREWS Kaare ALTITUDE Canada 2010 CONFIDENZIALE (1° film) RAPPORTO ANSTEY Brett (1° DAMNED BY DAWN AUSTRALIA 2010 CONFIDENZIALE film) RAPPORTO JOHN CARPENTER'S THE WARD CARPENTER John USA 2010 CONFIDENZIALE RAPPORTO STAMM Daniel (2° THE LAST EXORCISM / Tit.it.: L'ULTIMO ESORCISMO USA 2010 CONFIDENZIALE film) RAPPORTO THE LEGEND OF BEAVER DAM SABLE Jerome Canada 2010 CONFIDENZIALE RAPPORTO MCCARTHY Colm OUTCAST UK/Ireland 2010 CONFIDENZIALE (1° film) RAPPORTO STEFANIUK Rob SUCK CANADA 2009 CONFIDENZIALE (2° film) RAPPORTO ANDERSON Brad VANISHING ON 7TH STREET USA 2010 CONFIDENZIALE (7° film) SEZIONE TIT. OR. / TIT. ENG. / TIT. IT. REGISTA NAZIONE ANNO BARNARD Clio (1° ONDE/LUNGHI THE ARBOR UK 2010 film) YAMASAKI ONDE/LUNGHI BION Japan 2010 Toyoko DE BERNARDI ONDE/LUNGHI BUTTERFLY - L'ATTESA Italia 2010 Tonino LABRUCE Bruce Germany/USA/Fr ONDE/LUNGHI L.A. ZOMBIE 2010 (10° film) ance ONDE/LUNGHI LUCKY LIFE CHUNG Lee Isaac USA 2009 FRANTZIS ONDE/LUNGHI MESA STO DASOS / IN THE WOODS Greece 2010 Angelos (3° film) LE PORT Vincent / ONDE/LUNGHI MOUSSEM LES MORTS Alazard Jean- France 2010 Baptiste FILIPPELLI Rafael ONDE/LUNGHI SECUESTRO Y MUERTE / ABDUCTION AND DEATH Argentina 2010 (5° film) ONDE/LUNGHI EL SOL / THE SUN BLASCO Ayar Argentina 2010 KUOSMANEN Juho ONDE/LUNGHI TAULUKAUPPIAAT / THE PAINTING SELLERS Finland 2010 (1° film) ONDE/CORTI THE ABOLITION OF WORK CANECAPOVOLTO Italy 2010 ONDE/CORTI EA3 (3ÈME EXERCICE D'ADMIRATION: COCTEAU) DIEUTRE Vincent France 2010 NOUREDDINE ONDE/CORTI ÈLOGE DE LA RAISON France 2009 Waël ONDE/CORTI LA FORÊT DES SONGES BARRAUD Antoine France 2009 ONDE/CORTI LONG LIVE THE NEW FLESH PROVOST Nicolas Belgium 2009 ONDE/CORTI LUMIKKO / LITTLE SNOW ANIMAL TERVO Miia Finland 2009 ONDE/CORTI MADAME & LITTLE BOY BÄRTåS, Magnus Sweden 2009 ONDE/CORTI LES MAISONS DE FEU BARRAUD Antoine France 2009 ONDE/CORTI MASKA QUAY Brothers Poland/UK 2010 GIRARDET ONDE/CORTI MAYBE SIAM Christoph / GERMANY 2009 MÜLLER Matthias ONDE/CORTI TRIVIALITY RUBY Sterling USA 2010 PÄRN Olga / PÄRN ONDE/CORTI TUUKRID VIHMAS / DIVERS IN THE RAIN Estonia 2009 Priit
Recommended publications
  • From Glory to Destruction: John Huston's Non-Fictional Depictions of War
    RSA Journal 13 5 FEDERICO SINISCALCO From Glory to Destruction: John Huston's Non-fictional Depictions of War During the second World War John Huston became involved, together with other famous Hollywood filmmakers, in the U.S. Government propa­ ganda film production. This paper argues that whereas Report from the Aleutians, Huston's first war documentary, may be incorporated within the propaganda genre, and depicts war as an instance where men may aspire to glory, his second non-fiction film, San Pietro, breaks free of this label and takes a clear, autonomous stand on the ultimate tragedy of war, and on the destruction which it brings about. John Huston established his reputation as an important Hollywood personality in 1941 following his debut as a film director with the now clas­ sic Maltese Falcon. The following year, as the United States became more engaged in the world conflict, he joined the Signal Corps, a body ofthe U.S. Army specialized in film and photographic documentation ofwar. In his au­ tobiography, written several years later, Huston admitted that he did not pay much attention to the enlisting papers given to him by his friend Sy Bartlett. Therefore, when the call came from the Army to report to duty he was rather surprised (Huston 111-2). At the time Huston was a 37-year old man with a promising career in front of him. Busily working on his next film, Across the Pacific, a sequel of sorts to the successful Maltese Falcon, the prospect of direct involvement in the war must have seemed quite foreign to him.
    [Show full text]
  • Escape to Victory : John Huston
    Escape to Victory : John Huston Autor(en): Walder, Martin Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 23 (1981) Heft 122 PDF erstellt am: 23.09.2021 Persistenter Link: http://doi.org/10.5169/seals-867531 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch ESCAPE TO VICTORY Regie: John Huston Künstlerische Berg- und Talfahrten: pfeift gegen die Mannschaft der das ist für den 75jährigen Gefangenen, die denn auch mit John Huston kein Schimpfwort, er erklecklichem Rückstand in die Pause hat sich nie darauf getrimmt, nur geht. Was aber keine Rolle zu Meisterwerke zu hinterlassen, spielen bräuchte, weil just bei Pleiten sind bei dieser Spielernatur Halbzeit tapfere Männer der Rë- stets inbegriffen.
    [Show full text]
  • Jude Gang – Jude Kick-Off
    page 12 // Feature The beautiful game? A special report into racism and antisemitism in Polish and Ukrainian football Wisla Krakow display a violent banner at the start of their local derby against Cracovia HOPE NOT HATE // May-June 2012 The beautiful game? // page 13 The beautiful game? A special report into racism and antisemitism in Polish and Ukrainian football Next month Poland and the Ukraine co-host here was still over four hours the 2012 European Championship finals. It is to kick-off but already the the premier football competition in Europe and away supporters were out in Tforce. Men with red and white striped UEFA is hoping that it will act as a catalyst to shirts filled the main square in Krakow, develop football in Eastern Europe. But with enjoying the sun and chatting amicably. racism and antisemitism rife within Polish and There was not a sip of alcohol in sight but Ukrainian football, Nick Lowles investigates rather a determination of what lay ahead. All around the square riot police, whether Europe’s pre-eminent competition will backed by dogs and a water cannon, be overshadowed by trouble or will the hosting watched on. At 3pm, with the game still many hours of the tournament be used to rid the game of away, the Cracovia fans began to group this problem. together. The threat of violence meant that they had only been allocated 1,000 tickets and all of those lucky recipients appeared to be here. Suddenly, out of the crowd, people emerged carrying large black binbags out of which they distributed free scarves to everyone.
    [Show full text]
  • Iraq War Documentaries in the Online Public Sphere
    Embedded Online: Iraq War Documentaries in the Online Public Sphere Eileen Culloty, MA This thesis is submitted to Dublin City University for the award of PhD in the Faculty of Humanities and Social Sciences. Dublin City University School of Communications Supervisor: Dr. Pat Brereton September 2014 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________ ID No.: ___________ Date: _________ ii DEDICATION This work is dedicated to the memory of Martin Culloty. … I go back beyond the old man Mind and body broken To find the unbroken man. It is the moment before the dance begins. Your lips are enjoying themselves Whistling an air. Whatever happens or cannot happen In the time I have to spare I see you dancing father Brendan Kennelly (1990) ‘I See You Dancing Father’ iii TABLE OF CONTENTS ABSTRACT ............................................................................................................................ vii LIST OF FIGURES ................................................................................................................ viii ABBREVIATIONS ...................................................................................................................
    [Show full text]
  • XXVI:7) John Huston, FAT CITY (1972, 100 Min.)
    February 26, 2013 (XXVI:7) John Huston, FAT CITY (1972, 100 min.) Directed by John Huston Script by Leonard Gardner, based on his novel Produced by John Huston and Ray Stark Cinematography by Conrad L. Hall Edited by Walter Thompson Production Design by Richard Sylbert Set Decoration by Morris Hoffman Costume Design by Dorothy Jeakins Stunts: Nick Bullom and Rachel Schedler Music supervisor: Marvin Hamlisch Fight consultant: Al Silvani First aid: Brad Siniard Stacy Keach…Tully Jeff Bridges…Ernie Susan Tyrrell…Oma Candy Clark…Faye Nicholas Colasanto…Ruben Art Aragon…Babe Curtis Cokes…Earl Sixto Rodriguez…Lucero Billy Walker…Wes Freud, 1961 The Misfits, 1960 The Unforgiven, 1958 The Roots of Wayne Mahan…Buford Heaven, 1958 The Barbarian and the Geisha, 1957 A Farewell to Ruben Navarro…Fuentes Arms (uncredited), 1957 Heaven Knows, Mr. Allison, 1956 Moby Álvaro López…Rosales Dick, 1953 Beat the Devil, 1952 Moulin Rouge, 1951 The African Carl D. Parker…Paymaster Queen, 1951 The Red Badge of Courage, 1950 The Asphalt Jungle, Al Silvani…Referee at Tully-Lucero Fight 1949 We Were Strangers, 1948 Key Largo, 1948 On Our Merry Way (uncredited), 1948 The Treasure of the Sierra Madre, 1946 JOHN HUSTON (director) (b. John Marcellus Huston, August 5, Let There Be Light (documentary), 1945 San Pietro (documentary 1906, Nevada, Missouri – August 28, 1987, Middletown, Rhode short) (uncredited), 1944 Tunisian Victory (documentary) Island) won best screenplay and best director Oscars for The (replacement scenes), 1943 Report from the Aleutians Treasure of the Sierra Madre (1948). His other 48 films are: 1987 (documentary) (uncredited), 1942 Across the Pacific, 1942 The Dead, 1985 Prizzi's Honor, 1984 Under the Volcano, 1982 Winning Your Wings (short), 1942 In This Our Life, and 1941 The Annie, 1981 Victory, 1980 Phobia, 1979 Wise Blood (as Jhon Maltese Falcon.
    [Show full text]
  • War on Film: Military History Education Video Tapes, Motion Pictures, and Related Audiovisual Aids
    War on Film: Military History Education Video Tapes, Motion Pictures, and Related Audiovisual Aids Compiled by Major Frederick A. Eiserman U.S. Army Command and General Staff College Fort Leavenworth, Kansas 66027-6900 Library of Congress Cataloging-in-Publication Data Eiserman, Frederick A., 1949- War on film. (Historical bibliography ; no. 6) Includes index. 1. United States-History, Military-Study and teaching-Audio-visual aids-Catalogs. 2. Military history, Modern-Study and teaching-Audio- visual aids-Catalogs. I. Title. II. Series. E18I.E57 1987 904’.7 86-33376 CONTENTS PREFACE ................................................. vii Chapter One. Introduction ............................... 1 1. Purpose and Scope .................................. 1 2. Warnings and Restrictions .......................... 1 3. Organization of This Bibliography .................. 1 4. Tips for the Instructor ............................... 2 5. How to Order ........................................ 3 6. Army Film Codes ................................... 3 7. Distributor Codes .................................... 3 8. Submission of Comments ............................ 5 Chapter Two. General Military History ................. 7 1. General .............................................. 7 2. Series ................................................ 16 a. The Air Force Story ............................. 16 b. Air Power ....................................... 20 c. Army in Action ................................. 21 d. Between the Wars ..............................
    [Show full text]
  • How to Cite Complete Issue More Information About This Article
    Vibrant: Virtual Brazilian Anthropology ISSN: 1809-4341 Associação Brasileira de Antropologia (ABA) Oliveira, José Hildo de Sports migrants in ‘Central’ and ‘Eastern’ Europe: beyond the existing narratives Vibrant: Virtual Brazilian Anthropology, vol. 17, 2020 Associação Brasileira de Antropologia (ABA) DOI: 10.1590/1809-43412020v17d704 Available in: http://www.redalyc.org/articulo.oa?id=406964062030 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Dossier Flows, Circulations and their Opposites: Ethnographic Perspectives and Theoretical-Methodological Challenges Bodies and (in) flows Sports migrants in ‘Central’ and ‘Eastern’ Europe: beyond the existing narratives José Hildo de Oliveira Filho 1 1 Charles University in Prague, CUNI, Czech Republic Abstract Outside of Europe’s top football leagues, migrant athletes are often subjected to short-term contracts, poor housing conditions, isolation and the ever-present risk of premature career termination due to injuries. This paper is part of a current multi-sited ethnography on Brazilian futsal and football migrants in Central and Eastern Europe. It is based on life-history interviews with migrant players and uses transnational lenses to approach sports migrants’ movements in these regions. The study conceptualises futsal and football as an ethnographic continuum. Football and futsal players participate in similar processes of early professionalisation. However, at the ages of 16 or 17, athletes become professionals in either football or futsal, seeking specialisation. The role that borders, families, injuries and emotions play in the lives of sports migrants are also analysed.
    [Show full text]
  • The British War Film, 1939-1980: Culture, History, and Genre
    The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples.
    [Show full text]
  • The Battle of San Pietro by Ed Carter
    The Battle of San Pietro By Ed Carter Considered by many the greatest American docu- mentary made during World War II, “San Pietro” (aka “The Battle of San Pietro”) was the second of John Huston’s non-fiction war trilogy, after “Report from the Aleutians” (1942), and before “Let There Be Light” (1946). Simultaneously a tribute to the cour- age and heroism of the ordinary foot soldier (a term that Huston’s wartime supervisor Frank Capra pre- ferred to title the film), and an indictment of the waste and futility of this battle and of all war, “San Pietro” stands as a monument to Huston’s talents as director, writer, and speaker of his own well chosen words. Huston had already established his filmmaking cre- A soldier at San Pietro fixes his bayonet to his rifle. dentials prior to his entry into the U.S. Army Signal Courtesy Academy of Motion Picture Arts and Sciences. Corps in April of 1942. He had been nominated for an Academy Award® three times, for writing “Dr. that an “embedded” film team stayed with a single Ehrlich's Magic Bullet” (1940), “Sergeant York” and combat unit for an extended period of time. Huston, “The Maltese Falcon” (both 1941). Ambler, and Jules Buck (Huston’s “fixer” throughout the war, and later a Hollywood producer) even en- After his enlistment, the Signal Corps attached him tered the blasted-out remains of San Pietro before to Capra’s film unit, where he first worked on shoot- the Allied troops they were covering, later returning ing recreations for the documentary “Tunisian to document the shell-shocked villagers emerging Victory.” Next, Capra assigned him to show the daily from their hiding places.
    [Show full text]
  • The Encyclopedia of Stanley Kubrick
    THE ENCYCLOPEDIA OF STANLEY KUBRICK THE ENCYCLOPEDIA OF STANLEY KUBRICK GENE D. PHILLIPS RODNEY HILL with John C.Tibbetts James M.Welsh Series Editors Foreword by Anthony Frewin Afterword by Leon Vitali The Encyclopedia of Stanley Kubrick Copyright © 2002 by Gene D. Phillips and Rodney Hill All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Hill, Rodney, 1965– The encyclopedia of Stanley Kubrick / Gene D. Phillips and Rodney Hill; foreword by Anthony Frewin p. cm.— (Library of great filmmakers) Includes bibliographical references and index. ISBN 0-8160-4388-4 (alk. paper) 1. Kubrick, Stanley—Encyclopedias. I. Phillips, Gene D. II.Title. III. Series. PN1998.3.K83 H55 2002 791.43'0233'092—dc21 [B] 2001040402 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K.Arroyo Cover design by Nora Wertz Illustrations by John C.Tibbetts Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper.
    [Show full text]
  • The Structure of Repetition in the Cinema: Three Hollywood Genres
    The Structure of Repetition in the Cinema: Three Hollywood Genres Inbar Shaham Open University of Israel, Department of Literature, Language, and the Arts Abstract The structure of repetition, as Meir Sternberg (1978) defines it, consists in the repeated presentation of a fabulaic event along the text continuum. It has three types of component members: (1) forecast (e.g., command, scenario); (2) enactment (represent- ing the forecast’s objective realization, as communicated by an authorized narrator); and (3) report (about an enactment, a forecast, or another report, all delivered by some character). This research examines the repetition structure in cinematic narrative: specifically, in heist, adventure, and military operation films. Throughout, the argu- ment proceeds with special reference to these genres, as well as to the cinema’s medium, practice, and conventions in general, often citing literary parallels or precedents for comparison. It examines the different elements that serve to (re)compose the repetition structure for certain ends; the types of member brought together within the structure; their size, number, forms of transmission, order of appearance, representational pro- portion, and possible interrelations (overlap, partial overlap, contradiction, expansion or summary of a previous member). Above all, the analysis relates these interplays themselves to the structure’s functions at the level of plot, meaning, and rhetoric, notably including their generic variations, as exemplified by the three focal genres. This article is based on parts of my doctoral dissertation, “Repetition Structure in the Cinema: From Communicational Exigency to Poetic Device” (Tel Aviv University, 2010). For details, see the appendix. I would like to thank Meir Sternberg for his generous and invaluable guid- ance in all stages of this research, from a BA seminar through an MA thesis and a PhD dissertation to this present publication.
    [Show full text]
  • John Huston: the ASPHALT JUNGLE (1950, 112M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    September 17, 2019 (XXXIX: 4) John Huston: THE ASPHALT JUNGLE (1950, 112m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR John Huston WRITING screenplay adapted by Ben Maddow and John Huston from the W.R. Burnett novel PRODUCED BY Arthur Hornblow Jr. and John Huston MUSIC Miklós Rózsa CINEMATOGRAPHY Harold Rosson EDITING George Boemler The film was nominated for Academy Awards in 1951 for Best Actor in a Supporting Role (Sam Jaffe), Best Director (John Huston), Best Writing, Screenplay (Ben Maddow and John Huston), and Best Cinematography, Black-and- White (Harold Rosson). It was entered into the National Film Registry by the National Film Preservation Board in 2008. § CAST Madre (1948) . He was frequently nominated for Oscars Sterling Hayden...Dix Handley for his writing, directing, production, and, even, acting: Best Writing, Original Screenplay for Dr. Ehrlich's Magic Louis Calhern...Alonzo D. Emmerich Bullet (1940)* and Sergeant York (1941);* Best Writing, Jean Hagen...Doll Conovan Screenplay for The Maltese Falcon (1941),* The Asphalt James Whitmore...Gus Minissi Jungle (1950),***** The African Queen (1951, with James Sam Jaffe...Doc Erwin Riedenschneider Agee);* Best Writing, Screenplay Based on Material from John McIntire...Police Commissioner Hardy Another Medium for Heaven Knows, Mr. Allison (1957)* Marc Lawrence...Cobby and for The Man Who Would Be King (1975);* for Best Barry Kelley...Lt. Ditrich Director for The Asphalt Jungle (1950),***** The African Anthony Caruso...Louis Ciavelli Queen (1951),* Moulin Rouge (1952),***** and for Prizzi's Teresa Celli...Maria Ciavelli Honor (1985); Best Picture for Moulin Rouge (1952)***** Marilyn Monroe...Angela Phinlay and Best Actor in a Supporting Role for The Cardinal William 'Wee Willie' Davis...Timmons (as William Davis) (1963).
    [Show full text]