Boston Symphony Orchestra Concert Programs, Season 51,1931-1932
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
Vornado Realty Trust
SECURITIES AND EXCHANGE COMMISSION FORM 8-K Current report filing Filing Date: 2017-06-05 | Period of Report: 2017-06-05 SEC Accession No. 0001104659-17-037358 (HTML Version on secdatabase.com) FILER VORNADO REALTY TRUST Mailing Address Business Address 888 SEVENTH AVE 888 SEVENTH AVE CIK:899689| IRS No.: 221657560 | State of Incorp.:MD | Fiscal Year End: 0317 NEW YORK NY 10019 NEW YORK NY 10019 Type: 8-K | Act: 34 | File No.: 001-11954 | Film No.: 17889956 212-894-7000 SIC: 6798 Real estate investment trusts VORNADO REALTY LP Mailing Address Business Address 888 SEVENTH AVE 210 ROUTE 4 EAST CIK:1040765| IRS No.: 133925979 | State of Incorp.:DE | Fiscal Year End: 1231 NEW YORK NY 10019 PARAMUS NJ 07652 Type: 8-K | Act: 34 | File No.: 001-34482 | Film No.: 17889957 212-894-7000 SIC: 6798 Real estate investment trusts Copyright © 2017 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, DC 20549 FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of Report (Date of earliest event reported): June 5, 2017 VORNADO REALTY TRUST (Exact Name of Registrant as Specified in Charter) Maryland No. 001-11954 No. 22-1657560 (State or Other (Commission (IRS Employer Jurisdiction of File Number) Identification No.) Incorporation) VORNADO REALTY L.P. (Exact Name of Registrant as Specified in Charter) Delaware No. 001-34482 No. 13-3925979 (State or Other (Commission (IRS Employer Jurisdiction of -
Cbarber Repertoire 2020.Pdf
Carolyn A. Barber University of Nebraska-Lincoln Conducting Repertoire, 2001-present UNL Wind Ensemble 2020 [April 28 concert cancelled due to COVID-19 precautions on campus] March 11, Kimball Recital Hall Joan Tower, Fanfare for the Uncommon Woman No. 1 (1987) Victoria Bond, The Indispensable Man (2010) *Nebraska premiere performance Felicia Sandler, Rosie the Riveter (2000) *Nebraska premiere performance Jonathan Newman, Symphony No. 1: My Hands Are a City (2009) 2019 December 11, Kimball Recital Hall https://youtu.be/4HBj7rIC6vk Gustav Holst, Suite in E-flat (1909) Percy Grainger, arr. Perna, Mock Morris (1910/2016) Joshua Cutting, doctoral associate conductor J.S. Bach, arr. N. Falcone, Passacaglia and Fugue in C minor (1712/1969) Gustav Holst, Bach’s Fugue à la Gigue (1707/1928) Rubén Gómez, doctoral associate conductor Percy Grainger, Colonial Song (1919/1997) Paul Hindemith, Symphony in B-flat (1951) October 2, Kimball Recital Hall https://youtu.be/RkzJB7msUuY Stephen Montague, Intrada 1631 (2003) Donald Grantham, Circa 1600 (2018) Kathryn Salfelder, Crossing Parallels (2011) Bob Margolis, Terpsichore (1981) Roberto Sierra, arr. Scatterday, Tumbao from Sinfonia No. 3 (2005/2009) *Nebraska premiere performance [Spring semester sabbatical – Newell Scholar at Georgia College] 2018 December 5, Kimball Recital Hall https://youtu.be/OwTWlg7jmiI Larry Tuttle, Across the Divide (2018) Carter Pann, The Three Embraces (2013) Cindy McTee, California Counterpoint: The Twittering Machine (1993) Carter Pann, My Brother’s Brain: A Symphony for Winds (2011) Carter Pann, Floyd’s Fantastic Five-Alarm Foxy Frolic (2009) October 3, Kimball Recital Hall Bernard Rogers, Three Japanese Dances: Dance with Pennons (1933/1956) Jennifer Jolley, The Eyes of the World Are Upon You (2017) *Nebraska premiere performance Frank Ticheli, Amazing Grace (1994) Rubén Gómez, doctoral associate conductor David Maslanka, Symphony No. -
Annual Report for the As a Result of the National Financial Environment, Throughout 2009, US Congress Calendar Year 2009, Pursuant to Section 43 of the Banking Law
O R K Y S T W A E T E N 2009 B T A ANNUAL N N E K M REPORT I N T G R D E P A WWW.BANKING.STATE.NY.US 1-877-BANK NYS One State Street Plaza New York, NY 10004 (212) 709-3500 80 South Swan Street Albany, NY 12210 (518) 473-6160 333 East Washington Street Syracuse, NY 13202 (315) 428-4049 September 15, 2010 To the Honorable David A. Paterson and Members of the Legislature: I hereby submit the New York State Banking Department Annual Report for the As a result of the national financial environment, throughout 2009, US Congress calendar year 2009, pursuant to Section 43 of the Banking Law. debated financial regulatory reform legislation. While the regulatory debate developed on the national stage, the Banking Department forged ahead with In 2009, the New York State Banking Department regulated more than 2,700 developing and implementing new state legislation and regulations to address financial entities providing services in New York State, including both depository the immediate crisis and avoid a similar crisis in the future. and non-depository institutions. The total assets of the depository institutions supervised exceeded $2.2 trillion. State Regulation: During 2009, what began as a subprime mortgage crisis led to a global downturn As one of the first states to identify the mortgage crisis, New York was fast in economic activity, leading to decreased employment, decreased borrowing to act on developing solutions. Building on efforts from 2008, in December and spending, and a general contraction in the financial industry as a whole. -
Richard Wagner(1813 – 1883)
SUPER AUDIO CD NEEME JÄRVI CONDUCTS Overtures and Preludes Royal Scottish National Orchestra Richard Wagner, May 1865 May Wagner, Richard Photograph by Josef Albert (1825 – 1886) / AKG Images, London / Imagno Richard Wagner (1813 – 1883) Overtures and Preludes 1 Overture to ‘Die Feen’, WWV 32* 10:48 Adagio – Un poco meno adagio – Tempo I – Allegro con molto fuoco – Più allegro 2 Overture to ‘Columbus’, WWV 37† 8:02 Edited 1907 by Felix Mottl (1856 – 1911) as concert overture with the title Christoph Columbus Allegro molto agitato – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante maestoso – Tempo I – Andante – Tempo I – Andante – Presto 3 Overture to ‘Das Liebesverbot’, WWV 38* 8:10 Molto vivace – Allegro con fuoco – Presto 4 Overture to ‘Rienzi, der Letzte der Tribunen’, WWV 49‡ 11:16 Molto sostenuto e maestoso – Allegro energico – Un poco più vivace – Molto più stretto 3 5 Eine Faust-Ouvertüre, WWV 59† 11:03 Sehr gehalten – Sehr bewegt – Sehr allmählich das Tempo etwas zurückhalten – A tempo – Wild 6 Overture to ‘Der fliegende Holländer’, WWV 63‡ 11:00 Allegro con brio – Andante – Animando un poco – Tempo I – Molto animato – Un poco ritenuto [not previously released] 7 Prelude to Act III of ‘Lohengrin’, WWV 75* 3:04 Sehr lebhaft 8 Prelude to ‘Tristan und Isolde’, WWV 90* 6:43 Langsam und schmachtend 9 Prelude to ‘Die Meistersinger von Nürnberg’, WWV 96† 8:56 Sehr mäßig bewegt – Bewegt, doch immer noch etwas breit – Mäßig im Hauptzeitmaß – Im mäßigen Hauptzeitmaß – Sehr gewichtig TT 80:00 Royal Scottish National Orchestra William Chandler* • Peter Thomas† • Maya Iwabuchi‡ leaders Neeme Järvi 4 Wagner: Overtures and Preludes Overture to ‘Die Feen’ Overture to ‘Columbus’ / Eine Faust- Even if the overall style of Wagner’s first great Ouvertüre romantic, although less well-known, opera, That Wagner wrote instrumental music for Die Feen, WWV 32 (1833 – 34), based on a spoken drama appears as no accident in the La donna serpente by Carlo Gozzi, owes its essentials light of his later œuvre. -
Boston Symphony Orchestra Concert Programs, Season 50,1930
PRSGREttAE TO THE MUSIC LOVER The BRAMBACH Grand is truly a great instrument. It is made of the finest mate- rials by an organization that is 107 years old. $ In the making of BRAMBACH Pianos 675 there is no thought of quantity ... no con- sideration of numbers. Each instrument is only an entity in itself ... 4 ft. 10 in. an individual unit, as long carefully wrought, as deftly constructed, and containing the same measure of imagination and idealism as any other masterpiece of art. Convenient Terms CCtlARYEY® 144 Boylston Street Tel. HANcock 5180 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 Boston Symphony Orchestra INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTIETH SEASON, 1930-1931 Programme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL WILLIAM PHILLIPS M. A. DE WOLFE HOWE EDWARD M. PICKMAN JOHN ELLERTON LODGE HENRY B. SAWYER BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1625 ^fr THE STEINWAY, GRACEFULLY DECORATIVE, BEAUTIFUL OF TONE, 1% EASILY WITHIN YOUR REACH You can have a Steinway in your living-room now by making a 10% first payment, and the balance will be extended over a period of three years ! Make a visit to your nearest Steinway dealer today and select your instrument. • There are Steinways of various sizes and prices, but there is never any variation in quality. -
Riccardo Muti Conductor Michele Campanella Piano Eric Cutler Tenor Men of the Chicago Symphony Chorus Duain Wolfe Director Wagne
Program ONE huNdrEd TwENTy-FirST SEASON Chicago Symphony orchestra riccardo muti Music director Pierre Boulez helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Friday, September 30, 2011, at 8:00 Saturday, October 1, 2011, at 8:00 Tuesday, October 4, 2011, at 7:30 riccardo muti conductor michele Campanella piano Eric Cutler tenor men of the Chicago Symphony Chorus Duain Wolfe director Wagner Huldigungsmarsch Liszt Piano Concerto No. 1 in E-flat Major Allegro maestoso Quasi adagio— Allegretto vivace— Allegro marziale animato MiChElE CampanellA IntErmISSIon Liszt A Faust Symphony Faust: lento assai—Allegro impetuoso Gretchen: Andante soave Mephistopheles: Allegro vivace, ironico EriC CuTlEr MEN OF ThE Chicago SyMPhONy ChOruS This concert series is generously made possible by Mr. & Mrs. Dietrich M. Gross. The Chicago Symphony Orchestra thanks Mr. & Mrs. John Giura for their leadership support in partially sponsoring Friday evening’s performance. CSO Tuesday series concerts are sponsored by United Airlines. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PhilliP huSChEr ne hundred years ago, the Chicago Symphony paid tribute Oto the centenary of the birth of Franz Liszt with the pro- gram of music Riccardo Muti conducts this week to honor the bicentennial of the composer’s birth. Today, Liszt’s stature in the music world seems diminished—his music is not all that regularly performed, aside from a few works, such as the B minor piano sonata, that have never gone out of favor; and he is more a name in the history books than an indispensable part of our concert life. -
200 Anos De Franz Liszt: II. Transcrições E Experiências Harmônicas
200 anos de Franz Liszt: II. Transcrições e Experiências harmônicas Transcrições “Franz Liszt, am Flügel phantasieren”, pintura de 1840 de Josef Danhauser A metade da obra catalogada de Liszt (no total de quase 1000) são transcrições das obras de outros compositores para piano solo – como sinfonias, canções e obras camerísticas. Mas Liszt é o primeiro pianista a dar à transcrição um papel que vai muito além de uma “redução” funcional de podermos ver uma obra grandiosa resumida em duas claves, pois ele transforma a transcrição em uma verdadeira tradução da obra para uma nova linguagem, a linguagem do piano. São famosas as suas transcrições das sinfonias de Beethoven, mas há também a transcrição da Sinfonia “Fantástica” de Berlioz, do “Liebestod” do Tristão e Isolda de Wagner, de diversas canções de Schubert e até do Requiem de Mozart. O que chama a atenção nas transcrições não é apenas que elas acabaram contribuindo para a própria história da escrita pianística ao buscarem recursos que dessem conta de outras sonoridades, texturas e dimensões, mas também como Liszt concebia a transcrição como uma obra própria, que deveria se justificar independentemente da obra original e por isso demandava necessidades próprias, que ele poderia resolver com compassos totalmente novos. Como exemplo, compare-se a belíssima canção “Kriegers Ahnung” do ciclo Schwanengesang (1828) de Schubert: [audio:http://euterpe.blog.br/wp-content/uploads/2011/10/Schubert-Lieder-D-95 7-Schwanengesang-02.-Kriegers-Ahnung-D.-Fischer-Dieskau-G.- Moore-1957.mp3|titles=Schubert – Lieder D 957 ‘Schwanengesang’ – 02. Kriegers Ahnung (D. Fischer-Dieskau & G. Moore – 1957)] O libretto em alemão seguido de uma tradução em português pode ser acessado aqui. -
SUPPLEMENTAL OPERATING and FINANCIAL DATA for the Quarter Ended September 30, 2014
SUPPLEMENTAL OPERATING AND FINANCIAL DATA For the Quarter Ended September 30, 2014 INDEX Page Investor Information 2 2014 Business Developments 3 - 5 Common Shares Data 6 Financial Highlights 7 Funds From Operations 8 - 9 Funds Available for Distribution 10 Net Income / EBITDA (Consolidated and by Segment) 11 - 16 EBITDA by Segment and Region 17 Consolidated Balance Sheets 18 Capital Structure 19 Debt Analysis 20 - 22 Unconsolidated Joint Ventures 23 - 25 Square Footage 26 Top 30 Tenants 27 Lease Expirations 28 - 30 Leasing Activity 31 - 32 Occupancy, Same Store EBITDA and Residential Statistics 33 Capital Expenditures 34 - 38 Development Costs and Construction in Progress 39 Property Table 40 - 57 Certain statements contained herein constitute forward-looking statements as such term is defined in Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. Forward-looking statements are not guarantees of performance. They represent our intentions, plans, expectations and beliefs and are subject to numerous assumptions, risks and uncertainties. Our future results, financial condition and business may differ materially from those expressed in these forward- looking statements. You can find many of these statements by looking for words such as “approximates,” “believes,” “expects,” “anticipates,” “estimates,” “intends,” “plans,” “would,” “may” or other similar expressions in this supplemental package. Many of the factors that will determine the outcome of these and our other forward-looking statements are beyond our ability to control or predict. For further discussion of factors that could materially affect the outcome of our forward-looking statements, see “Item 1A. -
Adam Schoenberg
SCHEDULE OF PERFORMANCES AND EVENTS - check denison.edu/series/tutti Monday, March 4, 6:30 pm, Knapp Performance Space Artist Talk with Vail Visiting Artist Tara Booth, ‘Inward & Onward: The Contemporary Ceramics of Tara Booth,’ Tuesday March 5, 10:00 am Swasey Chapel Workshop with Third Coast Percussion, ‘Think Outside the Drum” 8:00 pm, Denison Museum The Weather Project - Artist Talk and Concert with Nathalie Miebach and Student Composers Concert with ETHEL and Students, Wednesday, March 6, 1:30 pm, Swasey Chapel Composers Workshop with Third Coast Percussion on Composition, Swasey Chapel 6:30 pm, Burke Recital Hall Composition and Improvisation: Philosophers and Musicians in Dialogue with John Carvalho, Ted Gracyk, Mark Lomax II and ETHEL Thursday, March 7, 11:30 am, Burke Rehearsal Hall Composition Seminar with Adam Schoenberg, 3:00 pm, Burke Recital Hall Concert One with Guest Artists and the Columbus Symphony Quartet 7:00 pm, Burke Recital Hall Concert Two with Denison Wind Ensemble and Symphony Orchestra, with guest artists ETHEL Friday, March 8, 10:00 am, Burke Recital Hall Concert Three with Faculty, Students and Guest Artists 11:30 am, Burke Rehearsal Room Conversation with: Third Coast Percussion, ETHEL, and Adam Schoenberg 3:00 pm, Burke Recital Hall Concert Four with Chamber Singers, Jazz Ensemble, Faculty and Guest Artists 7:00 pm, Burke Recital Hall Concert Five ‘Words and Music with ETHEL and Michael Lockwood Crouch, actor, and Denison Creative Writing Students, Saturday, March 9, 10:00 am, Knapp Performance Space Concert Six with Faculty and Guest Artists, 11:00 am, Composers Forum - Knapp (various locations) - Composers 3:00 pm, Burke Recital Hall Concert Seven ‘New American Music Project 3. -
SUPPLEMENTAL OPERATING and FINANCIAL DATA for the Quarter Ended June 30, 2013
SUPPLEMENTAL OPERATING AND FINANCIAL DATA For the Quarter Ended June 30, 2013 INDEX Page Investor Information 2 2013 Business Developments 3 - 4 Common Shares Data 5 Financial Highlights 6 Funds From Operations 7 - 8 Funds Available for Distribution 9 Net Income / EBITDA (Consolidated and by Segment) 10 - 15 EBITDA by Segment and Region 16 Consolidated Balance Sheets 17 Capital Structure 18 Debt Analysis 19 - 21 Unconsolidated Joint Ventures 22 - 24 Square Footage 25 Top 30 Tenants 26 Lease Expirations 27 - 29 Leasing Activity 30 - 31 Occupancy and Same Store EBITDA 32 Capital Expenditures 33 - 37 Property Table 38 - 55 Certain statements contained herein constitute forward-looking statements as such term is defined in Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. Forward-looking statements are not guarantees of performance. They represent our intentions, plans, expectations and beliefs and are subject to numerous assumptions, risks and uncertainties. Our future results, financial condition and business may differ materially from those expressed in these forward- looking statements. You can find many of these statements by looking for words such as “approximates,” “believes,” “expects,” “anticipates,” “estimates,” “intends,” “plans,” “would,” “may” or other similar expressions in this supplemental package. Many of the factors that will determine the outcome of these and our other forward-looking statements are beyond our ability to control or predict. For further discussion of factors that could materially affect the outcome of our forward-looking statements, see “Item 1A. Risk Factors” in our Annual Report on Form 10-K for the year ended December 31, 2012. -
Vno- 12.31.20
INDEX Page COVID-19 PANDEMIC 3 BUSINESS DEVELOPMENTS 4 - 5 FINANCIAL INFORMATION Financial Highlights 6 FFO, As Adjusted Bridge 7 Net (Loss) Income Attributable to Common Shareholders (Consolidated and by Segment) 8 - 11 Net Operating Income at Share and Net Operating Income at Share - Cash Basis (by Segment and by Subsegment) 12 - 15 Same Store NOI at Share and Same Store NOI at Share - Cash Basis and NOI at Share By Region 16 Consolidated Balance Sheets 17 LEASING ACTIVITY AND LEASE EXPIRATIONS Leasing Activity 18 - 19 Lease Expirations 20 - 22 TRAILING TWELVE MONTH PRO-FORMA CASH NOI AT SHARE 23 DEBT AND CAPITALIZATION Capital Structure 24 Common Shares Data 25 Debt Analysis 26 Consolidated Debt Maturities 27 UNCONSOLIDATED JOINT VENTURES 28 - 30 DEVELOPMENT ACTIVITY AND CAPITAL EXPENDITURES Penn District Active Development/Redevelopment Summary 31 Other Development/Redevelopment Summary 32 Capital Expenditures, Tenant Improvements and Leasing Commissions 33 - 36 PROPERTY STATISTICS Square Footage 37 Top 30 Tenants 38 Occupancy and Residential Statistics 39 Ground Leases 40 Property Table 41 - 51 EXECUTIVE OFFICERS AND RESEARCH COVERAGE 52 APPENDIX: DEFINITIONS AND NON-GAAP RECONCILIATIONS Definitions i Reconciliations ii - xvi Certain statements contained herein constitute forward-looking statements as such term is defined in Section 27A of the Securities Act of 1933, as amended, and Section 21E of the Securities Exchange Act of 1934, as amended. Forward-looking statements are not guarantees of performance. They represent our intentions, plans, expectations and beliefs and are subject to numerous assumptions, risks and uncertainties. Our future results, financial condition and business may differ materially from those expressed in these forward-looking statements.